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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EE8FEA it is the complementary color #117015. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EE8FEA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EE8FEA shade: #F38FE5, #FFA1F8, #FFB3FF, #FFC5FF and #FFD7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EE8FEA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EE8FEA shade: #EE8FEA, #DD7DD7, #CC6BC4, #BB59B1 and #AA479E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EE8FEA shade: #EE90EA, #EE90D1, #EE90B8, #EE909E and #EE9090

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EE8FEA shade: #EE90EA, #D990EE, #C090EE, #A690EE and #9090EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EE8FEA shade matches the following richer shades: #EE90EA and #F986F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EE8FEA shade: #EE90EA, #E49AE1, #DAA5D8, #CFAFCE and #C5B9C5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EE8FEA shade: #BF90EE, #D890EE, #EE90EB, #EE90D2 and #EE90B9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EE8FEA shade: #E448DD, #E96CE4, #EE90EA, #F4B4F1 and #F9D8F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EE8FEA shade: #EE8FEA, #EEA690 and #90EECC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EE8FEA shade: #EE8FEA, #EBEE90 and #90EBEE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EE8FEA shade: #EE8FEA, #EEA690, #90EE93 and #90D8EE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EE8FEA shade: #EE8FEA, #EEC290, #90EE93 and #90BCEE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 2 / 7

HEX #EE8FEA

RGB 238 143 234

HSL 302.53, 0.74%, 0.75%

LAB 72.07, 49.15, -30.95

 

Complementary color

CMYK 85 / 0 / 81 / 56

HEX #117015

RGB 17 112 21

HSL 122.53, 0.74%, 0.25%

LAB 40.83, -44.13, 40

 

CMYK 0 / 41 / 6 / 5

HEX #F38FE5

RGB 243 143 229

HSL 308.4, 0.81%, 0.76%

LAB 72.47, 49.8, -27.55

 

CMYK 0 / 37 / 3 / 0

HEX #FFA1F8

RGB 255 161 248

HSL 304.47, 1%, 0.82%

LAB 78.19, 47.55, -28.99

 

CMYK 0 / 30 / 0 / 0

HEX #FFB3FF

RGB 255 179 255

HSL 300, 1%, 0.85%

LAB 82.23, 39.48, -26.56

 

CMYK 0 / 23 / 0 / 0

HEX #FFC5FF

RGB 255 197 255

HSL 300, 1%, 0.89%

LAB 86.21, 30.05, -20.51

 

CMYK 0 / 16 / 0 / 0

HEX #FFD7FF

RGB 255 215 255

HSL 300, 1%, 0.92%

LAB 90.36, 20.6, -14.27

 

CMYK 0 / 40 / 2 / 7

HEX #EE8FEA

RGB 238 143 234

HSL 302.53, 0.74%, 0.75%

LAB 72.07, 49.15, -30.95

 

CMYK 0 / 43 / 3 / 13

HEX #DD7DD7

RGB 221 125 215

HSL 303.75, 0.59%, 0.68%

LAB 65.71, 49.87, -30.44

 

CMYK 0 / 48 / 4 / 20

HEX #CC6BC4

RGB 204 107 196

HSL 304.95, 0.49%, 0.61%

LAB 59.29, 50.57, -29.85

 

CMYK 0 / 52 / 5 / 27

HEX #BB59B1

RGB 187 89 177

HSL 306.12, 0.42%, 0.54%

LAB 52.82, 51.19, -29.14

 

CMYK 0 / 58 / 7 / 33

HEX #AA479E

RGB 170 71 158

HSL 307.27, 0.41%, 0.47%

LAB 46.34, 51.66, -28.24

 

CMYK 0 / 39 / 2 / 7

HEX #EE90EA

RGB 238 144 234

HSL 302.55, 0.73%, 0.75%

LAB 72.27, 48.64, -30.64

 

CMYK 0 / 39 / 12 / 7

HEX #EE90D1

RGB 238 144 209

HSL 318.51, 0.73%, 0.75%

LAB 71.37, 44.42, -18.26

 

