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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EEB72ACE it is the complementary color #1148D5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EEB72ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EEB72ACE shade: #F3B725CE, #FFC938CE, #FFDB4BCE, #FFED5ECE and #FFFF71CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EEB72ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EEB72ACE shade: #EEB72ACE, #DDA517CE, #CC9304CE, #BB8100CE and #AA6F00CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EEB72ACE shade: #EEB72B, #EE822B, #EE4E2B and #EE2B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EEB72ACE shade: #EEB72B, #EEEC2B, #BBEE2B, #87EE2B and #52EE2B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EEB72ACE shade matches the following richer shades: #EEB72B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EEB72ACE shade: #EEB72B, #DBAF3D, #C9A750, #B69F62 and #A49675

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EEB72ACE shade: #EE4E2B, #EE822B, #EEB72B, #EEEB2B and #BDEE2B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EEB72ACE shade: #B7880F, #DDA412, #EEB72B, #F1C451 and #F4D177

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EEB72ACE shade: #EEB72A, #3BEE2B and #682BEE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EEB72ACE shade: #EEB72A, #2BEEB7 and #B72BEE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EEB72ACE shade: #EEB72A, #3BEE2B, #2B62EE and #DE2BEE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EEB72ACE shade: #EEB72A, #2BEE55, #2B62EE and #EE2BC4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 67 / 5

HEX #EEB72ACE

RGBA 238 183 42 0.81

HSLA 43.16, 0.85%, 0.55%, 0.81

LABA 77.41, 7.92, 72.36, 0.81

 

Complementary color

CMYK 75 / 54 / 0 / 13

HEX #1148D5CE

RGBA 17 72 213 0.81

HSLA 223.16, 0.85%, 0.45%, 0.81

LABA 37.04, 38.92, -76.12, 0.81

 

CMYK 0 / 20 / 69 / 4

HEX #F3B725CE

RGBA 243 183 37 0.81

HSLA 42.52, 0.9%, 0.55%, 0.81

LABA 77.91, 9.93, 74.36, 0.81

 

CMYK 0 / 17 / 63 / 0

HEX #FFC938CE

RGBA 255 201 56 0.81

HSLA 43.72, 1%, 0.61%, 0.81

LABA 83.61, 6.23, 74.15, 0.81

 

CMYK 0 / 11 / 57 / 0

HEX #FFDB4BCE

RGBA 255 219 75 0.81

HSLA 48, 1%, 0.65%, 0.81

LABA 88.18, -2.19, 71.79, 0.81

 

CMYK 0 / 6 / 51 / 0

HEX #FFED5ECE

RGBA 255 237 94 0.81

HSLA 53.29, 1%, 0.68%, 0.81

LABA 92.86, -10.17, 69.15, 0.81

 

CMYK 0 / 0 / 45 / 0

HEX #FFFF71CE

RGBA 255 255 113 0.81

HSLA 60, 1%, 0.72%, 0.81

LABA 97.62, -17.7, 66.42, 0.81

 

CMYK 0 / 19 / 67 / 5

HEX #EEB72ACE

RGBA 238 183 42 0.81

HSLA 43.16, 0.85%, 0.55%, 0.81

LABA 77.41, 7.92, 72.36, 0.81

 

CMYK 0 / 21 / 73 / 11

HEX #DDA517CE

RGBA 221 165 23 0.81

HSLA 43.03, 0.81%, 0.48%, 0.81

LABA 71.11, 9.64, 71.25, 0.81

 

CMYK 0 / 23 / 79 / 16

HEX #CC9304CE

RGBA 204 147 4 0.81

HSLA 42.9, 0.96%, 0.41%, 0.81

LABA 64.73, 11.6, 68.75, 0.81

 

CMYK 0 / 25 / 81 / 22

HEX #BB8100CE

RGBA 187 129 0 0.81

HSLA 41.39, 1%, 0.37%, 0.81

LABA 58.29, 13.84, 64.04, 0.81

 

