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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EEBF17 it is the complementary color #1140E8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EEBF17. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EEBF17 shade: #F3BF12, #FFD125, #FFE338, #FFF54B and #FFFF5E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EEBF17. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EEBF17 shade: #EEBF17, #DDAD04, #CC9B00, #BB8900 and #AA7700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EEBF17 shade: #EEBF17, #EE8517, #EE4B17 and #EE1717

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EEBF17 shade: #EEBF17, #E3EE17, #A9EE17, #6FEE17 and #35EE17

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EEBF17 shade matches the following richer shades: #EEBF17

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EEBF17 shade: #EEBF17, #D9B32B, #C5A83F, #B19C53 and #9D9167

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EEBF17 shade: #EE4917, #EE8217, #EEBB17, #E6EE17 and #ADEE17

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EEBF17 shade: #A5840C, #CCA20F, #EEBF17, #F0C93D and #F3D463

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EEBF17 shade: #EEBF17, #1EEE17 and #6517EE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EEBF17 shade: #EEBF17, #17EEBB and #BB17EE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EEBF17 shade: #EEBF17, #1EEE17, #1749EE and #E617EE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EEBF17 shade: #EEBF17, #17EE50, #1749EE and #EE17B4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 90 / 7

HEX #EEBF17

RGB 238 191 23

HSL 46.88, 0.86%, 0.51%

LAB 79.33, 3.33, 78.3

 

Complementary color

CMYK 93 / 72 / 0 / 9

HEX #1140E8

RGB 17 64 232

HSL 226.88, 0.86%, 0.49%

LAB 37.14, 50.61, -86.82

 

CMYK 0 / 21 / 93 / 5

HEX #F3BF12

RGB 243 191 18

HSL 46.13, 0.9%, 0.51%

LAB 79.82, 5.41, 79.68

 

CMYK 0 / 18 / 85 / 0

HEX #FFD125

RGB 255 209 37

HSL 47.34, 1%, 0.57%

LAB 85.5, 1.59, 81.05

 

CMYK 0 / 11 / 78 / 0

HEX #FFE338

RGB 255 227 56

HSL 51.56, 1%, 0.61%

LAB 90.08, -6.97, 79.97

 

CMYK 0 / 4 / 71 / 0

HEX #FFF54B

RGB 255 245 75

HSL 56.67, 1%, 0.65%

LAB 94.77, -15.08, 78.24

 

CMYK 0 / 0 / 63 / 0

HEX #FFFF5E

RGB 255 255 94

HSL 60, 1%, 0.68%

LAB 97.47, -18.93, 74

 

CMYK 0 / 20 / 90 / 7

HEX #EEBF17

RGB 238 191 23

HSL 46.88, 0.86%, 0.51%

LAB 79.33, 3.33, 78.3

 

CMYK 0 / 22 / 98 / 13

HEX #DDAD04

RGB 221 173 4

HSL 46.73, 0.96%, 0.44%

LAB 73.07, 5.16, 75.43

 

CMYK 0 / 24 / 100 / 20

HEX #CC9B00

RGB 204 155 0

HSL 45.59, 1%, 0.4%

LAB 66.73, 7.23, 70.68

 

CMYK 0 / 27 / 100 / 27

HEX #BB8900

RGB 187 137 0

HSL 43.96, 1%, 0.37%

LAB 60.3, 9.42, 65.39

 

CMYK 0 / 30 / 100 / 33

HEX #AA7700

RGB 170 119 0

HSL 42, 1%, 0.33%

LAB 53.75, 11.72, 60.02

 

CMYK 0 / 20 / 90 / 7

HEX #EEBF17

RGB 238 191 23

HSL 46.88, 0.86%, 0.51%

LAB 79.33, 3.33, 78.3

 

CMYK 0 / 44 / 90 / 7

HEX #EE8517

RGB 238 133 23

HSL 30.7, 0.86%, 0.51%

LAB 65.76, 33.8, 68.12

 

CMYK 0 / 68 / 90 / 7

HEX #EE4B17

RGB 238 75 23

HSL 14.51, 0.86%, 0.51%

LAB 55.35, 60.57, 60.64

 

CMYK 0 / 90 / 90 / 7

HEX #EE1717

RGB 238 23 23

HSL 0, 0.86%, 0.51%

LAB 50.51, 74.13, 57.33

 

CMYK 0 / 20 / 90 / 7

HEX #EEBF17

RGB 238 191 23

HSL 46.88, 0.86%, 0.51%

LAB 79.33, 3.33, 78.3

 

CMYK 5 / 0 / 90 / 7

HEX #E3EE17

RGB 227 238 23

HSL 63.07, 0.86%, 0.51%

LAB 90.57, -24.77, 86.57

 

CMYK 29 / 0 / 90 / 7

HEX #A9EE17

RGB 169 238 23

HSL 79.26, 0.86%, 0.51%

LAB 86.82, -47.56, 82

 

CMYK 53 / 0 / 90 / 7

HEX #6FEE17

RGB 111 238 23

HSL 95.44, 0.86%, 0.51%

LAB 84.27, -66.19, 78.86

 

CMYK 78 / 0 / 90 / 7

HEX #35EE17

RGB 53 238 23

HSL 111.63, 0.86%, 0.51%

LAB 82.9, -77.73, 77.15

 

CMYK 0 / 20 / 90 / 7

HEX #EEBF17

RGB 238 191 23

HSL 46.88, 0.86%, 0.51%

LAB 79.33, 3.33, 78.3

 

CMYK 0 / 20 / 90 / 7

HEX #EEBF17

RGB 238 191 23

HSL 46.88, 0.86%, 0.51%

LAB 79.33, 3.33, 78.3

 

