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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EEAE4E it is the complementary color #1151B1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EEAE4E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EEAE4E shade: #F3AE49, #FFC05C, #FFD26F, #FFE482 and #FFF695

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EEAE4E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EEAE4E shade: #EEAE4E, #DD9C3B, #CC8A28, #BB7815 and #AA6602

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EEAE4E shade: #EEAE4F, #EE834F, #EE584F and #EE4F4F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EEAE4E shade: #EEAE4F, #EED94F, #D7EE4F, #ADEE4F and #82EE4F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EEAE4E shade matches the following richer shades: #EEAE4F and #FDB13F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EEAE4E shade: #EEAE4F, #DEAB5E, #CEA86E, #BFA57E and #AFA18D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EEAE4E shade: #EE594F, #EE844F, #EEAE4F, #EED84F and #D8EE4F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EEAE4E shade: #D58815, #EA9D29, #EEAE4F, #F1BF74 and #F5D09A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EEAE4E shade: #EEAE4E, #6EEE4F and #6E4FEE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EEAE4E shade: #EEAE4E, #4FEEAE and #AE4FEE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EEAE4E shade: #EEAE4E, #6EEE4F, #4F8EEE and #CE4FEE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EEAE4E shade: #EEAE4E, #4FEE5F, #4F8EEE and #EE4FDE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 67 / 7

HEX #EEAE4E

RGB 238 174 78

HSL 36, 0.82%, 0.62%

LAB 75.45, 14.15, 56.88

 

Complementary color

CMYK 90 / 54 / 0 / 31

HEX #1151B1

RGB 17 81 177

HSL 216, 0.82%, 0.38%

LAB 36.33, 18.93, -56.27

 

CMYK 0 / 28 / 70 / 5

HEX #F3AE49

RGB 243 174 73

HSL 35.65, 0.88%, 0.62%

LAB 75.95, 15.98, 59.78

 

CMYK 0 / 25 / 64 / 0

HEX #FFC05C

RGB 255 192 92

HSL 36.81, 1%, 0.68%

LAB 81.69, 12.59, 57.89

 

CMYK 0 / 18 / 56 / 0

HEX #FFD26F

RGB 255 210 111

HSL 41.25, 1%, 0.72%

LAB 86.26, 4.57, 54.29

 

CMYK 0 / 11 / 49 / 0

HEX #FFE482

RGB 255 228 130

HSL 47.04, 1%, 0.75%

LAB 90.94, -3.04, 50.87

 

CMYK 0 / 4 / 42 / 0

HEX #FFF695

RGB 255 246 149

HSL 54.91, 1%, 0.79%

LAB 95.72, -10.23, 47.64

 

CMYK 0 / 27 / 67 / 7

HEX #EEAE4E

RGB 238 174 78

HSL 36, 0.82%, 0.62%

LAB 75.45, 14.15, 56.88

 

CMYK 0 / 29 / 73 / 13

HEX #DD9C3B

RGB 221 156 59

HSL 35.93, 0.7%, 0.55%

LAB 69.09, 15.58, 57.95

 

CMYK 0 / 32 / 80 / 20

HEX #CC8A28

RGB 204 138 40

HSL 35.85, 0.67%, 0.48%

LAB 62.65, 17.23, 58.61

 

CMYK 0 / 36 / 89 / 27

HEX #BB7815

RGB 187 120 21

HSL 35.78, 0.8%, 0.41%

LAB 56.14, 19.13, 58.39

 

CMYK 0 / 40 / 99 / 33

HEX #AA6602

RGB 170 102 2

HSL 35.71, 0.98%, 0.34%

LAB 49.56, 21.3, 56.82

 

CMYK 0 / 27 / 67 / 7

HEX #EEAE4F

RGB 238 174 79

HSL 35.85, 0.82%, 0.62%

LAB 75.46, 14.21, 56.44

 

