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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EE95EC it is the complementary color #116A13. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EE95EC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EE95EC shade: #F395E7, #FFA7FA, #FFB9FF, #FFCBFF and #FFDDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EE95EC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EE95EC shade: #EE95EC, #DD83D9, #CC71C6, #BB5FB3 and #AA4DA0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EE95EC shade: #EE96EC, #EE96D4, #EE96BC, #EE96A5 and #EE9696

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EE95EC shade: #EE96EC, #D896EE, #C096EE, #A996EE and #9696EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EE95EC shade matches the following richer shades: #EE96EC and #F88CF5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EE95EC shade: #EE96EC, #E4A0E2, #DAAAD9, #D0B3D0 and #C6BDC6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EE95EC shade: #C096EE, #D896EE, #EE96EC, #EE96D5 and #EE96BD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EE95EC shade: #E24FDF, #E872E5, #EE96EC, #F4B9F2 and #F9DDF9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EE95EC shade: #EE95EC, #EEA996 and #96EECC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EE95EC shade: #EE95EC, #ECEE96 and #96ECEE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EE95EC shade: #EE95EC, #EEA996, #96EE97 and #96DBEE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EE95EC shade: #EE95EC, #EEC396, #96EE97 and #96C0EE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 1 / 7

HEX #EE95EC

RGB 238 149 236

HSL 301.35, 0.72%, 0.76%

LAB 73.37, 46.43, -30.04

 

Complementary color

CMYK 84 / 0 / 82 / 58

HEX #116A13

RGB 17 106 19

HSL 121.35, 0.72%, 0.24%

LAB 38.68, -42.26, 38.61

 

CMYK 0 / 39 / 5 / 5

HEX #F395E7

RGB 243 149 231

HSL 307.66, 0.8%, 0.77%

LAB 73.75, 47.08, -26.67

 

CMYK 0 / 35 / 2 / 0

HEX #FFA7FA

RGB 255 167 250

HSL 303.41, 1%, 0.83%

LAB 79.5, 44.82, -28.05

 

CMYK 0 / 27 / 0 / 0

HEX #FFB9FF

RGB 255 185 255

HSL 300, 1%, 0.86%

LAB 83.54, 36.35, -24.57

 

CMYK 0 / 20 / 0 / 0

HEX #FFCBFF

RGB 255 203 255

HSL 300, 1%, 0.9%

LAB 87.58, 26.9, -18.44

 

CMYK 0 / 13 / 0 / 0

HEX #FFDDFF

RGB 255 221 255

HSL 300, 1%, 0.93%

LAB 91.77, 17.47, -12.16

 

CMYK 0 / 37 / 1 / 7

HEX #EE95EC

RGB 238 149 236

HSL 301.35, 0.72%, 0.76%

LAB 73.37, 46.43, -30.04

 

CMYK 0 / 41 / 2 / 13

HEX #DD83D9

RGB 221 131 217

HSL 302.67, 0.57%, 0.69%

LAB 66.99, 47.16, -29.58

 

CMYK 0 / 45 / 3 / 20

HEX #CC71C6

RGB 204 113 198

HSL 303.96, 0.47%, 0.62%

LAB 60.54, 47.89, -29.05

 

CMYK 0 / 49 / 4 / 27

HEX #BB5FB3

RGB 187 95 179

HSL 305.22, 0.4%, 0.55%

LAB 54.03, 48.58, -28.42

 

CMYK 0 / 55 / 6 / 33

HEX #AA4DA0

RGB 170 77 160

HSL 306.45, 0.38%, 0.48%

LAB 47.48, 49.16, -27.64

 

CMYK 0 / 37 / 1 / 7

HEX #EE96EC

RGB 238 150 236

HSL 301.36, 0.72%, 0.76%

LAB 73.58, 45.91, -29.72

 

CMYK 0 / 37 / 11 / 7

HEX #EE96D4

RGB 238 150 212

HSL 317.73, 0.72%, 0.76%

LAB 72.72, 41.8, -17.87

 

