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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EE82D0 it is the complementary color #117D2F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EE82D0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EE82D0 shade: #F382CB, #FF94DE, #FFA6F1, #FFB8FF and #FFCAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EE82D0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EE82D0 shade: #EE82D0, #DD70BD, #CC5EAA, #BB4C97 and #AA3A84

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EE82D0 shade: #ED81CF, #ED81B2, #ED8195 and #ED8181

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EE82D0 shade: #ED81CF, #ED81EC, #D181ED, #B481ED and #9681ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EE82D0 shade matches the following richer shades: #ED81CF and #F975D4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EE82D0 shade: #ED81CF, #E28CCA, #D698C5, #CBA3C0 and #BFAFBB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EE82D0 shade: #D081ED, #ED81ED, #ED81D0, #ED81B3 and #ED8197

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EE82D0 shade: #E338B4, #E85DC2, #ED81CF, #F2A5DD and #F7C9EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EE82D0 shade: #EE82D0, #EDB381 and #81EDDF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EE82D0 shade: #EE82D0, #D0ED81 and #81D0ED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EE82D0 shade: #EE82D0, #EDB381, #81ED9E and #81BBED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EE82D0 shade: #EE82D0, #EDD481, #81ED9E and #819AED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 13 / 7

HEX #EE82D0

RGB 238 130 208

HSL 316.67, 0.76%, 0.72%

LAB 68.53, 51.36, -22.02

 

Complementary color

CMYK 86 / 0 / 62 / 51

HEX #117D2F

RGB 17 125 47

HSL 136.67, 0.76%, 0.28%

LAB 45.62, -45.78, 33.88

 

CMYK 0 / 47 / 16 / 5

HEX #F382CB

RGB 243 130 203

HSL 321.24, 0.82%, 0.73%

LAB 68.99, 52.14, -18.48

 

CMYK 0 / 42 / 13 / 0

HEX #FF94DE

RGB 255 148 222

HSL 318.5, 1%, 0.79%

LAB 74.64, 49.84, -20.26

 

CMYK 0 / 35 / 5 / 0

HEX #FFA6F1

RGB 255 166 241

HSL 309.44, 1%, 0.83%

LAB 78.97, 43.78, -24.01

 

CMYK 0 / 28 / 0 / 0

HEX #FFB8FF

RGB 255 184 255

HSL 300, 1%, 0.86%

LAB 83.32, 36.87, -24.9

 

CMYK 0 / 21 / 0 / 0

HEX #FFCAFF

RGB 255 202 255

HSL 300, 1%, 0.9%

LAB 87.35, 27.42, -18.79

 

CMYK 0 / 45 / 13 / 7

HEX #EE82D0

RGB 238 130 208

HSL 316.67, 0.76%, 0.72%

LAB 68.53, 51.36, -22.02

 

CMYK 0 / 49 / 14 / 13

HEX #DD70BD

RGB 221 112 189

HSL 317.61, 0.62%, 0.65%

LAB 62.2, 52.05, -21.2

 

CMYK 0 / 54 / 17 / 20

HEX #CC5EAA

RGB 204 94 170

HSL 318.55, 0.52%, 0.58%

LAB 55.83, 52.68, -20.23

 

CMYK 0 / 59 / 19 / 27

HEX #BB4C97

RGB 187 76 151

HSL 319.46, 0.45%, 0.52%

LAB 49.46, 53.16, -19.05

 

CMYK 0 / 66 / 22 / 33

HEX #AA3A84

RGB 170 58 132

HSL 320.36, 0.49%, 0.45%

LAB 43.12, 53.35, -17.55

 

CMYK 0 / 46 / 13 / 7

HEX #ED81CF

RGB 237 129 207

HSL 316.67, 0.75%, 0.72%

LAB 68.18, 51.39, -22.02

 