CMYK 0 / 45 / 67 / 7

HEX #EE834F

RGB 238 131 79

HSL 19.62, 0.82%, 0.62%

LAB 65.73, 36.8, 45.59

 

CMYK 0 / 63 / 67 / 7

HEX #EE584F

RGB 238 88 79

HSL 3.4, 0.82%, 0.62%

LAB 57.77, 57.22, 36.23

 

CMYK 0 / 67 / 67 / 7

HEX #EE4F4F

RGB 238 79 79

HSL 0, 0.82%, 0.62%

LAB 56.42, 60.87, 34.59

 

CMYK 0 / 27 / 67 / 7

HEX #EEAE4F

RGB 238 174 79

HSL 35.85, 0.82%, 0.62%

LAB 75.46, 14.21, 56.44

 

CMYK 0 / 9 / 67 / 7

HEX #EED94F

RGB 238 217 79

HSL 52.08, 0.82%, 0.62%

LAB 86.19, -8.05, 67.76

 

CMYK 10 / 0 / 67 / 7

HEX #D7EE4F

RGB 215 238 79

HSL 68.68, 0.82%, 0.62%

LAB 89.93, -27.67, 71.01

 

CMYK 27 / 0 / 67 / 7

HEX #ADEE4F

RGB 173 238 79

HSL 84.53, 0.82%, 0.62%

LAB 87.29, -43.7, 67.45

 

CMYK 45 / 0 / 67 / 7

HEX #82EE4F

RGB 130 238 79

HSL 100.75, 0.82%, 0.62%

LAB 85.23, -57.96, 64.66

 

CMYK 0 / 27 / 67 / 7

HEX #EEAE4F

RGB 238 174 79

HSL 35.85, 0.82%, 0.62%

LAB 75.46, 14.21, 56.44

 

CMYK 0 / 30 / 75 / 1

HEX #FDB13F

RGB 253 177 63

HSL 36, 0.98%, 0.62%

LAB 77.69, 18.13, 66.02

 

CMYK 0 / 27 / 67 / 7

HEX #EEAE4F

RGB 238 174 79

HSL 35.85, 0.82%, 0.62%

LAB 75.46, 14.21, 56.44

 

CMYK 0 / 23 / 58 / 13

HEX #DEAB5E

RGB 222 171 94

HSL 36.09, 0.66%, 0.62%

LAB 73.2, 10.1, 46.3

 

CMYK 0 / 18 / 47 / 19

HEX #CEA86E

RGB 206 168 110

HSL 36.25, 0.49%, 0.62%

LAB 71.04, 6.46, 35.11

 

CMYK 0 / 14 / 34 / 25

HEX #BFA57E

RGB 191 165 126

HSL 36, 0.34%, 0.62%

LAB 69.11, 3.77, 23.75

 

CMYK 0 / 8 / 19 / 31

HEX #AFA18D

RGB 175 161 141

HSL 35.29, 0.18%, 0.62%

LAB 66.92, 1.76, 12.26

 

CMYK 0 / 63 / 67 / 7

HEX #EE594F

RGB 238 89 79

HSL 3.77, 0.82%, 0.62%

LAB 57.93, 56.79, 36.42

 

CMYK 0 / 45 / 67 / 7

HEX #EE844F

RGB 238 132 79

HSL 20, 0.82%, 0.62%

LAB 65.94, 36.29, 45.83

 

CMYK 0 / 27 / 67 / 7

HEX #EEAE4F

RGB 238 174 79

HSL 35.85, 0.82%, 0.62%

LAB 75.46, 14.21, 56.44

 

CMYK 0 / 9 / 67 / 7

HEX #EED84F

RGB 238 216 79

HSL 51.7, 0.82%, 0.62%

LAB 85.93, -7.54, 67.49

 

CMYK 9 / 0 / 67 / 7

HEX #D8EE4F

RGB 216 238 79

HSL 68.3, 0.82%, 0.62%

LAB 90, -27.27, 71.1

 

