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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EED424 it is the complementary color #112BDB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EED424. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EED424 shade: #F3D41F, #FFE632, #FFF845, #FFFF58 and #FFFF6B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EED424. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EED424 shade: #EED424, #DDC211, #CCB000, #BB9E00 and #AA8C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EED424 shade: #EFD525, #EF9E25, #EF6825, #EF3125 and #EF2525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EED424 shade: #EFD525, #D2EF25, #9CEF25, #65EF25 and #2FEF25

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EED424 shade matches the following richer shades: #EFD525

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EED424 shade: #EFD525, #DCC738, #C9B84B, #B6AA5E and #A39C71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EED424 shade: #EF6825, #EF9E25, #EFD425, #D4EF25 and #9EEF25

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EED424 shade: #B39E0E, #DAC010, #EFD525, #F1DC4B and #F4E472

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EED424 shade: #EED424, #25EF32 and #8325EF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EED424 shade: #EED424, #25EFD4 and #D425EF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EED424 shade: #EED424, #25EF32, #2540EF and #EF25E1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EED424 shade: #EED424, #25EF6F, #2540EF and #EF25A5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 85 / 7

HEX #EED424

RGB 238 212 36

HSL 52.28, 0.86%, 0.54%

LAB 84.69, -7.17, 79.96

 

Complementary color

CMYK 92 / 80 / 0 / 14

HEX #112BDB

RGB 17 43 219

HSL 232.28, 0.86%, 0.46%

LAB 31.72, 57.62, -88.37

 

CMYK 0 / 13 / 87 / 5

HEX #F3D41F

RGB 243 212 31

HSL 51.23, 0.9%, 0.54%

LAB 85.12, -5.15, 81.53

 

CMYK 0 / 10 / 80 / 0

HEX #FFE632

RGB 255 230 50

HSL 52.68, 1%, 0.6%

LAB 90.82, -8.65, 82.29

 

CMYK 0 / 3 / 73 / 0

HEX #FFF845

RGB 255 248 69

HSL 57.74, 1%, 0.64%

LAB 95.51, -16.79, 80.93

 

CMYK 0 / 0 / 65 / 0

HEX #FFFF58

RGB 255 255 88

HSL 60, 1%, 0.67%

LAB 97.42, -19.26, 76.23

 

CMYK 0 / 0 / 58 / 0

HEX #FFFF6B

RGB 255 255 107

HSL 60, 1%, 0.71%

LAB 97.57, -18.11, 68.89

 

CMYK 0 / 11 / 85 / 7

HEX #EED424

RGB 238 212 36

HSL 52.28, 0.86%, 0.54%

LAB 84.69, -7.17, 79.96

 

CMYK 0 / 12 / 92 / 13

HEX #DDC211

RGB 221 194 17

HSL 52.06, 0.86%, 0.47%

LAB 78.46, -5.66, 77.86

 

CMYK 0 / 14 / 100 / 20

HEX #CCB000

RGB 204 176 0

HSL 51.76, 1%, 0.4%

LAB 72.15, -3.95, 74.47

 

CMYK 0 / 16 / 100 / 27

HEX #BB9E00

RGB 187 158 0

HSL 50.7, 1%, 0.37%

LAB 65.76, -2, 69.19

 

CMYK 0 / 18 / 100 / 33

HEX #AA8C00

RGB 170 140 0

HSL 49.41, 1%, 0.33%

LAB 59.25, 0.02, 63.81

 

CMYK 0 / 11 / 85 / 6

HEX #EFD525

RGB 239 213 37

HSL 52.28, 0.86%, 0.54%

LAB 85.03, -7.23, 80.05

 

CMYK 0 / 34 / 85 / 6

HEX #EF9E25

RGB 239 158 37

HSL 35.94, 0.86%, 0.54%

LAB 71.51, 21.4, 68.9

 

CMYK 0 / 56 / 85 / 6

HEX #EF6825

RGB 239 104 37

HSL 19.9, 0.86%, 0.54%

LAB 60.23, 48.83, 59.47

 

CMYK 0 / 79 / 85 / 6

HEX #EF3125

RGB 239 49 37

HSL 3.56, 0.86%, 0.54%

LAB 52.6, 69.49, 52.97

 

CMYK 0 / 85 / 85 / 6

HEX #EF2525

RGB 239 37 37

HSL 0, 0.86%, 0.54%

LAB 51.62, 72.28, 52.13

 

CMYK 0 / 11 / 85 / 6

HEX #EFD525

RGB 239 213 37

HSL 52.28, 0.86%, 0.54%

LAB 85.03, -7.23, 80.05

 

CMYK 12 / 0 / 85 / 6

HEX #D2EF25

RGB 210 239 37

HSL 68.61, 0.86%, 0.54%

LAB 89.66, -31.87, 82.96

 

CMYK 35 / 0 / 85 / 6

HEX #9CEF25

RGB 156 239 37

HSL 84.65, 0.86%, 0.54%

LAB 86.47, -52.25, 78.98

 

CMYK 58 / 0 / 85 / 6

HEX #65EF25

RGB 101 239 37

HSL 100.99, 0.86%, 0.54%

LAB 84.29, -68.65, 76.24

 

CMYK 80 / 0 / 85 / 6

HEX #2FEF25

RGB 47 239 37

HSL 117.03, 0.86%, 0.54%

LAB 83.16, -78.25, 74.81

 

CMYK 0 / 11 / 85 / 6

HEX #EFD525

RGB 239 213 37

HSL 52.28, 0.86%, 0.54%

LAB 85.03, -7.23, 80.05

 

CMYK 0 / 11 / 85 / 6

HEX #EFD525

RGB 239 213 37

HSL 52.28, 0.86%, 0.54%

LAB 85.03, -7.23, 80.05

 

