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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EEBBD7 it is the complementary color #114428. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EEBBD7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EEBBD7 shade: #F3BBD2, #FFCDE5, #FFDFF8, #FFF1FF and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EEBBD7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EEBBD7 shade: #EEBBD7, #DDA9C4, #CC97B1, #BB859E and #AA738B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EEBBD7 shade: #EEBAD6, #EEBAC8 and #EEBABA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EEBBD7 shade: #EEBAD6, #EEBAE4, #E9BAEE, #DBBAEE and #CDBAEE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EEBBD7 shade matches the following richer shades: #EEBAD6, #F5B3D7 and #FCACD8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EEBBD7 shade: #EEBAD6, #E7C1D6, #E0C8D5, #D9CFD4 and #D2D6D3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EEBBD7 shade: #E9BAEE, #EEBAE4, #EEBAD6, #EEBAC8 and #EEBABB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EEBBD7 shade: #DD78AF, #E599C3, #EEBAD6, #F6DBEA and #FEFCFD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EEBBD7 shade: #EEBBD7, #EEDBBA and #BAEBEE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EEBBD7 shade: #EEBBD7, #D6EEBA and #BAD6EE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EEBBD7 shade: #EEBBD7, #EEDBBA, #BAEED1 and #BACCEE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EEBBD7 shade: #EEBBD7, #EEEBBA, #BAEED1 and #BABCEE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 10 / 7

HEX #EEBBD7

RGB 238 187 215

HSL 327.06, 0.6%, 0.83%

LAB 81.08, 22.72, -6.99

 

Complementary color

CMYK 75 / 0 / 41 / 73

HEX #114428

RGB 17 68 40

HSL 147.06, 0.6%, 0.17%

LAB 24.97, -24.4, 12.2

 

CMYK 0 / 23 / 14 / 5

HEX #F3BBD2

RGB 243 187 210

HSL 335.36, 0.7%, 0.84%

LAB 81.43, 23.63, -3.73

 

CMYK 0 / 20 / 10 / 0

HEX #FFCDE5

RGB 255 205 229

HSL 331.2, 1%, 0.9%

LAB 87.28, 21.37, -5.13

 

CMYK 0 / 13 / 3 / 0

HEX #FFDFF8

RGB 255 223 248

HSL 313.13, 1%, 0.94%

LAB 92.05, 15.19, -8.08

 

CMYK 0 / 5 / 0 / 0

HEX #FFF1FF

RGB 255 241 255

HSL 300, 1%, 0.97%

LAB 96.57, 7.12, -5.04

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 0 / 21 / 10 / 7

HEX #EEBBD7

RGB 238 187 215

HSL 327.06, 0.6%, 0.83%

LAB 81.08, 22.72, -6.99

 

CMYK 0 / 24 / 11 / 13

HEX #DDA9C4

RGB 221 169 196

HSL 328.85, 0.43%, 0.76%

LAB 74.66, 23.28, -6.37

 

CMYK 0 / 26 / 13 / 20

HEX #CC97B1

RGB 204 151 177

HSL 330.57, 0.34%, 0.7%

LAB 68.13, 23.89, -5.72

 

CMYK 0 / 29 / 16 / 27

HEX #BB859E

RGB 187 133 158

HSL 332.22, 0.28%, 0.63%

LAB 61.49, 24.56, -5.02

 

CMYK 0 / 32 / 18 / 33

HEX #AA738B

RGB 170 115 139

HSL 333.82, 0.24%, 0.56%

LAB 54.73, 25.29, -4.25

 

CMYK 0 / 22 / 10 / 7

HEX #EEBAD6

RGB 238 186 214

HSL 327.69, 0.6%, 0.83%

LAB 80.82, 23.08, -6.84

 

CMYK 0 / 22 / 16 / 7

HEX #EEBAC8

RGB 238 186 200

HSL 343.85, 0.6%, 0.83%

LAB 80.44, 20.82, 0.15

 

