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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EE9750 it is the complementary color #1168AF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EE9750. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EE9750 shade: #F3974B, #FFA95E, #FFBB71, #FFCD84 and #FFDF97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EE9750. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EE9750 shade: #EE9750, #DD853D, #CC732A, #BB6117 and #AA4F04

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EE9750 shade: #EE964F, #EE6B4F and #EE4F4F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EE9750 shade: #EE964F, #EEC14F, #EEEC4F, #C5EE4F and #9AEE4F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EE9750 shade matches the following richer shades: #EE964F and #FD943F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EE9750 shade: #EE964F, #DE985E, #CE996E, #BF9B7E and #AF9C8D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EE9750 shade: #EE4F5F, #EE694F, #EE944F, #EEBE4F and #EEE84F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EE9750 shade: #D56B15, #EA8029, #EE964F, #F1AC74 and #F5C39A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EE9750 shade: #EE9750, #89EE4F and #544FEE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EE9750 shade: #EE9750, #4FEE94 and #944FEE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EE9750 shade: #EE9750, #89EE4F, #4FA9EE and #B34FEE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EE9750 shade: #EE9750, #59EE4F, #4FA9EE and #E34FEE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 66 / 7

HEX #EE9750

RGB 238 151 80

HSL 26.96, 0.82%, 0.62%

LAB 70.1, 26.43, 50.05

 

Complementary color

CMYK 90 / 41 / 0 / 31

HEX #1168AF

RGB 17 104 175

HSL 206.96, 0.82%, 0.38%

LAB 42.94, 3.05, -44.44

 

CMYK 0 / 38 / 69 / 5

HEX #F3974B

RGB 243 151 75

HSL 27.14, 0.88%, 0.62%

LAB 70.66, 28.19, 53.24

 

CMYK 0 / 34 / 63 / 0

HEX #FFA95E

RGB 255 169 94

HSL 27.95, 1%, 0.68%

LAB 76.34, 24.73, 50.89

 

CMYK 0 / 27 / 56 / 0

HEX #FFBB71

RGB 255 187 113

HSL 31.27, 1%, 0.72%

LAB 80.73, 16.65, 46.73

 

CMYK 0 / 20 / 48 / 0

HEX #FFCD84

RGB 255 205 132

HSL 35.61, 1%, 0.76%

LAB 85.3, 8.89, 42.88

 

CMYK 0 / 13 / 41 / 0

HEX #FFDF97

RGB 255 223 151

HSL 41.54, 1%, 0.8%

LAB 89.98, 1.51, 39.32

 

CMYK 0 / 37 / 66 / 7

HEX #EE9750

RGB 238 151 80

HSL 26.96, 0.82%, 0.62%

LAB 70.1, 26.43, 50.05

 

CMYK 0 / 40 / 72 / 13

HEX #DD853D

RGB 221 133 61

HSL 27, 0.7%, 0.55%

LAB 63.74, 27.99, 51.58

 

CMYK 0 / 44 / 79 / 20

HEX #CC732A

RGB 204 115 42

HSL 27.04, 0.66%, 0.48%

LAB 57.33, 29.74, 52.91

 

CMYK 0 / 48 / 88 / 27

HEX #BB6117

RGB 187 97 23

HSL 27.07, 0.78%, 0.41%

LAB 50.89, 31.7, 53.62

 

CMYK 0 / 54 / 98 / 33

HEX #AA4F04

RGB 170 79 4

HSL 27.11, 0.95%, 0.34%

LAB 44.44, 33.84, 53.04

 

CMYK 0 / 37 / 67 / 7

HEX #EE964F

RGB 238 150 79

HSL 26.79, 0.82%, 0.62%

LAB 69.86, 26.9, 50.28

 

CMYK 0 / 55 / 67 / 7

HEX #EE6B4F

RGB 238 107 79

HSL 10.57, 0.82%, 0.62%

LAB 61.01, 48.69, 40.09

 

CMYK 0 / 67 / 67 / 7

HEX #EE4F4F

RGB 238 79 79

HSL 0, 0.82%, 0.62%

LAB 56.42, 60.87, 34.59

 

CMYK 0 / 37 / 67 / 7

HEX #EE964F

RGB 238 150 79

HSL 26.79, 0.82%, 0.62%

LAB 69.86, 26.9, 50.28

 

CMYK 0 / 19 / 67 / 7

HEX #EEC14F

RGB 238 193 79

HSL 43.02, 0.82%, 0.62%

LAB 80.11, 4.24, 61.42

 

CMYK 0 / 1 / 67 / 7

HEX #EEEC4F

RGB 238 236 79

HSL 59.25, 0.82%, 0.62%

LAB 91.11, -17.45, 72.76

 

CMYK 17 / 0 / 67 / 7

HEX #C5EE4F

RGB 197 238 79

HSL 75.47, 0.82%, 0.62%

LAB 88.73, -34.72, 69.39

 

CMYK 35 / 0 / 67 / 7

HEX #9AEE4F

RGB 154 238 79

HSL 91.7, 0.82%, 0.62%

LAB 86.3, -50.34, 66.11

 

CMYK 0 / 37 / 67 / 7

HEX #EE964F

RGB 238 150 79

HSL 26.79, 0.82%, 0.62%

LAB 69.86, 26.9, 50.28

 

CMYK 0 / 42 / 75 / 1

HEX #FD943F

RGB 253 148 63

HSL 26.84, 0.98%, 0.62%

LAB 71.16, 33.23, 59.59

 

CMYK 0 / 37 / 67 / 7

HEX #EE964F

RGB 238 150 79

HSL 26.79, 0.82%, 0.62%

LAB 69.86, 26.9, 50.28

 

