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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EED722 it is the complementary color #1128DD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EED722. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EED722 shade: #F3D71D, #FFE930, #FFFB43, #FFFF56 and #FFFF69

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EED722. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EED722 shade: #EED722, #DDC50F, #CCB300, #BBA100 and #AA8F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EED722 shade: #EED720, #EE9F20, #EE6820, #EE3020 and #EE2020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EED722 shade: #EED720, #CEEE20, #96EE20, #5FEE20 and #27EE20

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EED722 shade matches the following richer shades: #EED720

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EED722 shade: #EED720, #DBC833, #C7B947, #B4AA5A and #A19B6E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EED722 shade: #EE6820, #EE9F20, #EED620, #CFEE20 and #98EE20

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EED722 shade: #AF9C0D, #D5BF10, #EED720, #F1DE46 and #F4E56D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EED722 shade: #EED722, #20EE31 and #8420EE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EED722 shade: #EED722, #20EED6 and #D620EE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EED722 shade: #EED722, #20EE31, #2038EE and #EE20DD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EED722 shade: #EED722, #20EE6F, #2038EE and #EE209F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 86 / 7

HEX #EED722

RGB 238 215 34

HSL 53.24, 0.86%, 0.53%

LAB 85.45, -8.73, 81.01

 

Complementary color

CMYK 92 / 82 / 0 / 13

HEX #1128DD

RGB 17 40 221

HSL 233.24, 0.86%, 0.47%

LAB 31.48, 59.66, -89.92

 

CMYK 0 / 12 / 88 / 5

HEX #F3D71D

RGB 243 215 29

HSL 52.15, 0.9%, 0.53%

LAB 85.88, -6.7, 82.51

 

CMYK 0 / 9 / 81 / 0

HEX #FFE930

RGB 255 233 48

HSL 53.62, 1%, 0.59%

LAB 91.57, -10.19, 83.45

 

CMYK 0 / 2 / 74 / 0

HEX #FFFB43

RGB 255 251 67

HSL 58.72, 1%, 0.63%

LAB 96.27, -18.32, 82.27

 

CMYK 0 / 0 / 66 / 0

HEX #FFFF56

RGB 255 255 86

HSL 60, 1%, 0.67%

LAB 97.41, -19.37, 76.95

 

CMYK 0 / 0 / 59 / 0

HEX #FFFF69

RGB 255 255 105

HSL 60, 1%, 0.71%

LAB 97.55, -18.25, 69.7

 

CMYK 0 / 10 / 86 / 7

HEX #EED722

RGB 238 215 34

HSL 53.24, 0.86%, 0.53%

LAB 85.45, -8.73, 81.01

 

CMYK 0 / 11 / 93 / 13

HEX #DDC50F

RGB 221 197 15

HSL 53.01, 0.87%, 0.46%

LAB 79.24, -7.22, 78.71

 

CMYK 0 / 12 / 100 / 20

HEX #CCB300

RGB 204 179 0

HSL 52.65, 1%, 0.4%

LAB 72.94, -5.52, 75.03

 

CMYK 0 / 14 / 100 / 27

HEX #BBA100

RGB 187 161 0

HSL 51.66, 1%, 0.37%

LAB 66.56, -3.6, 69.75

 

CMYK 0 / 16 / 100 / 33

HEX #AA8F00

RGB 170 143 0

HSL 50.47, 1%, 0.33%

LAB 60.06, -1.62, 64.38

 

CMYK 0 / 10 / 87 / 7

HEX #EED720

RGB 238 215 32

HSL 53.3, 0.86%, 0.53%

LAB 85.44, -8.77, 81.41

 

CMYK 0 / 33 / 87 / 7

HEX #EE9F20

RGB 238 159 32

HSL 36.99, 0.86%, 0.53%

LAB 71.61, 20.33, 70.34

 

CMYK 0 / 56 / 87 / 7

HEX #EE6820

RGB 238 104 32

HSL 20.97, 0.86%, 0.53%

LAB 60.05, 48.35, 61.1

 

CMYK 0 / 80 / 87 / 7

HEX #EE3020

RGB 238 48 32

HSL 4.66, 0.86%, 0.53%

LAB 52.28, 69.37, 54.9

 

CMYK 0 / 87 / 87 / 7

HEX #EE2020

RGB 238 32 32

HSL 0, 0.86%, 0.53%

LAB 51.05, 72.87, 53.92

 

CMYK 0 / 10 / 87 / 7

HEX #EED720

RGB 238 215 32

HSL 53.3, 0.86%, 0.53%

LAB 85.44, -8.77, 81.41

 

CMYK 13 / 0 / 87 / 7

HEX #CEEE20

RGB 206 238 32

HSL 69.32, 0.86%, 0.53%

LAB 89.1, -33.13, 83.34

 

CMYK 37 / 0 / 87 / 7

HEX #96EE20

RGB 150 238 32

HSL 85.63, 0.86%, 0.53%

LAB 85.87, -54.05, 79.35

 

CMYK 60 / 0 / 87 / 7

HEX #5FEE20

RGB 95 238 32

HSL 101.65, 0.86%, 0.53%

LAB 83.8, -69.92, 76.76

 

CMYK 84 / 0 / 87 / 7

HEX #27EE20

RGB 39 238 32

HSL 117.96, 0.86%, 0.53%

LAB 82.75, -78.98, 75.43

 

CMYK 0 / 10 / 87 / 7

HEX #EED720

RGB 238 215 32

HSL 53.3, 0.86%, 0.53%

LAB 85.44, -8.77, 81.41

 

CMYK 0 / 10 / 87 / 7

HEX #EED720

RGB 238 215 32

HSL 53.3, 0.86%, 0.53%

LAB 85.44, -8.77, 81.41

 

