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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EEAF4B it is the complementary color #1150B4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EEAF4B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EEAF4B shade: #F3AF46, #FFC159, #FFD36C, #FFE57F and #FFF792

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EEAF4B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EEAF4B shade: #EEAF4B, #DD9D38, #CC8B25, #BB7912 and #AA6700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EEAF4B shade: #EEAE49, #EE8249, #EE5549 and #EE4949

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EEAF4B shade: #EEAE49, #EEDB49, #D5EE49, #A8EE49 and #7CEE49

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EEAF4B shade matches the following richer shades: #EEAE49 and #FEB239

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EEAF4B shade: #EEAE49, #DEAB59, #CEA769, #BEA379 and #AEA089

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EEAF4B shade: #EE5449, #EE8049, #EEAC49, #EED849 and #D8EE49

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EEAF4B shade: #D18813, #EB9E23, #EEAE49, #F2BF6F and #F5D095

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EEAF4B shade: #EEAF4B, #6AEE49 and #6A49EE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EEAF4B shade: #EEAF4B, #49EEAC and #AC49EE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EEAF4B shade: #EEAF4B, #6AEE49, #498BEE and #CD49EE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EEAF4B shade: #EEAF4B, #49EE5A, #498BEE and #EE49DE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 68 / 7

HEX #EEAF4B

RGB 238 175 75

HSL 36.81, 0.83%, 0.61%

LAB 75.67, 13.46, 58.44

 

Complementary color

CMYK 91 / 56 / 0 / 29

HEX #1150B4

RGB 17 80 180

HSL 216.81, 0.83%, 0.39%

LAB 36.27, 20.81, -58.12

 

CMYK 0 / 28 / 71 / 5

HEX #F3AF46

RGB 243 175 70

HSL 36.42, 0.88%, 0.61%

LAB 76.17, 15.31, 61.29

 

CMYK 0 / 24 / 65 / 0

HEX #FFC159

RGB 255 193 89

HSL 37.59, 1%, 0.67%

LAB 81.9, 11.9, 59.48

 

CMYK 0 / 17 / 58 / 0

HEX #FFD36C

RGB 255 211 108

HSL 42.04, 1%, 0.71%

LAB 86.47, 3.84, 55.95

 

CMYK 0 / 10 / 50 / 0

HEX #FFE57F

RGB 255 229 127

HSL 47.81, 1%, 0.75%

LAB 91.16, -3.8, 52.56

 

CMYK 0 / 3 / 43 / 0

HEX #FFF792

RGB 255 247 146

HSL 55.6, 1%, 0.79%

LAB 95.94, -11.02, 49.35

 

CMYK 0 / 26 / 68 / 7

HEX #EEAF4B

RGB 238 175 75

HSL 36.81, 0.83%, 0.61%

LAB 75.67, 13.46, 58.44

 

CMYK 0 / 29 / 75 / 13

HEX #DD9D38

RGB 221 157 56

HSL 36.73, 0.71%, 0.54%

LAB 69.31, 14.91, 59.4

 

CMYK 0 / 32 / 82 / 20

HEX #CC8B25

RGB 204 139 37

HSL 36.65, 0.69%, 0.47%

LAB 62.87, 16.58, 59.88

 

CMYK 0 / 35 / 90 / 27

HEX #BB7912

RGB 187 121 18

HSL 36.57, 0.82%, 0.4%

LAB 56.37, 18.52, 59.34

 

CMYK 0 / 39 / 100 / 33

HEX #AA6700

RGB 170 103 0

HSL 36.35, 1%, 0.33%

LAB 49.79, 20.72, 57.42

 

CMYK 0 / 27 / 69 / 7

HEX #EEAE49

RGB 238 174 73

HSL 36.73, 0.83%, 0.61%

LAB 75.41, 13.88, 59.05

 

CMYK 0 / 45 / 69 / 7

HEX #EE8249

RGB 238 130 73

HSL 20.73, 0.83%, 0.61%

LAB 65.45, 36.99, 48.31

 

CMYK 0 / 64 / 69 / 7

HEX #EE5549

RGB 238 85 73

HSL 4.36, 0.83%, 0.61%

LAB 57.23, 58.16, 38.92

 

CMYK 0 / 69 / 69 / 7

HEX #EE4949

RGB 238 73 73

HSL 0, 0.83%, 0.61%

LAB 55.51, 62.84, 36.89

 

CMYK 0 / 27 / 69 / 7

HEX #EEAE49

RGB 238 174 73

HSL 36.73, 0.83%, 0.61%

LAB 75.41, 13.88, 59.05

 

CMYK 0 / 8 / 69 / 7

HEX #EEDB49

RGB 238 219 73

HSL 53.09, 0.83%, 0.61%

LAB 86.66, -9.36, 70.53

 

CMYK 11 / 0 / 69 / 7

HEX #D5EE49

RGB 213 238 73

HSL 69.09, 0.83%, 0.61%

LAB 89.76, -28.8, 72.96

 

CMYK 29 / 0 / 69 / 7

HEX #A8EE49

RGB 168 238 73

HSL 85.45, 0.83%, 0.61%

LAB 86.97, -45.89, 69.26

 

CMYK 48 / 0 / 69 / 7

HEX #7CEE49

RGB 124 238 73

HSL 101.45, 0.83%, 0.61%

LAB 84.95, -60.17, 66.55

 

CMYK 0 / 27 / 69 / 7

HEX #EEAE49

RGB 238 174 73

HSL 36.73, 0.83%, 0.61%

LAB 75.41, 13.88, 59.05

 

CMYK 0 / 30 / 78 / 0

HEX #FEB239

RGB 254 178 57

HSL 36.85, 0.99%, 0.61%

LAB 78, 17.79, 68.61

 

