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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EE8F0ACE it is the complementary color #1170F5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EE8F0ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EE8F0ACE shade: #F38F05CE, #FFA118CE, #FFB32BCE, #FFC53ECE and #FFD751CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EE8F0ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EE8F0ACE shade: #EE8F0ACE, #DD7D00CE, #CC6B00CE, #BB5900CE and #AA4700CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EE8F0ACE shade: #F0900A, #F0520A, #F0140A and #F00A0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EE8F0ACE shade: #F0900A, #F0CE0A, #D4F00A, #96F00A and #58F00A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EE8F0ACE shade matches the following richer shades: #F0900A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EE8F0ACE shade: #F0900A, #DC8D1E, #C78932, #B38647 and #9F835B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EE8F0ACE shade: #F0150A, #F0530A, #F0900A, #F0CD0A and #D5F00A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EE8F0ACE shade: #A16107, #C87808, #F0900A, #F6A22D and #F8B455

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EE8F0ACE shade: #EE8F0A, #3CF00A and #340AF0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EE8F0ACE shade: #EE8F0A, #0AF090 and #900AF0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EE8F0ACE shade: #EE8F0A, #3CF00A, #0A6AF0 and #BE0AF0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EE8F0ACE shade: #EE8F0A, #0AF01D, #0A6AF0 and #F00ADD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 78 / 5

HEX #EE8F0ACE

RGBA 238 143 10 0.81

HSLA 35, 0.92%, 0.49%, 0.81

LABA 67.91, 28.43, 72.04, 0.81

 

Complementary color

CMYK 75 / 44 / 0 / 3

HEX #1170F5CE

RGBA 17 112 245 0.81

HSLA 215, 0.92%, 0.51%, 0.81

LABA 49.86, 25.46, -73.26, 0.81

 

CMYK 0 / 33 / 79 / 4

HEX #F38F05CE

RGBA 243 143 5 0.81

HSLA 34.79, 0.96%, 0.49%, 0.81

LABA 68.54, 30.46, 73.44, 0.81

 

CMYK 0 / 30 / 73 / 0

HEX #FFA118CE

RGBA 255 161 24 0.81

HSLA 35.58, 1%, 0.55%, 0.81

LABA 74.07, 26.26, 75, 0.81

 

CMYK 0 / 24 / 67 / 0

HEX #FFB32BCE

RGBA 255 179 43 0.81

HSLA 38.49, 1%, 0.58%, 0.81

LABA 78.27, 17.26, 73.52, 0.81

 

CMYK 0 / 18 / 61 / 0

HEX #FFC53ECE

RGBA 255 197 62 0.81

HSLA 41.97, 1%, 0.62%, 0.81

LABA 82.67, 8.51, 71.22, 0.81

 

CMYK 0 / 13 / 55 / 0

HEX #FFD751CE

RGBA 255 215 81 0.81

HSLA 46.21, 1%, 0.66%, 0.81

LABA 87.22, 0.13, 68.5, 0.81

 

CMYK 0 / 32 / 78 / 5

HEX #EE8F0ACE

RGBA 238 143 10 0.81

HSLA 35, 0.92%, 0.49%, 0.81

LABA 67.91, 28.43, 72.04, 0.81

 

CMYK 0 / 35 / 81 / 11

HEX #DD7D00CE

RGBA 221 125 0 0.81

HSLA 33.94, 1%, 0.43%, 0.81

LABA 61.69, 30.72, 68.36, 0.81

 

CMYK 0 / 39 / 81 / 16

HEX #CC6B00CE

RGBA 204 107 0 0.81

HSLA 31.47, 1%, 0.4%, 0.81

LABA 55.43, 33.13, 63.31, 0.81

 

CMYK 0 / 42 / 81 / 22

HEX #BB5900CE

RGBA 187 89 0 0.81

HSLA 28.56, 1%, 0.37%, 0.81

LABA 49.14, 35.53, 58.26, 0.81

 