CMYK 0 / 10 / 75 / 14

HEX #DCC738

RGB 220 199 56

HSL 52.32, 0.7%, 0.54%

LAB 79.81, -7.61, 69.44

 

CMYK 0 / 8 / 63 / 21

HEX #C9B84B

RGB 201 184 75

HSL 51.9, 0.54%, 0.54%

LAB 74.32, -6.98, 55.93

 

CMYK 0 / 7 / 48 / 29

HEX #B6AA5E

RGB 182 170 94

HSL 51.82, 0.38%, 0.54%

LAB 69.11, -6.16, 40.48

 

CMYK 0 / 4 / 31 / 36

HEX #A39C71

RGB 163 156 113

HSL 51.6, 0.21%, 0.54%

LAB 63.96, -4.33, 23.49

 

CMYK 0 / 56 / 85 / 6

HEX #EF6825

RGB 239 104 37

HSL 19.9, 0.86%, 0.54%

LAB 60.23, 48.83, 59.47

 

CMYK 0 / 34 / 85 / 6

HEX #EF9E25

RGB 239 158 37

HSL 35.94, 0.86%, 0.54%

LAB 71.51, 21.4, 68.9

 

CMYK 0 / 11 / 85 / 6

HEX #EFD425

RGB 239 212 37

HSL 51.98, 0.86%, 0.54%

LAB 84.78, -6.72, 79.84

 

CMYK 11 / 0 / 85 / 6

HEX #D4EF25

RGB 212 239 37

HSL 68.02, 0.86%, 0.54%

LAB 89.8, -31.06, 83.13

 

CMYK 34 / 0 / 85 / 6

HEX #9EEF25

RGB 158 239 37

HSL 84.06, 0.86%, 0.54%

LAB 86.57, -51.55, 79.11

 

CMYK 0 / 12 / 92 / 30

HEX #B39E0E

RGB 179 158 14

HSL 52.36, 0.85%, 0.38%

LAB 65.02, -5.42, 66.37

 

CMYK 0 / 12 / 93 / 15

HEX #DAC010

RGB 218 192 16

HSL 52.28, 0.86%, 0.46%

LAB 77.66, -5.95, 77.27

 

CMYK 0 / 11 / 85 / 6

HEX #EFD525

RGB 239 213 37

HSL 52.28, 0.86%, 0.54%

LAB 85.03, -7.23, 80.05

 

CMYK 0 / 9 / 69 / 5

HEX #F1DC4B

RGB 241 220 75

HSL 52.41, 0.86%, 0.62%

LAB 87.19, -8.52, 70.4

 

CMYK 0 / 7 / 53 / 4

HEX #F4E472

RGB 244 228 114

HSL 52.62, 0.86%, 0.7%

LAB 89.83, -8.77, 56.83

 

CMYK 0 / 11 / 85 / 7

HEX #EED424

RGB 238 212 36

HSL 52.28, 0.86%, 0.54%

LAB 84.69, -7.17, 79.96

 

CMYK 85 / 0 / 79 / 6

HEX #25EF32

RGB 37 239 50

HSL 123.86, 0.86%, 0.54%

LAB 83.1, -78.59, 71.49

 

CMYK 45 / 85 / 0 / 6

HEX #8325EF

RGB 131 37 239

HSL 267.92, 0.86%, 0.54%

LAB 41.81, 73.71, -82.8

 

CMYK 0 / 11 / 85 / 7

HEX #EED424

RGB 238 212 36

HSL 52.28, 0.86%, 0.54%

LAB 84.69, -7.17, 79.96

 

CMYK 85 / 0 / 11 / 6

HEX #25EFD4

RGB 37 239 212

HSL 171.98, 0.86%, 0.54%

LAB 85.44, -51.9, -0.07

 

CMYK 11 / 85 / 0 / 6

HEX #D425EF

RGB 212 37 239

HSL 291.98, 0.86%, 0.54%

LAB 53.55, 85.22, -63.18

 

CMYK 0 / 11 / 85 / 7

HEX #EED424

RGB 238 212 36

HSL 52.28, 0.86%, 0.54%

LAB 84.69, -7.17, 79.96

 

CMYK 85 / 0 / 79 / 6

HEX #25EF32

RGB 37 239 50

HSL 123.86, 0.86%, 0.54%

LAB 83.1, -78.59, 71.49

 

CMYK 85 / 73 / 0 / 6

HEX #2540EF

RGB 37 64 239

HSL 231.98, 0.86%, 0.54%

LAB 38.36, 53.75, -88.74

 

CMYK 0 / 85 / 6 / 6

HEX #EF25E1

RGB 239 37 225

HSL 304.16, 0.86%, 0.54%

LAB 57.18, 87.78, -49.23

 

CMYK 0 / 11 / 85 / 7

HEX #EED424

RGB 238 212 36

HSL 52.28, 0.86%, 0.54%

LAB 84.69, -7.17, 79.96

 

CMYK 85 / 0 / 54 / 6

HEX #25EF6F

RGB 37 239 111

HSL 141.98, 0.86%, 0.54%

LAB 83.59, -72.59, 48.53

 

CMYK 85 / 73 / 0 / 6

HEX #2540EF

RGB 37 64 239

HSL 231.98, 0.86%, 0.54%

LAB 38.36, 53.75, -88.74

 

CMYK 0 / 85 / 31 / 6

HEX #EF25A5

RGB 239 37 165

HSL 321.98, 0.86%, 0.54%

LAB 54.44, 80.37, -18.93

 

Description

Color code: HEX #EED424 | qconv.com Color code: HEX #EED424 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 212 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 212 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 85 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 85% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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