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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EECCEE it is the complementary color #113311. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EECCEE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EECCEE shade: #F3CCE9, #FFDEFC and #FFF0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EECCEE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EECCEE shade: #EECCEE, #DDBADB, #CCA8C8, #BB96B5 and #AA84A2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EECCEE shade: #EECDEE, #EECDE5, #EECDDC, #EECDD3 and #EECDCD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EECCEE shade: #EECDEE, #E5CDEE, #DCCDEE, #D3CDEE and #CDCDEE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EECCEE shade matches the following richer shades: #EECDEE, #F3C7F3, #F9C2F9 and #FEBDFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EECCEE shade: #EECDEE, #E9D2E9, #E3D8E3, #DEDDDE and #D8E2D8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EECCEE shade: #DCCDEE, #E5CDEE, #EECDEE, #EECDE5 and #EECDDC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EECCEE shade: #D98FD9, #E4AEE4, #EECDEE and #F8ECF8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EECCEE shade: #EECCEE, #EED3CD and #CDEEE1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EECCEE shade: #EECCEE, #EEEECD and #CDEEEE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EECCEE shade: #EECCEE, #EED3CD, #CDEECD and #CDE7EE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EECCEE shade: #EECCEE, #EEDDCD, #CDEECD and #CDDDEE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 0 / 7

HEX #EECCEE

RGB 238 204 238

HSL 300, 0.5%, 0.87%

LAB 85.77, 17.71, -12.3

 

Complementary color

CMYK 67 / 0 / 67 / 80

HEX #113311

RGB 17 51 17

HSL 120, 0.5%, 0.13%

LAB 18.04, -20.87, 17.69

 

CMYK 0 / 16 / 4 / 5

HEX #F3CCE9

RGB 243 204 233

HSL 315.38, 0.62%, 0.88%

LAB 86.07, 18.49, -9.17

 

CMYK 0 / 13 / 1 / 0

HEX #FFDEFC

RGB 255 222 252

HSL 305.45, 1%, 0.94%

LAB 91.92, 16.41, -10.36

 

CMYK 0 / 6 / 0 / 0

HEX #FFF0FF

RGB 255 240 255

HSL 300, 1%, 0.97%

LAB 96.33, 7.63, -5.4

 

CMYK 0 / 14 / 0 / 7

HEX #EECCEE

RGB 238 204 238

HSL 300, 0.5%, 0.87%

LAB 85.77, 17.71, -12.3

 

CMYK 0 / 16 / 1 / 13

HEX #DDBADB

RGB 221 186 219

HSL 303.43, 0.34%, 0.8%

LAB 79.39, 18.15, -11.84

 

CMYK 0 / 18 / 2 / 20

HEX #CCA8C8

RGB 204 168 200

HSL 306.67, 0.26%, 0.73%

LAB 72.9, 18.62, -11.36

 

CMYK 0 / 20 / 3 / 27

HEX #BB96B5

RGB 187 150 181

HSL 309.73, 0.21%, 0.66%

LAB 66.3, 19.14, -10.86

 

CMYK 0 / 22 / 5 / 33

HEX #AA84A2

RGB 170 132 162

HSL 312.63, 0.18%, 0.59%

LAB 59.58, 19.7, -10.34

 

CMYK 0 / 14 / 0 / 7

HEX #EECDEE

RGB 238 205 238

HSL 300, 0.49%, 0.87%

LAB 86.01, 17.19, -11.95

 

CMYK 0 / 14 / 4 / 7

HEX #EECDE5

RGB 238 205 229

HSL 316.36, 0.49%, 0.87%

LAB 85.75, 15.58, -7.56

 

CMYK 0 / 14 / 8 / 7

HEX #EECDDC

RGB 238 205 220

HSL 332.73, 0.49%, 0.87%

LAB 85.51, 14.02, -3.14

 

