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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EED233 it is the complementary color #112DCC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EED233. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EED233 shade: #F3D22E, #FFE441, #FFF654, #FFFF67 and #FFFF7A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EED233. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EED233 shade: #EED233, #DDC020, #CCAE0D, #BB9C00 and #AA8A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EED233 shade: #EFD334, #EFA034, #EF6E34, #EF3C34 and #EF3434

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EED233 shade: #EFD334, #D8EF34, #A6EF34, #74EF34 and #41EF34

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EED233 shade matches the following richer shades: #EFD334

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EED233 shade: #EFD334, #DDC646, #CBBA58, #B9AD69 and #A8A17B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EED233 shade: #EF6F34, #EFA134, #EFD334, #D9EF34 and #A7EF34

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EED233 shade: #C1A610, #E7C713, #EFD334, #F2DB5A and #F5E380

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EED233 shade: #EED233, #34EF3D and #8834EF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EED233 shade: #EED233, #34EFD3 and #D334EF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EED233 shade: #EED233, #34EF3D, #3450EF and #EF34E5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EED233 shade: #EED233, #34EF75, #3450EF and #EF34AD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 79 / 7

HEX #EED233

RGB 238 210 51

HSL 51.02, 0.85%, 0.57%

LAB 84.23, -5.74, 75.66

 

Complementary color

CMYK 92 / 78 / 0 / 20

HEX #112DCC

RGB 17 45 204

HSL 231.02, 0.85%, 0.43%

LAB 30.29, 51.77, -82.05

 

CMYK 0 / 14 / 81 / 5

HEX #F3D22E

RGB 243 210 46

HSL 49.95, 0.89%, 0.57%

LAB 84.66, -3.77, 77.64

 

CMYK 0 / 11 / 75 / 0

HEX #FFE441

RGB 255 228 65

HSL 51.47, 1%, 0.63%

LAB 90.38, -7.14, 77.43

 

CMYK 0 / 4 / 67 / 0

HEX #FFF654

RGB 255 246 84

HSL 56.84, 1%, 0.66%

LAB 95.08, -15.13, 75.34

 

CMYK 0 / 0 / 60 / 0

HEX #FFFF67

RGB 255 255 103

HSL 60, 1%, 0.7%

LAB 97.53, -18.38, 70.5

 

CMYK 0 / 0 / 52 / 0

HEX #FFFF7A

RGB 255 255 122

HSL 60, 1%, 0.74%

LAB 97.71, -17.02, 62.59

 

CMYK 0 / 12 / 79 / 7

HEX #EED233

RGB 238 210 51

HSL 51.02, 0.85%, 0.57%

LAB 84.23, -5.74, 75.66

 

CMYK 0 / 13 / 86 / 13

HEX #DDC020

RGB 221 192 32

HSL 50.79, 0.75%, 0.5%

LAB 77.98, -4.36, 74.74

 

CMYK 0 / 15 / 94 / 20

HEX #CCAE0D

RGB 204 174 13

HSL 50.58, 0.88%, 0.43%

LAB 71.65, -2.76, 72.58

 

CMYK 0 / 17 / 100 / 27

HEX #BB9C00

RGB 187 156 0

HSL 50.05, 1%, 0.37%

LAB 65.23, -0.93, 68.81

 

CMYK 0 / 19 / 100 / 33

HEX #AA8A00

RGB 170 138 0

HSL 48.71, 1%, 0.33%

LAB 58.72, 1.12, 63.43

HEX #AA8A00

CMYK 0 / 12 / 78 / 6

HEX #EFD334

RGB 239 211 52

HSL 51.02, 0.85%, 0.57%

LAB 84.58, -5.79, 75.71

 

CMYK 0 / 33 / 78 / 6

HEX #EFA034

RGB 239 160 52

HSL 34.65, 0.85%, 0.57%

LAB 72.05, 20.79, 64.31

 

CMYK 0 / 54 / 78 / 6

HEX #EF6E34

RGB 239 110 52

HSL 18.61, 0.85%, 0.57%

LAB 61.44, 46.42, 54.21

 

CMYK 0 / 75 / 78 / 6

HEX #EF3C34

RGB 239 60 52

HSL 2.57, 0.85%, 0.57%

LAB 53.85, 66.74, 46.63

 

CMYK 0 / 78 / 78 / 6

HEX #EF3434

RGB 239 52 52

HSL 0, 0.85%, 0.57%

LAB 53.01, 69.08, 45.78

 

CMYK 0 / 12 / 78 / 6

HEX #EFD334

RGB 239 211 52

HSL 51.02, 0.85%, 0.57%

LAB 84.58, -5.79, 75.71

 

CMYK 10 / 0 / 78 / 6

HEX #D8EF34

RGB 216 239 52

HSL 67.38, 0.85%, 0.57%

LAB 90.13, -28.99, 79.97

 

CMYK 31 / 0 / 78 / 6

HEX #A6EF34

RGB 166 239 52

HSL 83.42, 0.85%, 0.57%

LAB 87.04, -48.16, 76.02

 

CMYK 51 / 0 / 78 / 6

HEX #74EF34

RGB 116 239 52

HSL 99.47, 0.85%, 0.57%

LAB 84.84, -64.1, 73.18

 

CMYK 73 / 0 / 78 / 6

HEX #41EF34

RGB 65 239 52

HSL 115.83, 0.85%, 0.57%

LAB 83.5, -75.1, 71.44

 

CMYK 0 / 12 / 78 / 6

HEX #EFD334

RGB 239 211 52

HSL 51.02, 0.85%, 0.57%

LAB 84.58, -5.79, 75.71

 

