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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EEB2E8 it is the complementary color #114D17. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EEB2E8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EEB2E8 shade: #F3B2E3, #FFC4F6, #FFD6FF, #FFE8FF and #FFFAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EEB2E8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EEB2E8 shade: #EEB2E8, #DDA0D5, #CC8EC2, #BB7CAF and #AA6A9C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EEB2E8 shade: #EEB4E9, #EEB4D9, #EEB4C9, #EEB4B9 and #EEB4B4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EEB2E8 shade: #EEB4E9, #E5B4EE, #D5B4EE, #C5B4EE and #B5B4EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EEB2E8 shade matches the following richer shades: #EEB4E9, #F6ACEF and #FDA5F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EEB2E8 shade: #EEB4E9, #E7BBE3, #E0C3DD, #D8CAD7 and #D1D1D1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EEB2E8 shade: #D5B4EE, #E5B4EE, #EEB4E9, #EEB4D9 and #EEB4C9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EEB2E8 shade: #E070D4, #E792DF, #EEB4E9, #F6D6F3 and #FDF7FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EEB2E8 shade: #EEB2E8, #EEC5B4 and #B4EEDD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EEB2E8 shade: #EEB2E8, #E9EEB4 and #B4E9EE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EEB2E8 shade: #EEB2E8, #EEC5B4, #B4EEBA and #B4DDEE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EEB2E8 shade: #EEB2E8, #EED7B4, #B4EEBA and #B4CBEE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 3 / 7

HEX #EEB2E8

RGB 238 178 232

HSL 306, 0.64%, 0.82%

LAB 79.53, 30.45, -18.48

 

Complementary color

CMYK 78 / 0 / 70 / 70

HEX #114D17

RGB 17 77 23

HSL 126, 0.64%, 0.18%

LAB 28.08, -31.31, 25.92

 

CMYK 0 / 27 / 7 / 5

HEX #F3B2E3

RGB 243 178 227

HSL 314.77, 0.73%, 0.83%

LAB 79.86, 31.22, -15.22

 

CMYK 0 / 23 / 4 / 0

HEX #FFC4F6

RGB 255 196 246

HSL 309.15, 1%, 0.88%

LAB 85.7, 28.97, -16.5

 

CMYK 0 / 16 / 0 / 0

HEX #FFD6FF

RGB 255 214 255

HSL 300, 1%, 0.92%

LAB 90.12, 21.12, -14.62

 

CMYK 0 / 9 / 0 / 0

HEX #FFE8FF

RGB 255 232 255

HSL 300, 1%, 0.95%

LAB 94.39, 11.75, -8.26

 

CMYK 0 / 2 / 0 / 0

HEX #FFFAFF

RGB 255 250 255

HSL 300, 1%, 0.99%

LAB 98.77, 2.53, -1.81

 

CMYK 0 / 25 / 3 / 7

HEX #EEB2E8

RGB 238 178 232

HSL 306, 0.64%, 0.82%

LAB 79.53, 30.45, -18.48

 

CMYK 0 / 28 / 4 / 13

HEX #DDA0D5

RGB 221 160 213

HSL 307.87, 0.47%, 0.75%

LAB 73.1, 31.08, -18.03

 

CMYK 0 / 30 / 5 / 20

HEX #CC8EC2

RGB 204 142 194

HSL 309.68, 0.38%, 0.68%

LAB 66.58, 31.76, -17.54

 

CMYK 0 / 34 / 6 / 27

HEX #BB7CAF

RGB 187 124 175

HSL 311.43, 0.32%, 0.61%

LAB 59.96, 32.48, -17.03

 

CMYK 0 / 38 / 8 / 33

HEX #AA6A9C

RGB 170 106 156

HSL 313.13, 0.27%, 0.54%

LAB 53.23, 33.24, -16.45

 

CMYK 0 / 24 / 2 / 7

HEX #EEB4E9

RGB 238 180 233

HSL 305.17, 0.63%, 0.82%

LAB 80.01, 29.56, -18.28

 

CMYK 0 / 24 / 9 / 7

HEX #EEB4D9

RGB 238 180 217

HSL 321.72, 0.63%, 0.82%

LAB 79.52, 26.78, -10.4

 