CMYK 0 / 14 / 11 / 7

HEX #EECDD3

RGB 238 205 211

HSL 349.09, 0.49%, 0.87%

LAB 85.27, 12.53, 1.3

 

CMYK 0 / 14 / 14 / 7

HEX #EECDCD

RGB 238 205 205

HSL 0, 0.49%, 0.87%

LAB 85.12, 11.56, 4.28

 

CMYK 0 / 14 / 0 / 7

HEX #EECDEE

RGB 238 205 238

HSL 300, 0.49%, 0.87%

LAB 86.01, 17.19, -11.95

 

CMYK 4 / 14 / 0 / 7

HEX #E5CDEE

RGB 229 205 238

HSL 283.64, 0.49%, 0.87%

LAB 85.25, 14.21, -13.17

 

CMYK 8 / 14 / 0 / 7

HEX #DCCDEE

RGB 220 205 238

HSL 267.27, 0.49%, 0.87%

LAB 84.51, 11.27, -14.35

 

CMYK 11 / 14 / 0 / 7

HEX #D3CDEE

RGB 211 205 238

HSL 250.91, 0.49%, 0.87%

LAB 83.8, 8.36, -15.49

 

CMYK 14 / 14 / 0 / 7

HEX #CDCDEE

RGB 205 205 238

HSL 240, 0.49%, 0.87%

LAB 83.34, 6.45, -16.22

 

CMYK 0 / 14 / 0 / 7

HEX #EECDEE

RGB 238 205 238

HSL 300, 0.49%, 0.87%

LAB 86.01, 17.19, -11.95

 

CMYK 0 / 18 / 0 / 5

HEX #F3C7F3

RGB 243 199 243

HSL 300, 0.65%, 0.87%

LAB 85.19, 22.92, -15.79

 

CMYK 0 / 22 / 0 / 2

HEX #F9C2F9

RGB 249 194 249

HSL 300, 0.82%, 0.87%

LAB 84.77, 28.61, -19.55

 

CMYK 0 / 26 / 0 / 0

HEX #FEBDFE

RGB 254 189 254

HSL 300, 0.97%, 0.87%

LAB 84.29, 33.75, -22.9

 

CMYK 0 / 14 / 0 / 7

HEX #EECDEE

RGB 238 205 238

HSL 300, 0.49%, 0.87%

LAB 86.01, 17.19, -11.95

 

CMYK 0 / 10 / 0 / 9

HEX #E9D2E9

RGB 233 210 233

HSL 300, 0.34%, 0.87%

LAB 86.65, 11.97, -8.39

 

CMYK 0 / 5 / 0 / 11

HEX #E3D8E3

RGB 227 216 227

HSL 300, 0.16%, 0.87%

LAB 87.48, 5.71, -4.05

 

CMYK 0 / 0 / 0 / 13

HEX #DEDDDE

RGB 222 221 222

HSL 300, 0.01%, 0.87%

LAB 88.22, 0.52, -0.38

 

CMYK 4 / 0 / 4 / 11

HEX #D8E2D8

RGB 216 226 216

HSL 120, 0.15%, 0.87%

LAB 88.9, -5.16, 3.71

HEX #D8E2D8

CMYK 8 / 14 / 0 / 7

HEX #DCCDEE

RGB 220 205 238

HSL 267.27, 0.49%, 0.87%

LAB 84.51, 11.27, -14.35

 

CMYK 4 / 14 / 0 / 7

HEX #E5CDEE

RGB 229 205 238

HSL 283.64, 0.49%, 0.87%

LAB 85.25, 14.21, -13.17

 

CMYK 0 / 14 / 0 / 7

HEX #EECDEE

RGB 238 205 238

HSL 300, 0.49%, 0.87%

LAB 86.01, 17.19, -11.95

 

CMYK 0 / 14 / 4 / 7

HEX #EECDE5

RGB 238 205 229

HSL 316.36, 0.49%, 0.87%

LAB 85.75, 15.58, -7.56

 

