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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EED45D it is the complementary color #112BA2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EED45D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EED45D shade: #F3D458, #FFE66B, #FFF87E, #FFFF91 and #FFFFA4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EED45D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EED45D shade: #EED45D, #DDC24A, #CCB037, #BB9E24 and #AA8C11

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EED45D shade: #EED45D, #EEAD5D, #EE865D, #EE5F5D and #EE5D5D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EED45D shade: #EED45D, #E1EE5D, #BAEE5D, #93EE5D and #6CEE5D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EED45D shade matches the following richer shades: #EED45D and #FCDD4F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EED45D shade: #EED45D, #E0CB6C, #D1C27A, #C3B889 and #B4AF97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EED45D shade: #EE865D, #EEAD5D, #EED45D, #E2EE5D and #BBEE5D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EED45D shade: #E1BD18, #EACA38, #EED45D, #F2DE83 and #F6E8A8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EED45D shade: #EED45D, #5DEE60 and #9A5DEE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EED45D shade: #EED45D, #5DEED4 and #D45DEE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EED45D shade: #EED45D, #5DEE60, #5D78EE and #EE5DEC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EED45D shade: #EED45D, #5DEE8B, #5D78EE and #EE5DC0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 61 / 7

HEX #EED45D

RGB 238 212 93

HSL 49.24, 0.81%, 0.65%

LAB 85.02, -4.68, 60.68

 

Complementary color

CMYK 90 / 73 / 0 / 36

HEX #112BA2

RGB 17 43 162

HSL 229.24, 0.81%, 0.35%

LAB 25.12, 38.31, -65.63

 

CMYK 0 / 13 / 64 / 5

HEX #F3D458

RGB 243 212 88

HSL 48, 0.87%, 0.65%

LAB 85.43, -2.93, 63.4

 

CMYK 0 / 10 / 58 / 0

HEX #FFE66B

RGB 255 230 107

HSL 49.86, 1%, 0.71%

LAB 91.2, -5.86, 61.8

 

CMYK 0 / 3 / 51 / 0

HEX #FFF87E

RGB 255 248 126

HSL 56.74, 1%, 0.75%

LAB 95.96, -13.31, 58.75

 

CMYK 0 / 0 / 43 / 0

HEX #FFFF91

RGB 255 255 145

HSL 60, 1%, 0.78%

LAB 97.96, -15.02, 52.34

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA4

RGB 255 255 164

HSL 60, 1%, 0.82%

LAB 98.22, -13.06, 43.52

 

CMYK 0 / 11 / 61 / 7

HEX #EED45D

RGB 238 212 93

HSL 49.24, 0.81%, 0.65%

LAB 85.02, -4.68, 60.68

 

CMYK 0 / 12 / 67 / 13

HEX #DDC24A

RGB 221 194 74

HSL 48.98, 0.68%, 0.58%

LAB 78.72, -3.73, 61.57

 

CMYK 0 / 14 / 73 / 20

HEX #CCB037

RGB 204 176 55

HSL 48.72, 0.59%, 0.51%

LAB 72.34, -2.62, 62.16

 

CMYK 0 / 16 / 81 / 27

HEX #BB9E24

RGB 187 158 36

HSL 48.48, 0.68%, 0.44%

LAB 65.86, -1.29, 62.14

 

CMYK 0 / 18 / 90 / 33

HEX #AA8C11

RGB 170 140 17

HSL 48.24, 0.82%, 0.37%

LAB 59.29, 0.28, 61

 

CMYK 0 / 11 / 61 / 7

HEX #EED45D

RGB 238 212 93

HSL 49.24, 0.81%, 0.65%

LAB 85.02, -4.68, 60.68

 

CMYK 0 / 27 / 61 / 7

HEX #EEAD5D

RGB 238 173 93

HSL 33.1, 0.81%, 0.65%

LAB 75.36, 15.61, 49.75

 

