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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EE876E it is the complementary color #117891. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EE876E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EE876E shade: #F38769, #FF997C, #FFAB8F, #FFBDA2 and #FFCFB5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EE876E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EE876E shade: #EE876E, #DD755B, #CC6348, #BB5135 and #AA3F22

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EE876E shade: #ED866C and #ED6C6C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EE876E shade: #ED866C, #EDA86C, #EDCB6C, #EDED6C and #CAED6C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EE876E shade matches the following richer shades: #ED866C and #FB7E5F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EE876E shade: #ED866C, #E08E7A, #D39687, #C69E94 and #B9A6A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EE876E shade: #ED6C9A, #ED6C77, #ED846C, #EDA66C and #EDC96C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EE876E shade: #E54823, #E96748, #ED866C, #F2A491 and #F6C3B6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EE876E shade: #EE876E, #BCED6C and #6C88ED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EE876E shade: #EE876E, #6CED84 and #846CED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EE876E shade: #EE876E, #BCED6C, #6CD6ED and #9E6CED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EE876E shade: #EE876E, #95ED6C, #6CD6ED and #C56CED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 54 / 7

HEX #EE876E

RGB 238 135 110

HSL 11.72, 0.79%, 0.68%

LAB 67, 36.9, 30.64

 

Complementary color

CMYK 88 / 17 / 0 / 43

HEX #117891

RGB 17 120 145

HSL 191.72, 0.79%, 0.32%

LAB 46.44, -17.9, -21.26

 

CMYK 0 / 44 / 57 / 5

HEX #F38769

RGB 243 135 105

HSL 13.04, 0.85%, 0.68%

LAB 67.58, 38.41, 34.24

 

CMYK 0 / 40 / 51 / 0

HEX #FF997C

RGB 255 153 124

HSL 13.28, 1%, 0.74%

LAB 73.22, 35.28, 31.54

 

CMYK 0 / 33 / 44 / 0

HEX #FFAB8F

RGB 255 171 143

HSL 15, 1%, 0.78%

LAB 77.5, 27.7, 27.01

 

CMYK 0 / 26 / 36 / 0

HEX #FFBDA2

RGB 255 189 162

HSL 17.42, 1%, 0.82%

LAB 81.98, 20.34, 22.96

 

CMYK 0 / 19 / 29 / 0

HEX #FFCFB5

RGB 255 207 181

HSL 21.08, 1%, 0.85%

LAB 86.61, 13.27, 19.31

 

CMYK 0 / 43 / 54 / 7

HEX #EE876E

RGB 238 135 110

HSL 11.72, 0.79%, 0.68%

LAB 67, 36.9, 30.64

 

CMYK 0 / 47 / 59 / 13

HEX #DD755B

RGB 221 117 91

HSL 12, 0.66%, 0.61%

LAB 60.65, 38.18, 32.52

 

CMYK 0 / 51 / 65 / 20

HEX #CC6348

RGB 204 99 72

HSL 12.27, 0.56%, 0.54%

LAB 54.27, 39.55, 34.64

 

CMYK 0 / 57 / 72 / 27

HEX #BB5135

RGB 187 81 53

HSL 12.54, 0.56%, 0.47%

LAB 47.89, 40.99, 37.02

 

CMYK 0 / 63 / 80 / 33

HEX #AA3F22

RGB 170 63 34

HSL 12.79, 0.67%, 0.4%

LAB 41.56, 42.42, 39.59

 

CMYK 0 / 43 / 54 / 7

HEX #ED866C

RGB 237 134 108

HSL 12.09, 0.78%, 0.68%

LAB 66.62, 36.87, 31.23

 

CMYK 0 / 54 / 54 / 7

HEX #ED6C6C

RGB 237 108 108

HSL 0, 0.78%, 0.68%

LAB 61.49, 49.8, 24.5

 

CMYK 0 / 43 / 54 / 7

HEX #ED866C

RGB 237 134 108

HSL 12.09, 0.78%, 0.68%

LAB 66.62, 36.87, 31.23

 

CMYK 0 / 29 / 54 / 7

HEX #EDA86C

RGB 237 168 108

HSL 27.91, 0.78%, 0.68%

LAB 74.25, 18.97, 40.87

 

CMYK 0 / 14 / 54 / 7

HEX #EDCB6C

RGB 237 203 108

HSL 44.19, 0.78%, 0.68%

LAB 82.81, 0.6, 51.23

 

CMYK 0 / 0 / 54 / 7

HEX #EDED6C

RGB 237 237 108

HSL 60, 0.78%, 0.68%

LAB 91.53, -16.48, 61.34

 

CMYK 15 / 0 / 54 / 7

HEX #CAED6C

RGB 202 237 108

HSL 76.28, 0.78%, 0.68%

LAB 89.02, -30.17, 57.81

 

CMYK 0 / 43 / 54 / 7

HEX #ED866C

RGB 237 134 108

HSL 12.09, 0.78%, 0.68%

LAB 66.62, 36.87, 31.23

 

CMYK 0 / 50 / 62 / 2

HEX #FB7E5F

RGB 251 126 95

HSL 11.92, 0.95%, 0.68%

LAB 66.72, 45.23, 38.8

 

CMYK 0 / 43 / 54 / 7

HEX #ED866C

RGB 237 134 108

HSL 12.09, 0.78%, 0.68%

LAB 66.62, 36.87, 31.23

 

CMYK 0 / 37 / 46 / 12

HEX #E08E7A

RGB 224 142 122

HSL 11.76, 0.62%, 0.68%

LAB 66.97, 28.92, 23.67

 