CMYK 0 / 47 / 81 / 27

HEX #AA4700CE

RGBA 170 71 0 0.81

HSLA 25.06, 1%, 0.33%, 0.81

LABA 42.84, 37.85, 53.22, 0.81

 

CMYK 0 / 40 / 96 / 6

HEX #F0900A

RGB 240 144 10

HSL 34.96, 0.92%, 0.49%

LAB 68.38, 28.74, 72.49

 

CMYK 0 / 66 / 96 / 6

HEX #F0520A

RGB 240 82 10

HSL 18.78, 0.92%, 0.49%

LAB 56.67, 58.35, 65.04

 

CMYK 0 / 92 / 96 / 6

HEX #F0140A

RGB 240 20 10

HSL 2.61, 0.92%, 0.49%

LAB 50.74, 74.88, 61.84

 

CMYK 0 / 96 / 96 / 6

HEX #F00A0A

RGB 240 10 10

HSL 0, 0.92%, 0.49%

LAB 50.41, 75.84, 61.67

 

CMYK 0 / 40 / 96 / 6

HEX #F0900A

RGB 240 144 10

HSL 34.96, 0.92%, 0.49%

LAB 68.38, 28.74, 72.49

 

CMYK 0 / 14 / 96 / 6

HEX #F0CE0A

RGB 240 206 10

HSL 51.13, 0.92%, 0.49%

LAB 83.28, -3.68, 83.01

 

CMYK 12 / 0 / 96 / 6

HEX #D4F00A

RGB 212 240 10

HSL 67.3, 0.92%, 0.49%

LAB 90.02, -31.98, 87.04

 

CMYK 38 / 0 / 96 / 6

HEX #96F00A

RGB 150 240 10

HSL 83.48, 0.92%, 0.49%

LAB 86.42, -55.28, 82.7

 

CMYK 63 / 0 / 96 / 6

HEX #58F00A

RGB 88 240 10

HSL 99.65, 0.92%, 0.49%

LAB 84.18, -72.62, 79.97

 

CMYK 0 / 40 / 96 / 6

HEX #F0900A

RGB 240 144 10

HSL 34.96, 0.92%, 0.49%

LAB 68.38, 28.74, 72.49

 

CMYK 0 / 40 / 96 / 6

HEX #F0900A

RGB 240 144 10

HSL 34.96, 0.92%, 0.49%

LAB 68.38, 28.74, 72.49

 

CMYK 0 / 36 / 86 / 14

HEX #DC8D1E

RGB 220 141 30

HSL 35.05, 0.76%, 0.49%

LAB 65.25, 22.21, 64.87

 

CMYK 0 / 31 / 75 / 22

HEX #C78932

RGB 199 137 50

HSL 35.03, 0.6%, 0.49%

LAB 61.88, 15.99, 53.72

 

CMYK 0 / 25 / 60 / 30

HEX #B38647

RGB 179 134 71

HSL 35, 0.43%, 0.49%

LAB 59.06, 10.17, 40.08

 

CMYK 0 / 18 / 43 / 38

HEX #9F835B

RGB 159 131 91

HSL 35.29, 0.27%, 0.49%

LAB 56.45, 5.09, 25.63

 

CMYK 0 / 91 / 96 / 6

HEX #F0150A

RGB 240 21 10

HSL 2.87, 0.92%, 0.49%

LAB 50.78, 74.76, 61.86

 

CMYK 0 / 65 / 96 / 6

HEX #F0530A

RGB 240 83 10

HSL 19.04, 0.92%, 0.49%

LAB 56.82, 57.95, 65.13

 

CMYK 0 / 40 / 96 / 6

HEX #F0900A

RGB 240 144 10

HSL 34.96, 0.92%, 0.49%

LAB 68.38, 28.74, 72.49

 

CMYK 0 / 15 / 96 / 6

HEX #F0CD0A

RGB 240 205 10

HSL 50.87, 0.92%, 0.49%

LAB 83.02, -3.17, 82.82

 

CMYK 11 / 0 / 96 / 6

HEX #D5F00A

RGB 213 240 10

HSL 67.04, 0.92%, 0.49%

LAB 90.09, -31.58, 87.13

 

