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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EEAF78 it is the complementary color #115087. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EEAF78. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EEAF78 shade: #F3AF73, #FFC186, #FFD399, #FFE5AC and #FFF7BF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EEAF78. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EEAF78 shade: #EEAF78, #DD9D65, #CC8B52, #BB793F and #AA672C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EEAF78 shade: #EEAE77, #EE8E77 and #EE7777

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EEAF78 shade: #EEAE77, #EECF77, #EEEE77, #CDEE77 and #ADEE77

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EEAF78 shade matches the following richer shades: #EEAE77 and #FBAE6A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EEAF78 shade: #EEAE77, #E2AF83, #D5B090, #C9B19C and #BDB2A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EEAF78 shade: #EE7781, #EE8D77, #EEAD77, #EECC77 and #EEEC77

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EEAF78 shade: #E5832D, #EA9952, #EEAE77, #F3C49C and #F7DAC0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EEAF78 shade: #EEAF78, #A1EE77 and #7D77EE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EEAF78 shade: #EEAF78, #77EEAD and #AD77EE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EEAF78 shade: #EEAF78, #A1EE77, #77B8EE and #C477EE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EEAF78 shade: #EEAF78, #7DEE77, #77B8EE and #E877EE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 50 / 7

HEX #EEAF78

RGB 238 175 120

HSL 27.97, 0.78%, 0.7%

LAB 76.19, 16.7, 37.11

 

Complementary color

CMYK 87 / 41 / 0 / 47

HEX #115087

RGB 17 80 135

HSL 207.97, 0.78%, 0.3%

LAB 33.15, 2.36, -36.07

 

CMYK 0 / 28 / 53 / 5

HEX #F3AF73

RGB 243 175 115

HSL 28.13, 0.84%, 0.7%

LAB 76.65, 18.28, 40.4

 

CMYK 0 / 24 / 47 / 0

HEX #FFC186

RGB 255 193 134

HSL 29.26, 1%, 0.76%

LAB 82.44, 15.31, 38.23

 

CMYK 0 / 17 / 40 / 0

HEX #FFD399

RGB 255 211 153

HSL 34.12, 1%, 0.8%

LAB 87.07, 7.88, 34.5

 

CMYK 0 / 10 / 33 / 0

HEX #FFE5AC

RGB 255 229 172

HSL 41.2, 1%, 0.84%

LAB 91.81, 0.82, 31.08

 

CMYK 0 / 3 / 25 / 0

HEX #FFF7BF

RGB 255 247 191

HSL 52.5, 1%, 0.87%

LAB 96.63, -5.84, 27.95

 

CMYK 0 / 26 / 50 / 7

HEX #EEAF78

RGB 238 175 120

HSL 27.97, 0.78%, 0.7%

LAB 76.19, 16.7, 37.11

 

CMYK 0 / 29 / 54 / 13

HEX #DD9D65

RGB 221 157 101

HSL 28, 0.64%, 0.63%

LAB 69.77, 17.74, 38.56

 

CMYK 0 / 32 / 60 / 20

HEX #CC8B52

RGB 204 139 82

HSL 28.03, 0.54%, 0.56%

LAB 63.27, 18.93, 40.09

 

CMYK 0 / 35 / 66 / 27

HEX #BB793F

RGB 187 121 63

HSL 28.06, 0.5%, 0.49%

LAB 56.68, 20.31, 41.68

 

CMYK 0 / 39 / 74 / 33

HEX #AA672C

RGB 170 103 44

HSL 28.1, 0.59%, 0.42%

LAB 50.01, 21.91, 43.23

 

CMYK 0 / 27 / 50 / 7

HEX #EEAE77

RGB 238 174 119

HSL 27.73, 0.78%, 0.7%

LAB 75.93, 17.14, 37.31

 

CMYK 0 / 40 / 50 / 7

HEX #EE8E77

RGB 238 142 119

HSL 11.6, 0.78%, 0.7%

LAB 68.65, 34.04, 27.86

 

CMYK 0 / 50 / 50 / 7

HEX #EE7777

RGB 238 119 119

HSL 0, 0.78%, 0.7%

LAB 63.92, 45.76, 21.54

 

CMYK 0 / 27 / 50 / 7

HEX #EEAE77

RGB 238 174 119

HSL 27.73, 0.78%, 0.7%

LAB 75.93, 17.14, 37.31

 

CMYK 0 / 13 / 50 / 7

HEX #EECF77

RGB 238 207 119

HSL 44.37, 0.78%, 0.7%

LAB 84.04, -0.13, 47.41

 

CMYK 0 / 0 / 50 / 7

HEX #EEEE77

RGB 238 238 119

HSL 60, 0.78%, 0.7%

LAB 91.98, -15.7, 56.94

 

CMYK 14 / 0 / 50 / 7

HEX #CDEE77

RGB 205 238 119

HSL 76.64, 0.78%, 0.7%

LAB 89.61, -28.49, 53.55

 

CMYK 27 / 0 / 50 / 7

HEX #ADEE77

RGB 173 238 119

HSL 92.77, 0.78%, 0.7%

LAB 87.66, -40.15, 50.74

 

CMYK 0 / 27 / 50 / 7

HEX #EEAE77

RGB 238 174 119

HSL 27.73, 0.78%, 0.7%

LAB 75.93, 17.14, 37.31

 

CMYK 0 / 31 / 58 / 2

HEX #FBAE6A

RGB 251 174 106

HSL 28.14, 0.95%, 0.7%

LAB 77.17, 21.32, 45.82

 

CMYK 0 / 27 / 50 / 7

HEX #EEAE77

RGB 238 174 119

HSL 27.73, 0.78%, 0.7%

LAB 75.93, 17.14, 37.31

 

