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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EE9E27 it is the complementary color #1161D8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EE9E27. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EE9E27 shade: #F39E22, #FFB035, #FFC248, #FFD45B and #FFE66E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EE9E27. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EE9E27 shade: #EE9E27, #DD8C14, #CC7A01, #BB6800 and #AA5600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EE9E27 shade: #ED9D26, #ED6726, #ED3226 and #ED2626

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EE9E27 shade: #ED9D26, #EDD326, #D2ED26, #9CED26 and #66ED26

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EE9E27 shade matches the following richer shades: #ED9D26

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EE9E27 shade: #ED9D26, #DA9A39, #C7964C, #B4925F and #A18E72

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EE9E27 shade: #ED3026, #ED6526, #ED9A26, #EDCF26 and #D6ED26

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EE9E27 shade: #B2710E, #D98912, #ED9D26, #F0AE4C and #F4C072

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EE9E27 shade: #EE9E27, #51ED26 and #4B26ED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EE9E27 shade: #EE9E27, #26ED9A and #9A26ED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EE9E27 shade: #EE9E27, #51ED26, #2679ED and #C226ED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EE9E27 shade: #EE9E27, #26ED37, #2679ED and #ED26DD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 84 / 7

HEX #EE9E27

RGB 238 158 39

HSL 35.88, 0.85%, 0.54%

LAB 71.4, 21.03, 68.15

 

Complementary color

CMYK 92 / 55 / 0 / 15

HEX #1161D8

RGB 17 97 216

HSL 215.88, 0.85%, 0.46%

LAB 43.69, 23.87, -66.94

 

CMYK 0 / 35 / 86 / 5

HEX #F39E22

RGB 243 158 34

HSL 35.6, 0.9%, 0.54%

LAB 71.98, 23.01, 70.34

 

CMYK 0 / 31 / 79 / 0

HEX #FFB035

RGB 255 176 53

HSL 36.53, 1%, 0.6%

LAB 77.62, 19.12, 69.73

 

CMYK 0 / 24 / 72 / 0

HEX #FFC248

RGB 255 194 72

HSL 40, 1%, 0.64%

LAB 82.01, 10.49, 66.8

 

CMYK 0 / 17 / 64 / 0

HEX #FFD45B

RGB 255 212 91

HSL 44.27, 1%, 0.68%

LAB 86.55, 2.21, 63.66

 

CMYK 0 / 10 / 57 / 0

HEX #FFE66E

RGB 255 230 110

HSL 49.66, 1%, 0.72%

LAB 91.22, -5.64, 60.5

 

CMYK 0 / 34 / 84 / 7

HEX #EE9E27

RGB 238 158 39

HSL 35.88, 0.85%, 0.54%

LAB 71.4, 21.03, 68.15

 

CMYK 0 / 37 / 91 / 13

HEX #DD8C14

RGB 221 140 20

HSL 35.82, 0.83%, 0.47%

LAB 65.1, 22.98, 67.34

 

CMYK 0 / 40 / 100 / 20

HEX #CC7A01

RGB 204 122 1

HSL 35.76, 0.99%, 0.4%

LAB 58.75, 25.15, 65.2

 

CMYK 0 / 44 / 100 / 27

HEX #BB6800

RGB 187 104 0

HSL 33.37, 1%, 0.37%

LAB 52.36, 27.59, 60.2

 

CMYK 0 / 49 / 100 / 33

HEX #AA5600

RGB 170 86 0

HSL 30.35, 1%, 0.33%

LAB 45.91, 30.08, 55

 

CMYK 0 / 34 / 84 / 7

HEX #ED9D26

RGB 237 157 38

HSL 35.88, 0.85%, 0.54%

LAB 71.05, 21.11, 68.12

 

CMYK 0 / 57 / 84 / 7

HEX #ED6726

RGB 237 103 38

HSL 19.6, 0.85%, 0.54%

LAB 59.75, 48.58, 58.54

 

CMYK 0 / 79 / 84 / 7

HEX #ED3226

RGB 237 50 38

HSL 3.62, 0.85%, 0.54%

LAB 52.32, 68.69, 52.1

 

CMYK 0 / 84 / 84 / 7

HEX #ED2626

RGB 237 38 38

HSL 0, 0.85%, 0.54%

LAB 51.3, 71.56, 51.21

 

CMYK 0 / 34 / 84 / 7

HEX #ED9D26

RGB 237 157 38

HSL 35.88, 0.85%, 0.54%

LAB 71.05, 21.11, 68.12

 

CMYK 0 / 11 / 84 / 7

HEX #EDD326

RGB 237 211 38

HSL 52.16, 0.85%, 0.54%

LAB 84.35, -7.04, 79.19

 

CMYK 11 / 0 / 84 / 7

HEX #D2ED26

RGB 210 237 38

HSL 68.14, 0.85%, 0.54%

LAB 89.12, -30.92, 82.3

 

CMYK 34 / 0 / 84 / 7

HEX #9CED26

RGB 156 237 38

HSL 84.42, 0.85%, 0.54%

LAB 85.89, -51.4, 78.27

 

CMYK 57 / 0 / 84 / 7

HEX #66ED26

RGB 102 237 38

HSL 100.7, 0.85%, 0.54%

LAB 83.72, -67.69, 75.53

 

CMYK 0 / 34 / 84 / 7

HEX #ED9D26

RGB 237 157 38

HSL 35.88, 0.85%, 0.54%

LAB 71.05, 21.11, 68.12

 

CMYK 0 / 34 / 84 / 7

HEX #ED9D26

RGB 237 157 38

HSL 35.88, 0.85%, 0.54%

LAB 71.05, 21.11, 68.12

 

