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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EED536 it is the complementary color #112AC9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EED536. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EED536 shade: #F3D531, #FFE744, #FFF957, #FFFF6A and #FFFF7D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EED536. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EED536 shade: #EED536, #DDC323, #CCB110, #BB9F00 and #AA8D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EED536 shade: #EDD435, #EDA335, #ED7135, #ED3F35 and #ED3535

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EED536 shade: #EDD435, #D5ED35, #A3ED35, #71ED35 and #40ED35

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EED536 shade matches the following richer shades: #EDD435

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EED536 shade: #EDD435, #DCC847, #CABB59, #B8AE6A and #A6A17C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EED536 shade: #ED7035, #EDA135, #EDD235, #D8ED35 and #A7ED35

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EED536 shade: #C0A811, #E5C914, #EDD435, #F1DC5B and #F4E481

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EED536 shade: #EED536, #35ED3E and #8835ED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EED536 shade: #EED536, #35EDD2 and #D235ED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EED536 shade: #EED536, #35ED3E, #3551ED and #ED35E4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EED536 shade: #EED536, #35ED76, #3551ED and #ED35AD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 77 / 7

HEX #EED536

RGB 238 213 54

HSL 51.85, 0.84%, 0.57%

LAB 85.01, -7.15, 75.46

 

Complementary color

CMYK 92 / 79 / 0 / 21

HEX #112AC9

RGB 17 42 201

HSL 231.85, 0.84%, 0.43%

LAB 29.39, 52.37, -81.79

 

CMYK 0 / 12 / 80 / 5

HEX #F3D531

RGB 243 213 49

HSL 50.72, 0.89%, 0.57%

LAB 85.44, -5.2, 77.48

 

CMYK 0 / 9 / 73 / 0

HEX #FFE744

RGB 255 231 68

HSL 52.3, 1%, 0.63%

LAB 91.16, -8.51, 77.17

 

CMYK 0 / 2 / 66 / 0

HEX #FFF957

RGB 255 249 87

HSL 57.86, 1%, 0.67%

LAB 95.87, -16.43, 75.03

 

CMYK 0 / 0 / 58 / 0

HEX #FFFF6A

RGB 255 255 106

HSL 60, 1%, 0.71%

LAB 97.56, -18.18, 69.3

 

CMYK 0 / 0 / 51 / 0

HEX #FFFF7D

RGB 255 255 125

HSL 60, 1%, 0.75%

LAB 97.74, -16.78, 61.29

 

CMYK 0 / 11 / 77 / 7

HEX #EED536

RGB 238 213 54

HSL 51.85, 0.84%, 0.57%

LAB 85.01, -7.15, 75.46

 

CMYK 0 / 12 / 84 / 13

HEX #DDC323

RGB 221 195 35

HSL 51.61, 0.73%, 0.5%

LAB 78.77, -5.83, 74.69

 

CMYK 0 / 13 / 92 / 20

HEX #CCB110

RGB 204 177 16

HSL 51.38, 0.85%, 0.43%

LAB 72.44, -4.29, 72.75

 

CMYK 0 / 15 / 100 / 27

HEX #BB9F00

RGB 187 159 0

HSL 51.02, 1%, 0.37%

LAB 66.03, -2.54, 69.37

 

CMYK 0 / 17 / 100 / 33

HEX #AA8D00

RGB 170 141 0

HSL 49.76, 1%, 0.33%

LAB 59.52, -0.52, 64

 

CMYK 0 / 11 / 78 / 7

HEX #EDD435

RGB 237 212 53

HSL 51.85, 0.84%, 0.57%

LAB 84.66, -7.1, 75.41

 

CMYK 0 / 31 / 78 / 7

HEX #EDA335

RGB 237 163 53

HSL 35.87, 0.84%, 0.57%

LAB 72.53, 18.4, 64.3

 

CMYK 0 / 52 / 78 / 7

HEX #ED7135

RGB 237 113 53

HSL 19.57, 0.84%, 0.57%

LAB 61.72, 44.25, 53.92

 

CMYK 0 / 73 / 78 / 7

HEX #ED3F35

RGB 237 63 53

HSL 3.26, 0.84%, 0.57%

LAB 53.83, 65.21, 45.97

 

CMYK 0 / 78 / 78 / 7

HEX #ED3535

RGB 237 53 53

HSL 0, 0.84%, 0.57%

LAB 52.74, 68.27, 44.84

 

CMYK 0 / 11 / 78 / 7

HEX #EDD435

RGB 237 212 53

HSL 51.85, 0.84%, 0.57%

LAB 84.66, -7.1, 75.41

 

CMYK 10 / 0 / 78 / 7

HEX #D5ED35

RGB 213 237 53

HSL 67.83, 0.84%, 0.57%

LAB 89.38, -29.23, 78.94

 

CMYK 31 / 0 / 78 / 7

HEX #A3ED35

RGB 163 237 53

HSL 84.13, 0.84%, 0.57%

LAB 86.31, -48.35, 75.01

 

CMYK 52 / 0 / 78 / 7

HEX #71ED35

RGB 113 237 53

HSL 100.43, 0.84%, 0.57%

LAB 84.14, -64.15, 72.2

 

CMYK 73 / 0 / 78 / 7

HEX #40ED35

RGB 64 237 53

HSL 116.41, 0.84%, 0.57%

LAB 82.87, -74.59, 70.54

 

CMYK 0 / 11 / 78 / 7

HEX #EDD435

RGB 237 212 53

HSL 51.85, 0.84%, 0.57%

LAB 84.66, -7.1, 75.41

 

CMYK 0 / 11 / 78 / 7

HEX #EDD435

RGB 237 212 53

HSL 51.85, 0.84%, 0.57%

LAB 84.66, -7.1, 75.41

 