CMYK 0 / 27 / 69 / 7

HEX #EEAE49

RGB 238 174 73

HSL 36.73, 0.83%, 0.61%

LAB 75.41, 13.88, 59.05

 

CMYK 0 / 23 / 60 / 13

HEX #DEAB59

RGB 222 171 89

HSL 36.99, 0.67%, 0.61%

LAB 73.14, 9.73, 48.68

 

CMYK 0 / 19 / 49 / 19

HEX #CEA769

RGB 206 167 105

HSL 36.83, 0.51%, 0.61%

LAB 70.72, 6.51, 37.31

 

CMYK 0 / 14 / 36 / 25

HEX #BEA379

RGB 190 163 121

HSL 36.52, 0.35%, 0.61%

LAB 68.4, 3.83, 25.5

 

CMYK 0 / 8 / 21 / 32

HEX #AEA089

RGB 174 160 137

HSL 37.3, 0.19%, 0.61%

LAB 66.48, 1.3, 13.84

 

CMYK 0 / 65 / 69 / 7

HEX #EE5449

RGB 238 84 73

HSL 4, 0.83%, 0.61%

LAB 57.07, 58.57, 38.74

 

CMYK 0 / 46 / 69 / 7

HEX #EE8049

RGB 238 128 73

HSL 20, 0.83%, 0.61%

LAB 65.04, 38.01, 47.85

 

CMYK 0 / 28 / 69 / 7

HEX #EEAC49

RGB 238 172 73

HSL 36, 0.83%, 0.61%

LAB 74.93, 14.94, 58.54

 

CMYK 0 / 9 / 69 / 7

HEX #EED849

RGB 238 216 73

HSL 52, 0.83%, 0.61%

LAB 85.89, -7.86, 69.77

 

CMYK 9 / 0 / 69 / 7

HEX #D8EE49

RGB 216 238 73

HSL 68, 0.83%, 0.61%

LAB 89.97, -27.6, 73.24

 

CMYK 0 / 35 / 91 / 18

HEX #D18813

RGB 209 136 19

HSL 36.95, 0.83%, 0.45%

LAB 62.69, 19.96, 65.09

 

CMYK 0 / 33 / 85 / 8

HEX #EB9E23

RGB 235 158 35

HSL 36.9, 0.83%, 0.53%

LAB 71.03, 19.65, 68.9

 

CMYK 0 / 27 / 69 / 7

HEX #EEAE49

RGB 238 174 73

HSL 36.73, 0.83%, 0.61%

LAB 75.41, 13.88, 59.05

 

CMYK 0 / 21 / 54 / 5

HEX #F2BF6F

RGB 242 191 111

HSL 36.64, 0.83%, 0.69%

LAB 80.34, 9.12, 46.94

 

CMYK 0 / 15 / 39 / 4

HEX #F5D095

RGB 245 208 149

HSL 36.88, 0.83%, 0.77%

LAB 85.35, 5.1, 34.12

 

CMYK 0 / 26 / 68 / 7

HEX #EEAF4B

RGB 238 175 75

HSL 36.81, 0.83%, 0.61%

LAB 75.67, 13.46, 58.44

 

CMYK 55 / 0 / 69 / 7

HEX #6AEE49

RGB 106 238 73

HSL 108, 0.83%, 0.61%

LAB 84.33, -65, 65.7

 

CMYK 55 / 69 / 0 / 7

HEX #6A49EE

RGB 106 73 238

HSL 252, 0.83%, 0.61%

LAB 44.24, 55.33, -78.36

 

CMYK 0 / 26 / 68 / 7

HEX #EEAF4B

RGB 238 175 75

HSL 36.81, 0.83%, 0.61%

LAB 75.67, 13.46, 58.44

 

CMYK 69 / 0 / 28 / 7

HEX #49EEAC

RGB 73 238 172

HSL 156, 0.83%, 0.61%

LAB 84.76, -57.25, 19.91

 

CMYK 28 / 69 / 0 / 7

HEX #AC49EE

RGB 172 73 238

HSL 276, 0.83%, 0.61%

LAB 51.51, 66.82, -66.2

 

CMYK 0 / 26 / 68 / 7

HEX #EEAF4B

RGB 238 175 75

HSL 36.81, 0.83%, 0.61%

LAB 75.67, 13.46, 58.44

 

CMYK 55 / 0 / 69 / 7

HEX #6AEE49

RGB 106 238 73

HSL 108, 0.83%, 0.61%

LAB 84.33, -65, 65.7

 

CMYK 69 / 42 / 0 / 7

HEX #498BEE

RGB 73 139 238

HSL 216, 0.83%, 0.61%

LAB 58.09, 11, -56.03

 

CMYK 14 / 69 / 0 / 7

HEX #CD49EE

RGB 205 73 238

HSL 288, 0.83%, 0.61%

LAB 56, 73.45, -58.73

 

CMYK 0 / 26 / 68 / 7

HEX #EEAF4B

RGB 238 175 75

HSL 36.81, 0.83%, 0.61%

LAB 75.67, 13.46, 58.44

 

CMYK 69 / 0 / 62 / 7

HEX #49EE5A

RGB 73 238 90

HSL 126.18, 0.83%, 0.61%

LAB 83.6, -70.37, 57.97

 

CMYK 69 / 42 / 0 / 7

HEX #498BEE

RGB 73 139 238

HSL 216, 0.83%, 0.61%

LAB 58.09, 11, -56.03

 

CMYK 0 / 69 / 7 / 7

HEX #EE49DE

RGB 238 73 222

HSL 305.82, 0.83%, 0.61%

LAB 60.08, 77.89, -42.96

 

Description

Color code: HEX #EEAF4B | qconv.com Color code: HEX #EEAF4B | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 175 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 175 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 68 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 68% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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