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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EEC34E it is the complementary color #113CB1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EEC34E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EEC34E shade: #F3C349, #FFD55C, #FFE76F, #FFF982 and #FFFF95

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EEC34E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EEC34E shade: #EEC34E, #DDB13B, #CC9F28, #BB8D15 and #AA7B02

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EEC34E shade: #EDC24E, #ED984E, #ED6D4E and #ED4E4E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EEC34E shade: #EDC24E, #EDED4E, #C2ED4E, #97ED4E and #6CED4E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EEC34E shade matches the following richer shades: #EDC24E and #FDCA3E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EEC34E shade: #EDC24E, #DDBB5E, #CEB46D, #BEAD7D and #AEA58D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EEC34E shade: #ED6B4E, #ED964E, #EDC04E, #EDEA4E and #C5ED4E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EEC34E shade: #D4A115, #E9B629, #EDC24E, #F1CF74 and #F4DC99

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EEC34E shade: #EEC34E, #5BED4E and #804EED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EEC34E shade: #EEC34E, #4EEDC0 and #C04EED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EEC34E shade: #EEC34E, #5BED4E, #4E7BED and #E04EED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EEC34E shade: #EEC34E, #4EED71, #4E7BED and #ED4ECB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 67 / 7

HEX #EEC34E

RGB 238 195 78

HSL 43.88, 0.82%, 0.62%

LAB 80.6, 3.15, 62.36

 

Complementary color

CMYK 90 / 66 / 0 / 31

HEX #113CB1

RGB 17 60 177

HSL 223.88, 0.82%, 0.38%

LAB 30.7, 33.03, -65.46

 

CMYK 0 / 20 / 70 / 5

HEX #F3C349

RGB 243 195 73

HSL 43.06, 0.88%, 0.62%

LAB 81.05, 4.99, 65.04

 

CMYK 0 / 16 / 64 / 0

HEX #FFD55C

RGB 255 213 92

HSL 44.54, 1%, 0.68%

LAB 86.81, 1.76, 63.51

 

CMYK 0 / 9 / 56 / 0

HEX #FFE76F

RGB 255 231 111

HSL 50, 1%, 0.72%

LAB 91.49, -6.07, 60.35

 

CMYK 0 / 2 / 49 / 0

HEX #FFF982

RGB 255 249 130

HSL 57.12, 1%, 0.75%

LAB 96.25, -13.46, 57.27

 

CMYK 0 / 0 / 42 / 0

HEX #FFFF95

RGB 255 255 149

HSL 60, 1%, 0.79%

LAB 98.01, -14.63, 50.51

 

CMYK 0 / 18 / 67 / 7

HEX #EEC34E

RGB 238 195 78

HSL 43.88, 0.82%, 0.62%

LAB 80.6, 3.15, 62.36

 

CMYK 0 / 20 / 73 / 13

HEX #DDB13B

RGB 221 177 59

HSL 43.7, 0.7%, 0.55%

LAB 74.27, 4.39, 63.08

 

CMYK 0 / 22 / 80 / 20

HEX #CC9F28

RGB 204 159 40

HSL 43.54, 0.67%, 0.48%

LAB 67.86, 5.84, 63.29

 

CMYK 0 / 25 / 89 / 27

HEX #BB8D15

RGB 187 141 21

HSL 43.37, 0.8%, 0.41%

LAB 61.37, 7.53, 62.51

 

CMYK 0 / 28 / 99 / 33

HEX #AA7B02

RGB 170 123 2

HSL 43.21, 0.98%, 0.34%

LAB 54.78, 9.5, 60.35

 

CMYK 0 / 18 / 67 / 7

HEX #EDC24E

RGB 237 194 78

HSL 43.77, 0.82%, 0.62%

LAB 80.26, 3.24, 61.97

 

CMYK 0 / 36 / 67 / 7

HEX #ED984E

RGB 237 152 78

HSL 27.92, 0.82%, 0.62%

LAB 70.18, 25.38, 51.08

 

