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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EEA998 it is the complementary color #115667. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EEA998. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EEA998 shade: #F3A993, #FFBBA6, #FFCDB9, #FFDFCC and #FFF1DF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EEA998. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EEA998 shade: #EEA998, #DD9785, #CC8572, #BB735F and #AA614C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EEA998 shade: #EEA796 and #EE9696

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EEA998 shade: #EEA796, #EEBF96, #EED796, #EDEE96 and #D6EE96

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EEA998 shade matches the following richer shades: #EEA796 and #F8A18C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EEA998 shade: #EEA796, #E4ADA0, #DAB3AA, #D0B9B3 and #C6BFBD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EEA998 shade: #EE96B5, #EE969D, #EEA696, #EEBD96 and #EED596

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EEA998 shade: #E26C4F, #E88A72, #EEA796, #F4C5B9 and #F9E2DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EEA998 shade: #EEA998, #CCEE96 and #96A9EE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EEA998 shade: #EEA998, #96EEA6 and #A696EE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EEA998 shade: #EEA998, #CCEE96, #96DEEE and #B896EE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EEA998 shade: #EEA998, #B2EE96, #96DEEE and #D296EE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 36 / 7

HEX #EEA998

RGB 238 169 152

HSL 11.86, 0.72%, 0.76%

LAB 75.34, 23.24, 18.9

 

Complementary color

CMYK 83 / 17 / 0 / 60

HEX #115667

RGB 17 86 103

HSL 191.86, 0.72%, 0.24%

LAB 33.47, -14.05, -15.69

 

CMYK 0 / 30 / 40 / 5

HEX #F3A993

RGB 243 169 147

HSL 13.75, 0.8%, 0.76%

LAB 75.78, 24.58, 22.31

 

CMYK 0 / 27 / 35 / 0

HEX #FFBBA6

RGB 255 187 166

HSL 14.16, 1%, 0.83%

LAB 81.6, 21.86, 20.29

 

CMYK 0 / 20 / 27 / 0

HEX #FFCDB9

RGB 255 205 185

HSL 17.14, 1%, 0.86%

LAB 86.22, 14.83, 16.65

 

CMYK 0 / 13 / 20 / 0

HEX #FFDFCC

RGB 255 223 204

HSL 22.35, 1%, 0.9%

LAB 90.96, 8.14, 13.36

 

CMYK 0 / 5 / 13 / 0

HEX #FFF1DF

RGB 255 241 223

HSL 33.75, 1%, 0.94%

LAB 95.79, 1.79, 10.37

 

CMYK 0 / 29 / 36 / 7

HEX #EEA998

RGB 238 169 152

HSL 11.86, 0.72%, 0.76%

LAB 75.34, 23.24, 18.9

 

CMYK 0 / 32 / 40 / 13

HEX #DD9785

RGB 221 151 133

HSL 12.27, 0.56%, 0.69%

LAB 68.9, 24.11, 20.14

 

CMYK 0 / 35 / 44 / 20

HEX #CC8572

RGB 204 133 114

HSL 12.67, 0.47%, 0.62%

LAB 62.36, 25.09, 21.5

 

CMYK 0 / 39 / 49 / 27

HEX #BB735F

RGB 187 115 95

HSL 13.04, 0.4%, 0.55%

LAB 55.74, 26.19, 23.03

 

CMYK 0 / 43 / 55 / 33

HEX #AA614C

RGB 170 97 76

HSL 13.4, 0.38%, 0.48%

LAB 49.03, 27.43, 24.77

 

CMYK 0 / 30 / 37 / 7

HEX #EEA796

RGB 238 167 150

HSL 11.59, 0.72%, 0.76%

LAB 74.84, 24.07, 19.29

 

CMYK 0 / 37 / 37 / 7

HEX #EE9696

RGB 238 150 150

HSL 0, 0.72%, 0.76%

LAB 71, 33.06, 13.95

 

CMYK 0 / 30 / 37 / 7

HEX #EEA796

RGB 238 167 150

HSL 11.59, 0.72%, 0.76%

LAB 74.84, 24.07, 19.29

 

CMYK 0 / 20 / 37 / 7

HEX #EEBF96

RGB 238 191 150

HSL 27.95, 0.72%, 0.76%

LAB 80.54, 11.36, 27.07

 

CMYK 0 / 10 / 37 / 7

HEX #EED796

RGB 238 215 150

HSL 44.32, 0.72%, 0.76%

LAB 86.49, -1.12, 35

 

CMYK 0 / 0 / 37 / 7

HEX #EDEE96

RGB 237 238 150

HSL 60.68, 0.72%, 0.76%

LAB 92.29, -13.08, 42.5

 

CMYK 10 / 0 / 37 / 7

HEX #D6EE96

RGB 214 238 150

HSL 76.36, 0.72%, 0.76%

LAB 90.62, -21.75, 40.02

 

CMYK 0 / 30 / 37 / 7

HEX #EEA796

RGB 238 167 150

HSL 11.59, 0.72%, 0.76%

LAB 74.84, 24.07, 19.29

 

CMYK 0 / 35 / 44 / 3

HEX #F8A18C

RGB 248 161 140

HSL 11.67, 0.89%, 0.76%

LAB 74.41, 29.96, 24.32

 

CMYK 0 / 30 / 37 / 7

HEX #EEA796

RGB 238 167 150

HSL 11.59, 0.72%, 0.76%

LAB 74.84, 24.07, 19.29

 

CMYK 0 / 24 / 30 / 11

HEX #E4ADA0

RGB 228 173 160

HSL 11.47, 0.56%, 0.76%

LAB 75.4, 18.31, 14.48

 