CMYK 0 / 28 / 81 / 27

HEX #AA6F00CE

RGBA 170 111 0 0.81

HSLA 39.18, 1%, 0.33%, 0.81

LABA 51.74, 16.22, 58.69, 0.81

 

CMYK 0 / 23 / 82 / 7

HEX #EEB72B

RGB 238 183 43

HSL 43.08, 0.85%, 0.55%

LAB 77.41, 7.95, 72.07

 

CMYK 0 / 45 / 82 / 7

HEX #EE822B

RGB 238 130 43

HSL 26.77, 0.85%, 0.55%

LAB 65.21, 35.79, 61.43

 

CMYK 0 / 67 / 82 / 7

HEX #EE4E2B

RGB 238 78 43

HSL 10.77, 0.85%, 0.55%

LAB 55.89, 59.84, 53.03

 

CMYK 0 / 82 / 82 / 7

HEX #EE2B2B

RGB 238 43 43

HSL 0, 0.85%, 0.55%

LAB 51.93, 70.84, 49.36

 

CMYK 0 / 23 / 82 / 7

HEX #EEB72B

RGB 238 183 43

HSL 43.08, 0.85%, 0.55%

LAB 77.41, 7.95, 72.07

 

CMYK 0 / 1 / 82 / 7

HEX #EEEC2B

RGB 238 236 43

HSL 59.38, 0.85%, 0.55%

LAB 90.94, -18.86, 83.56

 

CMYK 21 / 0 / 82 / 7

HEX #BBEE2B

RGB 187 238 43

HSL 75.69, 0.85%, 0.55%

LAB 87.91, -40.27, 79.57

 

CMYK 43 / 0 / 82 / 7

HEX #87EE2B

RGB 135 238 43

HSL 91.69, 0.85%, 0.55%

LAB 85.24, -58.57, 76.18

 

CMYK 66 / 0 / 82 / 7

HEX #52EE2B

RGB 82 238 43

HSL 108, 0.85%, 0.55%

LAB 83.5, -72.26, 73.97

 

CMYK 0 / 23 / 82 / 7

HEX #EEB72B

RGB 238 183 43

HSL 43.08, 0.85%, 0.55%

LAB 77.41, 7.95, 72.07

 

CMYK 0 / 23 / 82 / 7

HEX #EEB72B

RGB 238 183 43

HSL 43.08, 0.85%, 0.55%

LAB 77.41, 7.95, 72.07

 

CMYK 0 / 20 / 72 / 14

HEX #DBAF3D

RGB 219 175 61

HSL 43.29, 0.69%, 0.55%

LAB 73.58, 4.68, 61.55

 

CMYK 0 / 17 / 60 / 21

HEX #C9A750

RGB 201 167 80

HSL 43.14, 0.53%, 0.55%

LAB 69.92, 2.33, 48.76

 

CMYK 0 / 13 / 46 / 29

HEX #B69F62

RGB 182 159 98

HSL 43.57, 0.37%, 0.55%

LAB 66.23, 0.12, 34.84

 

CMYK 0 / 9 / 29 / 36

HEX #A49675

RGB 164 150 117

HSL 42.13, 0.21%, 0.55%

LAB 62.5, -0.11, 19.31

 

CMYK 0 / 67 / 82 / 7

HEX #EE4E2B

RGB 238 78 43

HSL 10.77, 0.85%, 0.55%

LAB 55.89, 59.84, 53.03

 

CMYK 0 / 45 / 82 / 7

HEX #EE822B

RGB 238 130 43

HSL 26.77, 0.85%, 0.55%

LAB 65.21, 35.79, 61.43

 

CMYK 0 / 23 / 82 / 7

HEX #EEB72B

RGB 238 183 43

HSL 43.08, 0.85%, 0.55%

LAB 77.41, 7.95, 72.07

 

CMYK 0 / 1 / 82 / 7

HEX #EEEB2B

RGB 238 235 43

HSL 59.08, 0.85%, 0.55%

LAB 90.67, -18.37, 83.34

 

CMYK 21 / 0 / 82 / 7

HEX #BDEE2B

RGB 189 238 43

HSL 75.08, 0.85%, 0.55%

LAB 88.04, -39.5, 79.72

 

