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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EED2AD it is the complementary color #112D52. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EED2AD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EED2AD shade: #F3D2A8, #FFE4BB, #FFF6CE, #FFFFE1 and #FFFFF4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EED2AD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EED2AD shade: #EED2AD, #DDC09A, #CCAE87, #BB9C74 and #AA8A61

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EED2AD shade: #EFD3AF, #EFC2AF, #EFB0AF and #EFAFAF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EED2AD shade: #EFD3AF, #EFE4AF, #E8EFAF, #D6EFAF and #C5EFAF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EED2AD shade matches the following richer shades: #EFD3AF, #F6D4A7 and #FED59F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EED2AD shade: #EFD3AF, #E7D2B6, #DFD1BE, #D7D0C6 and #CFCFCE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EED2AD shade: #EFB1AF, #EFC2AF, #EFD3AF, #EFE4AF and #E8EFAF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EED2AD shade: #E0AD6A, #E8C08C, #EFD3AF, #F6E6D1 and #FDF8F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EED2AD shade: #EED2AD, #BDEFAF and #B9AFEF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EED2AD shade: #EED2AD, #AFEFD3 and #D3AFEF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EED2AD shade: #EED2AD, #BDEFAF, #AFCAEF and #E0AFEF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EED2AD shade: #EED2AD, #AFEFB3, #AFCAEF and #EFAFEA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 27 / 7

HEX #EED2AD

RGB 238 210 173

HSL 34.15, 0.66%, 0.81%

LAB 85.65, 4.28, 21.94

 

Complementary color

CMYK 79 / 45 / 0 / 68

HEX #112D52

RGB 17 45 82

HSL 214.15, 0.66%, 0.19%

LAB 18.39, 4.2, -25.66

 

CMYK 0 / 14 / 31 / 5

HEX #F3D2A8

RGB 243 210 168

HSL 33.6, 0.76%, 0.81%

LAB 85.99, 5.53, 25.1

 

CMYK 0 / 11 / 27 / 0

HEX #FFE4BB

RGB 255 228 187

HSL 36.18, 1%, 0.87%

LAB 91.83, 3.22, 23.41

 

CMYK 0 / 4 / 19 / 0

HEX #FFF6CE

RGB 255 246 206

HSL 48.98, 1%, 0.9%

LAB 96.67, -3.28, 20.35

 

CMYK 0 / 0 / 12 / 0

HEX #FFFFE1

RGB 255 255 225

HSL 60, 1%, 0.94%

LAB 99.31, -4.95, 14.35

 

CMYK 0 / 0 / 4 / 0

HEX #FFFFF4

RGB 255 255 244

HSL 60, 1%, 0.98%

LAB 99.73, -1.88, 5.24

 

CMYK 0 / 12 / 27 / 7

HEX #EED2AD

RGB 238 210 173

HSL 34.15, 0.66%, 0.81%

LAB 85.65, 4.28, 21.94

 

CMYK 0 / 13 / 30 / 13

HEX #DDC09A

RGB 221 192 154

HSL 34.03, 0.5%, 0.74%

LAB 79.27, 4.73, 22.97

 

CMYK 0 / 15 / 34 / 20

HEX #CCAE87

RGB 204 174 135

HSL 33.91, 0.4%, 0.66%

LAB 72.8, 5.24, 24.07

 

CMYK 0 / 17 / 38 / 27

HEX #BB9C74

RGB 187 156 116

HSL 33.8, 0.34%, 0.59%

LAB 66.22, 5.82, 25.25

 

CMYK 0 / 19 / 43 / 33

HEX #AA8A61

RGB 170 138 97

HSL 33.7, 0.3%, 0.52%

LAB 59.51, 6.51, 26.52

 

CMYK 0 / 12 / 27 / 6

HEX #EFD3AF

RGB 239 211 175

HSL 33.75, 0.67%, 0.81%

LAB 86.02, 4.41, 21.42

 

CMYK 0 / 19 / 27 / 6

HEX #EFC2AF

RGB 239 194 175

HSL 17.81, 0.67%, 0.81%

LAB 81.85, 13.3, 15.61

 