CMYK 0 / 46 / 25 / 7

HEX #ED81B2

RGB 237 129 178

HSL 332.78, 0.75%, 0.72%

LAB 67.22, 47.11, -7.21

 

CMYK 0 / 46 / 37 / 7

HEX #ED8195

RGB 237 129 149

HSL 348.89, 0.75%, 0.72%

LAB 66.42, 43.45, 8.02

 

CMYK 0 / 46 / 46 / 7

HEX #ED8181

RGB 237 129 129

HSL 0, 0.75%, 0.72%

LAB 65.97, 41.32, 18.67

 

CMYK 0 / 46 / 13 / 7

HEX #ED81CF

RGB 237 129 207

HSL 316.67, 0.75%, 0.72%

LAB 68.18, 51.39, -22.02

 

CMYK 0 / 46 / 0 / 7

HEX #ED81EC

RGB 237 129 236

HSL 300.56, 0.75%, 0.72%

LAB 69.3, 56.22, -36.35

 

CMYK 12 / 46 / 0 / 7

HEX #D181ED

RGB 209 129 237

HSL 284.44, 0.75%, 0.72%

LAB 66.04, 48.49, -42.24

 

CMYK 24 / 46 / 0 / 7

HEX #B481ED

RGB 180 129 237

HSL 268.33, 0.75%, 0.72%

LAB 62.94, 40.44, -47.32

 

CMYK 37 / 46 / 0 / 7

HEX #9681ED

RGB 150 129 237

HSL 251.67, 0.75%, 0.72%

LAB 60.16, 32.54, -51.9

 

CMYK 0 / 46 / 13 / 7

HEX #ED81CF

RGB 237 129 207

HSL 316.67, 0.75%, 0.72%

LAB 68.18, 51.39, -22.02

 

CMYK 0 / 53 / 15 / 2

HEX #F975D4

RGB 249 117 212

HSL 316.82, 0.92%, 0.72%

LAB 67.74, 61.48, -25.34

 

CMYK 0 / 46 / 13 / 7

HEX #ED81CF

RGB 237 129 207

HSL 316.67, 0.75%, 0.72%

LAB 68.18, 51.39, -22.02

 

CMYK 0 / 38 / 11 / 11

HEX #E28CCA

RGB 226 140 202

HSL 316.74, 0.6%, 0.72%

LAB 68.89, 41.47, -18.27

 

CMYK 0 / 29 / 8 / 16

HEX #D698C5

RGB 214 152 197

HSL 316.45, 0.43%, 0.72%

LAB 70.02, 30.23, -13.91

 

CMYK 0 / 20 / 5 / 20

HEX #CBA3C0

RGB 203 163 192

HSL 316.5, 0.28%, 0.72%

LAB 71.35, 19.56, -9.28

 

CMYK 0 / 8 / 2 / 25

HEX #BFAFBB

RGB 191 175 187

HSL 315, 0.11%, 0.72%

LAB 73.1, 7.88, -4.04

 

CMYK 12 / 46 / 0 / 7

HEX #D081ED

RGB 208 129 237

HSL 283.89, 0.75%, 0.72%

LAB 65.92, 48.21, -42.42

 

CMYK 0 / 46 / 0 / 7

HEX #ED81ED

RGB 237 129 237

HSL 300, 0.75%, 0.72%

LAB 69.34, 56.4, -36.83

 

CMYK 0 / 46 / 12 / 7

HEX #ED81D0

RGB 237 129 208

HSL 316.11, 0.75%, 0.72%

LAB 68.21, 51.55, -22.52

 

CMYK 0 / 46 / 24 / 7

HEX #ED81B3

RGB 237 129 179

HSL 332.22, 0.75%, 0.72%

LAB 67.25, 47.24, -7.73

 

CMYK 0 / 46 / 36 / 7

HEX #ED8197

RGB 237 129 151

HSL 347.78, 0.75%, 0.72%

LAB 66.47, 43.68, 6.95

 

