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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EEA4D4 it is the complementary color #115B2B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EEA4D4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EEA4D4 shade: #F3A4CF, #FFB6E2, #FFC8F5, #FFDAFF and #FFECFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EEA4D4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EEA4D4 shade: #EEA4D4, #DD92C1, #CC80AE, #BB6E9B and #AA5C88

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EEA4D4 shade: #EEA4D4, #EEA4C0, #EEA4AC and #EEA4A4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EEA4D4 shade: #EEA4D4, #EEA4E8, #E0A4EE, #CCA4EE and #B8A4EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EEA4D4 shade matches the following richer shades: #EEA4D4 and #F79BD7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EEA4D4 shade: #EEA4D4, #E5ADD1, #DDB5CF, #D4BECC and #CBC7CA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EEA4D4 shade: #E0A4EE, #EEA4E8, #EEA4D4, #EEA4C0 and #EEA4AD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EEA4D4 shade: #E15EB3, #E881C4, #EEA4D4, #F4C7E4 and #FBEAF5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EEA4D4 shade: #EEA4D4, #EECDA4 and #A4EEEA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EEA4D4 shade: #EEA4D4, #D4EEA4 and #A4D4EE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EEA4D4 shade: #EEA4D4, #EECDA4, #A4EEBE and #A4C5EE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EEA4D4 shade: #EEA4D4, #EEE3A4, #A4EEBE and #A4AFEE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 11 / 7

HEX #EEA4D4

RGB 238 164 212

HSL 321.08, 0.69%, 0.79%

LAB 75.75, 34.44, -13.31

 

Complementary color

CMYK 81 / 0 / 53 / 64

HEX #115B2B

RGB 17 91 43

HSL 141.08, 0.69%, 0.21%

LAB 33.51, -33.77, 21.45

 

CMYK 0 / 33 / 15 / 5

HEX #F3A4CF

RGB 243 164 207

HSL 327.34, 0.77%, 0.8%

LAB 76.14, 35.32, -9.94

 

CMYK 0 / 29 / 11 / 0

HEX #FFB6E2

RGB 255 182 226

HSL 323.84, 1%, 0.86%

LAB 81.95, 32.95, -11.44

 

CMYK 0 / 22 / 4 / 0

HEX #FFC8F5

RGB 255 200 245

HSL 310.91, 1%, 0.89%

LAB 86.58, 26.7, -14.65

 

CMYK 0 / 15 / 0 / 0

HEX #FFDAFF

RGB 255 218 255

HSL 300, 1%, 0.93%

LAB 91.06, 19.03, -13.21

 

CMYK 0 / 7 / 0 / 0

HEX #FFECFF

RGB 255 236 255

HSL 300, 1%, 0.96%

LAB 95.36, 9.69, -6.83

 

CMYK 0 / 31 / 11 / 7

HEX #EEA4D4

RGB 238 164 212

HSL 321.08, 0.69%, 0.79%

LAB 75.75, 34.44, -13.31

 

CMYK 0 / 34 / 13 / 13

HEX #DD92C1

RGB 221 146 193

HSL 322.4, 0.52%, 0.72%

LAB 69.31, 35.15, -12.68

 

CMYK 0 / 37 / 15 / 20

HEX #CC80AE

RGB 204 128 174

HSL 323.68, 0.43%, 0.65%

LAB 62.79, 35.91, -11.99

 

CMYK 0 / 41 / 17 / 27

HEX #BB6E9B

RGB 187 110 155

HSL 324.94, 0.36%, 0.58%

LAB 56.17, 36.7, -11.22

 

CMYK 0 / 46 / 20 / 33

HEX #AA5C88

RGB 170 92 136

HSL 326.15, 0.31%, 0.51%

LAB 49.47, 37.52, -10.33

 

CMYK 0 / 31 / 11 / 7

HEX #EEA4D4

RGB 238 164 212

HSL 321.08, 0.69%, 0.79%

LAB 75.75, 34.44, -13.31

 