CMYK 0 / 22 / 22 / 7

HEX #EEBABA

RGB 238 186 186

HSL 0, 0.6%, 0.83%

LAB 80.09, 18.71, 7.19

 

CMYK 0 / 22 / 10 / 7

HEX #EEBAD6

RGB 238 186 214

HSL 327.69, 0.6%, 0.83%

LAB 80.82, 23.08, -6.84

 

CMYK 0 / 22 / 4 / 7

HEX #EEBAE4

RGB 238 186 228

HSL 311.54, 0.6%, 0.83%

LAB 81.23, 25.48, -13.76

 

CMYK 2 / 22 / 0 / 7

HEX #E9BAEE

RGB 233 186 238

HSL 294.23, 0.6%, 0.83%

LAB 81.08, 25.65, -19.41

 

CMYK 8 / 22 / 0 / 7

HEX #DBBAEE

RGB 219 186 238

HSL 278.08, 0.6%, 0.83%

LAB 79.81, 21.12, -21.44

 

CMYK 14 / 22 / 0 / 7

HEX #CDBAEE

RGB 205 186 238

HSL 261.92, 0.6%, 0.83%

LAB 78.62, 16.67, -23.37

 

CMYK 0 / 22 / 10 / 7

HEX #EEBAD6

RGB 238 186 214

HSL 327.69, 0.6%, 0.83%

LAB 80.82, 23.08, -6.84

 

CMYK 0 / 27 / 12 / 4

HEX #F5B3D7

RGB 245 179 215

HSL 327.27, 0.77%, 0.83%

LAB 79.93, 29.36, -8.62

 

CMYK 0 / 32 / 14 / 1

HEX #FCACD8

RGB 252 172 216

HSL 327, 0.93%, 0.83%

LAB 79.13, 35.58, -10.27

 

CMYK 0 / 22 / 10 / 7

HEX #EEBAD6

RGB 238 186 214

HSL 327.69, 0.6%, 0.83%

LAB 80.82, 23.08, -6.84

 

CMYK 0 / 16 / 7 / 9

HEX #E7C1D6

RGB 231 193 214

HSL 326.84, 0.44%, 0.83%

LAB 81.83, 16.94, -5.42

 

CMYK 0 / 11 / 5 / 12

HEX #E0C8D5

RGB 224 200 213

HSL 327.5, 0.28%, 0.83%

LAB 82.89, 10.62, -3.39

 

CMYK 0 / 5 / 2 / 15

HEX #D9CFD4

RGB 217 207 212

HSL 330, 0.12%, 0.83%

LAB 84.03, 4.34, -1.25

 

CMYK 2 / 0 / 1 / 16

HEX #D2D6D3

RGB 210 214 211

HSL 135, 0.05%, 0.83%

LAB 85.25, -1.9, 0.99

 

CMYK 2 / 22 / 0 / 7

HEX #E9BAEE

RGB 233 186 238

HSL 294.23, 0.6%, 0.83%

LAB 81.08, 25.65, -19.41

 

CMYK 0 / 22 / 4 / 7

HEX #EEBAE4

RGB 238 186 228

HSL 311.54, 0.6%, 0.83%

LAB 81.23, 25.48, -13.76

 

CMYK 0 / 22 / 10 / 7

HEX #EEBAD6

RGB 238 186 214

HSL 327.69, 0.6%, 0.83%

LAB 80.82, 23.08, -6.84

 

CMYK 0 / 22 / 16 / 7

HEX #EEBAC8

RGB 238 186 200

HSL 343.85, 0.6%, 0.83%

LAB 80.44, 20.82, 0.15

 

CMYK 0 / 22 / 21 / 7

HEX #EEBABB

RGB 238 186 187

HSL 358.85, 0.6%, 0.83%

LAB 80.11, 18.86, 6.69

 

