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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EE82C2 it is the complementary color #117D3D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EE82C2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EE82C2 shade: #F382BD, #FF94D0, #FFA6E3, #FFB8F6 and #FFCAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EE82C2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EE82C2 shade: #EE82C2, #DD70AF, #CC5E9C, #BB4C89 and #AA3A76

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EE82C2 shade: #EE81C2, #EE81A4, #EE8187 and #EE8181

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EE82C2 shade: #EE81C2, #EE81DF, #E081EE, #C281EE and #A581EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EE82C2 shade matches the following richer shades: #EE81C2 and #F976C4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EE82C2 shade: #EE81C2, #E28DC0, #D798BD, #CBA4BB and #C0B0B9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EE82C2 shade: #DF81EE, #EE81DF, #EE81C2, #EE81A6 and #EE8189

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EE82C2 shade: #E4399E, #E95DB0, #EE81C2, #F3A6D3 and #F8CAE5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EE82C2 shade: #EE82C2, #EEC281 and #81EEEE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EE82C2 shade: #EE82C2, #C2EE81 and #81C2EE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EE82C2 shade: #EE82C2, #EEC281, #81EEAD and #81ADEE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EE82C2 shade: #EE82C2, #EEE381, #81EEAD and #818CEE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 18 / 7

HEX #EE82C2

RGB 238 130 194

HSL 324.44, 0.76%, 0.72%

LAB 68.05, 49.22, -14.94

 

Complementary color

CMYK 86 / 0 / 51 / 51

HEX #117D3D

RGB 17 125 61

HSL 144.44, 0.76%, 0.28%

LAB 45.8, -43.61, 26.85

 

CMYK 0 / 47 / 22 / 5

HEX #F382BD

RGB 243 130 189

HSL 328.67, 0.82%, 0.73%

LAB 68.53, 50.1, -11.35

 

CMYK 0 / 42 / 18 / 0

HEX #FF94D0

RGB 255 148 208

HSL 326.36, 1%, 0.79%

LAB 74.19, 47.71, -13.27

 

CMYK 0 / 35 / 11 / 0

HEX #FFA6E3

RGB 255 166 227

HSL 318.88, 1%, 0.83%

LAB 78.51, 41.45, -17.14

 

CMYK 0 / 28 / 4 / 0

HEX #FFB8F6

RGB 255 184 246

HSL 307.61, 1%, 0.86%

LAB 83.02, 35.27, -20.55

 

CMYK 0 / 21 / 0 / 0

HEX #FFCAFF

RGB 255 202 255

HSL 300, 1%, 0.9%

LAB 87.35, 27.42, -18.79

 

CMYK 0 / 45 / 18 / 7

HEX #EE82C2

RGB 238 130 194

HSL 324.44, 0.76%, 0.72%

LAB 68.05, 49.22, -14.94

 

CMYK 0 / 49 / 21 / 13

HEX #DD70AF

RGB 221 112 175

HSL 325.32, 0.62%, 0.65%

LAB 61.7, 49.95, -13.98

 

CMYK 0 / 54 / 24 / 20

HEX #CC5E9C

RGB 204 94 156

HSL 326.18, 0.52%, 0.58%

LAB 55.32, 50.64, -12.85

 

CMYK 0 / 59 / 27 / 27

HEX #BB4C89

RGB 187 76 137

HSL 327.03, 0.45%, 0.52%

LAB 48.93, 51.19, -11.48

 

CMYK 0 / 66 / 31 / 33

HEX #AA3A76

RGB 170 58 118

HSL 327.86, 0.49%, 0.45%

LAB 42.58, 51.48, -9.77

 

CMYK 0 / 46 / 18 / 7

HEX #EE81C2

RGB 238 129 194

HSL 324.22, 0.76%, 0.72%

LAB 67.85, 49.71, -15.23

 

CMYK 0 / 46 / 31 / 7

HEX #EE81A4

RGB 238 129 164

HSL 340.73, 0.76%, 0.72%

LAB 66.94, 45.6, 0.3

 

CMYK 0 / 46 / 43 / 7

HEX #EE8187

RGB 238 129 135

HSL 356.7, 0.76%, 0.72%

LAB 66.23, 42.28, 15.67

 

CMYK 0 / 46 / 46 / 7

HEX #EE8181

RGB 238 129 129

HSL 0, 0.76%, 0.72%

LAB 66.11, 41.68, 18.88

 

CMYK 0 / 46 / 18 / 7

HEX #EE81C2

RGB 238 129 194

HSL 324.22, 0.76%, 0.72%

LAB 67.85, 49.71, -15.23

 

CMYK 0 / 46 / 6 / 7

HEX #EE81DF

RGB 238 129 223

HSL 308.26, 0.76%, 0.72%

LAB 68.9, 54.29, -29.78

 