CMYK 0 / 14 / 8 / 7

HEX #EECDDC

RGB 238 205 220

HSL 332.73, 0.49%, 0.87%

LAB 85.51, 14.02, -3.14

 

CMYK 0 / 34 / 0 / 15

HEX #D98FD9

RGB 217 143 217

HSL 300, 0.49%, 0.71%

LAB 69.04, 39.63, -26.45

 

CMYK 0 / 24 / 0 / 11

HEX #E4AEE4

RGB 228 174 228

HSL 300, 0.5%, 0.79%

LAB 77.5, 28.59, -19.48

 

CMYK 0 / 14 / 0 / 7

HEX #EECDEE

RGB 238 205 238

HSL 300, 0.49%, 0.87%

LAB 86.01, 17.19, -11.95

 

CMYK 0 / 5 / 0 / 3

HEX #F8ECF8

RGB 248 236 248

HSL 300, 0.46%, 0.95%

LAB 94.62, 6.13, -4.35

 

CMYK 0 / 14 / 0 / 7

HEX #EECCEE

RGB 238 204 238

HSL 300, 0.5%, 0.87%

LAB 85.77, 17.71, -12.3

 

CMYK 0 / 11 / 14 / 7

HEX #EED3CD

RGB 238 211 205

HSL 10.91, 0.49%, 0.87%

LAB 86.59, 8.42, 6.39

 

CMYK 14 / 0 / 5 / 7

HEX #CDEEE1

RGB 205 238 225

HSL 156.36, 0.49%, 0.87%

LAB 91.49, -13.2, 2.67

 

CMYK 0 / 14 / 0 / 7

HEX #EECCEE

RGB 238 204 238

HSL 300, 0.5%, 0.87%

LAB 85.77, 17.71, -12.3

 

CMYK 0 / 0 / 14 / 7

HEX #EEEECD

RGB 238 238 205

HSL 60, 0.49%, 0.87%

LAB 93.33, -5.46, 16

 

CMYK 14 / 0 / 0 / 7

HEX #CDEEEE

RGB 205 238 238

HSL 180, 0.49%, 0.87%

LAB 91.82, -10.68, -3.62

 

CMYK 0 / 14 / 0 / 7

HEX #EECCEE

RGB 238 204 238

HSL 300, 0.5%, 0.87%

LAB 85.77, 17.71, -12.3

 

CMYK 0 / 11 / 14 / 7

HEX #EED3CD

RGB 238 211 205

HSL 10.91, 0.49%, 0.87%

LAB 86.59, 8.42, 6.39

 

CMYK 14 / 0 / 14 / 7

HEX #CDEECD

RGB 205 238 205

HSL 120, 0.49%, 0.87%

LAB 91.02, -16.83, 12.41

 

CMYK 14 / 3 / 0 / 7

HEX #CDE7EE

RGB 205 231 238

HSL 192.73, 0.49%, 0.87%

LAB 90, -7.12, -6.3

 

CMYK 0 / 14 / 0 / 7

HEX #EECCEE

RGB 238 204 238

HSL 300, 0.5%, 0.87%

LAB 85.77, 17.71, -12.3

 

CMYK 0 / 7 / 14 / 7

HEX #EEDDCD

RGB 238 221 205

HSL 29.09, 0.49%, 0.87%

LAB 89.06, 3.22, 9.94

 

CMYK 14 / 0 / 14 / 7

HEX #CDEECD

RGB 205 238 205

HSL 120, 0.49%, 0.87%

LAB 91.02, -16.83, 12.41

 

CMYK 14 / 7 / 0 / 7

HEX #CDDDEE

RGB 205 221 238

HSL 210.91, 0.49%, 0.87%

LAB 87.42, -1.97, -10.12

 

Description

Color code: HEX #EECCEE | qconv.com Color code: HEX #EECCEE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 204 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 204 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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