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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EEB4FF it is the complementary color #114B00. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EEB4FF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EEB4FF shade: #F3B4FA, #FFC6FF, #FFD8FF, #FFEAFF and #FFFCFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EEB4FF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EEB4FF shade: #EEB4FF, #DDA2EC, #CC90D9, #BB7EC6 and #AA6CB3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EEB4FF shade: #EEB3FF, #FFB3FC, #FFB3E7, #FFB3D2 and #FFB3BE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EEB4FF shade: #EEB3FF, #D9B3FF, #C4B3FF and #B3B3FF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EEB4FF shade matches the following richer shades: #EEB3FF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EEB4FF shade: #EEB3FF, #EAB9F9, #E7BFF3, #E4C5EC and #E0CBE6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EEB4FF shade: #C4B3FF, #D9B3FF, #EDB3FF, #FFB3FC and #FFB3E8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EEB4FF shade: #DB60FF, #E489FF, #EEB3FF, #F7DCFF and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EEB4FF shade: #EEB4FF, #FFB3B5 and #B3FFCF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EEB4FF shade: #EEB4FF, #FFEDB3 and #B3FFED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EEB4FF shade: #EEB4FF, #FFB3B5, #C4FFB3 and #B3FFFC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EEB4FF shade: #EEB4FF, #FFC7B3, #C4FFB3 and #B3EBFF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 29 / 0 / 0

HEX #EEB4FF

RGB 238 180 255

HSL 286.4, 1%, 0.85%

LAB 80.76, 33.67, -28.95

 

Complementary color

CMYK 77 / 0 / 100 / 71

HEX #114B00

RGB 17 75 0

HSL 106.4, 1%, 0.15%

LAB 27.16, -32.6, 34.68

 

CMYK 3 / 28 / 0 / 2

HEX #F3B4FA

RGB 243 180 250

HSL 294, 0.88%, 0.84%

LAB 81.07, 34.28, -25.76

 

CMYK 0 / 22 / 0 / 0

HEX #FFC6FF

RGB 255 198 255

HSL 300, 1%, 0.89%

LAB 86.44, 29.52, -20.16

 

CMYK 0 / 15 / 0 / 0

HEX #FFD8FF

RGB 255 216 255

HSL 300, 1%, 0.92%

LAB 90.59, 20.08, -13.92

 

CMYK 0 / 8 / 0 / 0

HEX #FFEAFF

RGB 255 234 255

HSL 300, 1%, 0.96%

LAB 94.88, 10.72, -7.54

 

CMYK 0 / 1 / 0 / 0

HEX #FFFCFF

RGB 255 252 255

HSL 300, 1%, 0.99%

LAB 99.26, 1.52, -1.09

 

CMYK 7 / 29 / 0 / 0

HEX #EEB4FF

RGB 238 180 255

HSL 286.4, 1%, 0.85%

LAB 80.76, 33.67, -28.95

 

CMYK 6 / 31 / 0 / 7

HEX #DDA2EC

RGB 221 162 236

HSL 287.84, 0.66%, 0.78%

LAB 74.36, 34.32, -28.67

 

CMYK 6 / 34 / 0 / 15

HEX #CC90D9

RGB 204 144 217

HSL 289.32, 0.49%, 0.71%

LAB 67.87, 35, -28.38

 

CMYK 6 / 36 / 0 / 22

HEX #BB7EC6

RGB 187 126 198

HSL 290.83, 0.39%, 0.64%

LAB 61.28, 35.73, -28.07

 

CMYK 5 / 40 / 0 / 30

HEX #AA6CB3

RGB 170 108 179

HSL 292.39, 0.32%, 0.56%

LAB 54.58, 36.5, -27.74

 

CMYK 7 / 30 / 0 / 0

HEX #EEB3FF

RGB 238 179 255

HSL 286.58, 1%, 0.85%

LAB 80.54, 34.2, -29.3

 

CMYK 0 / 30 / 1 / 0

HEX #FFB3FC

RGB 255 179 252

HSL 302.37, 1%, 0.85%

LAB 82.12, 38.94, -25.12

 

CMYK 0 / 30 / 9 / 0

HEX #FFB3E7

RGB 255 179 231

HSL 318.95, 1%, 0.85%

LAB 81.44, 35.34, -14.89

 

CMYK 0 / 30 / 18 / 0

HEX #FFB3D2

RGB 255 179 210

HSL 335.53, 1%, 0.85%

LAB 80.82, 32.01, -4.49

 

CMYK 0 / 30 / 25 / 0

HEX #FFB3BE

RGB 255 179 190

HSL 351.32, 1%, 0.85%

LAB 80.3, 29.13, 5.56

 

CMYK 7 / 30 / 0 / 0

HEX #EEB3FF

RGB 238 179 255

HSL 286.58, 1%, 0.85%

LAB 80.54, 34.2, -29.3

 

CMYK 15 / 30 / 0 / 0

HEX #D9B3FF

RGB 217 179 255

HSL 270, 1%, 0.85%

LAB 78.59, 27.76, -32.46

 

CMYK 23 / 30 / 0 / 0

HEX #C4B3FF

RGB 196 179 255

HSL 253.42, 1%, 0.85%

LAB 76.8, 21.5, -35.37

 

CMYK 30 / 30 / 0 / 0

HEX #B3B3FF

RGB 179 179 255

HSL 240, 1%, 0.85%

LAB 75.48, 16.62, -37.52

 

CMYK 7 / 30 / 0 / 0

HEX #EEB3FF

RGB 238 179 255

HSL 286.58, 1%, 0.85%

LAB 80.54, 34.2, -29.3

 

