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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EED35B it is the complementary color #112CA4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EED35B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EED35B shade: #F3D356, #FFE569, #FFF77C, #FFFF8F and #FFFFA2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EED35B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EED35B shade: #EED35B, #DDC148, #CCAF35, #BB9D22 and #AA8B0F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EED35B shade: #EED35D, #EEAC5D, #EE865D, #EE5F5D and #EE5D5D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EED35B shade: #EED35D, #E2EE5D, #BBEE5D, #94EE5D and #6DEE5D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EED35B shade matches the following richer shades: #EED35D and #FCDD4F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EED35B shade: #EED35D, #E0CA6C, #D1C17A, #C3B889 and #B4AF97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EED35B shade: #EE845D, #EEAB5D, #EED15D, #E4EE5D and #BEEE5D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EED35B shade: #E1BC18, #EAC938, #EED35D, #F2DE83 and #F6E8A8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EED35B shade: #EED35B, #5DEE5D and #975DEE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EED35B shade: #EED35B, #5DEED1 and #D15DEE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EED35B shade: #EED35B, #5DEE5D, #5D7AEE and #EE5DEE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EED35B shade: #EED35B, #5DEE89, #5D7AEE and #EE5DC3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 62 / 7

HEX #EED35B

RGB 238 211 91

HSL 48.98, 0.81%, 0.65%

LAB 84.75, -4.3, 61.25

 

Complementary color

CMYK 90 / 73 / 0 / 36

HEX #112CA4

RGB 17 44 164

HSL 228.98, 0.81%, 0.35%

LAB 25.57, 38.42, -66.11

 

CMYK 0 / 13 / 65 / 5

HEX #F3D356

RGB 243 211 86

HSL 47.77, 0.87%, 0.65%

LAB 85.16, -2.54, 63.96

 

CMYK 0 / 10 / 59 / 0

HEX #FFE569

RGB 255 229 105

HSL 49.6, 1%, 0.71%

LAB 90.93, -5.49, 62.38

 

CMYK 0 / 3 / 51 / 0

HEX #FFF77C

RGB 255 247 124

HSL 56.34, 1%, 0.74%

LAB 95.68, -12.98, 59.34

 

CMYK 0 / 0 / 44 / 0

HEX #FFFF8F

RGB 255 255 143

HSL 60, 1%, 0.78%

LAB 97.94, -15.21, 53.26

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA2

RGB 255 255 162

HSL 60, 1%, 0.82%

LAB 98.19, -13.28, 44.46

 

CMYK 0 / 11 / 62 / 7

HEX #EED35B

RGB 238 211 91

HSL 48.98, 0.81%, 0.65%

LAB 84.75, -4.3, 61.25

 

CMYK 0 / 13 / 67 / 13

HEX #DDC148

RGB 221 193 72

HSL 48.72, 0.69%, 0.57%

LAB 78.45, -3.33, 62.11

 

CMYK 0 / 14 / 74 / 20

HEX #CCAF35

RGB 204 175 53

HSL 48.48, 0.6%, 0.5%

LAB 72.06, -2.18, 62.64

 

CMYK 0 / 16 / 82 / 27

HEX #BB9D22

RGB 187 157 34

HSL 48.24, 0.69%, 0.43%

LAB 65.59, -0.82, 62.51

 

CMYK 0 / 18 / 91 / 33

HEX #AA8B0F

RGB 170 139 15

HSL 48, 0.84%, 0.36%

LAB 59.02, 0.8, 61.19

 

CMYK 0 / 11 / 61 / 7

HEX #EED35D

RGB 238 211 93

HSL 48.83, 0.81%, 0.65%

LAB 84.77, -4.17, 60.39

 

CMYK 0 / 28 / 61 / 7

HEX #EEAC5D

RGB 238 172 93

HSL 32.69, 0.81%, 0.65%

LAB 75.12, 16.14, 49.47

 

