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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EEAE56 it is the complementary color #1151A9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EEAE56. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EEAE56 shade: #F3AE51, #FFC064, #FFD277, #FFE48A and #FFF69D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EEAE56. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EEAE56 shade: #EEAE56, #DD9C43, #CC8A30, #BB781D and #AA660A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EEAE56 shade: #EEAF58, #EE8658, #EE5E58 and #EE5858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EEAE56 shade: #EEAF58, #EED858, #DDEE58, #B4EE58 and #8BEE58

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EEAE56 shade matches the following richer shades: #EEAF58 and #FDB149

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EEAE56 shade: #EEAF58, #E0AD67, #D1AA76, #C2A884 and #B3A693

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EEAE56 shade: #EE5D58, #EE8558, #EEAD58, #EED558 and #DFEE58

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EEAE56 shade: #DE8A16, #EB9D32, #EEAF58, #F2C17D and #F6D3A3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EEAE56 shade: #EEAE56, #7BEE58 and #7158EE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EEAE56 shade: #EEAE56, #58EEAD and #AD58EE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EEAE56 shade: #EEAE56, #7BEE58, #5899EE and #CB58EE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EEAE56 shade: #EEAE56, #58EE62, #5899EE and #EE58E4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 64 / 7

HEX #EEAE56

RGB 238 174 86

HSL 34.74, 0.82%, 0.64%

LAB 75.53, 14.63, 53.28

 

Complementary color

CMYK 90 / 52 / 0 / 34

HEX #1151A9

RGB 17 81 169

HSL 214.74, 0.82%, 0.36%

LAB 35.73, 15.68, -52.48

 

CMYK 0 / 28 / 67 / 5

HEX #F3AE51

RGB 243 174 81

HSL 34.44, 0.87%, 0.64%

LAB 76.02, 16.41, 56.3

 

CMYK 0 / 25 / 61 / 0

HEX #FFC064

RGB 255 192 100

HSL 35.61, 1%, 0.7%

LAB 81.77, 13.11, 54.27

 

CMYK 0 / 18 / 53 / 0

HEX #FFD277

RGB 255 210 119

HSL 40.15, 1%, 0.73%

LAB 86.35, 5.19, 50.58

 

CMYK 0 / 11 / 46 / 0

HEX #FFE48A

RGB 255 228 138

HSL 46.15, 1%, 0.77%

LAB 91.04, -2.32, 47.12

 

CMYK 0 / 4 / 38 / 0

HEX #FFF69D

RGB 255 246 157

HSL 54.49, 1%, 0.81%

LAB 95.83, -9.4, 43.88

 

CMYK 0 / 27 / 64 / 7

HEX #EEAE56

RGB 238 174 86

HSL 34.74, 0.82%, 0.64%

LAB 75.53, 14.63, 53.28

 

CMYK 0 / 29 / 70 / 13

HEX #DD9C43

RGB 221 156 67

HSL 34.68, 0.69%, 0.56%

LAB 69.15, 15.97, 54.54

 

CMYK 0 / 32 / 76 / 20

HEX #CC8A30

RGB 204 138 48

HSL 34.62, 0.62%, 0.49%

LAB 62.7, 17.53, 55.55

 

CMYK 0 / 36 / 84 / 27

HEX #BB781D

RGB 187 120 29

HSL 34.56, 0.73%, 0.42%

LAB 56.17, 19.33, 55.98

 

CMYK 0 / 40 / 94 / 33

HEX #AA660A

RGB 170 102 10

HSL 34.5, 0.89%, 0.35%

LAB 49.58, 21.42, 55.13

 

CMYK 0 / 26 / 63 / 7

HEX #EEAF58

RGB 238 175 88

HSL 34.8, 0.82%, 0.64%

LAB 75.79, 14.22, 52.64

 

CMYK 0 / 44 / 63 / 7

HEX #EE8658

RGB 238 134 88

HSL 18.4, 0.82%, 0.64%

LAB 66.47, 35.8, 41.8

 

CMYK 0 / 61 / 63 / 7

HEX #EE5E58

RGB 238 94 88

HSL 2.4, 0.82%, 0.64%

LAB 58.87, 55.15, 32.51

 

CMYK 0 / 63 / 63 / 7

HEX #EE5858

RGB 238 88 88

HSL 0, 0.82%, 0.64%

LAB 57.91, 57.73, 31.3

 

CMYK 0 / 26 / 63 / 7

HEX #EEAF58

RGB 238 175 88

HSL 34.8, 0.82%, 0.64%

LAB 75.79, 14.22, 52.64

 

CMYK 0 / 9 / 63 / 7

HEX #EED858

RGB 238 216 88

HSL 51.2, 0.82%, 0.64%

LAB 86, -7.03, 63.89

 

CMYK 7 / 0 / 63 / 7

HEX #DDEE58

RGB 221 238 88

HSL 66.8, 0.82%, 0.64%

LAB 90.43, -24.74, 68.19

 

CMYK 24 / 0 / 63 / 7

HEX #B4EE58

RGB 180 238 88

HSL 83.2, 0.82%, 0.64%

LAB 87.75, -40.5, 64.54

 

CMYK 42 / 0 / 63 / 7

HEX #8BEE58

RGB 139 238 88

HSL 99.6, 0.82%, 0.64%

LAB 85.68, -54.47, 61.68

 

CMYK 0 / 26 / 63 / 7

HEX #EEAF58

RGB 238 175 88

HSL 34.8, 0.82%, 0.64%

LAB 75.79, 14.22, 52.64

 

CMYK 0 / 30 / 71 / 1

HEX #FDB149

RGB 253 177 73

HSL 34.67, 0.98%, 0.64%

LAB 77.76, 18.57, 62

 