CMYK 0 / 9 / 68 / 14

HEX #DCC847

RGB 220 200 71

HSL 51.95, 0.68%, 0.57%

LAB 80.17, -7.4, 64.25

 

CMYK 0 / 7 / 56 / 21

HEX #CABB59

RGB 202 187 89

HSL 52.04, 0.52%, 0.57%

LAB 75.34, -7.11, 50.73

 

CMYK 0 / 5 / 42 / 28

HEX #B8AE6A

RGB 184 174 106

HSL 52.31, 0.35%, 0.57%

LAB 70.53, -6.23, 36.12

 

CMYK 0 / 3 / 25 / 35

HEX #A6A17C

RGB 166 161 124

HSL 52.86, 0.19%, 0.57%

LAB 65.79, -4.31, 19.96

 

CMYK 0 / 53 / 78 / 7

HEX #ED7035

RGB 237 112 53

HSL 19.24, 0.84%, 0.57%

LAB 61.52, 44.74, 53.73

 

CMYK 0 / 32 / 78 / 7

HEX #EDA135

RGB 237 161 53

HSL 35.22, 0.84%, 0.57%

LAB 72.06, 19.46, 63.86

 

CMYK 0 / 11 / 78 / 7

HEX #EDD235

RGB 237 210 53

HSL 51.2, 0.84%, 0.57%

LAB 84.15, -6.09, 74.95

 

CMYK 9 / 0 / 78 / 7

HEX #D8ED35

RGB 216 237 53

HSL 66.85, 0.84%, 0.57%

LAB 89.59, -28.02, 79.21

 

CMYK 30 / 0 / 78 / 7

HEX #A7ED35

RGB 167 237 53

HSL 82.83, 0.84%, 0.57%

LAB 86.52, -46.91, 75.28

 

CMYK 0 / 13 / 91 / 25

HEX #C0A811

RGB 192 168 17

HSL 51.77, 0.84%, 0.41%

LAB 68.93, -4.86, 69.42

 

CMYK 0 / 12 / 91 / 10

HEX #E5C914

RGB 229 201 20

HSL 51.96, 0.84%, 0.49%

LAB 81.01, -5.74, 79.68

 

CMYK 0 / 11 / 78 / 7

HEX #EDD435

RGB 237 212 53

HSL 51.85, 0.84%, 0.57%

LAB 84.66, -7.1, 75.41

 

CMYK 0 / 9 / 62 / 5

HEX #F1DC5B

RGB 241 220 91

HSL 51.6, 0.84%, 0.65%

LAB 87.31, -7.62, 64.11

 

CMYK 0 / 7 / 47 / 4

HEX #F4E481

RGB 244 228 129

HSL 51.65, 0.84%, 0.73%

LAB 90, -7.5, 49.98

 

CMYK 0 / 11 / 77 / 7

HEX #EED536

RGB 238 213 54

HSL 51.85, 0.84%, 0.57%

LAB 85.01, -7.15, 75.46

 

CMYK 78 / 0 / 74 / 7

HEX #35ED3E

RGB 53 237 62

HSL 122.93, 0.84%, 0.57%

LAB 82.74, -75.53, 67.54

 

CMYK 43 / 78 / 0 / 7

HEX #8835ED

RGB 136 53 237

HSL 267.07, 0.84%, 0.57%

LAB 44.08, 68.54, -77.92

 

CMYK 0 / 11 / 77 / 7

HEX #EED536

RGB 238 213 54

HSL 51.85, 0.84%, 0.57%

LAB 85.01, -7.15, 75.46

 

CMYK 78 / 0 / 11 / 7

HEX #35EDD2

RGB 53 237 210

HSL 171.2, 0.84%, 0.57%

LAB 84.99, -50.3, 0.34

 

CMYK 11 / 78 / 0 / 7

HEX #D235ED

RGB 210 53 237

HSL 291.2, 0.84%, 0.57%

LAB 54.41, 80.76, -60.69

 

CMYK 0 / 11 / 77 / 7

HEX #EED536

RGB 238 213 54

HSL 51.85, 0.84%, 0.57%

LAB 85.01, -7.15, 75.46

 

CMYK 78 / 0 / 74 / 7

HEX #35ED3E

RGB 53 237 62

HSL 122.93, 0.84%, 0.57%

LAB 82.74, -75.53, 67.54

 

CMYK 78 / 66 / 0 / 7

HEX #3551ED

RGB 53 81 237

HSL 230.87, 0.84%, 0.57%

LAB 42.39, 44.19, -80.95

 

CMYK 0 / 78 / 4 / 7

HEX #ED35E4

RGB 237 53 228

HSL 302.93, 0.84%, 0.57%

LAB 58.18, 84.42, -49.36

 

CMYK 0 / 11 / 77 / 7

HEX #EED536

RGB 238 213 54

HSL 51.85, 0.84%, 0.57%

LAB 85.01, -7.15, 75.46

 

CMYK 78 / 0 / 50 / 7

HEX #35ED76

RGB 53 237 118

HSL 141.2, 0.84%, 0.57%

LAB 83.25, -69.34, 44.88

 

CMYK 78 / 66 / 0 / 7

HEX #3551ED

RGB 53 81 237

HSL 230.87, 0.84%, 0.57%

LAB 42.39, 44.19, -80.95

 

CMYK 0 / 78 / 27 / 7

HEX #ED35AD

RGB 237 53 173

HSL 320.87, 0.84%, 0.57%

LAB 55.65, 77.18, -21.79

 

Description

Color code: HEX #EED536 | qconv.com Color code: HEX #EED536 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 213 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 213 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 77 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 77% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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