CMYK 0 / 75 / 21 / 11

HEX #E338B4

RGB 227 56 180

HSL 316.49, 0.75%, 0.55%

LAB 54.51, 74.9, -27.78

 

CMYK 0 / 60 / 16 / 9

HEX #E85DC2

RGB 232 93 194

HSL 316.4, 0.75%, 0.64%

LAB 60.68, 64.7, -26.25

 

CMYK 0 / 46 / 13 / 7

HEX #ED81CF

RGB 237 129 207

HSL 316.67, 0.75%, 0.72%

LAB 68.18, 51.39, -22.02

 

CMYK 0 / 32 / 9 / 5

HEX #F2A5DD

RGB 242 165 221

HSL 316.36, 0.75%, 0.8%

LAB 76.68, 36.74, -16.77

 

CMYK 0 / 19 / 5 / 3

HEX #F7C9EB

RGB 247 201 235

HSL 315.65, 0.74%, 0.88%

LAB 85.78, 21.77, -10.62

 

CMYK 0 / 45 / 13 / 7

HEX #EE82D0

RGB 238 130 208

HSL 316.67, 0.76%, 0.72%

LAB 68.53, 51.36, -22.02

 

CMYK 0 / 24 / 46 / 7

HEX #EDB381

RGB 237 179 129

HSL 27.78, 0.75%, 0.72%

LAB 77.18, 15.04, 33.66

 

CMYK 46 / 0 / 6 / 7

HEX #81EDDF

RGB 129 237 223

HSL 172.22, 0.75%, 0.72%

LAB 87.27, -34.49, -2.91

 

CMYK 0 / 45 / 13 / 7

HEX #EE82D0

RGB 238 130 208

HSL 316.67, 0.76%, 0.72%

LAB 68.53, 51.36, -22.02

 

CMYK 12 / 0 / 46 / 7

HEX #D0ED81

RGB 208 237 129

HSL 76.11, 0.75%, 0.72%

LAB 89.66, -25.88, 48.95

 

CMYK 46 / 12 / 0 / 7

HEX #81D0ED

RGB 129 208 237

HSL 196.11, 0.75%, 0.72%

LAB 79.55, -16.77, -21.86

 

CMYK 0 / 45 / 13 / 7

HEX #EE82D0

RGB 238 130 208

HSL 316.67, 0.76%, 0.72%

LAB 68.53, 51.36, -22.02

 

CMYK 0 / 24 / 46 / 7

HEX #EDB381

RGB 237 179 129

HSL 27.78, 0.75%, 0.72%

LAB 77.18, 15.04, 33.66

 

CMYK 46 / 0 / 33 / 7

HEX #81ED9E

RGB 129 237 158

HSL 136.11, 0.75%, 0.72%

LAB 85.86, -47.88, 28.86

 

CMYK 46 / 21 / 0 / 7

HEX #81BBED

RGB 129 187 237

HSL 207.78, 0.75%, 0.72%

LAB 73.75, -5.7, -30.73

 

CMYK 0 / 45 / 13 / 7

HEX #EE82D0

RGB 238 130 208

HSL 316.67, 0.76%, 0.72%

LAB 68.53, 51.36, -22.02

 

CMYK 0 / 11 / 46 / 7

HEX #EDD481

RGB 237 212 129

HSL 46.11, 0.75%, 0.72%

LAB 85.34, -2.18, 44.08

 

CMYK 46 / 0 / 33 / 7

HEX #81ED9E

RGB 129 237 158

HSL 136.11, 0.75%, 0.72%

LAB 85.86, -47.88, 28.86

 

CMYK 46 / 35 / 0 / 7

HEX #819AED

RGB 129 154 237

HSL 226.11, 0.75%, 0.72%

LAB 64.88, 12.8, -44.55

 

Description

Color code: HEX #EE82D0 | qconv.com Color code: HEX #EE82D0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 130 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 130 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 13 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 13% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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