CMYK 0 / 54 / 67 / 7

HEX #ED6D4E

RGB 237 109 78

HSL 11.7, 0.82%, 0.62%

LAB 61.21, 47.32, 40.84

 

CMYK 0 / 67 / 67 / 7

HEX #ED4E4E

RGB 237 78 78

HSL 0, 0.82%, 0.62%

LAB 56.09, 60.89, 34.71

 

CMYK 0 / 18 / 67 / 7

HEX #EDC24E

RGB 237 194 78

HSL 43.77, 0.82%, 0.62%

LAB 80.26, 3.24, 61.97

 

CMYK 0 / 0 / 67 / 7

HEX #EDED4E

RGB 237 237 78

HSL 60, 0.82%, 0.62%

LAB 91.29, -18.39, 73.28

 

CMYK 18 / 0 / 67 / 7

HEX #C2ED4E

RGB 194 237 78

HSL 76.23, 0.82%, 0.62%

LAB 88.25, -35.48, 69.22

 

CMYK 36 / 0 / 67 / 7

HEX #97ED4E

RGB 151 237 78

HSL 92.45, 0.82%, 0.62%

LAB 85.86, -51.01, 65.98

 

CMYK 54 / 0 / 67 / 7

HEX #6CED4E

RGB 108 237 78

HSL 108.68, 0.82%, 0.62%

LAB 84.13, -63.74, 63.63

 

CMYK 0 / 18 / 67 / 7

HEX #EDC24E

RGB 237 194 78

HSL 43.77, 0.82%, 0.62%

LAB 80.26, 3.24, 61.97

 

CMYK 0 / 20 / 75 / 1

HEX #FDCA3E

RGB 253 202 62

HSL 43.98, 0.98%, 0.62%

LAB 83.69, 5.09, 72.11

 

CMYK 0 / 18 / 67 / 7

HEX #EDC24E

RGB 237 194 78

HSL 43.77, 0.82%, 0.62%

LAB 80.26, 3.24, 61.97

 

CMYK 0 / 15 / 57 / 13

HEX #DDBB5E

RGB 221 187 94

HSL 43.94, 0.65%, 0.62%

LAB 77.11, 1.22, 50.86

 

CMYK 0 / 13 / 47 / 19

HEX #CEB46D

RGB 206 180 109

HSL 43.92, 0.5%, 0.62%

LAB 74.11, -0.03, 39.49

 

CMYK 0 / 9 / 34 / 25

HEX #BEAD7D

RGB 190 173 125

HSL 44.31, 0.33%, 0.62%

LAB 71.09, -1.06, 26.92

 

CMYK 0 / 5 / 19 / 32

HEX #AEA58D

RGB 174 165 141

HSL 43.64, 0.17%, 0.62%

LAB 67.9, -0.81, 13.62

 

CMYK 0 / 55 / 67 / 7

HEX #ED6B4E

RGB 237 107 78

HSL 10.94, 0.82%, 0.62%

LAB 60.84, 48.28, 40.4

 

CMYK 0 / 37 / 67 / 7

HEX #ED964E

RGB 237 150 78

HSL 27.17, 0.82%, 0.62%

LAB 69.73, 26.44, 50.58

 

CMYK 0 / 19 / 67 / 7

HEX #EDC04E

RGB 237 192 78

HSL 43.02, 0.82%, 0.62%

LAB 79.76, 4.28, 61.44

 

CMYK 0 / 1 / 67 / 7

HEX #EDEA4E

RGB 237 234 78

HSL 58.87, 0.82%, 0.62%

LAB 90.51, -16.93, 72.49

 

CMYK 17 / 0 / 67 / 7

HEX #C5ED4E

RGB 197 237 78

HSL 75.09, 0.82%, 0.62%

LAB 88.44, -34.32, 69.47

 