CMYK 0 / 39 / 23 / 7

HEX #EE90B8

RGB 238 144 184

HSL 334.47, 0.73%, 0.75%

LAB 70.58, 40.62, -5.57

 

CMYK 0 / 39 / 34 / 7

HEX #EE909E

RGB 238 144 158

HSL 351.06, 0.73%, 0.75%

LAB 69.89, 37.16, 7.93

 

CMYK 0 / 39 / 39 / 7

HEX #EE9090

RGB 238 144 144

HSL 0, 0.73%, 0.75%

LAB 69.57, 35.52, 15.28

 

CMYK 0 / 39 / 2 / 7

HEX #EE90EA

RGB 238 144 234

HSL 302.55, 0.73%, 0.75%

LAB 72.27, 48.64, -30.64

 

CMYK 9 / 39 / 0 / 7

HEX #D990EE

RGB 217 144 238

HSL 286.6, 0.73%, 0.75%

LAB 70.09, 43.11, -36.4

 

CMYK 19 / 39 / 0 / 7

HEX #C090EE

RGB 192 144 238

HSL 270.64, 0.73%, 0.75%

LAB 67.52, 35.79, -40.59

 

CMYK 30 / 39 / 0 / 7

HEX #A690EE

RGB 166 144 238

HSL 254.04, 0.73%, 0.75%

LAB 65.14, 28.45, -44.49

 

CMYK 39 / 39 / 0 / 7

HEX #9090EE

RGB 144 144 238

HSL 240, 0.73%, 0.75%

LAB 63.38, 22.61, -47.38

 

CMYK 0 / 39 / 2 / 7

HEX #EE90EA

RGB 238 144 234

HSL 302.55, 0.73%, 0.75%

LAB 72.27, 48.64, -30.64

 

CMYK 0 / 46 / 2 / 2

HEX #F986F4

RGB 249 134 244

HSL 302.61, 0.91%, 0.75%

LAB 72.04, 58.57, -36.36

 

CMYK 0 / 39 / 2 / 7

HEX #EE90EA

RGB 238 144 234

HSL 302.55, 0.73%, 0.75%

LAB 72.27, 48.64, -30.64

 

CMYK 0 / 32 / 1 / 11

HEX #E49AE1

RGB 228 154 225

HSL 302.43, 0.58%, 0.75%

LAB 72.92, 38.72, -24.81

 

CMYK 0 / 24 / 1 / 15

HEX #DAA5D8

RGB 218 165 216

HSL 302.26, 0.42%, 0.75%

LAB 74.04, 27.93, -18.27

 

CMYK 0 / 15 / 0 / 19

HEX #CFAFCE

RGB 207 175 206

HSL 301.88, 0.25%, 0.75%

LAB 75.06, 16.95, -11.38

 

CMYK 0 / 6 / 0 / 23

HEX #C5B9C5

RGB 197 185 197

HSL 300, 0.09%, 0.75%

LAB 76.44, 6.41, -4.53

 

CMYK 20 / 39 / 0 / 7

HEX #BF90EE

RGB 191 144 238

HSL 270, 0.73%, 0.75%

LAB 67.42, 35.5, -40.75

 

CMYK 9 / 39 / 0 / 7

HEX #D890EE

RGB 216 144 238

HSL 285.96, 0.73%, 0.75%

LAB 69.98, 42.82, -36.58

 

CMYK 0 / 39 / 1 / 7

HEX #EE90EB

RGB 238 144 235

HSL 301.91, 0.73%, 0.75%

LAB 72.31, 48.82, -31.13

 

CMYK 0 / 39 / 12 / 7

HEX #EE90D2

RGB 238 144 210

HSL 317.87, 0.73%, 0.75%

LAB 71.4, 44.58, -18.76

 

CMYK 0 / 39 / 22 / 7

HEX #EE90B9

RGB 238 144 185

HSL 333.83, 0.73%, 0.75%

LAB 70.61, 40.76, -6.08

 