CMYK 0 / 29 / 74 / 15

HEX #DA9A39

RGB 218 154 57

HSL 36.15, 0.69%, 0.54%

LAB 68.25, 15.28, 57.84

 

CMYK 0 / 25 / 62 / 22

HEX #C7964C

RGB 199 150 76

HSL 36.1, 0.52%, 0.54%

LAB 65.34, 10.37, 45.41

 

CMYK 0 / 19 / 47 / 29

HEX #B4925F

RGB 180 146 95

HSL 36, 0.36%, 0.54%

LAB 62.58, 6.08, 31.77

 

CMYK 0 / 12 / 29 / 37

HEX #A18E72

RGB 161 142 114

HSL 35.74, 0.2%, 0.54%

LAB 60.01, 2.69, 17.55

 

CMYK 0 / 80 / 84 / 7

HEX #ED3026

RGB 237 48 38

HSL 3.02, 0.85%, 0.54%

LAB 52.13, 69.22, 51.94

 

CMYK 0 / 57 / 84 / 7

HEX #ED6526

RGB 237 101 38

HSL 18.99, 0.85%, 0.54%

LAB 59.39, 49.51, 58.23

 

CMYK 0 / 35 / 84 / 7

HEX #ED9A26

RGB 237 154 38

HSL 34.97, 0.85%, 0.54%

LAB 70.35, 22.69, 67.53

 

CMYK 0 / 13 / 84 / 7

HEX #EDCF26

RGB 237 207 38

HSL 50.95, 0.85%, 0.54%

LAB 83.32, -5.02, 78.34

 

CMYK 10 / 0 / 84 / 7

HEX #D6ED26

RGB 214 237 38

HSL 66.93, 0.85%, 0.54%

LAB 89.4, -29.3, 82.64

 

CMYK 0 / 37 / 92 / 30

HEX #B2710E

RGB 178 113 14

HSL 36.22, 0.85%, 0.38%

LAB 53.28, 18.9, 57.45

 

CMYK 0 / 37 / 92 / 15

HEX #D98912

RGB 217 137 18

HSL 35.88, 0.85%, 0.46%

LAB 63.91, 22.85, 66.65

 

CMYK 0 / 34 / 84 / 7

HEX #ED9D26

RGB 237 157 38

HSL 35.88, 0.85%, 0.54%

LAB 71.05, 21.11, 68.12

 

CMYK 0 / 28 / 68 / 6

HEX #F0AE4C

RGB 240 174 76

HSL 35.85, 0.85%, 0.62%

LAB 75.65, 14.88, 58.05

 

CMYK 0 / 21 / 53 / 4

HEX #F4C072

RGB 244 192 114

HSL 36, 0.86%, 0.7%

LAB 80.82, 9.66, 46.08

 

CMYK 0 / 34 / 84 / 7

HEX #EE9E27

RGB 238 158 39

HSL 35.88, 0.85%, 0.54%

LAB 71.4, 21.03, 68.15

 

CMYK 66 / 0 / 84 / 7

HEX #51ED26

RGB 81 237 38

HSL 107.04, 0.85%, 0.54%

LAB 83.16, -72.37, 74.82

 

CMYK 68 / 84 / 0 / 7

HEX #4B26ED

RGB 75 38 237

HSL 251.16, 0.85%, 0.54%

LAB 35.98, 67.7, -91.5

 

CMYK 0 / 34 / 84 / 7

HEX #EE9E27

RGB 238 158 39

HSL 35.88, 0.85%, 0.54%

LAB 71.4, 21.03, 68.15

 

CMYK 84 / 0 / 35 / 7

HEX #26ED9A

RGB 38 237 154

HSL 154.97, 0.85%, 0.54%

LAB 83.61, -64.53, 27.49

 

CMYK 35 / 84 / 0 / 7

HEX #9A26ED

RGB 154 38 237

HSL 274.97, 0.85%, 0.54%

LAB 44.76, 75.89, -76.72

 

CMYK 0 / 34 / 84 / 7

HEX #EE9E27

RGB 238 158 39

HSL 35.88, 0.85%, 0.54%

LAB 71.4, 21.03, 68.15

 

CMYK 66 / 0 / 84 / 7

HEX #51ED26

RGB 81 237 38

HSL 107.04, 0.85%, 0.54%

LAB 83.16, -72.37, 74.82

 

CMYK 84 / 49 / 0 / 7

HEX #2679ED

RGB 38 121 237

HSL 214.97, 0.85%, 0.54%

LAB 52.06, 17.85, -65.21

 

CMYK 18 / 84 / 0 / 7

HEX #C226ED

RGB 194 38 237

HSL 287.04, 0.85%, 0.54%

LAB 50.65, 81.78, -66.87

 

CMYK 0 / 34 / 84 / 7

HEX #EE9E27

RGB 238 158 39

HSL 35.88, 0.85%, 0.54%

LAB 71.4, 21.03, 68.15

 

CMYK 84 / 0 / 77 / 7

HEX #26ED37

RGB 38 237 55

HSL 125.13, 0.85%, 0.54%

LAB 82.52, -77.63, 69.48

 

CMYK 84 / 49 / 0 / 7

HEX #2679ED

RGB 38 121 237

HSL 214.97, 0.85%, 0.54%

LAB 52.06, 17.85, -65.21

 

CMYK 0 / 84 / 7 / 7

HEX #ED26DD

RGB 237 38 221

HSL 304.82, 0.85%, 0.54%

LAB 56.69, 86.68, -47.76

 

Description

Color code: HEX #EE9E27 | qconv.com Color code: HEX #EE9E27 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 158 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 158 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 84 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 84% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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