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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EE930ACE it is the complementary color #116CF5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EE930ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EE930ACE shade: #F39305CE, #FFA518CE, #FFB72BCE, #FFC93ECE and #FFDB51CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EE930ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EE930ACE shade: #EE930ACE, #DD8100CE, #CC6F00CE, #BB5D00CE and #AA4B00CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EE930ACE shade: #F0940A, #F0560A, #F0180A and #F00A0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EE930ACE shade: #F0940A, #F0D20A, #D0F00A, #92F00A and #54F00A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EE930ACE shade matches the following richer shades: #F0940A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EE930ACE shade: #F0940A, #DC901E, #C78C32, #B38847 and #9F845B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EE930ACE shade: #F0190A, #F0570A, #F0940A, #F0D10A and #D1F00A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EE930ACE shade: #A16307, #C87C08, #F0940A, #F6A62D and #F8B755

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EE930ACE shade: #EE930A, #38F00A and #380AF0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EE930ACE shade: #EE930A, #0AF094 and #940AF0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EE930ACE shade: #EE930A, #38F00A, #0A66F0 and #C20AF0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EE930ACE shade: #EE930A, #0AF021, #0A66F0 and #F00AD9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 78 / 5

HEX #EE930ACE

RGBA 238 147 10 0.81

HSLA 36.05, 0.92%, 0.49%, 0.81

LABA 68.8, 26.33, 72.65, 0.81

 

Complementary color

CMYK 75 / 45 / 0 / 3

HEX #116CF5CE

RGBA 17 108 245 0.81

HSLA 216.05, 0.92%, 0.51%, 0.81

LABA 48.81, 28.01, -74.98, 0.81

 

CMYK 0 / 32 / 79 / 4

HEX #F39305CE

RGBA 243 147 5 0.81

HSLA 35.8, 0.96%, 0.49%, 0.81

LABA 69.42, 28.37, 74.02, 0.81

 

CMYK 0 / 29 / 73 / 0

HEX #FFA518CE

RGBA 255 165 24 0.81

HSLA 36.62, 1%, 0.55%, 0.81

LABA 74.97, 24.17, 75.66, 0.81

 

CMYK 0 / 23 / 67 / 0

HEX #FFB72BCE

RGBA 255 183 43 0.81

HSLA 39.62, 1%, 0.58%, 0.81

LABA 79.21, 15.17, 74.32, 0.81

 

CMYK 0 / 17 / 61 / 0

HEX #FFC93ECE

RGBA 255 201 62 0.81

HSLA 43.21, 1%, 0.62%, 0.81

LABA 83.64, 6.45, 72.14, 0.81

 

CMYK 0 / 11 / 55 / 0

HEX #FFDB51CE

RGBA 255 219 81 0.81

HSLA 47.59, 1%, 0.66%, 0.81

LABA 88.22, -1.9, 69.52, 0.81

 

CMYK 0 / 31 / 78 / 5

HEX #EE930ACE

RGBA 238 147 10 0.81

HSLA 36.05, 0.92%, 0.49%, 0.81

LABA 68.8, 26.33, 72.65, 0.81

 

CMYK 0 / 34 / 81 / 11

HEX #DD8100CE

RGBA 221 129 0 0.81

HSLA 35.02, 1%, 0.43%, 0.81

LABA 62.57, 28.61, 68.91, 0.81

 

CMYK 0 / 37 / 81 / 16

HEX #CC6F00CE

RGBA 204 111 0 0.81

HSLA 32.65, 1%, 0.4%, 0.81

LABA 56.29, 31.03, 63.84, 0.81

 

CMYK 0 / 41 / 81 / 22

HEX #BB5D00CE

RGBA 187 93 0 0.81

HSLA 29.84, 1%, 0.37%, 0.81

LABA 49.97, 33.46, 58.75, 0.81

 