CMYK 0 / 46 / 21 / 13

HEX #DD78AF

RGB 221 120 175

HSL 327.33, 0.6%, 0.67%

LAB 63.26, 45.95, -11.63

 

CMYK 0 / 33 / 15 / 10

HEX #E599C3

RGB 229 153 195

HSL 326.84, 0.59%, 0.75%

LAB 71.81, 34.47, -9.96

 

CMYK 0 / 22 / 10 / 7

HEX #EEBAD6

RGB 238 186 214

HSL 327.69, 0.6%, 0.83%

LAB 80.82, 23.08, -6.84

 

CMYK 0 / 11 / 5 / 4

HEX #F6DBEA

RGB 246 219 234

HSL 326.67, 0.6%, 0.91%

LAB 89.95, 11.81, -3.92

 

CMYK 0 / 1 / 0 / 0

HEX #FEFCFD

RGB 254 252 253

HSL 330, 0.5%, 0.99%

LAB 99.14, 0.84, -0.25

 

CMYK 0 / 21 / 10 / 7

HEX #EEBBD7

RGB 238 187 215

HSL 327.06, 0.6%, 0.83%

LAB 81.08, 22.72, -6.99

 

CMYK 0 / 8 / 22 / 7

HEX #EEDBBA

RGB 238 219 186

HSL 38.08, 0.6%, 0.83%

LAB 88.15, 1.42, 18.61

 

CMYK 22 / 1 / 0 / 7

HEX #BAEBEE

RGB 186 235 238

HSL 183.46, 0.6%, 0.83%

LAB 89.87, -14.95, -6.62

 

CMYK 0 / 21 / 10 / 7

HEX #EEBBD7

RGB 238 187 215

HSL 327.06, 0.6%, 0.83%

LAB 81.08, 22.72, -6.99

 

CMYK 10 / 0 / 22 / 7

HEX #D6EEBA

RGB 214 238 186

HSL 87.69, 0.6%, 0.83%

LAB 91.23, -16.84, 22.6

 

CMYK 22 / 10 / 0 / 7

HEX #BAD6EE

RGB 186 214 238

HSL 207.69, 0.6%, 0.83%

LAB 84.33, -4.19, -14.87

 

CMYK 0 / 21 / 10 / 7

HEX #EEBBD7

RGB 238 187 215

HSL 327.06, 0.6%, 0.83%

LAB 81.08, 22.72, -6.99

 

CMYK 0 / 8 / 22 / 7

HEX #EEDBBA

RGB 238 219 186

HSL 38.08, 0.6%, 0.83%

LAB 88.15, 1.42, 18.61

 

CMYK 22 / 0 / 12 / 7

HEX #BAEED1

RGB 186 238 209

HSL 146.54, 0.6%, 0.83%

LAB 89.95, -22.27, 8.63

 

CMYK 22 / 14 / 0 / 7

HEX #BACCEE

RGB 186 204 238

HSL 219.23, 0.6%, 0.83%

LAB 81.73, 1.08, -18.79

 

CMYK 0 / 21 / 10 / 7

HEX #EEBBD7

RGB 238 187 215

HSL 327.06, 0.6%, 0.83%

LAB 81.08, 22.72, -6.99

 

CMYK 0 / 1 / 22 / 7

HEX #EEEBBA

RGB 238 235 186

HSL 56.54, 0.6%, 0.83%

LAB 92.19, -6.73, 24.21

 

CMYK 22 / 0 / 12 / 7

HEX #BAEED1

RGB 186 238 209

HSL 146.54, 0.6%, 0.83%

LAB 89.95, -22.27, 8.63

 

CMYK 22 / 21 / 0 / 7

HEX #BABCEE

RGB 186 188 238

HSL 237.69, 0.6%, 0.83%

LAB 77.63, 9.7, -25.02

 

Description

Color code: HEX #EEBBD7 | qconv.com Color code: HEX #EEBBD7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 187 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 187 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 10 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 10% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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