CMYK 0 / 44 / 61 / 7

HEX #EE865D

RGB 238 134 93

HSL 16.97, 0.81%, 0.65%

LAB 66.53, 36.13, 39.24

 

CMYK 0 / 60 / 61 / 7

HEX #EE5F5D

RGB 238 95 93

HSL 0.83, 0.81%, 0.65%

LAB 59.11, 55.03, 29.98

 

CMYK 0 / 61 / 61 / 7

HEX #EE5D5D

RGB 238 93 93

HSL 0, 0.81%, 0.65%

LAB 58.79, 55.9, 29.56

 

CMYK 0 / 11 / 61 / 7

HEX #EED35D

RGB 238 211 93

HSL 48.83, 0.81%, 0.65%

LAB 84.77, -4.17, 60.39

 

CMYK 5 / 0 / 61 / 7

HEX #E2EE5D

RGB 226 238 93

HSL 64.97, 0.81%, 0.65%

LAB 90.83, -22.42, 66.72

 

CMYK 21 / 0 / 61 / 7

HEX #BBEE5D

RGB 187 238 93

HSL 81.1, 0.81%, 0.65%

LAB 88.21, -37.53, 63.11

 

CMYK 38 / 0 / 61 / 7

HEX #94EE5D

RGB 148 238 93

HSL 97.24, 0.81%, 0.65%

LAB 86.12, -51.18, 60.22

 

CMYK 54 / 0 / 61 / 7

HEX #6DEE5D

RGB 109 238 93

HSL 113.38, 0.81%, 0.65%

LAB 84.58, -62.45, 58.06

 

CMYK 0 / 11 / 61 / 7

HEX #EED35D

RGB 238 211 93

HSL 48.83, 0.81%, 0.65%

LAB 84.77, -4.17, 60.39

 

CMYK 0 / 12 / 69 / 1

HEX #FCDD4F

RGB 252 221 79

HSL 49.25, 0.97%, 0.65%

LAB 88.43, -4.25, 70.44

 

CMYK 0 / 11 / 61 / 7

HEX #EED35D

RGB 238 211 93

HSL 48.83, 0.81%, 0.65%

LAB 84.77, -4.17, 60.39

 

CMYK 0 / 10 / 52 / 12

HEX #E0CA6C

RGB 224 202 108

HSL 48.62, 0.65%, 0.65%

LAB 81.39, -4.2, 49.26

 

CMYK 0 / 8 / 42 / 18

HEX #D1C17A

RGB 209 193 122

HSL 48.97, 0.49%, 0.65%

LAB 77.93, -4.31, 37.74

 

CMYK 0 / 6 / 30 / 24

HEX #C3B889

RGB 195 184 137

HSL 48.62, 0.33%, 0.65%

LAB 74.63, -3.38, 25.33

 

CMYK 0 / 3 / 16 / 29

HEX #B4AF97

RGB 180 175 151

HSL 49.66, 0.16%, 0.65%

LAB 71.28, -2.34, 12.95

 

CMYK 0 / 45 / 61 / 7

HEX #EE845D

RGB 238 132 93

HSL 16.14, 0.81%, 0.65%

LAB 66.11, 37.16, 38.73

 

CMYK 0 / 28 / 61 / 7

HEX #EEAB5D

RGB 238 171 93

HSL 32.28, 0.81%, 0.65%

LAB 74.88, 16.67, 49.19

 

CMYK 0 / 12 / 61 / 7

HEX #EED15D

RGB 238 209 93

HSL 48, 0.81%, 0.65%

LAB 84.26, -3.15, 59.83

 

CMYK 4 / 0 / 61 / 7

HEX #E4EE5D

RGB 228 238 93

HSL 64.14, 0.81%, 0.65%

LAB 90.98, -21.62, 66.92

 

CMYK 20 / 0 / 61 / 7

HEX #BEEE5D

RGB 190 238 93

HSL 79.86, 0.81%, 0.65%

LAB 88.39, -36.41, 63.36

 