CMYK 0 / 24 / 90 / 17

HEX #D4A115

RGB 212 161 21

HSL 43.98, 0.82%, 0.46%

LAB 69.14, 7.8, 69.72

 

CMYK 0 / 22 / 82 / 9

HEX #E9B629

RGB 233 182 41

HSL 44.06, 0.81%, 0.54%

LAB 76.64, 6.27, 71.79

 

CMYK 0 / 18 / 67 / 7

HEX #EDC24E

RGB 237 194 78

HSL 43.77, 0.82%, 0.62%

LAB 80.26, 3.24, 61.97

 

CMYK 0 / 14 / 52 / 5

HEX #F1CF74

RGB 241 207 116

HSL 43.68, 0.82%, 0.7%

LAB 84.27, 0.83, 49.22

 

CMYK 0 / 10 / 37 / 4

HEX #F4DC99

RGB 244 220 153

HSL 44.18, 0.81%, 0.78%

LAB 88.31, -1.01, 35.95

 

CMYK 0 / 18 / 67 / 7

HEX #EEC34E

RGB 238 195 78

HSL 43.88, 0.82%, 0.62%

LAB 80.6, 3.15, 62.36

 

CMYK 62 / 0 / 67 / 7

HEX #5BED4E

RGB 91 237 78

HSL 115.09, 0.82%, 0.62%

LAB 83.62, -67.73, 62.94

 

CMYK 46 / 67 / 0 / 7

HEX #804EED

RGB 128 78 237

HSL 258.87, 0.82%, 0.62%

LAB 47.17, 56.03, -72.91

 

CMYK 0 / 18 / 67 / 7

HEX #EEC34E

RGB 238 195 78

HSL 43.88, 0.82%, 0.62%

LAB 80.6, 3.15, 62.36

 

CMYK 67 / 0 / 19 / 7

HEX #4EEDC0

RGB 78 237 192

HSL 163.02, 0.82%, 0.62%

LAB 84.99, -51.66, 9.85

 

CMYK 19 / 67 / 0 / 7

HEX #C04EED

RGB 192 78 237

HSL 283.02, 0.82%, 0.62%

LAB 54.83, 68.59, -60.14

 

CMYK 0 / 18 / 67 / 7

HEX #EEC34E

RGB 238 195 78

HSL 43.88, 0.82%, 0.62%

LAB 80.6, 3.15, 62.36

 

CMYK 62 / 0 / 67 / 7

HEX #5BED4E

RGB 91 237 78

HSL 115.09, 0.82%, 0.62%

LAB 83.62, -67.73, 62.94

 

CMYK 67 / 48 / 0 / 7

HEX #4E7BED

RGB 78 123 237

HSL 223.02, 0.82%, 0.62%

LAB 53.92, 21.14, -62.15

 

CMYK 5 / 67 / 0 / 7

HEX #E04EED

RGB 224 78 237

HSL 295.09, 0.82%, 0.62%

LAB 59.35, 75.44, -52.67

 

CMYK 0 / 18 / 67 / 7

HEX #EEC34E

RGB 238 195 78

HSL 43.88, 0.82%, 0.62%

LAB 80.6, 3.15, 62.36

 

CMYK 67 / 0 / 52 / 7

HEX #4EED71

RGB 78 237 113

HSL 133.21, 0.82%, 0.62%

LAB 83.64, -66.37, 47.82

 

CMYK 67 / 48 / 0 / 7

HEX #4E7BED

RGB 78 123 237

HSL 223.02, 0.82%, 0.62%

LAB 53.92, 21.14, -62.15

 

CMYK 0 / 67 / 14 / 7

HEX #ED4ECB

RGB 237 78 203

HSL 312.83, 0.82%, 0.62%

LAB 59.68, 73.17, -32.86

 

Description

Color code: HEX #EEC34E | qconv.com Color code: HEX #EEC34E | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 195 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 195 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 67 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 67% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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