CMYK 0 / 44 / 61 / 7

HEX #EE865D

RGB 238 134 93

HSL 16.97, 0.81%, 0.65%

LAB 66.53, 36.13, 39.24

 

CMYK 0 / 60 / 61 / 7

HEX #EE5F5D

RGB 238 95 93

HSL 0.83, 0.81%, 0.65%

LAB 59.11, 55.03, 29.98

 

CMYK 0 / 61 / 61 / 7

HEX #EE5D5D

RGB 238 93 93

HSL 0, 0.81%, 0.65%

LAB 58.79, 55.9, 29.56

 

CMYK 0 / 11 / 61 / 7

HEX #EED45D

RGB 238 212 93

HSL 49.24, 0.81%, 0.65%

LAB 85.02, -4.68, 60.68

 

CMYK 5 / 0 / 61 / 7

HEX #E1EE5D

RGB 225 238 93

HSL 65.38, 0.81%, 0.65%

LAB 90.76, -22.82, 66.62

 

CMYK 22 / 0 / 61 / 7

HEX #BAEE5D

RGB 186 238 93

HSL 81.52, 0.81%, 0.65%

LAB 88.15, -37.9, 63.03

 

CMYK 38 / 0 / 61 / 7

HEX #93EE5D

RGB 147 238 93

HSL 97.66, 0.81%, 0.65%

LAB 86.08, -51.5, 60.15

 

CMYK 55 / 0 / 61 / 7

HEX #6CEE5D

RGB 108 238 93

HSL 113.79, 0.81%, 0.65%

LAB 84.55, -62.7, 58.02

 

CMYK 0 / 11 / 61 / 7

HEX #EED45D

RGB 238 212 93

HSL 49.24, 0.81%, 0.65%

LAB 85.02, -4.68, 60.68

 

CMYK 0 / 12 / 69 / 1

HEX #FCDD4F

RGB 252 221 79

HSL 49.25, 0.97%, 0.65%

LAB 88.43, -4.25, 70.44

 

CMYK 0 / 11 / 61 / 7

HEX #EED45D

RGB 238 212 93

HSL 49.24, 0.81%, 0.65%

LAB 85.02, -4.68, 60.68

 

CMYK 0 / 9 / 52 / 12

HEX #E0CB6C

RGB 224 203 108

HSL 49.14, 0.65%, 0.65%

LAB 81.64, -4.72, 49.57

 

CMYK 0 / 7 / 42 / 18

HEX #D1C27A

RGB 209 194 122

HSL 49.66, 0.49%, 0.65%

LAB 78.2, -4.82, 38.07

 

CMYK 0 / 6 / 30 / 24

HEX #C3B889

RGB 195 184 137

HSL 48.62, 0.33%, 0.65%

LAB 74.63, -3.38, 25.33

 

CMYK 0 / 3 / 16 / 29

HEX #B4AF97

RGB 180 175 151

HSL 49.66, 0.16%, 0.65%

LAB 71.28, -2.34, 12.95

 

CMYK 0 / 44 / 61 / 7

HEX #EE865D

RGB 238 134 93

HSL 16.97, 0.81%, 0.65%

LAB 66.53, 36.13, 39.24

 

CMYK 0 / 27 / 61 / 7

HEX #EEAD5D

RGB 238 173 93

HSL 33.1, 0.81%, 0.65%

LAB 75.36, 15.61, 49.75

 

CMYK 0 / 11 / 61 / 7

HEX #EED45D

RGB 238 212 93

HSL 49.24, 0.81%, 0.65%

LAB 85.02, -4.68, 60.68

 

CMYK 5 / 0 / 61 / 7

HEX #E2EE5D

RGB 226 238 93

HSL 64.97, 0.81%, 0.65%

LAB 90.83, -22.42, 66.72

 

CMYK 21 / 0 / 61 / 7

HEX #BBEE5D

RGB 187 238 93

HSL 81.1, 0.81%, 0.65%

LAB 88.21, -37.53, 63.11

 