CMYK 0 / 37 / 21 / 7

HEX #EE96BC

RGB 238 150 188

HSL 334.09, 0.72%, 0.76%

LAB 71.97, 38.07, -5.73

 

CMYK 0 / 37 / 31 / 7

HEX #EE96A5

RGB 238 150 165

HSL 349.77, 0.72%, 0.76%

LAB 71.36, 34.9, 6.13

 

CMYK 0 / 37 / 37 / 7

HEX #EE9696

RGB 238 150 150

HSL 0, 0.72%, 0.76%

LAB 71, 33.06, 13.95

 

CMYK 0 / 37 / 1 / 7

HEX #EE96EC

RGB 238 150 236

HSL 301.36, 0.72%, 0.76%

LAB 73.58, 45.91, -29.72

 

CMYK 9 / 37 / 0 / 7

HEX #D896EE

RGB 216 150 238

HSL 285, 0.72%, 0.76%

LAB 71.27, 39.62, -34.57

 

CMYK 19 / 37 / 0 / 7

HEX #C096EE

RGB 192 150 238

HSL 268.64, 0.72%, 0.76%

LAB 68.89, 32.48, -38.45

 

CMYK 29 / 37 / 0 / 7

HEX #A996EE

RGB 169 150 238

HSL 252.95, 0.72%, 0.76%

LAB 66.84, 25.88, -41.81

 

CMYK 37 / 37 / 0 / 7

HEX #9696EE

RGB 150 150 238

HSL 240, 0.72%, 0.76%

LAB 65.33, 20.7, -44.28

 

CMYK 0 / 37 / 1 / 7

HEX #EE96EC

RGB 238 150 236

HSL 301.36, 0.72%, 0.76%

LAB 73.58, 45.91, -29.72

 

CMYK 0 / 44 / 1 / 3

HEX #F88CF5

RGB 248 140 245

HSL 301.67, 0.89%, 0.76%

LAB 73.09, 55.53, -35.28

 

CMYK 0 / 37 / 1 / 7

HEX #EE96EC

RGB 238 150 236

HSL 301.36, 0.72%, 0.76%

LAB 73.58, 45.91, -29.72

 

CMYK 0 / 30 / 1 / 11

HEX #E4A0E2

RGB 228 160 226

HSL 301.76, 0.56%, 0.76%

LAB 74.27, 35.71, -23.3

 

CMYK 0 / 22 / 0 / 15

HEX #DAAAD9

RGB 218 170 217

HSL 301.25, 0.39%, 0.76%

LAB 75.24, 25.41, -17.01

 

CMYK 0 / 14 / 0 / 18

HEX #D0B3D0

RGB 208 179 208

HSL 300, 0.24%, 0.76%

LAB 76.19, 15.49, -10.77

 

CMYK 0 / 5 / 0 / 22

HEX #C6BDC6

RGB 198 189 198

HSL 300, 0.07%, 0.76%

LAB 77.57, 4.8, -3.4

 

CMYK 19 / 37 / 0 / 7

HEX #C096EE

RGB 192 150 238

HSL 268.64, 0.72%, 0.76%

LAB 68.89, 32.48, -38.45

 

CMYK 9 / 37 / 0 / 7

HEX #D896EE

RGB 216 150 238

HSL 285, 0.72%, 0.76%

LAB 71.27, 39.62, -34.57

 

CMYK 0 / 37 / 1 / 7

HEX #EE96EC

RGB 238 150 236

HSL 301.36, 0.72%, 0.76%

LAB 73.58, 45.91, -29.72

 

CMYK 0 / 37 / 11 / 7

HEX #EE96D5

RGB 238 150 213

HSL 317.05, 0.72%, 0.76%

LAB 72.76, 41.96, -18.37

 

CMYK 0 / 37 / 21 / 7

HEX #EE96BD

RGB 238 150 189

HSL 333.41, 0.72%, 0.76%

LAB 72, 38.22, -6.24

 