CMYK 0 / 26 / 27 / 6

HEX #EFB0AF

RGB 239 176 175

HSL 0.94, 0.67%, 0.81%

LAB 77.58, 22.84, 9.56

 

CMYK 0 / 27 / 27 / 6

HEX #EFAFAF

RGB 239 175 175

HSL 0, 0.67%, 0.81%

LAB 77.34, 23.37, 9.23

 

CMYK 0 / 12 / 27 / 6

HEX #EFD3AF

RGB 239 211 175

HSL 33.75, 0.67%, 0.81%

LAB 86.02, 4.41, 21.42

 

CMYK 0 / 5 / 27 / 6

HEX #EFE4AF

RGB 239 228 175

HSL 49.69, 0.67%, 0.81%

LAB 90.29, -4.31, 27.27

 

CMYK 3 / 0 / 27 / 6

HEX #E8EFAF

RGB 232 239 175

HSL 66.56, 0.67%, 0.81%

LAB 92.57, -12.42, 30.26

 

CMYK 10 / 0 / 27 / 6

HEX #D6EFAF

RGB 214 239 175

HSL 83.44, 0.67%, 0.81%

LAB 91.29, -18.95, 28.32

 

CMYK 18 / 0 / 27 / 6

HEX #C5EFAF

RGB 197 239 175

HSL 99.38, 0.67%, 0.81%

LAB 90.18, -24.92, 26.63

 

CMYK 0 / 12 / 27 / 6

HEX #EFD3AF

RGB 239 211 175

HSL 33.75, 0.67%, 0.81%

LAB 86.02, 4.41, 21.42

 

CMYK 0 / 14 / 32 / 4

HEX #F6D4A7

RGB 246 212 167

HSL 34.18, 0.81%, 0.81%

LAB 86.74, 5.51, 26.67

 

CMYK 0 / 16 / 37 / 0

HEX #FED59F

RGB 254 213 159

HSL 34.11, 0.98%, 0.81%

LAB 87.56, 7.12, 32.05

 

CMYK 0 / 12 / 27 / 6

HEX #EFD3AF

RGB 239 211 175

HSL 33.75, 0.67%, 0.81%

LAB 86.02, 4.41, 21.42

 

CMYK 0 / 9 / 21 / 9

HEX #E7D2B6

RGB 231 210 182

HSL 34.29, 0.51%, 0.81%

LAB 85.23, 2.92, 16.53

 

CMYK 0 / 6 / 15 / 13

HEX #DFD1BE

RGB 223 209 190

HSL 34.55, 0.34%, 0.81%

LAB 84.49, 1.72, 11.16

 

CMYK 0 / 3 / 8 / 16

HEX #D7D0C6

RGB 215 208 198

HSL 35.29, 0.18%, 0.81%

LAB 83.78, 0.68, 5.81

 

CMYK 0 / 0 / 0 / 19

HEX #CFCFCE

RGB 207 207 206

HSL 60, 0.01%, 0.81%

LAB 83.1, -0.18, 0.49

 

CMYK 0 / 26 / 27 / 6

HEX #EFB1AF

RGB 239 177 175

HSL 1.87, 0.67%, 0.81%

LAB 77.81, 22.3, 9.89

 

CMYK 0 / 19 / 27 / 6

HEX #EFC2AF

RGB 239 194 175

HSL 17.81, 0.67%, 0.81%

LAB 81.85, 13.3, 15.61

 

CMYK 0 / 12 / 27 / 6

HEX #EFD3AF

RGB 239 211 175

HSL 33.75, 0.67%, 0.81%

LAB 86.02, 4.41, 21.42

 

CMYK 0 / 5 / 27 / 6

HEX #EFE4AF

RGB 239 228 175

HSL 49.69, 0.67%, 0.81%

LAB 90.29, -4.31, 27.27

 

CMYK 3 / 0 / 27 / 6

HEX #E8EFAF

RGB 232 239 175

HSL 66.56, 0.67%, 0.81%

LAB 92.57, -12.42, 30.26

 

