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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EEBA51 it is the complementary color #1145AE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EEBA51. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EEBA51 shade: #F3BA4C, #FFCC5F, #FFDE72, #FFF085 and #FFFF98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EEBA51. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EEBA51 shade: #EEBA51, #DDA83E, #CC962B, #BB8418 and #AA7205

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EEBA51 shade: #EEBB53, #EE9153, #EE6753 and #EE5353

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EEBA51 shade: #EEBB53, #EEE553, #CEEE53, #A4EE53 and #7AEE53

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EEBA51 shade matches the following richer shades: #EEBB53 and #FDC044

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EEBA51 shade: #EEBB53, #DFB663, #CFB072, #C0AB81 and #B1A690

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EEBA51 shade: #EE6853, #EE9153, #EEBA53, #EEE453 and #CFEE53

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EEBA51 shade: #D99815, #EAAC2E, #EEBB53, #F2CA79 and #F5D99E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EEBA51 shade: #EEBA51, #68EE53 and #7D53EE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EEBA51 shade: #EEBA51, #53EEBA and #BA53EE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EEBA51 shade: #EEBA51, #68EE53, #5387EE and #D953EE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EEBA51 shade: #EEBA51, #53EE6D, #5387EE and #EE53D4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 66 / 7

HEX #EEBA51

RGB 238 186 81

HSL 40.13, 0.82%, 0.63%

LAB 78.4, 8.01, 58.72

 

Complementary color

CMYK 90 / 60 / 0 / 32

HEX #1145AE

RGB 17 69 174

HSL 220.13, 0.82%, 0.37%

LAB 32.77, 25.82, -60.28

 

CMYK 0 / 23 / 69 / 5

HEX #F3BA4C

RGB 243 186 76

HSL 39.52, 0.87%, 0.63%

LAB 78.86, 9.83, 61.54

 

CMYK 0 / 20 / 63 / 0

HEX #FFCC5F

RGB 255 204 95

HSL 40.88, 1%, 0.69%

LAB 84.62, 6.56, 59.79

 

CMYK 0 / 13 / 55 / 0

HEX #FFDE72

RGB 255 222 114

HSL 45.96, 1%, 0.72%

LAB 89.26, -1.32, 56.41

 

CMYK 0 / 6 / 48 / 0

HEX #FFF085

RGB 255 240 133

HSL 52.62, 1%, 0.76%

LAB 94, -8.77, 53.16

 

CMYK 0 / 0 / 40 / 0

HEX #FFFF98

RGB 255 255 152

HSL 60, 1%, 0.8%

LAB 98.05, -14.33, 49.12

 

CMYK 0 / 22 / 66 / 7

HEX #EEBA51

RGB 238 186 81

HSL 40.13, 0.82%, 0.63%

LAB 78.4, 8.01, 58.72

 

CMYK 0 / 24 / 72 / 13

HEX #DDA83E

RGB 221 168 62

HSL 40, 0.7%, 0.55%

LAB 72.04, 9.3, 59.67

 

CMYK 0 / 26 / 79 / 20

HEX #CC962B

RGB 204 150 43

HSL 39.88, 0.65%, 0.48%

LAB 65.61, 10.8, 60.22

 

CMYK 0 / 29 / 87 / 27

HEX #BB8418

RGB 187 132 24

HSL 39.75, 0.77%, 0.41%

LAB 59.1, 12.56, 59.93

 

CMYK 0 / 33 / 97 / 33

HEX #AA7205

RGB 170 114 5

HSL 39.64, 0.94%, 0.34%

LAB 52.5, 14.61, 58.2

 

CMYK 0 / 21 / 65 / 7

HEX #EEBB53

RGB 238 187 83

HSL 40.26, 0.82%, 0.63%

LAB 78.66, 7.6, 58.12

 

CMYK 0 / 39 / 65 / 7

HEX #EE9153

RGB 238 145 83

HSL 24, 0.82%, 0.63%

LAB 68.79, 29.77, 47.09

 

CMYK 0 / 57 / 65 / 7

HEX #EE6753

RGB 238 103 83

HSL 7.74, 0.82%, 0.63%

LAB 60.34, 50.79, 37.11

 

CMYK 0 / 65 / 65 / 7

HEX #EE5353

RGB 238 83 83

HSL 0, 0.82%, 0.63%

LAB 57.06, 59.5, 33.1

 

CMYK 0 / 21 / 65 / 7

HEX #EEBB53

RGB 238 187 83

HSL 40.26, 0.82%, 0.63%

LAB 78.66, 7.6, 58.12

 

CMYK 0 / 4 / 65 / 7

HEX #EEE553

RGB 238 229 83

HSL 56.52, 0.82%, 0.63%

LAB 89.32, -13.8, 69.41

 

CMYK 13 / 0 / 65 / 7

HEX #CEEE53

RGB 206 238 83

HSL 72.39, 0.82%, 0.63%

LAB 89.34, -30.97, 68.69

 

CMYK 31 / 0 / 65 / 7

HEX #A4EE53

RGB 164 238 83

HSL 88.65, 0.82%, 0.63%

LAB 86.83, -46.61, 65.28

 

CMYK 49 / 0 / 65 / 7

HEX #7AEE53

RGB 122 238 83

HSL 104.9, 0.82%, 0.63%

LAB 84.95, -59.93, 62.71

 

CMYK 0 / 21 / 65 / 7

HEX #EEBB53

RGB 238 187 83

HSL 40.26, 0.82%, 0.63%

LAB 78.66, 7.6, 58.12

 

CMYK 0 / 24 / 73 / 1

HEX #FDC044

RGB 253 192 68

HSL 40.22, 0.98%, 0.63%

LAB 81.29, 10.51, 67.59

 