CMYK 0 / 26 / 92 / 28

HEX #B7880F

RGB 183 136 15

HSL 43.21, 0.85%, 0.39%

LAB 59.63, 8.37, 62.27

 

CMYK 0 / 26 / 92 / 13

HEX #DDA412

RGB 221 164 18

HSL 43.15, 0.85%, 0.47%

LAB 70.85, 10.1, 71.99

 

CMYK 0 / 23 / 82 / 7

HEX #EEB72B

RGB 238 183 43

HSL 43.08, 0.85%, 0.55%

LAB 77.41, 7.95, 72.07

 

CMYK 0 / 19 / 66 / 5

HEX #F1C451

RGB 241 196 81

HSL 43.13, 0.85%, 0.63%

LAB 81.17, 4.05, 61.77

 

CMYK 0 / 14 / 51 / 4

HEX #F4D177

RGB 244 209 119

HSL 43.2, 0.85%, 0.71%

LAB 85.08, 1.27, 48.81

 

CMYK 0 / 23 / 82 / 7

HEX #EEB72A

RGB 238 183 42

HSL 43.16, 0.85%, 0.55%

LAB 77.41, 7.92, 72.36

 

CMYK 75 / 0 / 82 / 7

HEX #3BEE2B

RGB 59 238 43

HSL 115.08, 0.85%, 0.55%

LAB 83.05, -76.17, 73.38

 

CMYK 56 / 82 / 0 / 7

HEX #682BEE

RGB 104 43 238

HSL 258.77, 0.85%, 0.55%

LAB 39.32, 68.59, -86.46

 

CMYK 0 / 23 / 82 / 7

HEX #EEB72A

RGB 238 183 42

HSL 43.16, 0.85%, 0.55%

LAB 77.41, 7.92, 72.36

 

CMYK 82 / 0 / 23 / 7

HEX #2BEEB7

RGB 43 238 183

HSL 163.08, 0.85%, 0.55%

LAB 84.53, -58.24, 13.8

 

CMYK 23 / 82 / 0 / 7

HEX #B72BEE

RGB 183 43 238

HSL 283.08, 0.85%, 0.55%

LAB 49.46, 79.03, -69.45

 

CMYK 0 / 23 / 82 / 7

HEX #EEB72A

RGB 238 183 42

HSL 43.16, 0.85%, 0.55%

LAB 77.41, 7.92, 72.36

 

CMYK 75 / 0 / 82 / 7

HEX #3BEE2B

RGB 59 238 43

HSL 115.08, 0.85%, 0.55%

LAB 83.05, -76.17, 73.38

 

CMYK 82 / 59 / 0 / 7

HEX #2B62EE

RGB 43 98 238

HSL 223.08, 0.85%, 0.55%

LAB 46.21, 33.16, -75.28

 

CMYK 7 / 82 / 0 / 7

HEX #DE2BEE

RGB 222 43 238

HSL 295.08, 0.85%, 0.55%

LAB 55.51, 85.51, -59.37

 

CMYK 0 / 23 / 82 / 7

HEX #EEB72A

RGB 238 183 42

HSL 43.16, 0.85%, 0.55%

LAB 77.41, 7.92, 72.36

 

CMYK 82 / 0 / 64 / 7

HEX #2BEE55

RGB 43 238 85

HSL 132.92, 0.85%, 0.55%

LAB 83.08, -74.91, 59.32

 

CMYK 82 / 59 / 0 / 7

HEX #2B62EE

RGB 43 98 238

HSL 223.08, 0.85%, 0.55%

LAB 46.21, 33.16, -75.28

 

CMYK 0 / 82 / 18 / 7

HEX #EE2BC4

RGB 238 43 196

HSL 312.92, 0.85%, 0.55%

LAB 55.98, 82.56, -34.61

 

Description

Color code: HEX #EEB72ACE | qconv.com Color code: HEX #EEB72ACE | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 183 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 183 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 67 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 67% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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