CMYK 0 / 18 / 22 / 15

HEX #DAB3AA

RGB 218 179 170

HSL 11.25, 0.39%, 0.76%

LAB 76.1, 12.72, 9.89

 

CMYK 0 / 11 / 14 / 18

HEX #D0B9B3

RGB 208 185 179

HSL 12.41, 0.24%, 0.76%

LAB 76.9, 7.2, 6.03

 

CMYK 0 / 4 / 5 / 22

HEX #C6BFBD

RGB 198 191 189

HSL 13.33, 0.07%, 0.76%

LAB 77.84, 2.09, 1.87

 

CMYK 0 / 37 / 24 / 7

HEX #EE96B5

RGB 238 150 181

HSL 338.86, 0.72%, 0.76%

LAB 71.78, 37.06, -2.14

 

CMYK 0 / 37 / 34 / 7

HEX #EE969D

RGB 238 150 157

HSL 355.23, 0.72%, 0.76%

LAB 71.16, 33.9, 10.3

 

CMYK 0 / 30 / 37 / 7

HEX #EEA696

RGB 238 166 150

HSL 10.91, 0.72%, 0.76%

LAB 74.6, 24.6, 18.97

 

CMYK 0 / 21 / 37 / 7

HEX #EEBD96

RGB 238 189 150

HSL 26.59, 0.72%, 0.76%

LAB 80.05, 12.41, 26.41

 

CMYK 0 / 11 / 37 / 7

HEX #EED596

RGB 238 213 150

HSL 42.95, 0.72%, 0.76%

LAB 85.99, -0.1, 34.33

 

CMYK 0 / 52 / 65 / 11

HEX #E26C4F

RGB 226 108 79

HSL 11.84, 0.72%, 0.6%

LAB 59.4, 43.8, 37.74

 

CMYK 0 / 41 / 51 / 9

HEX #E88A72

RGB 232 138 114

HSL 12.2, 0.72%, 0.68%

LAB 66.94, 33.38, 28.21

 

CMYK 0 / 30 / 37 / 7

HEX #EEA796

RGB 238 167 150

HSL 11.59, 0.72%, 0.76%

LAB 74.84, 24.07, 19.29

 

CMYK 0 / 19 / 24 / 4

HEX #F4C5B9

RGB 244 197 185

HSL 12.2, 0.73%, 0.84%

LAB 83.27, 14.96, 12.34

 

CMYK 0 / 9 / 11 / 2

HEX #F9E2DD

RGB 249 226 221

HSL 10.71, 0.7%, 0.92%

LAB 91.57, 7.05, 5.29

 

CMYK 0 / 29 / 36 / 7

HEX #EEA998

RGB 238 169 152

HSL 11.86, 0.72%, 0.76%

LAB 75.34, 23.24, 18.9

 

CMYK 14 / 0 / 37 / 7

HEX #CCEE96

RGB 204 238 150

HSL 83.18, 0.72%, 0.76%

LAB 89.95, -25.42, 39.02

 

CMYK 37 / 29 / 0 / 7

HEX #96A9EE

RGB 150 169 238

HSL 227.05, 0.72%, 0.76%

LAB 70.2, 9.89, -36.67

 

CMYK 0 / 29 / 36 / 7

HEX #EEA998

RGB 238 169 152

HSL 11.86, 0.72%, 0.76%

LAB 75.34, 23.24, 18.9

 

CMYK 37 / 0 / 30 / 7

HEX #96EEA6

RGB 150 238 166

HSL 130.91, 0.72%, 0.76%

LAB 87.19, -41.05, 26.73

 

CMYK 30 / 37 / 0 / 7

HEX #A696EE

RGB 166 150 238

HSL 250.91, 0.72%, 0.76%

LAB 66.59, 25.04, -42.22

 

CMYK 0 / 29 / 36 / 7

HEX #EEA998

RGB 238 169 152

HSL 11.86, 0.72%, 0.76%

LAB 75.34, 23.24, 18.9

 

CMYK 14 / 0 / 37 / 7

HEX #CCEE96

RGB 204 238 150

HSL 83.18, 0.72%, 0.76%

LAB 89.95, -25.42, 39.02

 

CMYK 37 / 7 / 0 / 7

HEX #96DEEE

RGB 150 222 238

HSL 190.91, 0.72%, 0.76%

LAB 84.43, -18.44, -14.93

 

CMYK 23 / 37 / 0 / 7

HEX #B896EE

RGB 184 150 238

HSL 263.18, 0.72%, 0.76%

LAB 68.15, 30.15, -39.66

 

CMYK 0 / 29 / 36 / 7

HEX #EEA998

RGB 238 169 152

HSL 11.86, 0.72%, 0.76%

LAB 75.34, 23.24, 18.9

 

CMYK 25 / 0 / 37 / 7

HEX #B2EE96

RGB 178 238 150

HSL 100.91, 0.72%, 0.76%

LAB 88.36, -34.59, 36.64

 

CMYK 37 / 7 / 0 / 7

HEX #96DEEE

RGB 150 222 238

HSL 190.91, 0.72%, 0.76%

LAB 84.43, -18.44, -14.93

 

CMYK 12 / 37 / 0 / 7

HEX #D296EE

RGB 210 150 238

HSL 280.91, 0.72%, 0.76%

LAB 70.65, 37.82, -35.57

 

Description

Color code: HEX #EEA998 | qconv.com Color code: HEX #EEA998 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 169 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 169 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 36 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 36% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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