CMYK 0 / 12 / 78 / 6

HEX #EFD334

RGB 239 211 52

HSL 51.02, 0.85%, 0.57%

LAB 84.58, -5.79, 75.71

 

CMYK 0 / 10 / 68 / 13

HEX #DDC646

RGB 221 198 70

HSL 50.86, 0.69%, 0.57%

LAB 79.73, -6.01, 64.23

 

CMYK 0 / 8 / 57 / 20

HEX #CBBA58

RGB 203 186 88

HSL 51.13, 0.53%, 0.57%

LAB 75.15, -6.25, 51

 

CMYK 0 / 6 / 43 / 27

HEX #B9AD69

RGB 185 173 105

HSL 51, 0.36%, 0.57%

LAB 70.33, -5.39, 36.41

 

CMYK 0 / 4 / 27 / 34

HEX #A8A17B

RGB 168 161 123

HSL 50.67, 0.21%, 0.57%

LAB 65.94, -3.66, 20.75

 

CMYK 0 / 54 / 78 / 6

HEX #EF6F34

RGB 239 111 52

HSL 18.93, 0.85%, 0.57%

LAB 61.63, 45.94, 54.39

 

CMYK 0 / 33 / 78 / 6

HEX #EFA134

RGB 239 161 52

HSL 34.97, 0.85%, 0.57%

LAB 72.29, 20.26, 64.53

 

CMYK 0 / 12 / 78 / 6

HEX #EFD334

RGB 239 211 52

HSL 51.02, 0.85%, 0.57%

LAB 84.58, -5.79, 75.71

 

CMYK 9 / 0 / 78 / 6

HEX #D9EF34

RGB 217 239 52

HSL 67.06, 0.85%, 0.57%

LAB 90.2, -28.59, 80.06

 

CMYK 30 / 0 / 78 / 6

HEX #A7EF34

RGB 167 239 52

HSL 83.1, 0.85%, 0.57%

LAB 87.09, -47.8, 76.09

 

CMYK 0 / 14 / 92 / 24

HEX #C1A610

RGB 193 166 16

HSL 50.85, 0.85%, 0.41%

LAB 68.5, -3.37, 69.29

 

CMYK 0 / 14 / 92 / 9

HEX #E7C713

RGB 231 199 19

HSL 50.94, 0.85%, 0.49%

LAB 80.67, -3.87, 79.66

 

CMYK 0 / 12 / 78 / 6

HEX #EFD334

RGB 239 211 52

HSL 51.02, 0.85%, 0.57%

LAB 84.58, -5.79, 75.71

 

CMYK 0 / 10 / 63 / 5

HEX #F2DB5A

RGB 242 219 90

HSL 50.92, 0.85%, 0.65%

LAB 87.13, -6.76, 64.36

 

CMYK 0 / 7 / 48 / 4

HEX #F5E380

RGB 245 227 128

HSL 50.77, 0.85%, 0.73%

LAB 89.82, -6.69, 50.26

 

CMYK 0 / 12 / 79 / 7

HEX #EED233

RGB 238 210 51

HSL 51.02, 0.85%, 0.57%

LAB 84.23, -5.74, 75.66

 

CMYK 78 / 0 / 74 / 6

HEX #34EF3D

RGB 52 239 61

HSL 122.89, 0.85%, 0.57%

LAB 83.34, -76.31, 68.46

 

CMYK 43 / 78 / 0 / 6

HEX #8834EF

RGB 136 52 239

HSL 266.95, 0.85%, 0.57%

LAB 44.12, 69.38, -78.99

 

CMYK 0 / 12 / 79 / 7

HEX #EED233

RGB 238 210 51

HSL 51.02, 0.85%, 0.57%

LAB 84.23, -5.74, 75.66

 

CMYK 78 / 0 / 12 / 6

HEX #34EFD3

RGB 52 239 211

HSL 171.02, 0.85%, 0.57%

LAB 85.59, -50.97, 0.69

 

CMYK 12 / 78 / 0 / 6

HEX #D334EF

RGB 211 52 239

HSL 291.02, 0.85%, 0.57%

LAB 54.59, 81.55, -61.51

 

CMYK 0 / 12 / 79 / 7

HEX #EED233

RGB 238 210 51

HSL 51.02, 0.85%, 0.57%

LAB 84.23, -5.74, 75.66

 

CMYK 78 / 0 / 74 / 6

HEX #34EF3D

RGB 52 239 61

HSL 122.89, 0.85%, 0.57%

LAB 83.34, -76.31, 68.46

 

CMYK 78 / 67 / 0 / 6

HEX #3450EF

RGB 52 80 239

HSL 231.02, 0.85%, 0.57%

LAB 42.31, 45.4, -82.22

 

CMYK 0 / 78 / 4 / 6

HEX #EF34E5

RGB 239 52 229

HSL 303.21, 0.85%, 0.57%

LAB 58.47, 85.2, -49.43

 

CMYK 0 / 12 / 79 / 7

HEX #EED233

RGB 238 210 51

HSL 51.02, 0.85%, 0.57%

LAB 84.23, -5.74, 75.66

 

CMYK 78 / 0 / 51 / 6

HEX #34EF75

RGB 52 239 117

HSL 140.86, 0.85%, 0.57%

LAB 83.83, -70.26, 46.07

 

CMYK 78 / 67 / 0 / 6

HEX #3450EF

RGB 52 80 239

HSL 231.02, 0.85%, 0.57%

LAB 42.31, 45.4, -82.22

 

CMYK 0 / 78 / 28 / 6

HEX #EF34AD

RGB 239 52 173

HSL 321.18, 0.85%, 0.57%

LAB 55.91, 77.9, -21.37

 

Description

Color code: HEX #EED233 | qconv.com Color code: HEX #EED233 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 210 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 210 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 79 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 79% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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