CMYK 0 / 36 / 90 / 16

HEX #D58815

RGB 213 136 21

HSL 35.94, 0.82%, 0.46%

LAB 63.18, 21.72, 65.23

 

CMYK 0 / 33 / 82 / 8

HEX #EA9D29

RGB 234 157 41

HSL 36.06, 0.82%, 0.54%

LAB 70.71, 19.92, 66.74

 

CMYK 0 / 27 / 67 / 7

HEX #EEAE4F

RGB 238 174 79

HSL 35.85, 0.82%, 0.62%

LAB 75.46, 14.21, 56.44

 

CMYK 0 / 21 / 52 / 5

HEX #F1BF74

RGB 241 191 116

HSL 36, 0.82%, 0.7%

LAB 80.31, 9.13, 44.38

 

CMYK 0 / 15 / 37 / 4

HEX #F5D09A

RGB 245 208 154

HSL 35.6, 0.82%, 0.78%

LAB 85.43, 5.66, 31.65

 

CMYK 0 / 27 / 67 / 7

HEX #EEAE4E

RGB 238 174 78

HSL 36, 0.82%, 0.62%

LAB 75.45, 14.15, 56.88

 

CMYK 54 / 0 / 67 / 7

HEX #6EEE4F

RGB 110 238 79

HSL 108.3, 0.82%, 0.62%

LAB 84.5, -63.5, 63.66

 

CMYK 54 / 67 / 0 / 7

HEX #6E4FEE

RGB 110 79 238

HSL 251.7, 0.82%, 0.62%

LAB 45.74, 52.76, -75.88

 

CMYK 0 / 27 / 67 / 7

HEX #EEAE4E

RGB 238 174 78

HSL 36, 0.82%, 0.62%

LAB 75.45, 14.15, 56.88

 

CMYK 67 / 0 / 27 / 7

HEX #4FEEAE

RGB 79 238 174

HSL 155.85, 0.82%, 0.62%

LAB 84.93, -55.9, 19.13

 

CMYK 27 / 67 / 0 / 7

HEX #AE4FEE

RGB 174 79 238

HSL 275.85, 0.82%, 0.62%

LAB 52.69, 64.63, -64.28

 

CMYK 0 / 27 / 67 / 7

HEX #EEAE4E

RGB 238 174 78

HSL 36, 0.82%, 0.62%

LAB 75.45, 14.15, 56.88

 

CMYK 54 / 0 / 67 / 7

HEX #6EEE4F

RGB 110 238 79

HSL 108.3, 0.82%, 0.62%

LAB 84.5, -63.5, 63.66

 

CMYK 67 / 40 / 0 / 7

HEX #4F8EEE

RGB 79 142 238

HSL 216.23, 0.82%, 0.62%

LAB 59.14, 10.11, -54.34

 

CMYK 13 / 67 / 0 / 7

HEX #CE4FEE

RGB 206 79 238

HSL 287.92, 0.82%, 0.62%

LAB 56.96, 71.35, -57.18

 

CMYK 0 / 27 / 67 / 7

HEX #EEAE4E

RGB 238 174 78

HSL 36, 0.82%, 0.62%

LAB 75.45, 14.15, 56.88

 

CMYK 67 / 0 / 60 / 7

HEX #4FEE5F

RGB 79 238 95

HSL 126.04, 0.82%, 0.62%

LAB 83.78, -68.76, 56.07

 

CMYK 67 / 40 / 0 / 7

HEX #4F8EEE

RGB 79 142 238

HSL 216.23, 0.82%, 0.62%

LAB 59.14, 10.11, -54.34

 

CMYK 0 / 67 / 7 / 7

HEX #EE4FDE

RGB 238 79 222

HSL 306.04, 0.82%, 0.62%

LAB 60.82, 75.82, -41.8

 

Description

Color code: HEX #EEAE4E | qconv.com Color code: HEX #EEAE4E | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 174 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 174 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 67 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 67% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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