CMYK 0 / 9 / 77 / 14

HEX #DBC833

RGB 219 200 51

HSL 53.21, 0.7%, 0.53%

LAB 79.96, -8.74, 71.19

 

CMYK 0 / 7 / 64 / 22

HEX #C7B947

RGB 199 185 71

HSL 53.44, 0.53%, 0.53%

LAB 74.38, -8.6, 57.66

 

CMYK 0 / 6 / 50 / 29

HEX #B4AA5A

RGB 180 170 90

HSL 53.33, 0.38%, 0.53%

LAB 68.89, -7.37, 42.18

 

CMYK 0 / 4 / 32 / 37

HEX #A19B6E

RGB 161 155 110

HSL 52.94, 0.21%, 0.53%

LAB 63.46, -5, 24.43

 

CMYK 0 / 56 / 87 / 7

HEX #EE6820

RGB 238 104 32

HSL 20.97, 0.86%, 0.53%

LAB 60.05, 48.35, 61.1

 

CMYK 0 / 33 / 87 / 7

HEX #EE9F20

RGB 238 159 32

HSL 36.99, 0.86%, 0.53%

LAB 71.61, 20.33, 70.34

 

CMYK 0 / 10 / 87 / 7

HEX #EED620

RGB 238 214 32

HSL 53.01, 0.86%, 0.53%

LAB 85.19, -8.27, 81.2

 

CMYK 13 / 0 / 87 / 7

HEX #CFEE20

RGB 207 238 32

HSL 69.03, 0.86%, 0.53%

LAB 89.17, -32.73, 83.43

 

CMYK 36 / 0 / 87 / 7

HEX #98EE20

RGB 152 238 32

HSL 85.05, 0.86%, 0.53%

LAB 85.97, -53.37, 79.47

 

CMYK 0 / 11 / 93 / 31

HEX #AF9C0D

RGB 175 156 13

HSL 52.96, 0.86%, 0.37%

LAB 64.1, -6.18, 65.66

 

CMYK 0 / 10 / 92 / 16

HEX #D5BF10

RGB 213 191 16

HSL 53.3, 0.86%, 0.45%

LAB 76.95, -7.61, 76.53

 

CMYK 0 / 10 / 87 / 7

HEX #EED720

RGB 238 215 32

HSL 53.3, 0.86%, 0.53%

LAB 85.44, -8.77, 81.41

 

CMYK 0 / 8 / 71 / 5

HEX #F1DE46

RGB 241 222 70

HSL 53.33, 0.86%, 0.61%

LAB 87.67, -9.76, 72.71

 

CMYK 0 / 6 / 55 / 4

HEX #F4E56D

RGB 244 229 109

HSL 53.33, 0.86%, 0.69%

LAB 90.03, -9.66, 59.34

 

CMYK 0 / 10 / 86 / 7

HEX #EED722

RGB 238 215 34

HSL 53.24, 0.86%, 0.53%

LAB 85.45, -8.73, 81.01

 

CMYK 87 / 0 / 79 / 7

HEX #20EE31

RGB 32 238 49

HSL 124.95, 0.86%, 0.53%

LAB 82.74, -78.78, 71.41

 

CMYK 45 / 87 / 0 / 7

HEX #8420EE

RGB 132 32 238

HSL 269.13, 0.86%, 0.53%

LAB 41.39, 74.95, -82.92

 

CMYK 0 / 10 / 86 / 7

HEX #EED722

RGB 238 215 34

HSL 53.24, 0.86%, 0.53%

LAB 85.45, -8.73, 81.01

 

CMYK 87 / 0 / 10 / 7

HEX #20EED6

RGB 32 238 214

HSL 173.01, 0.86%, 0.53%

LAB 85.15, -51.26, -1.54

 

CMYK 10 / 87 / 0 / 7

HEX #D620EE

RGB 214 32 238

HSL 293.01, 0.86%, 0.53%

LAB 53.49, 86.31, -62.69

 

CMYK 0 / 10 / 86 / 7

HEX #EED722

RGB 238 215 34

HSL 53.24, 0.86%, 0.53%

LAB 85.45, -8.73, 81.01

 

CMYK 87 / 0 / 79 / 7

HEX #20EE31

RGB 32 238 49

HSL 124.95, 0.86%, 0.53%

LAB 82.74, -78.78, 71.41

 

CMYK 87 / 76 / 0 / 7

HEX #2038EE

RGB 32 56 238

HSL 233.01, 0.86%, 0.53%

LAB 36.57, 57.53, -91.15

 

CMYK 0 / 87 / 7 / 7

HEX #EE20DD

RGB 238 32 221

HSL 304.95, 0.86%, 0.53%

LAB 56.52, 87.88, -48.04

 

CMYK 0 / 10 / 86 / 7

HEX #EED722

RGB 238 215 34

HSL 53.24, 0.86%, 0.53%

LAB 85.45, -8.73, 81.01

 

CMYK 87 / 0 / 53 / 7

HEX #20EE6F

RGB 32 238 111

HSL 143.01, 0.86%, 0.53%

LAB 83.23, -72.66, 48.09

 

CMYK 87 / 76 / 0 / 7

HEX #2038EE

RGB 32 56 238

HSL 233.01, 0.86%, 0.53%

LAB 36.57, 57.53, -91.15

 

CMYK 0 / 87 / 33 / 7

HEX #EE209F

RGB 238 32 159

HSL 323.01, 0.86%, 0.53%

LAB 53.72, 80.42, -16.5

 

Description

Color code: HEX #EED722 | qconv.com Color code: HEX #EED722 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 215 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 215 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 86 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 86% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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