CMYK 0 / 26 / 63 / 7

HEX #EEAF58

RGB 238 175 88

HSL 34.8, 0.82%, 0.64%

LAB 75.79, 14.22, 52.64

 

CMYK 0 / 23 / 54 / 12

HEX #E0AD67

RGB 224 173 103

HSL 34.71, 0.66%, 0.64%

LAB 74.01, 10.58, 42.81

 

CMYK 0 / 19 / 44 / 18

HEX #D1AA76

RGB 209 170 118

HSL 34.29, 0.5%, 0.64%

LAB 71.97, 7.44, 32.14

 

CMYK 0 / 13 / 32 / 24

HEX #C2A884

RGB 194 168 132

HSL 34.84, 0.34%, 0.64%

LAB 70.27, 4.12, 22.11

 

CMYK 0 / 7 / 18 / 30

HEX #B3A693

RGB 179 166 147

HSL 35.63, 0.17%, 0.64%

LAB 68.72, 1.51, 11.53

 

CMYK 0 / 61 / 63 / 7

HEX #EE5D58

RGB 238 93 88

HSL 2, 0.82%, 0.64%

LAB 58.71, 55.59, 32.3

 

CMYK 0 / 44 / 63 / 7

HEX #EE8558

RGB 238 133 88

HSL 18, 0.82%, 0.64%

LAB 66.26, 36.32, 41.55

 

CMYK 0 / 27 / 63 / 7

HEX #EEAD58

RGB 238 173 88

HSL 34, 0.82%, 0.64%

LAB 75.31, 15.28, 52.09

 

CMYK 0 / 11 / 63 / 7

HEX #EED558

RGB 238 213 88

HSL 50, 0.82%, 0.64%

LAB 85.24, -5.51, 63.06

 

CMYK 6 / 0 / 63 / 7

HEX #DFEE58

RGB 223 238 88

HSL 66, 0.82%, 0.64%

LAB 90.57, -23.94, 68.39

 

CMYK 0 / 38 / 90 / 13

HEX #DE8A16

RGB 222 138 22

HSL 34.8, 0.82%, 0.48%

LAB 64.78, 24.51, 66.7

 

CMYK 0 / 33 / 79 / 8

HEX #EB9D32

RGB 235 157 50

HSL 34.7, 0.82%, 0.56%

LAB 70.88, 20.63, 63.79

 

CMYK 0 / 26 / 63 / 7

HEX #EEAF58

RGB 238 175 88

HSL 34.8, 0.82%, 0.64%

LAB 75.79, 14.22, 52.64

 

CMYK 0 / 20 / 48 / 5

HEX #F2C17D

RGB 242 193 125

HSL 34.87, 0.82%, 0.72%

LAB 81.01, 9.29, 40.75

 

CMYK 0 / 14 / 34 / 4

HEX #F6D3A3

RGB 246 211 163

HSL 34.7, 0.82%, 0.8%

LAB 86.42, 5.54, 28.32

 

CMYK 0 / 27 / 64 / 7

HEX #EEAE56

RGB 238 174 86

HSL 34.74, 0.82%, 0.64%

LAB 75.53, 14.63, 53.28

 

CMYK 48 / 0 / 63 / 7

HEX #7BEE58

RGB 123 238 88

HSL 106, 0.82%, 0.64%

LAB 85.03, -59.21, 60.79

 

CMYK 53 / 63 / 0 / 7

HEX #7158EE

RGB 113 88 238

HSL 250, 0.82%, 0.64%

LAB 47.83, 48.32, -72.46

 

CMYK 0 / 27 / 64 / 7

HEX #EEAE56

RGB 238 174 86

HSL 34.74, 0.82%, 0.64%

LAB 75.53, 14.63, 53.28

 

CMYK 63 / 0 / 27 / 7

HEX #58EEAD

RGB 88 238 173

HSL 154, 0.82%, 0.64%

LAB 85.12, -54.59, 19.94

 

CMYK 27 / 63 / 0 / 7

HEX #AD58EE

RGB 173 88 238

HSL 274, 0.82%, 0.64%

LAB 54.07, 60.28, -62.07

 

CMYK 0 / 27 / 64 / 7

HEX #EEAE56

RGB 238 174 86

HSL 34.74, 0.82%, 0.64%

LAB 75.53, 14.63, 53.28

 

CMYK 48 / 0 / 63 / 7

HEX #7BEE58

RGB 123 238 88

HSL 106, 0.82%, 0.64%

LAB 85.03, -59.21, 60.79

 

CMYK 63 / 36 / 0 / 7

HEX #5899EE

RGB 88 153 238

HSL 214, 0.82%, 0.64%

LAB 62.53, 5.11, -48.93

 

CMYK 15 / 63 / 0 / 7

HEX #CB58EE

RGB 203 88 238

HSL 286, 0.82%, 0.64%

LAB 57.89, 66.96, -55.72

 

CMYK 0 / 27 / 64 / 7

HEX #EEAE56

RGB 238 174 86

HSL 34.74, 0.82%, 0.64%

LAB 75.53, 14.63, 53.28

 

CMYK 63 / 0 / 59 / 7

HEX #58EE62

RGB 88 238 98

HSL 124, 0.82%, 0.64%

LAB 84.02, -66.69, 55.11

 

CMYK 63 / 36 / 0 / 7

HEX #5899EE

RGB 88 153 238

HSL 214, 0.82%, 0.64%

LAB 62.53, 5.11, -48.93

 

CMYK 0 / 63 / 4 / 7

HEX #EE58E4

RGB 238 88 228

HSL 304, 0.82%, 0.64%

LAB 62.3, 73.39, -42.84

 

Description

Color code: HEX #EEAE56 | qconv.com Color code: HEX #EEAE56 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 174 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 174 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 64 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 64% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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