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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EEC014 it is the complementary color #113FEB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EEC014. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EEC014 shade: #F3C00F, #FFD222, #FFE435, #FFF648 and #FFFF5B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EEC014. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EEC014 shade: #EEC014, #DDAE01, #CC9C00, #BB8A00 and #AA7800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EEC014 shade: #EFC115, #EF8615, #EF4C15 and #EF1515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EEC014 shade: #EFC115, #E2EF15, #A7EF15, #6DEF15 and #32EF15

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EEC014 shade matches the following richer shades: #EFC115

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EEC014 shade: #EFC115, #DBB52A, #C6AA3E, #B29E52 and #9E9266

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EEC014 shade: #EF4C15, #EF8615, #EFC015, #E4EF15 and #AAEF15

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EEC014 shade: #A6850C, #CDA40E, #EFC115, #F1CB3C and #F4D562

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EEC014 shade: #EEC014, #19EF15 and #6915EF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EEC014 shade: #EEC014, #15EFC0 and #C015EF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EEC014 shade: #EEC014, #19EF15, #1544EF and #EB15EF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EEC014 shade: #EEC014, #15EF53, #1544EF and #EF15B1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 92 / 7

HEX #EEC014

RGB 238 192 20

HSL 47.34, 0.87%, 0.51%

LAB 79.57, 2.77, 78.97

 

Complementary color

CMYK 93 / 73 / 0 / 8

HEX #113FEB

RGB 17 63 235

HSL 227.34, 0.87%, 0.49%

LAB 37.25, 52.22, -88.34

 

CMYK 0 / 21 / 94 / 5

HEX #F3C00F

RGB 243 192 15

HSL 46.58, 0.9%, 0.51%

LAB 80.06, 4.86, 80.25

 

CMYK 0 / 18 / 87 / 0

HEX #FFD222

RGB 255 210 34

HSL 47.78, 1%, 0.57%

LAB 85.74, 1.02, 81.89

 

CMYK 0 / 11 / 79 / 0

HEX #FFE435

RGB 255 228 53

HSL 51.98, 1%, 0.6%

LAB 90.32, -7.56, 81.04

 

CMYK 0 / 4 / 72 / 0

HEX #FFF648

RGB 255 246 72

HSL 57.05, 1%, 0.64%

LAB 95.01, -15.7, 79.49

 

CMYK 0 / 0 / 64 / 0

HEX #FFFF5B

RGB 255 255 91

HSL 60, 1%, 0.68%

LAB 97.44, -19.1, 75.13

 

CMYK 0 / 19 / 92 / 7

HEX #EEC014

RGB 238 192 20

HSL 47.34, 0.87%, 0.51%

LAB 79.57, 2.77, 78.97

 

CMYK 0 / 21 / 100 / 13

HEX #DDAE01

RGB 221 174 1

HSL 47.18, 0.99%, 0.44%

LAB 73.32, 4.6, 75.95

 

CMYK 0 / 24 / 100 / 20

HEX #CC9C00

RGB 204 156 0

HSL 45.88, 1%, 0.4%

LAB 66.99, 6.69, 70.85

 

CMYK 0 / 26 / 100 / 27

HEX #BB8A00

RGB 187 138 0

HSL 44.28, 1%, 0.37%

LAB 60.55, 8.87, 65.57

 

CMYK 0 / 29 / 100 / 33

HEX #AA7800

RGB 170 120 0

HSL 42.35, 1%, 0.33%

LAB 54, 11.16, 60.19

 

CMYK 0 / 19 / 91 / 6

HEX #EFC115

RGB 239 193 21

HSL 47.34, 0.87%, 0.51%

LAB 79.92, 2.69, 79.13

 

CMYK 0 / 44 / 91 / 6

HEX #EF8615

RGB 239 134 21

HSL 31.1, 0.87%, 0.51%

LAB 66.1, 33.66, 68.9

 

CMYK 0 / 68 / 91 / 6

HEX #EF4C15

RGB 239 76 21

HSL 15.14, 0.87%, 0.51%

LAB 55.66, 60.49, 61.57

 

CMYK 0 / 91 / 91 / 6

HEX #EF1515

RGB 239 21 21

HSL 0, 0.87%, 0.51%

LAB 50.62, 74.62, 58.26

 

CMYK 0 / 19 / 91 / 6

HEX #EFC115

RGB 239 193 21

HSL 47.34, 0.87%, 0.51%

LAB 79.92, 2.69, 79.13

 

CMYK 5 / 0 / 91 / 6

HEX #E2EF15

RGB 226 239 21

HSL 63.58, 0.87%, 0.51%

LAB 90.76, -25.69, 86.94

 

CMYK 30 / 0 / 91 / 6

HEX #A7EF15

RGB 167 239 21

HSL 79.82, 0.87%, 0.51%

LAB 87, -48.74, 82.37

 

CMYK 54 / 0 / 91 / 6

HEX #6DEF15

RGB 109 239 21

HSL 95.78, 0.87%, 0.51%

LAB 84.5, -67.11, 79.3

 

CMYK 79 / 0 / 91 / 6

HEX #32EF15

RGB 50 239 21

HSL 112.02, 0.87%, 0.51%

LAB 83.16, -78.43, 77.64

 

CMYK 0 / 19 / 91 / 6

HEX #EFC115

RGB 239 193 21

HSL 47.34, 0.87%, 0.51%

LAB 79.92, 2.69, 79.13

 

CMYK 0 / 19 / 91 / 6

HEX #EFC115

RGB 239 193 21

HSL 47.34, 0.87%, 0.51%

LAB 79.92, 2.69, 79.13

 