CMYK 0 / 45 / 81 / 27

HEX #AA4B00CE

RGBA 170 75 0 0.81

HSLA 26.47, 1%, 0.33%, 0.81

LABA 43.62, 35.84, 53.66, 0.81

 

CMYK 0 / 38 / 96 / 6

HEX #F0940A

RGB 240 148 10

HSL 36, 0.92%, 0.49%

LAB 69.27, 26.64, 73.09

 

CMYK 0 / 64 / 96 / 6

HEX #F0560A

RGB 240 86 10

HSL 19.83, 0.92%, 0.49%

LAB 57.27, 56.72, 65.4

 

CMYK 0 / 90 / 96 / 6

HEX #F0180A

RGB 240 24 10

HSL 3.65, 0.92%, 0.49%

LAB 50.92, 74.37, 61.92

 

CMYK 0 / 96 / 96 / 6

HEX #F00A0A

RGB 240 10 10

HSL 0, 0.92%, 0.49%

LAB 50.41, 75.84, 61.67

 

CMYK 0 / 38 / 96 / 6

HEX #F0940A

RGB 240 148 10

HSL 36, 0.92%, 0.49%

LAB 69.27, 26.64, 73.09

 

CMYK 0 / 13 / 96 / 6

HEX #F0D20A

RGB 240 210 10

HSL 52.17, 0.92%, 0.49%

LAB 84.3, -5.71, 83.75

 

CMYK 13 / 0 / 96 / 6

HEX #D0F00A

RGB 208 240 10

HSL 68.35, 0.92%, 0.49%

LAB 89.74, -33.59, 86.72

 

CMYK 39 / 0 / 96 / 6

HEX #92F00A

RGB 146 240 10

HSL 84.52, 0.92%, 0.49%

LAB 86.23, -56.62, 82.47

 

CMYK 65 / 0 / 96 / 6

HEX #54F00A

RGB 84 240 10

HSL 100.7, 0.92%, 0.49%

LAB 84.08, -73.45, 79.85

 

CMYK 0 / 38 / 96 / 6

HEX #F0940A

RGB 240 148 10

HSL 36, 0.92%, 0.49%

LAB 69.27, 26.64, 73.09

 

CMYK 0 / 38 / 96 / 6

HEX #F0940A

RGB 240 148 10

HSL 36, 0.92%, 0.49%

LAB 69.27, 26.64, 73.09

 

CMYK 0 / 35 / 86 / 14

HEX #DC901E

RGB 220 144 30

HSL 36, 0.76%, 0.49%

LAB 65.95, 20.61, 65.44

 

CMYK 0 / 30 / 75 / 22

HEX #C78C32

RGB 199 140 50

HSL 36.24, 0.6%, 0.49%

LAB 62.62, 14.35, 54.44

 

CMYK 0 / 24 / 60 / 30

HEX #B38847

RGB 179 136 71

HSL 36.11, 0.43%, 0.49%

LAB 59.57, 9.06, 40.68

 

CMYK 0 / 17 / 43 / 38

HEX #9F845B

RGB 159 132 91

HSL 36.18, 0.27%, 0.49%

LAB 56.71, 4.53, 25.97

 

CMYK 0 / 90 / 96 / 6

HEX #F0190A

RGB 240 25 10

HSL 3.91, 0.92%, 0.49%

LAB 50.97, 74.23, 61.95

 

CMYK 0 / 64 / 96 / 6

HEX #F0570A

RGB 240 87 10

HSL 20.09, 0.92%, 0.49%

LAB 57.43, 56.31, 65.49

 

CMYK 0 / 38 / 96 / 6

HEX #F0940A

RGB 240 148 10

HSL 36, 0.92%, 0.49%

LAB 69.27, 26.64, 73.09

 

CMYK 0 / 13 / 96 / 6

HEX #F0D10A

RGB 240 209 10

HSL 51.91, 0.92%, 0.49%

LAB 84.04, -5.2, 83.56

 