CMYK 0 / 18 / 80 / 15

HEX #D9B32B

RGB 217 179 43

HSL 46.9, 0.7%, 0.51%

LAB 74.3, 0.99, 68.53

 

CMYK 0 / 15 / 68 / 23

HEX #C5A83F

RGB 197 168 63

HSL 47.01, 0.54%, 0.51%

LAB 69.64, -1.02, 56.02

 

CMYK 0 / 12 / 53 / 31

HEX #B19C53

RGB 177 156 83

HSL 46.6, 0.38%, 0.51%

LAB 64.76, -1.8, 40.68

 

CMYK 0 / 8 / 34 / 38

HEX #9D9167

RGB 157 145 103

HSL 46.67, 0.22%, 0.51%

LAB 60.25, -2.1, 23.94

 

CMYK 0 / 69 / 90 / 7

HEX #EE4917

RGB 238 73 23

HSL 13.95, 0.86%, 0.51%

LAB 55.08, 61.32, 60.45

 

CMYK 0 / 45 / 90 / 7

HEX #EE8217

RGB 238 130 23

HSL 29.86, 0.86%, 0.51%

LAB 65.12, 35.34, 67.66

 

CMYK 0 / 21 / 90 / 7

HEX #EEBB17

RGB 238 187 23

HSL 45.77, 0.86%, 0.51%

LAB 78.33, 5.41, 77.54

 

CMYK 3 / 0 / 90 / 7

HEX #E6EE17

RGB 230 238 23

HSL 62.23, 0.86%, 0.51%

LAB 90.8, -23.54, 86.84

 

CMYK 27 / 0 / 90 / 7

HEX #ADEE17

RGB 173 238 23

HSL 78.14, 0.86%, 0.51%

LAB 87.04, -46.08, 82.27

 

CMYK 0 / 20 / 93 / 35

HEX #A5840C

RGB 165 132 12

HSL 47.06, 0.86%, 0.35%

LAB 56.61, 2.32, 59.69

 

CMYK 0 / 21 / 93 / 20

HEX #CCA20F

RGB 204 162 15

HSL 46.67, 0.86%, 0.43%

LAB 68.54, 3.64, 69.97

 

CMYK 0 / 20 / 90 / 7

HEX #EEBF17

RGB 238 191 23

HSL 46.88, 0.86%, 0.51%

LAB 79.33, 3.33, 78.3

 

CMYK 0 / 16 / 75 / 6

HEX #F0C93D

RGB 240 201 61

HSL 46.93, 0.86%, 0.59%

LAB 82.18, 0.08, 70.6

 

CMYK 0 / 13 / 59 / 5

HEX #F3D463

RGB 243 212 99

HSL 47.08, 0.86%, 0.67%

LAB 85.53, -2.22, 58.69

 

CMYK 0 / 20 / 90 / 7

HEX #EEBF17

RGB 238 191 23

HSL 46.88, 0.86%, 0.51%

LAB 79.33, 3.33, 78.3

 

CMYK 87 / 0 / 90 / 7

HEX #1EEE17

RGB 30 238 23

HSL 118.05, 0.86%, 0.51%

LAB 82.64, -80.02, 76.83

 

CMYK 58 / 90 / 0 / 7

HEX #6517EE

RGB 101 23 238

HSL 261.77, 0.86%, 0.51%

LAB 37.03, 74.21, -90.25

 

CMYK 0 / 20 / 90 / 7

HEX #EEBF17

RGB 238 191 23

HSL 46.88, 0.86%, 0.51%

LAB 79.33, 3.33, 78.3

 

CMYK 90 / 0 / 21 / 7

HEX #17EEBB

RGB 23 238 187

HSL 165.77, 0.86%, 0.51%

LAB 84.44, -58.57, 11.57

 

CMYK 21 / 90 / 0 / 7

HEX #BB17EE

RGB 187 23 238

HSL 285.77, 0.86%, 0.51%

LAB 48.7, 83.67, -70.66

 

CMYK 0 / 20 / 90 / 7

HEX #EEBF17

RGB 238 191 23

HSL 46.88, 0.86%, 0.51%

LAB 79.33, 3.33, 78.3

 

CMYK 87 / 0 / 90 / 7

HEX #1EEE17

RGB 30 238 23

HSL 118.05, 0.86%, 0.51%

LAB 82.64, -80.02, 76.83

 

CMYK 90 / 69 / 0 / 7

HEX #1749EE

RGB 23 73 238

HSL 226.05, 0.86%, 0.51%

LAB 39.78, 47.58, -85.84

 

CMYK 3 / 90 / 0 / 7

HEX #E617EE

RGB 230 23 238

HSL 297.77, 0.86%, 0.51%

LAB 55.69, 90.17, -59.01

 

CMYK 0 / 20 / 90 / 7

HEX #EEBF17

RGB 238 191 23

HSL 46.88, 0.86%, 0.51%

LAB 79.33, 3.33, 78.3

 

CMYK 90 / 0 / 66 / 7

HEX #17EE50

RGB 23 238 80

HSL 135.91, 0.86%, 0.51%

LAB 82.87, -76.95, 61.03

 

CMYK 90 / 69 / 0 / 7

HEX #1749EE

RGB 23 73 238

HSL 226.05, 0.86%, 0.51%

LAB 39.78, 47.58, -85.84

 

CMYK 0 / 90 / 24 / 7

HEX #EE17B4

RGB 238 23 180

HSL 316.19, 0.86%, 0.51%

LAB 54.12, 83.99, -28.23

 

Description

Color code: HEX #EEBF17 | qconv.com Color code: HEX #EEBF17 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 191 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 191 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 90 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 90% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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