CMYK 7 / 30 / 0 / 0

HEX #EEB3FF

RGB 238 179 255

HSL 286.58, 1%, 0.85%

LAB 80.54, 34.2, -29.3

 

CMYK 6 / 26 / 0 / 2

HEX #EAB9F9

RGB 234 185 249

HSL 285.94, 0.84%, 0.85%

LAB 81.31, 28.59, -24.94

 

CMYK 5 / 21 / 0 / 5

HEX #E7BFF3

RGB 231 191 243

HSL 286.15, 0.68%, 0.85%

LAB 82.23, 23.27, -20.36

 

CMYK 3 / 17 / 0 / 7

HEX #E4C5EC

RGB 228 197 236

HSL 287.69, 0.51%, 0.85%

LAB 83.17, 17.76, -15.23

 

CMYK 3 / 12 / 0 / 10

HEX #E0CBE6

RGB 224 203 230

HSL 286.67, 0.35%, 0.85%

LAB 84.11, 12.11, -10.66

 

CMYK 23 / 30 / 0 / 0

HEX #C4B3FF

RGB 196 179 255

HSL 253.42, 1%, 0.85%

LAB 76.8, 21.5, -35.37

 

CMYK 15 / 30 / 0 / 0

HEX #D9B3FF

RGB 217 179 255

HSL 270, 1%, 0.85%

LAB 78.59, 27.76, -32.46

 

CMYK 7 / 30 / 0 / 0

HEX #EDB3FF

RGB 237 179 255

HSL 285.79, 1%, 0.85%

LAB 80.44, 33.89, -29.45

 

CMYK 0 / 30 / 1 / 0

HEX #FFB3FC

RGB 255 179 252

HSL 302.37, 1%, 0.85%

LAB 82.12, 38.94, -25.12

 

CMYK 0 / 30 / 9 / 0

HEX #FFB3E8

RGB 255 179 232

HSL 318.16, 1%, 0.85%

LAB 81.47, 35.5, -15.38

 

CMYK 14 / 62 / 0 / 0

HEX #DB60FF

RGB 219 96 255

HSL 286.42, 1%, 0.69%

LAB 62.21, 70.38, -58.14

 

CMYK 11 / 46 / 0 / 0

HEX #E489FF

RGB 228 137 255

HSL 286.27, 1%, 0.77%

LAB 70.6, 53.23, -44.79

 

CMYK 7 / 30 / 0 / 0

HEX #EEB3FF

RGB 238 179 255

HSL 286.58, 1%, 0.85%

LAB 80.54, 34.2, -29.3

 

CMYK 3 / 14 / 0 / 0

HEX #F7DCFF

RGB 247 220 255

HSL 286.29, 1%, 0.93%

LAB 90.86, 15.38, -13.58

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 7 / 29 / 0 / 0

HEX #EEB4FF

RGB 238 180 255

HSL 286.4, 1%, 0.85%

LAB 80.76, 33.67, -28.95

 

CMYK 0 / 30 / 29 / 0

HEX #FFB3B5

RGB 255 179 181

HSL 358.42, 1%, 0.85%

LAB 80.09, 27.92, 10.12

 

CMYK 30 / 0 / 19 / 0

HEX #B3FFCF

RGB 179 255 207

HSL 142.11, 1%, 0.85%

LAB 94.14, -32.87, 15.58

 

CMYK 7 / 29 / 0 / 0

HEX #EEB4FF

RGB 238 180 255

HSL 286.4, 1%, 0.85%

LAB 80.76, 33.67, -28.95

 

CMYK 0 / 7 / 30 / 0

HEX #FFEDB3

RGB 255 237 179

HSL 45.79, 1%, 0.85%

LAB 93.92, -2.37, 30.36

 

CMYK 30 / 0 / 7 / 0

HEX #B3FFED

RGB 179 255 237

HSL 165.79, 1%, 0.85%

LAB 94.83, -26.97, 1.13

 

CMYK 7 / 29 / 0 / 0

HEX #EEB4FF

RGB 238 180 255

HSL 286.4, 1%, 0.85%

LAB 80.76, 33.67, -28.95

 

CMYK 0 / 30 / 29 / 0

HEX #FFB3B5

RGB 255 179 181

HSL 358.42, 1%, 0.85%

LAB 80.09, 27.92, 10.12

 

CMYK 23 / 0 / 30 / 0

HEX #C4FFB3

RGB 196 255 179

HSL 106.58, 1%, 0.85%

LAB 94.53, -32.18, 30.49

 

CMYK 30 / 0 / 1 / 0

HEX #B3FFFC

RGB 179 255 252

HSL 177.63, 1%, 0.85%

LAB 95.22, -23.75, -6.04

 

CMYK 7 / 29 / 0 / 0

HEX #EEB4FF

RGB 238 180 255

HSL 286.4, 1%, 0.85%

LAB 80.76, 33.67, -28.95

 

CMYK 0 / 22 / 30 / 0

HEX #FFC7B3

RGB 255 199 179

HSL 15.79, 1%, 0.85%

LAB 84.67, 17.18, 17.65

 

CMYK 23 / 0 / 30 / 0

HEX #C4FFB3

RGB 196 255 179

HSL 106.58, 1%, 0.85%

LAB 94.53, -32.18, 30.49

 

CMYK 30 / 8 / 0 / 0

HEX #B3EBFF

RGB 179 235 255

HSL 195.79, 1%, 0.85%

LAB 89.96, -13.19, -15.42

 

Description

Color code: HEX #EEB4FF | qconv.com Color code: HEX #EEB4FF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 180 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 180 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 29 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 29% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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