CMYK 0 / 23 / 53 / 12

HEX #E0AD6A

RGB 224 173 106

HSL 34.07, 0.66%, 0.65%

LAB 74.05, 10.83, 41.34

 

CMYK 0 / 17 / 40 / 9

HEX #E8C08C

RGB 232 192 140

HSL 33.91, 0.67%, 0.73%

LAB 80.04, 7.35, 31.56

 

CMYK 0 / 12 / 27 / 6

HEX #EFD3AF

RGB 239 211 175

HSL 33.75, 0.67%, 0.81%

LAB 86.02, 4.41, 21.42

 

CMYK 0 / 7 / 15 / 4

HEX #F6E6D1

RGB 246 230 209

HSL 34.05, 0.67%, 0.89%

LAB 92.04, 2.06, 12.18

 

CMYK 0 / 2 / 4 / 1

HEX #FDF8F3

RGB 253 248 243

HSL 30, 0.71%, 0.97%

LAB 97.83, 0.81, 2.97

 

CMYK 0 / 12 / 27 / 7

HEX #EED2AD

RGB 238 210 173

HSL 34.15, 0.66%, 0.81%

LAB 85.65, 4.28, 21.94

 

CMYK 21 / 0 / 27 / 6

HEX #BDEFAF

RGB 189 239 175

HSL 106.88, 0.67%, 0.81%

LAB 89.7, -27.64, 25.88

 

CMYK 23 / 27 / 0 / 6

HEX #B9AFEF

RGB 185 175 239

HSL 249.38, 0.67%, 0.81%

LAB 74.32, 16.76, -30.63

 

CMYK 0 / 12 / 27 / 7

HEX #EED2AD

RGB 238 210 173

HSL 34.15, 0.66%, 0.81%

LAB 85.65, 4.28, 21.94

 

CMYK 27 / 0 / 12 / 6

HEX #AFEFD3

RGB 175 239 211

HSL 153.75, 0.67%, 0.81%

LAB 89.65, -25.75, 7.08

 

CMYK 12 / 27 / 0 / 6

HEX #D3AFEF

RGB 211 175 239

HSL 273.75, 0.67%, 0.81%

LAB 76.52, 24.75, -27.07

 

CMYK 0 / 12 / 27 / 7

HEX #EED2AD

RGB 238 210 173

HSL 34.15, 0.66%, 0.81%

LAB 85.65, 4.28, 21.94

 

CMYK 21 / 0 / 27 / 6

HEX #BDEFAF

RGB 189 239 175

HSL 106.88, 0.67%, 0.81%

LAB 89.7, -27.64, 25.88

 

CMYK 27 / 15 / 0 / 6

HEX #AFCAEF

RGB 175 202 239

HSL 214.69, 0.67%, 0.81%

LAB 80.51, -0.9, -21.24

 

CMYK 6 / 27 / 0 / 6

HEX #E0AFEF

RGB 224 175 239

HSL 285.94, 0.67%, 0.81%

LAB 77.72, 28.85, -25.13

 

CMYK 0 / 12 / 27 / 7

HEX #EED2AD

RGB 238 210 173

HSL 34.15, 0.66%, 0.81%

LAB 85.65, 4.28, 21.94

 

CMYK 27 / 0 / 25 / 6

HEX #AFEFB3

RGB 175 239 179

HSL 123.75, 0.67%, 0.81%

LAB 88.97, -31.6, 22.71

 

CMYK 27 / 15 / 0 / 6

HEX #AFCAEF

RGB 175 202 239

HSL 214.69, 0.67%, 0.81%

LAB 80.51, -0.9, -21.24

 

CMYK 0 / 27 / 2 / 6

HEX #EFAFEA

RGB 239 175 234

HSL 304.69, 0.67%, 0.81%

LAB 79.01, 32.73, -20.33

 

Description

Color code: HEX #EED2AD | qconv.com Color code: HEX #EED2AD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 210 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 210 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 27 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 27% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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