CMYK 0 / 29 / 36 / 17

HEX #D39687

RGB 211 150 135

HSL 11.84, 0.46%, 0.68%

LAB 67.58, 20.99, 17.05

 

CMYK 0 / 20 / 25 / 22

HEX #C69E94

RGB 198 158 148

HSL 12, 0.3%, 0.68%

LAB 68.46, 13.32, 10.85

 

CMYK 0 / 10 / 13 / 27

HEX #B9A6A1

RGB 185 166 161

HSL 12.5, 0.15%, 0.68%

LAB 69.58, 6.04, 5.09

 

CMYK 0 / 54 / 35 / 7

HEX #ED6C9A

RGB 237 108 154

HSL 338.6, 0.78%, 0.68%

LAB 62.56, 54.28, -0.42

 

CMYK 0 / 54 / 50 / 7

HEX #ED6C77

RGB 237 108 119

HSL 354.88, 0.78%, 0.68%

LAB 61.71, 50.72, 18.5

 

CMYK 0 / 44 / 54 / 7

HEX #ED846C

RGB 237 132 108

HSL 11.16, 0.78%, 0.68%

LAB 66.21, 37.9, 30.68

 

CMYK 0 / 30 / 54 / 7

HEX #EDA66C

RGB 237 166 108

HSL 26.98, 0.78%, 0.68%

LAB 73.78, 20.04, 40.29

 

CMYK 0 / 15 / 54 / 7

HEX #EDC96C

RGB 237 201 108

HSL 43.26, 0.78%, 0.68%

LAB 82.3, 1.64, 50.64

 

CMYK 0 / 69 / 85 / 10

HEX #E54823

RGB 229 72 35

HSL 11.44, 0.79%, 0.52%

LAB 53.4, 59.02, 53.83

 

CMYK 0 / 56 / 69 / 9

HEX #E96748

RGB 233 103 72

HSL 11.55, 0.79%, 0.6%

LAB 59.43, 48.4, 41.81

 

CMYK 0 / 43 / 54 / 7

HEX #ED866C

RGB 237 134 108

HSL 12.09, 0.78%, 0.68%

LAB 66.62, 36.87, 31.23

 

CMYK 0 / 32 / 40 / 5

HEX #F2A491

RGB 242 164 145

HSL 11.75, 0.79%, 0.76%

LAB 74.49, 26.62, 21.61

 

CMYK 0 / 21 / 26 / 4

HEX #F6C3B6

RGB 246 195 182

HSL 12.19, 0.78%, 0.84%

LAB 82.91, 16.33, 13.47

 

CMYK 0 / 43 / 54 / 7

HEX #EE876E

RGB 238 135 110

HSL 11.72, 0.79%, 0.68%

LAB 67, 36.9, 30.64

 

CMYK 21 / 0 / 54 / 7

HEX #BCED6C

RGB 188 237 108

HSL 82.79, 0.78%, 0.68%

LAB 88.13, -35.43, 56.55

 

CMYK 54 / 43 / 0 / 7

HEX #6C88ED

RGB 108 136 237

HSL 226.98, 0.78%, 0.68%

LAB 58.89, 18.66, -54.1

 

CMYK 0 / 43 / 54 / 7

HEX #EE876E

RGB 238 135 110

HSL 11.72, 0.79%, 0.68%

LAB 67, 36.9, 30.64

 

CMYK 54 / 0 / 44 / 7

HEX #6CED84

RGB 108 237 132

HSL 131.16, 0.78%, 0.68%

LAB 84.7, -57.39, 40.21

 

CMYK 44 / 54 / 0 / 7

HEX #846CED

RGB 132 108 237

HSL 251.16, 0.78%, 0.68%

LAB 53.76, 40.38, -62.23

 

CMYK 0 / 43 / 54 / 7

HEX #EE876E

RGB 238 135 110

HSL 11.72, 0.79%, 0.68%

LAB 67, 36.9, 30.64

 

CMYK 21 / 0 / 54 / 7

HEX #BCED6C

RGB 188 237 108

HSL 82.79, 0.78%, 0.68%

LAB 88.13, -35.43, 56.55

 

CMYK 54 / 10 / 0 / 7

HEX #6CD6ED

RGB 108 214 237

HSL 190.7, 0.78%, 0.68%

LAB 80.4, -24.34, -20.65

 

CMYK 33 / 54 / 0 / 7

HEX #9E6CED

RGB 158 108 237

HSL 263.26, 0.78%, 0.68%

LAB 56.2, 46.33, -58.18

 

CMYK 0 / 43 / 54 / 7

HEX #EE876E

RGB 238 135 110

HSL 11.72, 0.79%, 0.68%

LAB 67, 36.9, 30.64

 

CMYK 37 / 0 / 54 / 7

HEX #95ED6C

RGB 149 237 108

HSL 100.93, 0.78%, 0.68%

LAB 86.03, -48.96, 53.56

 

CMYK 54 / 10 / 0 / 7

HEX #6CD6ED

RGB 108 214 237

HSL 190.7, 0.78%, 0.68%

LAB 80.4, -24.34, -20.65

 

CMYK 17 / 54 / 0 / 7

HEX #C56CED

RGB 197 108 237

HSL 281.4, 0.78%, 0.68%

LAB 60.52, 55.99, -51.02

 

Description

Color code: HEX #EE876E | qconv.com Color code: HEX #EE876E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 135 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 135 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 54 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 54% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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