CMYK 0 / 24 / 16 / 7

HEX #EEB4C9

RGB 238 180 201

HSL 338.28, 0.63%, 0.82%

LAB 79.06, 24.17, -2.41

 

CMYK 0 / 24 / 22 / 7

HEX #EEB4B9

RGB 238 180 185

HSL 354.83, 0.63%, 0.82%

LAB 78.65, 21.75, 5.66

 

CMYK 0 / 24 / 24 / 7

HEX #EEB4B4

RGB 238 180 180

HSL 0, 0.63%, 0.82%

LAB 78.53, 21.04, 8.2

 

CMYK 0 / 24 / 2 / 7

HEX #EEB4E9

RGB 238 180 233

HSL 305.17, 0.63%, 0.82%

LAB 80.01, 29.56, -18.28

 

CMYK 4 / 24 / 0 / 7

HEX #E5B4EE

RGB 229 180 238

HSL 290.69, 0.63%, 0.82%

LAB 79.31, 27.56, -22.12

 

CMYK 11 / 24 / 0 / 7

HEX #D5B4EE

RGB 213 180 238

HSL 274.14, 0.63%, 0.82%

LAB 77.85, 22.45, -24.48

 

CMYK 17 / 24 / 0 / 7

HEX #C5B4EE

RGB 197 180 238

HSL 257.59, 0.63%, 0.82%

LAB 76.49, 17.44, -26.68

 

CMYK 24 / 24 / 0 / 7

HEX #B5B4EE

RGB 181 180 238

HSL 241.03, 0.63%, 0.82%

LAB 75.23, 12.58, -28.73

 

CMYK 0 / 24 / 2 / 7

HEX #EEB4E9

RGB 238 180 233

HSL 305.17, 0.63%, 0.82%

LAB 80.01, 29.56, -18.28

 

CMYK 0 / 30 / 3 / 4

HEX #F6ACEF

RGB 246 172 239

HSL 305.68, 0.8%, 0.82%

LAB 79.23, 37.45, -22.63

 

CMYK 0 / 35 / 4 / 1

HEX #FDA5F4

RGB 253 165 244

HSL 306.14, 0.96%, 0.82%

LAB 78.65, 44.18, -26.14

 

CMYK 0 / 24 / 2 / 7

HEX #EEB4E9

RGB 238 180 233

HSL 305.17, 0.63%, 0.82%

LAB 80.01, 29.56, -18.28

 

CMYK 0 / 19 / 2 / 9

HEX #E7BBE3

RGB 231 187 227

HSL 305.45, 0.48%, 0.82%

LAB 80.78, 22.43, -13.97

 

CMYK 0 / 13 / 1 / 12

HEX #E0C3DD

RGB 224 195 221

HSL 306.21, 0.32%, 0.82%

LAB 81.89, 14.71, -9.15

 

CMYK 0 / 6 / 0 / 15

HEX #D8CAD7

RGB 216 202 215

HSL 304.29, 0.15%, 0.82%

LAB 82.78, 7.17, -4.7

 

CMYK 0 / 0 / 0 / 18

HEX #D1D1D1

RGB 209 209 209

HSL 0, 0%, 0.82%

LAB 83.84, 0, -0.01

 

CMYK 11 / 24 / 0 / 7

HEX #D5B4EE

RGB 213 180 238

HSL 274.14, 0.63%, 0.82%

LAB 77.85, 22.45, -24.48

 

CMYK 4 / 24 / 0 / 7

HEX #E5B4EE

RGB 229 180 238

HSL 290.69, 0.63%, 0.82%

LAB 79.31, 27.56, -22.12

 

CMYK 0 / 24 / 2 / 7

HEX #EEB4E9

RGB 238 180 233

HSL 305.17, 0.63%, 0.82%

LAB 80.01, 29.56, -18.28

 

CMYK 0 / 24 / 9 / 7

HEX #EEB4D9

RGB 238 180 217

HSL 321.72, 0.63%, 0.82%

LAB 79.52, 26.78, -10.4

 