CMYK 13 / 0 / 96 / 6

HEX #D1F00A

RGB 209 240 10

HSL 68.09, 0.92%, 0.49%

LAB 89.81, -33.19, 86.8

 

CMYK 0 / 39 / 96 / 37

HEX #A16307

RGB 161 99 7

HSL 35.84, 0.92%, 0.33%

LAB 47.64, 19.04, 53.83

 

CMYK 0 / 38 / 96 / 22

HEX #C87C08

RGB 200 124 8

HSL 36.25, 0.92%, 0.41%

LAB 58.71, 22.42, 63.75

 

CMYK 0 / 38 / 96 / 6

HEX #F0940A

RGB 240 148 10

HSL 36, 0.92%, 0.49%

LAB 69.27, 26.64, 73.09

 

CMYK 0 / 33 / 82 / 4

HEX #F6A62D

RGB 246 166 45

HSL 36.12, 0.92%, 0.57%

LAB 74.22, 20.34, 69.03

 

CMYK 0 / 26 / 66 / 3

HEX #F8B755

RGB 248 183 85

HSL 36.07, 0.92%, 0.65%

LAB 78.74, 13.98, 57.61

 

CMYK 0 / 38 / 96 / 7

HEX #EE930A

RGB 238 147 10

HSL 36.05, 0.92%, 0.49%

LAB 68.8, 26.33, 72.65

 

CMYK 77 / 0 / 96 / 6

HEX #38F00A

RGB 56 240 10

HSL 108, 0.92%, 0.49%

LAB 83.54, -78.17, 79.18

 

CMYK 77 / 96 / 0 / 6

HEX #380AF0

RGB 56 10 240

HSL 252, 0.92%, 0.49%

LAB 32.59, 74.84, -98.88

 

CMYK 0 / 38 / 96 / 7

HEX #EE930A

RGB 238 147 10

HSL 36.05, 0.92%, 0.49%

LAB 68.8, 26.33, 72.65

 

CMYK 96 / 0 / 38 / 6

HEX #0AF094

RGB 10 240 148

HSL 156, 0.92%, 0.49%

LAB 84.24, -68.19, 31.35

 

CMYK 38 / 96 / 0 / 6

HEX #940AF0

RGB 148 10 240

HSL 276, 0.92%, 0.49%

LAB 42.47, 80.88, -82.21

 

CMYK 0 / 38 / 96 / 7

HEX #EE930A

RGB 238 147 10

HSL 36.05, 0.92%, 0.49%

LAB 68.8, 26.33, 72.65

 

CMYK 77 / 0 / 96 / 6

HEX #38F00A

RGB 56 240 10

HSL 108, 0.92%, 0.49%

LAB 83.54, -78.17, 79.18

 

CMYK 96 / 58 / 0 / 6

HEX #0A66F0

RGB 10 102 240

HSL 216, 0.92%, 0.49%

LAB 46.79, 29.72, -75.47

 

CMYK 19 / 96 / 0 / 6

HEX #C20AF0

RGB 194 10 240

HSL 288, 0.92%, 0.49%

LAB 49.47, 86.42, -70.48

 

CMYK 0 / 38 / 96 / 7

HEX #EE930A

RGB 238 147 10

HSL 36.05, 0.92%, 0.49%

LAB 68.8, 26.33, 72.65

 

CMYK 96 / 0 / 86 / 6

HEX #0AF021

RGB 10 240 33

HSL 126, 0.92%, 0.49%

LAB 83.18, -81.25, 75.54

 

CMYK 96 / 58 / 0 / 6

HEX #0A66F0

RGB 10 102 240

HSL 216, 0.92%, 0.49%

LAB 46.79, 29.72, -75.47

 

CMYK 0 / 96 / 10 / 6

HEX #F00AD9

RGB 240 10 217

HSL 306, 0.92%, 0.49%

LAB 55.84, 90.09, -46.82

 

Description

Color code: HEX #EE930ACE | qconv.com Color code: HEX #EE930ACE | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 147 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 147 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 78 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 78% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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