CMYK 0 / 16 / 89 / 12

HEX #E1BD18

RGB 225 189 24

HSL 49.25, 0.81%, 0.49%

LAB 77.56, -1.23, 76.21

 

CMYK 0 / 14 / 76 / 8

HEX #EACA38

RGB 234 202 56

HSL 49.21, 0.81%, 0.57%

LAB 81.85, -3.18, 71.8

 

CMYK 0 / 11 / 61 / 7

HEX #EED45D

RGB 238 212 93

HSL 49.24, 0.81%, 0.65%

LAB 85.02, -4.68, 60.68

 

CMYK 0 / 8 / 46 / 5

HEX #F2DE83

RGB 242 222 131

HSL 49.19, 0.81%, 0.73%

LAB 88.33, -5.08, 46.92

 

CMYK 0 / 6 / 32 / 4

HEX #F6E8A8

RGB 246 232 168

HSL 49.23, 0.81%, 0.81%

LAB 91.74, -4.59, 32.9

 

CMYK 0 / 11 / 61 / 7

HEX #EED45D

RGB 238 212 93

HSL 49.24, 0.81%, 0.65%

LAB 85.02, -4.68, 60.68

 

CMYK 61 / 0 / 60 / 7

HEX #5DEE60

RGB 93 238 96

HSL 121.24, 0.81%, 0.65%

LAB 84.13, -65.87, 56.14

 

CMYK 35 / 61 / 0 / 7

HEX #9A5DEE

RGB 154 93 238

HSL 265.24, 0.81%, 0.65%

LAB 52.81, 53.67, -64.21

 

CMYK 0 / 11 / 61 / 7

HEX #EED45D

RGB 238 212 93

HSL 49.24, 0.81%, 0.65%

LAB 85.02, -4.68, 60.68

 

CMYK 61 / 0 / 11 / 7

HEX #5DEED4

RGB 93 238 212

HSL 169.24, 0.81%, 0.65%

LAB 86.12, -44.87, 1.04

 

CMYK 11 / 61 / 0 / 7

HEX #D45DEE

RGB 212 93 238

HSL 289.24, 0.81%, 0.65%

LAB 59.89, 66.87, -52.47

 

CMYK 0 / 11 / 61 / 7

HEX #EED45D

RGB 238 212 93

HSL 49.24, 0.81%, 0.65%

LAB 85.02, -4.68, 60.68

 

CMYK 61 / 0 / 60 / 7

HEX #5DEE60

RGB 93 238 96

HSL 121.24, 0.81%, 0.65%

LAB 84.13, -65.87, 56.14

 

CMYK 61 / 50 / 0 / 7

HEX #5D78EE

RGB 93 120 238

HSL 228.83, 0.81%, 0.65%

LAB 53.96, 25.78, -62.61

 

CMYK 0 / 61 / 1 / 7

HEX #EE5DEC

RGB 238 93 236

HSL 300.83, 0.81%, 0.65%

LAB 63.39, 72.7, -45.58

 

CMYK 0 / 11 / 61 / 7

HEX #EED45D

RGB 238 212 93

HSL 49.24, 0.81%, 0.65%

LAB 85.02, -4.68, 60.68

 

CMYK 61 / 0 / 42 / 7

HEX #5DEE8B

RGB 93 238 139

HSL 139.03, 0.81%, 0.65%

LAB 84.66, -59.97, 36.62

 

CMYK 61 / 50 / 0 / 7

HEX #5D78EE

RGB 93 120 238

HSL 228.83, 0.81%, 0.65%

LAB 53.96, 25.78, -62.61

 

CMYK 0 / 61 / 19 / 7

HEX #EE5DC0

RGB 238 93 192

HSL 319.03, 0.81%, 0.65%

LAB 61.49, 66.05, -23.78

 

Description

Color code: HEX #EED45D | qconv.com Color code: HEX #EED45D | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 212 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 212 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 61 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 61% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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