CMYK 0 / 24 / 16 / 7

HEX #EEB4C9

RGB 238 180 201

HSL 338.28, 0.63%, 0.82%

LAB 79.06, 24.17, -2.41

 

CMYK 0 / 50 / 5 / 12

HEX #E070D4

RGB 224 112 212

HSL 306.43, 0.64%, 0.66%

LAB 63.5, 56.66, -32.15

 

CMYK 0 / 37 / 3 / 9

HEX #E792DF

RGB 231 146 223

HSL 305.65, 0.64%, 0.74%

LAB 71.47, 43.52, -25.9

 

CMYK 0 / 24 / 2 / 7

HEX #EEB4E9

RGB 238 180 233

HSL 305.17, 0.63%, 0.82%

LAB 80.01, 29.56, -18.28

 

CMYK 0 / 13 / 1 / 4

HEX #F6D6F3

RGB 246 214 243

HSL 305.63, 0.64%, 0.9%

LAB 89, 16.01, -10.07

 

CMYK 0 / 2 / 0 / 1

HEX #FDF7FD

RGB 253 247 253

HSL 300, 0.6%, 0.98%

LAB 97.83, 3.05, -2.17

 

CMYK 0 / 25 / 3 / 7

HEX #EEB2E8

RGB 238 178 232

HSL 306, 0.64%, 0.82%

LAB 79.53, 30.45, -18.48

 

CMYK 0 / 17 / 24 / 7

HEX #EEC5B4

RGB 238 197 180

HSL 17.59, 0.63%, 0.82%

LAB 82.6, 12.04, 13.98

 

CMYK 24 / 0 / 7 / 7

HEX #B4EEDD

RGB 180 238 221

HSL 162.41, 0.63%, 0.82%

LAB 89.89, -21.76, 2.26

 

CMYK 0 / 25 / 3 / 7

HEX #EEB2E8

RGB 238 178 232

HSL 306, 0.64%, 0.82%

LAB 79.53, 30.45, -18.48

 

CMYK 2 / 0 / 24 / 7

HEX #E9EEB4

RGB 233 238 180

HSL 65.17, 0.63%, 0.82%

LAB 92.47, -10.88, 27.6

 

CMYK 24 / 2 / 0 / 7

HEX #B4E9EE

RGB 180 233 238

HSL 185.17, 0.63%, 0.82%

LAB 89, -15.71, -7.96

 

CMYK 0 / 25 / 3 / 7

HEX #EEB2E8

RGB 238 178 232

HSL 306, 0.64%, 0.82%

LAB 79.53, 30.45, -18.48

 

CMYK 0 / 17 / 24 / 7

HEX #EEC5B4

RGB 238 197 180

HSL 17.59, 0.63%, 0.82%

LAB 82.6, 12.04, 13.98

 

CMYK 24 / 0 / 22 / 7

HEX #B4EEBA

RGB 180 238 186

HSL 126.21, 0.63%, 0.82%

LAB 89.11, -28.33, 19.34

 

CMYK 24 / 7 / 0 / 7

HEX #B4DDEE

RGB 180 221 238

HSL 197.59, 0.63%, 0.82%

LAB 85.8, -9.61, -12.71

 

CMYK 0 / 25 / 3 / 7

HEX #EEB2E8

RGB 238 178 232

HSL 306, 0.64%, 0.82%

LAB 79.53, 30.45, -18.48

 

CMYK 0 / 10 / 24 / 7

HEX #EED7B4

RGB 238 215 180

HSL 36.21, 0.63%, 0.82%

LAB 87.03, 2.64, 20.19

 

CMYK 24 / 0 / 22 / 7

HEX #B4EEBA

RGB 180 238 186

HSL 126.21, 0.63%, 0.82%

LAB 89.11, -28.33, 19.34

 

CMYK 24 / 15 / 0 / 7

HEX #B4CBEE

RGB 180 203 238

HSL 216.21, 0.63%, 0.82%

LAB 81.06, -0.19, -19.83

 

Description

Color code: HEX #EEB2E8 | qconv.com Color code: HEX #EEB2E8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 178 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 178 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 3 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 3% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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