CMYK 0 / 23 / 42 / 11

HEX #E2AF83

RGB 226 175 131

HSL 27.79, 0.62%, 0.7%

LAB 75.12, 12.99, 29.69

 

CMYK 0 / 17 / 32 / 16

HEX #D5B090

RGB 213 176 144

HSL 27.83, 0.45%, 0.7%

LAB 74.32, 8.84, 21.43

 

CMYK 0 / 12 / 22 / 21

HEX #C9B19C

RGB 201 177 156

HSL 28, 0.29%, 0.7%

LAB 73.72, 5.32, 13.91

 

CMYK 0 / 6 / 11 / 26

HEX #BDB2A8

RGB 189 178 168

HSL 28.57, 0.14%, 0.7%

LAB 73.21, 2.18, 6.5

 

CMYK 0 / 50 / 46 / 7

HEX #EE7781

RGB 238 119 129

HSL 354.96, 0.78%, 0.7%

LAB 64.13, 46.68, 16.15

 

CMYK 0 / 41 / 50 / 7

HEX #EE8D77

RGB 238 141 119

HSL 11.09, 0.78%, 0.7%

LAB 68.43, 34.56, 27.57

 

CMYK 0 / 27 / 50 / 7

HEX #EEAD77

RGB 238 173 119

HSL 27.23, 0.78%, 0.7%

LAB 75.7, 17.67, 37.01

 

CMYK 0 / 14 / 50 / 7

HEX #EECC77

RGB 238 204 119

HSL 42.86, 0.78%, 0.7%

LAB 83.28, 1.41, 46.49

 

CMYK 0 / 1 / 50 / 7

HEX #EEEC77

RGB 238 236 119

HSL 58.99, 0.78%, 0.7%

LAB 91.46, -14.72, 56.33

 

CMYK 0 / 43 / 80 / 10

HEX #E5832D

RGB 229 131 45

HSL 28.04, 0.78%, 0.54%

LAB 64.23, 31.69, 59.31

 

CMYK 0 / 35 / 65 / 8

HEX #EA9952

RGB 234 153 82

HSL 28.03, 0.78%, 0.62%

LAB 70.09, 23.86, 48.94

 

CMYK 0 / 27 / 50 / 7

HEX #EEAE77

RGB 238 174 119

HSL 27.73, 0.78%, 0.7%

LAB 75.93, 17.14, 37.31

 

CMYK 0 / 19 / 36 / 5

HEX #F3C49C

RGB 243 196 156

HSL 27.59, 0.78%, 0.78%

LAB 82.34, 11.37, 26.43

 

CMYK 0 / 12 / 22 / 3

HEX #F7DAC0

RGB 247 218 192

HSL 28.36, 0.77%, 0.86%

LAB 88.79, 6.09, 16.47

 

CMYK 0 / 26 / 50 / 7

HEX #EEAF78

RGB 238 175 120

HSL 27.97, 0.78%, 0.7%

LAB 76.19, 16.7, 37.11

 

CMYK 32 / 0 / 50 / 7

HEX #A1EE77

RGB 161 238 119

HSL 98.82, 0.78%, 0.7%

LAB 87.03, -44.24, 49.82

 

CMYK 47 / 50 / 0 / 7

HEX #7D77EE

RGB 125 119 238

HSL 243.03, 0.78%, 0.7%

LAB 55.81, 32.73, -59.51

 

CMYK 0 / 26 / 50 / 7

HEX #EEAF78

RGB 238 175 120

HSL 27.97, 0.78%, 0.7%

LAB 76.19, 16.7, 37.11

 

CMYK 50 / 0 / 27 / 7

HEX #77EEAD

RGB 119 238 173

HSL 147.23, 0.78%, 0.7%

LAB 86.05, -48.09, 21.37

 

CMYK 27 / 50 / 0 / 7

HEX #AD77EE

RGB 173 119 238

HSL 267.23, 0.78%, 0.7%

LAB 60.11, 44.3, -52.4

 

CMYK 0 / 26 / 50 / 7

HEX #EEAF78

RGB 238 175 120

HSL 27.97, 0.78%, 0.7%

LAB 76.19, 16.7, 37.11

 

CMYK 32 / 0 / 50 / 7

HEX #A1EE77

RGB 161 238 119

HSL 98.82, 0.78%, 0.7%

LAB 87.03, -44.24, 49.82

 

CMYK 50 / 23 / 0 / 7

HEX #77B8EE

RGB 119 184 238

HSL 207.23, 0.78%, 0.7%

LAB 72.48, -6.12, -33.28

 

CMYK 18 / 50 / 0 / 7

HEX #C477EE

RGB 196 119 238

HSL 278.82, 0.78%, 0.7%

LAB 62.59, 50.34, -48.31

 

CMYK 0 / 26 / 50 / 7

HEX #EEAF78

RGB 238 175 120

HSL 27.97, 0.78%, 0.7%

LAB 76.19, 16.7, 37.11

 

CMYK 47 / 0 / 50 / 7

HEX #7DEE77

RGB 125 238 119

HSL 116.97, 0.78%, 0.7%

LAB 85.42, -55.24, 47.5

 

CMYK 50 / 23 / 0 / 7

HEX #77B8EE

RGB 119 184 238

HSL 207.23, 0.78%, 0.7%

LAB 72.48, -6.12, -33.28

 

CMYK 3 / 50 / 0 / 7

HEX #E877EE

RGB 232 119 238

HSL 296.97, 0.78%, 0.7%

LAB 66.92, 60.03, -41.21

 

Description

Color code: HEX #EEAF78 | qconv.com Color code: HEX #EEAF78 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 175 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 175 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 50 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 50% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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