CMYK 0 / 16 / 89 / 12

HEX #E1BC18

RGB 225 188 24

HSL 48.96, 0.81%, 0.49%

LAB 77.3, -0.71, 76.02

 

CMYK 0 / 14 / 76 / 8

HEX #EAC938

RGB 234 201 56

HSL 48.88, 0.81%, 0.57%

LAB 81.59, -2.67, 71.56

 

CMYK 0 / 11 / 61 / 7

HEX #EED35D

RGB 238 211 93

HSL 48.83, 0.81%, 0.65%

LAB 84.77, -4.17, 60.39

 

CMYK 0 / 8 / 46 / 5

HEX #F2DE83

RGB 242 222 131

HSL 49.19, 0.81%, 0.73%

LAB 88.33, -5.08, 46.92

 

CMYK 0 / 6 / 32 / 4

HEX #F6E8A8

RGB 246 232 168

HSL 49.23, 0.81%, 0.81%

LAB 91.74, -4.59, 32.9

 

CMYK 0 / 11 / 62 / 7

HEX #EED35B

RGB 238 211 91

HSL 48.98, 0.81%, 0.65%

LAB 84.75, -4.3, 61.25

 

CMYK 61 / 0 / 61 / 7

HEX #5DEE5D

RGB 93 238 93

HSL 120, 0.81%, 0.65%

LAB 84.1, -66.19, 57.4

 

CMYK 37 / 61 / 0 / 7

HEX #975DEE

RGB 151 93 238

HSL 264, 0.81%, 0.65%

LAB 52.49, 53.03, -64.74

 

CMYK 0 / 11 / 62 / 7

HEX #EED35B

RGB 238 211 91

HSL 48.98, 0.81%, 0.65%

LAB 84.75, -4.3, 61.25

 

CMYK 61 / 0 / 12 / 7

HEX #5DEED1

RGB 93 238 209

HSL 168, 0.81%, 0.65%

LAB 86.05, -45.6, 2.5

 

CMYK 12 / 61 / 0 / 7

HEX #D15DEE

RGB 209 93 238

HSL 288, 0.81%, 0.65%

LAB 59.49, 66.17, -53.14

 

CMYK 0 / 11 / 62 / 7

HEX #EED35B

RGB 238 211 91

HSL 48.98, 0.81%, 0.65%

LAB 84.75, -4.3, 61.25

 

CMYK 61 / 0 / 61 / 7

HEX #5DEE5D

RGB 93 238 93

HSL 120, 0.81%, 0.65%

LAB 84.1, -66.19, 57.4

 

CMYK 61 / 49 / 0 / 7

HEX #5D7AEE

RGB 93 122 238

HSL 228, 0.81%, 0.65%

LAB 54.47, 24.56, -61.78

 

CMYK 0 / 61 / 0 / 7

HEX #EE5DEE

RGB 238 93 238

HSL 300, 0.81%, 0.65%

LAB 63.49, 73.03, -46.54

 

CMYK 0 / 11 / 62 / 7

HEX #EED35B

RGB 238 211 91

HSL 48.98, 0.81%, 0.65%

LAB 84.75, -4.3, 61.25

 

CMYK 61 / 0 / 42 / 7

HEX #5DEE89

RGB 93 238 137

HSL 138.21, 0.81%, 0.65%

LAB 84.63, -60.29, 37.57

 

CMYK 61 / 49 / 0 / 7

HEX #5D7AEE

RGB 93 122 238

HSL 228, 0.81%, 0.65%

LAB 54.47, 24.56, -61.78

 

CMYK 0 / 61 / 18 / 7

HEX #EE5DC3

RGB 238 93 195

HSL 317.79, 0.81%, 0.65%

LAB 61.61, 66.47, -25.31

 

Description

Color code: HEX #EED35B | qconv.com Color code: HEX #EED35B | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 211 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 211 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 62 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 62% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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