CMYK 0 / 31 / 19 / 7

HEX #EEA4C0

RGB 238 164 192

HSL 337.3, 0.69%, 0.79%

LAB 75.16, 31.29, -3.24

 

CMYK 0 / 31 / 28 / 7

HEX #EEA4AC

RGB 238 164 172

HSL 353.51, 0.69%, 0.79%

LAB 74.64, 28.43, 6.98

 

CMYK 0 / 31 / 31 / 7

HEX #EEA4A4

RGB 238 164 164

HSL 0, 0.69%, 0.79%

LAB 74.45, 27.38, 11.1

 

CMYK 0 / 31 / 11 / 7

HEX #EEA4D4

RGB 238 164 212

HSL 321.08, 0.69%, 0.79%

LAB 75.75, 34.44, -13.31

 

CMYK 0 / 31 / 3 / 7

HEX #EEA4E8

RGB 238 164 232

HSL 304.86, 0.69%, 0.79%

LAB 76.41, 37.87, -23.21

 

CMYK 6 / 31 / 0 / 7

HEX #E0A4EE

RGB 224 164 238

HSL 288.65, 0.69%, 0.79%

LAB 75.18, 34.57, -28.47

 

CMYK 14 / 31 / 0 / 7

HEX #CCA4EE

RGB 204 164 238

HSL 272.43, 0.69%, 0.79%

LAB 73.26, 28.37, -31.59

 

CMYK 23 / 31 / 0 / 7

HEX #B8A4EE

RGB 184 164 238

HSL 256.22, 0.69%, 0.79%

LAB 71.5, 22.34, -34.46

 

CMYK 0 / 31 / 11 / 7

HEX #EEA4D4

RGB 238 164 212

HSL 321.08, 0.69%, 0.79%

LAB 75.75, 34.44, -13.31

 

CMYK 0 / 37 / 13 / 3

HEX #F79BD7

RGB 247 155 215

HSL 320.87, 0.85%, 0.79%

LAB 74.9, 42.61, -16.13

 

CMYK 0 / 31 / 11 / 7

HEX #EEA4D4

RGB 238 164 212

HSL 321.08, 0.69%, 0.79%

LAB 75.75, 34.44, -13.31

 

CMYK 0 / 24 / 9 / 10

HEX #E5ADD1

RGB 229 173 209

HSL 321.43, 0.52%, 0.79%

LAB 76.77, 26.09, -10.25

 

CMYK 0 / 18 / 6 / 13

HEX #DDB5CF

RGB 221 181 207

HSL 321, 0.37%, 0.79%

LAB 77.83, 18.69, -7.66

 

CMYK 0 / 10 / 4 / 17

HEX #D4BECC

RGB 212 190 204

HSL 321.82, 0.2%, 0.79%

LAB 79.15, 10.2, -4.18

 

CMYK 0 / 2 / 0 / 20

HEX #CBC7CA

RGB 203 199 202

HSL 315, 0.04%, 0.79%

LAB 80.63, 1.93, -1.01

 

CMYK 6 / 31 / 0 / 7

HEX #E0A4EE

RGB 224 164 238

HSL 288.65, 0.69%, 0.79%

LAB 75.18, 34.57, -28.47

 

CMYK 0 / 31 / 3 / 7

HEX #EEA4E8

RGB 238 164 232

HSL 304.86, 0.69%, 0.79%

LAB 76.41, 37.87, -23.21

 

CMYK 0 / 31 / 11 / 7

HEX #EEA4D4

RGB 238 164 212

HSL 321.08, 0.69%, 0.79%

LAB 75.75, 34.44, -13.31

 

CMYK 0 / 31 / 19 / 7

HEX #EEA4C0

RGB 238 164 192

HSL 337.3, 0.69%, 0.79%

LAB 75.16, 31.29, -3.24

 

CMYK 0 / 31 / 27 / 7

HEX #EEA4AD

RGB 238 164 173

HSL 352.7, 0.69%, 0.79%

LAB 74.66, 28.57, 6.47

 

