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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EEA7DF it is the complementary color #115820. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EEA7DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #EEA7DF: #F3A7DA, #FFB9ED, #FFCBFF, #FFDDFF and #FFEFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EEA7DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #EEA7DF: #EEA7DF, #DD95CC, #CC83B9, #BB71A6 and #AA5F93

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 6 / 7

HEX #EEA7DF

RGB 238 167 223

HSL 312.68, 0.68%, 0.79%

LAB 76.77, 34.71, -17.78

 

Complementary color

CMYK 81 / 0 / 64 / 65

HEX #115820

RGB 17 88 32

HSL 132.68, 0.68%, 0.21%

LAB 32.26, -34.39, 26.02

 

CMYK 0 / 31 / 10 / 5

HEX #F3A7DA

RGB 243 167 218

HSL 319.74, 0.76%, 0.8%

LAB 77.13, 35.52, -14.45

 

CMYK 0 / 27 / 7 / 0

HEX #FFB9ED

RGB 255 185 237

HSL 315.43, 1%, 0.86%

LAB 82.95, 33.2, -15.84

 

CMYK 0 / 20 / 0 / 0

HEX #FFCBFF

RGB 255 203 255

HSL 300, 1%, 0.9%

LAB 87.58, 26.9, -18.44

 

CMYK 0 / 13 / 0 / 0

HEX #FFDDFF

RGB 255 221 255

HSL 300, 1%, 0.93%

LAB 91.77, 17.47, -12.16

 

CMYK 0 / 6 / 0 / 0

HEX #FFEFFF

RGB 255 239 255

HSL 300, 1%, 0.97%

LAB 96.09, 8.15, -5.76

 

CMYK 0 / 30 / 6 / 7

HEX #EEA7DF

RGB 238 167 223

HSL 312.68, 0.68%, 0.79%

LAB 76.77, 34.71, -17.78

 

CMYK 0 / 33 / 8 / 13

HEX #DD95CC

RGB 221 149 204

HSL 314.17, 0.51%, 0.73%

LAB 70.33, 35.4, -17.25

 

CMYK 0 / 36 / 9 / 20

HEX #CC83B9

RGB 204 131 185

HSL 315.62, 0.42%, 0.66%

LAB 63.81, 36.13, -16.67

 

CMYK 0 / 40 / 11 / 27

HEX #BB71A6

RGB 187 113 166

HSL 317.03, 0.35%, 0.59%

LAB 57.2, 36.9, -16.04

 

CMYK 0 / 44 / 14 / 33

HEX #AA5F93

RGB 170 95 147

HSL 318.4, 0.31%, 0.52%

LAB 50.5, 37.69, -15.31

 

CMYK 0 / 30 / 6 / 7

HEX #EEA7DF

RGB 238 167 223

HSL 312.68, 0.68%, 0.79%

LAB 76.77, 34.71, -17.78

 

CMYK 0 / 30 / 11 / 7

HEX #EDA5D3

RGB 237 165 211

HSL 321.67, 0.67%, 0.79%

LAB 75.83, 33.41, -12.65

 

CMYK 0 / 30 / 16 / 7

HEX #EDA5C7

RGB 237 165 199

HSL 331.67, 0.67%, 0.79%

LAB 75.48, 31.48, -6.62

 

CMYK 0 / 30 / 22 / 7

HEX #EDA5BA

RGB 237 165 186

HSL 342.5, 0.67%, 0.79%

LAB 75.11, 29.51, -0.03

 

CMYK 0 / 30 / 27 / 7

HEX #EDA5AE

RGB 237 165 174

HSL 352.5, 0.67%, 0.79%

LAB 74.81, 27.81, 6.11

 

CMYK 0 / 30 / 6 / 7

HEX #EEA7DF

RGB 238 167 223

HSL 312.68, 0.68%, 0.79%

LAB 76.77, 34.71, -17.78

 

CMYK 0 / 29 / 6 / 87

HEX #221820

RGB 34 24 32

HSL 312, 0.17%, 0.11%

LAB 9.78, 6.81, -3.63

 

CMYK 0 / 29 / 6 / 67

HEX #553C50

RGB 85 60 80

HSL 312, 0.17%, 0.28%

LAB 28.75, 14.77, -7.77

 

CMYK 0 / 30 / 7 / 47

HEX #885F7F

RGB 136 95 127

HSL 313.17, 0.18%, 0.45%

LAB 45.57, 22.16, -11.23

 

CMYK 0 / 30 / 6 / 27

HEX #BB83AF

RGB 187 131 175

HSL 312.86, 0.29%, 0.62%

LAB 61.56, 28.61, -14.6

 

CMYK 0 / 30 / 6 / 7

HEX #EEA7DF

RGB 238 167 223

HSL 312.68, 0.68%, 0.79%

LAB 76.77, 34.71, -17.78

 

CMYK 0 / 18 / 30 / 7

HEX #EDC2A5

RGB 237 194 165

HSL 24.17, 0.67%, 0.79%

LAB 81.46, 11.23, 20.36

 

CMYK 30 / 0 / 6 / 7

HEX #A5EDDF

RGB 165 237 223

HSL 168.33, 0.67%, 0.79%

LAB 88.87, -25.23, -0.37

 

CMYK 0 / 30 / 6 / 7

HEX #EEA7DF

RGB 238 167 223

HSL 312.68, 0.68%, 0.79%

LAB 76.77, 34.71, -17.78

 

CMYK 6 / 0 / 30 / 7

HEX #DFEDA5

RGB 223 237 165

HSL 71.67, 0.67%, 0.79%

LAB 91.22, -16.06, 33.41

 

CMYK 30 / 6 / 0 / 7

HEX #A5DFED

RGB 165 223 237

HSL 191.67, 0.67%, 0.79%

LAB 85.45, -15.16, -12.8

 

CMYK 0 / 30 / 6 / 7

HEX #EEA7DF

RGB 238 167 223

HSL 312.68, 0.68%, 0.79%

LAB 76.77, 34.71, -17.78

 

CMYK 0 / 18 / 30 / 7

HEX #EDC2A5

RGB 237 194 165

HSL 24.17, 0.67%, 0.79%

LAB 81.46, 11.23, 20.36

 

CMYK 30 / 0 / 24 / 7

HEX #A5EDB3

RGB 165 237 179

HSL 131.67, 0.67%, 0.79%

LAB 87.88, -33.81, 21.12

 

CMYK 30 / 12 / 0 / 7

HEX #A5D0ED

RGB 165 208 237

HSL 204.17, 0.67%, 0.79%

LAB 81.42, -7.42, -18.86

 

CMYK 0 / 30 / 6 / 7

HEX #EEA7DF

RGB 238 167 223

HSL 312.68, 0.68%, 0.79%

LAB 76.77, 34.71, -17.78

 

CMYK 0 / 9 / 30 / 7

HEX #EDD8A5

RGB 237 216 165

HSL 42.5, 0.67%, 0.79%

LAB 86.91, -0.23, 27.82

 

CMYK 30 / 0 / 24 / 7

HEX #A5EDB3

RGB 165 237 179

HSL 131.67, 0.67%, 0.79%

LAB 87.88, -33.81, 21.12

 

CMYK 30 / 22 / 0 / 7

HEX #A5BAED

RGB 165 186 237

HSL 222.5, 0.67%, 0.79%

LAB 75.6, 4.36, -27.72

 

Description

Color code: HEX #EEA7DF | qconv.com Color code: HEX #EEA7DF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 167 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 167 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 6 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 6% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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