CMYK 0 / 40 / 96 / 37

HEX #A16107

RGB 161 97 7

HSL 35.06, 0.92%, 0.33%

LAB 47.16, 20.17, 53.49

 

CMYK 0 / 40 / 96 / 22

HEX #C87808

RGB 200 120 8

HSL 35, 0.92%, 0.41%

LAB 57.78, 24.6, 63.11

 

CMYK 0 / 40 / 96 / 6

HEX #F0900A

RGB 240 144 10

HSL 34.96, 0.92%, 0.49%

LAB 68.38, 28.74, 72.49

 

CMYK 0 / 34 / 82 / 4

HEX #F6A22D

RGB 246 162 45

HSL 34.93, 0.92%, 0.57%

LAB 73.3, 22.45, 68.22

 

CMYK 0 / 27 / 66 / 3

HEX #F8B455

RGB 248 180 85

HSL 34.97, 0.92%, 0.65%

LAB 78.03, 15.56, 56.82

 

CMYK 0 / 40 / 96 / 7

HEX #EE8F0A

RGB 238 143 10

HSL 35, 0.92%, 0.49%

LAB 67.91, 28.43, 72.04

 

CMYK 75 / 0 / 96 / 6

HEX #3CF00A

RGB 60 240 10

HSL 106.96, 0.92%, 0.49%

LAB 83.6, -77.62, 79.25

 

CMYK 78 / 96 / 0 / 6

HEX #340AF0

RGB 52 10 240

HSL 250.96, 0.92%, 0.49%

LAB 32.34, 74.73, -99.29

 

CMYK 0 / 40 / 96 / 7

HEX #EE8F0A

RGB 238 143 10

HSL 35, 0.92%, 0.49%

LAB 67.91, 28.43, 72.04

 

CMYK 96 / 0 / 40 / 6

HEX #0AF090

RGB 10 240 144

HSL 154.96, 0.92%, 0.49%

LAB 84.17, -68.95, 33.27

 

CMYK 40 / 96 / 0 / 6

HEX #900AF0

RGB 144 10 240

HSL 274.96, 0.92%, 0.49%

LAB 41.9, 80.47, -83.16

 

CMYK 0 / 40 / 96 / 7

HEX #EE8F0A

RGB 238 143 10

HSL 35, 0.92%, 0.49%

LAB 67.91, 28.43, 72.04

 

CMYK 75 / 0 / 96 / 6

HEX #3CF00A

RGB 60 240 10

HSL 106.96, 0.92%, 0.49%

LAB 83.6, -77.62, 79.25

 

CMYK 96 / 56 / 0 / 6

HEX #0A6AF0

RGB 10 106 240

HSL 214.96, 0.92%, 0.49%

LAB 47.83, 27.16, -73.77

 

CMYK 21 / 96 / 0 / 6

HEX #BE0AF0

RGB 190 10 240

HSL 286.96, 0.92%, 0.49%

LAB 48.83, 85.88, -71.55

 

CMYK 0 / 40 / 96 / 7

HEX #EE8F0A

RGB 238 143 10

HSL 35, 0.92%, 0.49%

LAB 67.91, 28.43, 72.04

 

CMYK 96 / 0 / 88 / 6

HEX #0AF01D

RGB 10 240 29

HSL 124.96, 0.92%, 0.49%

LAB 83.16, -81.39, 76.27

 

CMYK 96 / 56 / 0 / 6

HEX #0A6AF0

RGB 10 106 240

HSL 214.96, 0.92%, 0.49%

LAB 47.83, 27.16, -73.77

 

CMYK 0 / 96 / 8 / 6

HEX #F00ADD

RGB 240 10 221

HSL 304.96, 0.92%, 0.49%

LAB 56.05, 90.61, -48.75

 

Description

Color code: HEX #EE8F0ACE | qconv.com Color code: HEX #EE8F0ACE | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 143 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 143 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 78 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 78% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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