CMYK 0 / 17 / 81 / 14

HEX #DBB52A

RGB 219 181 42

HSL 47.12, 0.71%, 0.51%

LAB 75, 0.77, 69.53

 

CMYK 0 / 14 / 69 / 22

HEX #C6AA3E

RGB 198 170 62

HSL 47.65, 0.54%, 0.51%

LAB 70.25, -1.7, 57.1

 

CMYK 0 / 11 / 54 / 30

HEX #B29E52

RGB 178 158 82

HSL 47.5, 0.38%, 0.51%

LAB 65.38, -2.54, 41.94

 

CMYK 0 / 8 / 35 / 38

HEX #9E9266

RGB 158 146 102

HSL 47.14, 0.22%, 0.51%

LAB 60.59, -2.36, 24.97

 

CMYK 0 / 68 / 91 / 6

HEX #EF4C15

RGB 239 76 21

HSL 15.14, 0.87%, 0.51%

LAB 55.66, 60.49, 61.57

 

CMYK 0 / 44 / 91 / 6

HEX #EF8615

RGB 239 134 21

HSL 31.1, 0.87%, 0.51%

LAB 66.1, 33.66, 68.9

 

CMYK 0 / 20 / 91 / 6

HEX #EFC015

RGB 239 192 21

HSL 47.06, 0.87%, 0.51%

LAB 79.67, 3.21, 78.94

 

CMYK 5 / 0 / 91 / 6

HEX #E4EF15

RGB 228 239 21

HSL 63.03, 0.87%, 0.51%

LAB 90.91, -24.87, 87.12

 

CMYK 29 / 0 / 91 / 6

HEX #AAEF15

RGB 170 239 21

HSL 78.99, 0.87%, 0.51%

LAB 87.16, -47.65, 82.57

 

CMYK 0 / 20 / 93 / 35

HEX #A6850C

RGB 166 133 12

HSL 47.14, 0.87%, 0.35%

LAB 56.99, 2.22, 60.02

 

CMYK 0 / 20 / 93 / 20

HEX #CDA40E

RGB 205 164 14

HSL 47.12, 0.87%, 0.43%

LAB 69.16, 3, 70.63

 

CMYK 0 / 19 / 91 / 6

HEX #EFC115

RGB 239 193 21

HSL 47.34, 0.87%, 0.51%

LAB 79.92, 2.69, 79.13

 

CMYK 0 / 16 / 75 / 5

HEX #F1CB3C

RGB 241 203 60

HSL 47.4, 0.87%, 0.59%

LAB 82.77, -0.57, 71.54

 

CMYK 0 / 13 / 60 / 4

HEX #F4D562

RGB 244 213 98

HSL 47.26, 0.87%, 0.67%

LAB 85.86, -2.38, 59.54

 

CMYK 0 / 19 / 92 / 7

HEX #EEC014

RGB 238 192 20

HSL 47.34, 0.87%, 0.51%

LAB 79.57, 2.77, 78.97

 

CMYK 90 / 0 / 91 / 6

HEX #19EF15

RGB 25 239 21

HSL 118.9, 0.87%, 0.51%

LAB 82.91, -80.68, 77.33

 

CMYK 56 / 91 / 0 / 6

HEX #6915EF

RGB 105 21 239

HSL 263.12, 0.87%, 0.51%

LAB 37.43, 75.17, -90.14

 

CMYK 0 / 19 / 92 / 7

HEX #EEC014

RGB 238 192 20

HSL 47.34, 0.87%, 0.51%

LAB 79.57, 2.77, 78.97

 

CMYK 91 / 0 / 20 / 6

HEX #15EFC0

RGB 21 239 192

HSL 167.06, 0.87%, 0.51%

LAB 84.84, -57.83, 9.53

 

CMYK 20 / 91 / 0 / 6

HEX #C015EF

RGB 192 21 239

HSL 287.06, 0.87%, 0.51%

LAB 49.47, 84.82, -69.94

 

CMYK 0 / 19 / 92 / 7

HEX #EEC014

RGB 238 192 20

HSL 47.34, 0.87%, 0.51%

LAB 79.57, 2.77, 78.97

 

CMYK 90 / 0 / 91 / 6

HEX #19EF15

RGB 25 239 21

HSL 118.9, 0.87%, 0.51%

LAB 82.91, -80.68, 77.33

 

CMYK 91 / 72 / 0 / 6

HEX #1544EF

RGB 21 68 239

HSL 227.06, 0.87%, 0.51%

LAB 38.77, 50.82, -88.08

 

CMYK 2 / 91 / 0 / 6

HEX #EB15EF

RGB 235 21 239

HSL 298.9, 0.87%, 0.51%

LAB 56.52, 91.35, -58.21

 

CMYK 0 / 19 / 92 / 7

HEX #EEC014

RGB 238 192 20

HSL 47.34, 0.87%, 0.51%

LAB 79.57, 2.77, 78.97

 

CMYK 91 / 0 / 65 / 6

HEX #15EF53

RGB 21 239 83

HSL 137.06, 0.87%, 0.51%

LAB 83.19, -77.05, 60.19

 

CMYK 91 / 72 / 0 / 6

HEX #1544EF

RGB 21 68 239

HSL 227.06, 0.87%, 0.51%

LAB 38.77, 50.82, -88.08

 

CMYK 0 / 91 / 26 / 6

HEX #EF15B1

RGB 239 21 177

HSL 317.06, 0.87%, 0.51%

LAB 54.09, 84.08, -26.5

 

Description

Color code: HEX #EEC014 | qconv.com Color code: HEX #EEC014 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 192 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 192 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 92 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 92% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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