CMYK 0 / 65 / 1 / 11

HEX #E24FDF

RGB 226 79 223

HSL 301.22, 0.72%, 0.6%

LAB 59.06, 73.21, -45.27

 

CMYK 0 / 51 / 1 / 9

HEX #E872E5

RGB 232 114 229

HSL 301.53, 0.72%, 0.68%

LAB 65.63, 60.82, -38.24

 

CMYK 0 / 37 / 1 / 7

HEX #EE96EC

RGB 238 150 236

HSL 301.36, 0.72%, 0.76%

LAB 73.58, 45.91, -29.72

 

CMYK 0 / 24 / 1 / 4

HEX #F4B9F2

RGB 244 185 242

HSL 302.03, 0.73%, 0.84%

LAB 82.02, 30.48, -20.02

 

CMYK 0 / 11 / 0 / 2

HEX #F9DDF9

RGB 249 221 249

HSL 300, 0.7%, 0.92%

LAB 91.09, 14.41, -10.08

 

CMYK 0 / 37 / 1 / 7

HEX #EE95EC

RGB 238 149 236

HSL 301.35, 0.72%, 0.76%

LAB 73.37, 46.43, -30.04

 

CMYK 0 / 29 / 37 / 7

HEX #EEA996

RGB 238 169 150

HSL 12.95, 0.72%, 0.76%

LAB 75.3, 23.01, 19.93

 

CMYK 37 / 0 / 14 / 7

HEX #96EECC

RGB 150 238 204

HSL 156.82, 0.72%, 0.76%

LAB 87.97, -33.88, 8.15

 

CMYK 0 / 37 / 1 / 7

HEX #EE95EC

RGB 238 149 236

HSL 301.35, 0.72%, 0.76%

LAB 73.37, 46.43, -30.04

 

CMYK 1 / 0 / 37 / 7

HEX #ECEE96

RGB 236 238 150

HSL 61.36, 0.72%, 0.76%

LAB 92.21, -13.46, 42.39

 

CMYK 37 / 1 / 0 / 7

HEX #96ECEE

RGB 150 236 238

HSL 181.36, 0.72%, 0.76%

LAB 88.28, -25.37, -9.18

 

CMYK 0 / 37 / 1 / 7

HEX #EE95EC

RGB 238 149 236

HSL 301.35, 0.72%, 0.76%

LAB 73.37, 46.43, -30.04

 

CMYK 0 / 29 / 37 / 7

HEX #EEA996

RGB 238 169 150

HSL 12.95, 0.72%, 0.76%

LAB 75.3, 23.01, 19.93

 

CMYK 37 / 0 / 37 / 7

HEX #96EE97

RGB 150 238 151

HSL 120.68, 0.72%, 0.76%

LAB 86.93, -43.47, 34

 

CMYK 37 / 8 / 0 / 7

HEX #96DBEE

RGB 150 219 238

HSL 192.95, 0.72%, 0.76%

LAB 83.61, -16.93, -16.16

 

CMYK 0 / 37 / 1 / 7

HEX #EE95EC

RGB 238 149 236

HSL 301.35, 0.72%, 0.76%

LAB 73.37, 46.43, -30.04

 

CMYK 0 / 18 / 37 / 7

HEX #EEC396

RGB 238 195 150

HSL 30.68, 0.72%, 0.76%

LAB 81.52, 9.26, 28.38

 

CMYK 37 / 0 / 37 / 7

HEX #96EE97

RGB 150 238 151

HSL 120.68, 0.72%, 0.76%

LAB 86.93, -43.47, 34

 

CMYK 37 / 19 / 0 / 7

HEX #96C0EE

RGB 150 192 238

HSL 211.36, 0.72%, 0.76%

LAB 76.29, -2.8, -27.28

 

Description

Color code: HEX #EE95EC | qconv.com Color code: HEX #EE95EC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 149 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 149 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 1 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 1% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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