CMYK 0 / 32 / 58 / 13

HEX #DE985E

RGB 222 152 94

HSL 27.19, 0.66%, 0.62%

LAB 68.6, 20.28, 40.79

 

CMYK 0 / 26 / 47 / 19

HEX #CE996E

RGB 206 153 110

HSL 26.88, 0.49%, 0.62%

LAB 67.3, 14.58, 30.29

 

CMYK 0 / 19 / 34 / 25

HEX #BF9B7E

RGB 191 155 126

HSL 26.77, 0.34%, 0.62%

LAB 66.54, 9.22, 20.26

 

CMYK 0 / 11 / 19 / 31

HEX #AF9C8D

RGB 175 156 141

HSL 26.47, 0.18%, 0.62%

LAB 65.6, 4.5, 10.4

 

CMYK 0 / 67 / 60 / 7

HEX #EE4F5F

RGB 238 79 95

HSL 353.96, 0.82%, 0.62%

LAB 56.68, 61.8, 25.68

 

CMYK 0 / 56 / 67 / 7

HEX #EE694F

RGB 238 105 79

HSL 9.81, 0.82%, 0.62%

LAB 60.64, 49.63, 39.66

 

CMYK 0 / 38 / 67 / 7

HEX #EE944F

RGB 238 148 79

HSL 26.04, 0.82%, 0.62%

LAB 69.41, 27.96, 49.77

 

CMYK 0 / 20 / 67 / 7

HEX #EEBE4F

RGB 238 190 79

HSL 41.89, 0.82%, 0.62%

LAB 79.37, 5.8, 60.63

 

CMYK 0 / 3 / 67 / 7

HEX #EEE84F

RGB 238 232 79

HSL 57.74, 0.82%, 0.62%

LAB 90.07, -15.49, 71.71

 

CMYK 0 / 50 / 90 / 16

HEX #D56B15

RGB 213 107 21

HSL 26.88, 0.82%, 0.46%

LAB 56.8, 37.05, 60.44

 

CMYK 0 / 45 / 82 / 8

HEX #EA8029

RGB 234 128 41

HSL 27.05, 0.82%, 0.54%

LAB 64.23, 35.15, 61.11

 

CMYK 0 / 37 / 67 / 7

HEX #EE964F

RGB 238 150 79

HSL 26.79, 0.82%, 0.62%

LAB 69.86, 26.9, 50.28

 

CMYK 0 / 29 / 52 / 5

HEX #F1AC74

RGB 241 172 116

HSL 26.88, 0.82%, 0.7%

LAB 75.74, 19.14, 38.69

 

CMYK 0 / 20 / 37 / 4

HEX #F5C39A

RGB 245 195 154

HSL 27.03, 0.82%, 0.78%

LAB 82.26, 12.43, 27.4

 

CMYK 0 / 37 / 66 / 7

HEX #EE9750

RGB 238 151 80

HSL 26.96, 0.82%, 0.62%

LAB 70.1, 26.43, 50.05

 

CMYK 42 / 0 / 67 / 7

HEX #89EE4F

RGB 137 238 79

HSL 98.11, 0.82%, 0.62%

LAB 85.52, -55.84, 65.05

 

CMYK 65 / 67 / 0 / 7

HEX #544FEE

RGB 84 79 238

HSL 241.89, 0.82%, 0.62%

LAB 43.73, 49.02, -79.26

 

CMYK 0 / 37 / 66 / 7

HEX #EE9750

RGB 238 151 80

HSL 26.96, 0.82%, 0.62%

LAB 70.1, 26.43, 50.05

 

CMYK 67 / 0 / 38 / 7

HEX #4FEE94

RGB 79 238 148

HSL 146.04, 0.82%, 0.62%

LAB 84.46, -61, 31.79

 

CMYK 38 / 67 / 0 / 7

HEX #944FEE

RGB 148 79 238

HSL 266.04, 0.82%, 0.62%

LAB 49.57, 59.46, -69.48

 

CMYK 0 / 37 / 66 / 7

HEX #EE9750

RGB 238 151 80

HSL 26.96, 0.82%, 0.62%

LAB 70.1, 26.43, 50.05

 

CMYK 42 / 0 / 67 / 7

HEX #89EE4F

RGB 137 238 79

HSL 98.11, 0.82%, 0.62%

LAB 85.52, -55.84, 65.05

 

CMYK 67 / 29 / 0 / 7

HEX #4FA9EE

RGB 79 169 238

HSL 206.04, 0.82%, 0.62%

LAB 66.68, -5.51, -42.43

 

CMYK 25 / 67 / 0 / 7

HEX #B34FEE

RGB 179 79 238

HSL 277.74, 0.82%, 0.62%

LAB 53.33, 65.65, -63.22

 

CMYK 0 / 37 / 66 / 7

HEX #EE9750

RGB 238 151 80

HSL 26.96, 0.82%, 0.62%

LAB 70.1, 26.43, 50.05

 

CMYK 63 / 0 / 67 / 7

HEX #59EE4F

RGB 89 238 79

HSL 116.23, 0.82%, 0.62%

LAB 83.88, -68.4, 62.82

 

CMYK 67 / 29 / 0 / 7

HEX #4FA9EE

RGB 79 169 238

HSL 206.04, 0.82%, 0.62%

LAB 66.68, -5.51, -42.43

 

CMYK 5 / 67 / 0 / 7

HEX #E34FEE

RGB 227 79 238

HSL 295.85, 0.82%, 0.62%

LAB 59.98, 75.9, -52.21

 

Description

Color code: HEX #EE9750 | qconv.com Color code: HEX #EE9750 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 151 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 151 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 66 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 66% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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