CMYK 0 / 68 / 3 / 11

HEX #E448DD

RGB 228 72 221

HSL 302.69, 0.74%, 0.59%

LAB 58.37, 75.86, -45.21

 

CMYK 0 / 54 / 2 / 9

HEX #E96CE4

RGB 233 108 228

HSL 302.4, 0.74%, 0.67%

LAB 64.68, 63.69, -39.15

 

CMYK 0 / 39 / 2 / 7

HEX #EE90EA

RGB 238 144 234

HSL 302.55, 0.73%, 0.75%

LAB 72.27, 48.64, -30.64

 

CMYK 0 / 26 / 1 / 4

HEX #F4B4F1

RGB 244 180 241

HSL 302.81, 0.74%, 0.83%

LAB 80.86, 32.95, -21.24

 

CMYK 0 / 13 / 0 / 2

HEX #F9D8F8

RGB 249 216 248

HSL 301.82, 0.73%, 0.91%

LAB 89.87, 16.85, -11.37

 

CMYK 0 / 40 / 2 / 7

HEX #EE8FEA

RGB 238 143 234

HSL 302.53, 0.74%, 0.75%

LAB 72.07, 49.15, -30.95

 

CMYK 0 / 30 / 39 / 7

HEX #EEA690

RGB 238 166 144

HSL 14.04, 0.73%, 0.75%

LAB 74.49, 23.92, 22.07

 

CMYK 39 / 0 / 14 / 7

HEX #90EECC

RGB 144 238 204

HSL 158.3, 0.73%, 0.75%

LAB 87.7, -35.49, 7.73

 

CMYK 0 / 40 / 2 / 7

HEX #EE8FEA

RGB 238 143 234

HSL 302.53, 0.74%, 0.75%

LAB 72.07, 49.15, -30.95

 

CMYK 1 / 0 / 39 / 7

HEX #EBEE90

RGB 235 238 144

HSL 61.91, 0.73%, 0.75%

LAB 92.05, -14.5, 45.11

 

CMYK 39 / 1 / 0 / 7

HEX #90EBEE

RGB 144 235 238

HSL 181.91, 0.73%, 0.75%

LAB 87.74, -26.38, -10.02

 

CMYK 0 / 40 / 2 / 7

HEX #EE8FEA

RGB 238 143 234

HSL 302.53, 0.74%, 0.75%

LAB 72.07, 49.15, -30.95

 

CMYK 0 / 30 / 39 / 7

HEX #EEA690

RGB 238 166 144

HSL 14.04, 0.73%, 0.75%

LAB 74.49, 23.92, 22.07

 

CMYK 39 / 0 / 38 / 7

HEX #90EE93

RGB 144 238 147

HSL 121.91, 0.73%, 0.75%

LAB 86.6, -45.88, 35.51

 

CMYK 39 / 9 / 0 / 7

HEX #90D8EE

RGB 144 216 238

HSL 194.04, 0.73%, 0.75%

LAB 82.49, -16.94, -17.87

 

CMYK 0 / 40 / 2 / 7

HEX #EE8FEA

RGB 238 143 234

HSL 302.53, 0.74%, 0.75%

LAB 72.07, 49.15, -30.95

 

CMYK 0 / 18 / 39 / 7

HEX #EEC290

RGB 238 194 144

HSL 31.91, 0.73%, 0.75%

LAB 81.17, 9.1, 31.06

 

CMYK 39 / 0 / 38 / 7

HEX #90EE93

RGB 144 238 147

HSL 121.91, 0.73%, 0.75%

LAB 86.6, -45.88, 35.51

 

CMYK 39 / 21 / 0 / 7

HEX #90BCEE

RGB 144 188 238

HSL 211.91, 0.73%, 0.75%

LAB 74.87, -2.21, -29.49

 

Description

Color code: HEX #EE8FEA | qconv.com Color code: HEX #EE8FEA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 143 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 143 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 2 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 2% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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