CMYK 0 / 58 / 20 / 12

HEX #E15EB3

RGB 225 94 179

HSL 321.07, 0.69%, 0.63%

LAB 59.22, 60.17, -19.98

 

CMYK 0 / 44 / 16 / 9

HEX #E881C4

RGB 232 129 196

HSL 320.97, 0.69%, 0.71%

LAB 67.16, 48.11, -17.48

 

CMYK 0 / 31 / 11 / 7

HEX #EEA4D4

RGB 238 164 212

HSL 321.08, 0.69%, 0.79%

LAB 75.75, 34.44, -13.31

 

CMYK 0 / 18 / 7 / 4

HEX #F4C7E4

RGB 244 199 228

HSL 321.33, 0.67%, 0.87%

LAB 84.83, 20.61, -8.33

 

CMYK 0 / 7 / 2 / 2

HEX #FBEAF5

RGB 251 234 245

HSL 321.18, 0.68%, 0.95%

LAB 94.29, 7.63, -3.25

 

CMYK 0 / 31 / 11 / 7

HEX #EEA4D4

RGB 238 164 212

HSL 321.08, 0.69%, 0.79%

LAB 75.75, 34.44, -13.31

 

CMYK 0 / 14 / 31 / 7

HEX #EECDA4

RGB 238 205 164

HSL 33.24, 0.69%, 0.79%

LAB 84.24, 5.72, 24.72

 

CMYK 31 / 0 / 2 / 7

HEX #A4EEEA

RGB 164 238 234

HSL 176.76, 0.69%, 0.79%

LAB 89.38, -23.58, -5.38

 

CMYK 0 / 31 / 11 / 7

HEX #EEA4D4

RGB 238 164 212

HSL 321.08, 0.69%, 0.79%

LAB 75.75, 34.44, -13.31

 

CMYK 11 / 0 / 31 / 7

HEX #D4EEA4

RGB 212 238 164

HSL 81.08, 0.69%, 0.79%

LAB 90.7, -20.7, 33.09

 

CMYK 31 / 11 / 0 / 7

HEX #A4D4EE

RGB 164 212 238

HSL 201.08, 0.69%, 0.79%

LAB 82.46, -9.55, -17.82

 

CMYK 0 / 31 / 11 / 7

HEX #EEA4D4

RGB 238 164 212

HSL 321.08, 0.69%, 0.79%

LAB 75.75, 34.44, -13.31

 

CMYK 0 / 14 / 31 / 7

HEX #EECDA4

RGB 238 205 164

HSL 33.24, 0.69%, 0.79%

LAB 84.24, 5.72, 24.72

 

CMYK 31 / 0 / 20 / 7

HEX #A4EEBE

RGB 164 238 190

HSL 141.08, 0.69%, 0.79%

LAB 88.33, -32.6, 16.05

 

CMYK 31 / 17 / 0 / 7

HEX #A4C5EE

RGB 164 197 238

HSL 213.24, 0.69%, 0.79%

LAB 78.46, -1.63, -23.88

 

CMYK 0 / 31 / 11 / 7

HEX #EEA4D4

RGB 238 164 212

HSL 321.08, 0.69%, 0.79%

LAB 75.75, 34.44, -13.31

 

CMYK 0 / 5 / 31 / 7

HEX #EEE3A4

RGB 238 227 164

HSL 51.08, 0.69%, 0.79%

LAB 89.76, -5.58, 32.18

 

CMYK 31 / 0 / 20 / 7

HEX #A4EEBE

RGB 164 238 190

HSL 141.08, 0.69%, 0.79%

LAB 88.33, -32.6, 16.05

 

CMYK 31 / 26 / 0 / 7

HEX #A4AFEE

RGB 164 175 238

HSL 231.08, 0.69%, 0.79%

LAB 72.71, 10.4, -32.7

 

Description

Color code: HEX #EEA4D4 | qconv.com Color code: HEX #EEA4D4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 164 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 164 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 11 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 11% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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