CMYK 0 / 21 / 65 / 7

HEX #EEBB53

RGB 238 187 83

HSL 40.26, 0.82%, 0.63%

LAB 78.66, 7.6, 58.12

 

CMYK 0 / 18 / 56 / 13

HEX #DFB663

RGB 223 182 99

HSL 40.16, 0.66%, 0.63%

LAB 76.1, 5.07, 47.3

 

CMYK 0 / 15 / 45 / 19

HEX #CFB072

RGB 207 176 114

HSL 40, 0.49%, 0.63%

LAB 73.24, 3, 35.84

 

CMYK 0 / 11 / 33 / 25

HEX #C0AB81

RGB 192 171 129

HSL 40, 0.33%, 0.63%

LAB 70.81, 1.32, 24.44

 

CMYK 0 / 6 / 19 / 31

HEX #B1A690

RGB 177 166 144

HSL 40, 0.17%, 0.63%

LAB 68.48, 0.27, 12.83

 

CMYK 0 / 56 / 65 / 7

HEX #EE6853

RGB 238 104 83

HSL 8.13, 0.82%, 0.63%

LAB 60.52, 50.33, 37.33

 

CMYK 0 / 39 / 65 / 7

HEX #EE9153

RGB 238 145 83

HSL 24, 0.82%, 0.63%

LAB 68.79, 29.77, 47.09

 

CMYK 0 / 22 / 65 / 7

HEX #EEBA53

RGB 238 186 83

HSL 39.87, 0.82%, 0.63%

LAB 78.41, 8.13, 57.85

 

CMYK 0 / 4 / 65 / 7

HEX #EEE453

RGB 238 228 83

HSL 56.13, 0.82%, 0.63%

LAB 89.06, -13.31, 69.14

 

CMYK 13 / 0 / 65 / 7

HEX #CFEE53

RGB 207 238 83

HSL 72, 0.82%, 0.63%

LAB 89.41, -30.58, 68.78

 

CMYK 0 / 30 / 90 / 15

HEX #D99815

RGB 217 152 21

HSL 40.1, 0.82%, 0.47%

LAB 67.47, 14.83, 68.69

 

CMYK 0 / 26 / 80 / 8

HEX #EAAC2E

RGB 234 172 46

HSL 40.21, 0.82%, 0.55%

LAB 74.31, 12.12, 68.26

 

CMYK 0 / 21 / 65 / 7

HEX #EEBB53

RGB 238 187 83

HSL 40.26, 0.82%, 0.63%

LAB 78.66, 7.6, 58.12

 

CMYK 0 / 17 / 50 / 5

HEX #F2CA79

RGB 242 202 121

HSL 40.17, 0.82%, 0.71%

LAB 83.18, 4.24, 45.46

 

CMYK 0 / 11 / 36 / 4

HEX #F5D99E

RGB 245 217 158

HSL 40.69, 0.81%, 0.79%

LAB 87.73, 1.48, 32.65

 

CMYK 0 / 22 / 66 / 7

HEX #EEBA51

RGB 238 186 81

HSL 40.13, 0.82%, 0.63%

LAB 78.4, 8.01, 58.72

 

CMYK 56 / 0 / 65 / 7

HEX #68EE53

RGB 104 238 83

HSL 111.87, 0.82%, 0.63%

LAB 84.34, -64.65, 61.86

 

CMYK 47 / 65 / 0 / 7

HEX #7D53EE

RGB 125 83 238

HSL 256.26, 0.82%, 0.63%

LAB 47.9, 53.16, -72.29

 

CMYK 0 / 22 / 66 / 7

HEX #EEBA51

RGB 238 186 81

HSL 40.13, 0.82%, 0.63%

LAB 78.4, 8.01, 58.72

 

CMYK 65 / 0 / 22 / 7

HEX #53EEBA

RGB 83 238 186

HSL 159.87, 0.82%, 0.63%

LAB 85.27, -52.65, 13.38

 

CMYK 22 / 65 / 0 / 7

HEX #BA53EE

RGB 186 83 238

HSL 279.87, 0.82%, 0.63%

LAB 54.86, 65.38, -60.7

 

CMYK 0 / 22 / 66 / 7

HEX #EEBA51

RGB 238 186 81

HSL 40.13, 0.82%, 0.63%

LAB 78.4, 8.01, 58.72

 

CMYK 56 / 0 / 65 / 7

HEX #68EE53

RGB 104 238 83

HSL 111.87, 0.82%, 0.63%

LAB 84.34, -64.65, 61.86

 

CMYK 65 / 43 / 0 / 7

HEX #5387EE

RGB 83 135 238

HSL 219.87, 0.82%, 0.63%

LAB 57.41, 14.95, -57.1

 

CMYK 9 / 65 / 0 / 7

HEX #D953EE

RGB 217 83 238

HSL 291.87, 0.82%, 0.63%

LAB 59.08, 72.17, -53.72

 

CMYK 0 / 22 / 66 / 7

HEX #EEBA51

RGB 238 186 81

HSL 40.13, 0.82%, 0.63%

LAB 78.4, 8.01, 58.72

 

CMYK 65 / 0 / 54 / 7

HEX #53EE6D

RGB 83 238 109

HSL 130.06, 0.82%, 0.63%

LAB 84.01, -66.33, 50.14

 

CMYK 65 / 43 / 0 / 7

HEX #5387EE

RGB 83 135 238

HSL 219.87, 0.82%, 0.63%

LAB 57.41, 14.95, -57.1

 

CMYK 0 / 65 / 11 / 7

HEX #EE53D4

RGB 238 83 212

HSL 310.06, 0.82%, 0.63%

LAB 60.88, 72.86, -36.07

 

Description

Color code: HEX #EEBA51 | qconv.com Color code: HEX #EEBA51 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 186 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 186 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 66 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 66% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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