CMYK 6 / 46 / 0 / 7

HEX #E081EE

RGB 224 129 238

HSL 292.29, 0.76%, 0.72%

LAB 67.81, 52.91, -39.88

 

CMYK 18 / 46 / 0 / 7

HEX #C281EE

RGB 194 129 238

HSL 275.78, 0.76%, 0.72%

LAB 64.44, 44.51, -45.42

 

CMYK 31 / 46 / 0 / 7

HEX #A581EE

RGB 165 129 238

HSL 259.82, 0.76%, 0.72%

LAB 61.54, 36.67, -50.18

 

CMYK 0 / 46 / 18 / 7

HEX #EE81C2

RGB 238 129 194

HSL 324.22, 0.76%, 0.72%

LAB 67.85, 49.71, -15.23

 

CMYK 0 / 53 / 21 / 2

HEX #F976C4

RGB 249 118 196

HSL 324.27, 0.92%, 0.72%

LAB 67.34, 58.72, -16.99

 

CMYK 0 / 46 / 18 / 7

HEX #EE81C2

RGB 238 129 194

HSL 324.22, 0.76%, 0.72%

LAB 67.85, 49.71, -15.23

 

CMYK 0 / 38 / 15 / 11

HEX #E28DC0

RGB 226 141 192

HSL 324, 0.59%, 0.72%

LAB 68.77, 39.33, -12.88

 

CMYK 0 / 29 / 12 / 16

HEX #D798BD

RGB 215 152 189

HSL 324.76, 0.44%, 0.72%

LAB 69.88, 29.21, -9.68

 

CMYK 0 / 19 / 8 / 20

HEX #CBA4BB

RGB 203 164 187

HSL 324.62, 0.27%, 0.72%

LAB 71.44, 18.12, -6.38

 

CMYK 0 / 8 / 4 / 25

HEX #C0B0B9

RGB 192 176 185

HSL 326.25, 0.11%, 0.72%

LAB 73.39, 7.32, -2.52

 

CMYK 6 / 46 / 0 / 7

HEX #DF81EE

RGB 223 129 238

HSL 291.74, 0.76%, 0.72%

LAB 67.7, 52.62, -40.07

 

CMYK 0 / 46 / 6 / 7

HEX #EE81DF

RGB 238 129 223

HSL 308.26, 0.76%, 0.72%

LAB 68.9, 54.29, -29.78

 

CMYK 0 / 46 / 18 / 7

HEX #EE81C2

RGB 238 129 194

HSL 324.22, 0.76%, 0.72%

LAB 67.85, 49.71, -15.23

 

CMYK 0 / 46 / 30 / 7

HEX #EE81A6

RGB 238 129 166

HSL 339.63, 0.76%, 0.72%

LAB 67, 45.85, -0.75

 

CMYK 0 / 46 / 42 / 7

HEX #EE8189

RGB 238 129 137

HSL 355.6, 0.76%, 0.72%

LAB 66.28, 42.49, 14.61

 

CMYK 0 / 75 / 31 / 11

HEX #E4399E

RGB 228 57 158

HSL 324.56, 0.76%, 0.56%

LAB 53.91, 72.2, -15.79

 

CMYK 0 / 60 / 24 / 9

HEX #E95DB0

RGB 233 93 176

HSL 324.43, 0.76%, 0.64%

LAB 60.15, 62.5, -16.74

 

CMYK 0 / 46 / 18 / 7

HEX #EE81C2

RGB 238 129 194

HSL 324.22, 0.76%, 0.72%

LAB 67.85, 49.71, -15.23

 

CMYK 0 / 32 / 13 / 5

HEX #F3A6D3

RGB 243 166 211

HSL 324.94, 0.76%, 0.8%

LAB 76.7, 34.9, -11.29

 

CMYK 0 / 19 / 8 / 3

HEX #F8CAE5

RGB 248 202 229

HSL 324.78, 0.77%, 0.88%

LAB 85.93, 20.55, -7.19

 

CMYK 0 / 45 / 18 / 7

HEX #EE82C2

RGB 238 130 194

HSL 324.44, 0.76%, 0.72%

LAB 68.05, 49.22, -14.94

 

CMYK 0 / 18 / 46 / 7

HEX #EEC281

RGB 238 194 129

HSL 35.78, 0.76%, 0.72%

LAB 80.93, 7.54, 38.52

 

CMYK 46 / 0 / 0 / 7

HEX #81EEEE

RGB 129 238 238

HSL 180, 0.76%, 0.72%

LAB 87.96, -31.31, -9.75

 

CMYK 0 / 45 / 18 / 7

HEX #EE82C2

RGB 238 130 194

HSL 324.44, 0.76%, 0.72%

LAB 68.05, 49.22, -14.94

 

CMYK 18 / 0 / 46 / 7

HEX #C2EE81

RGB 194 238 129

HSL 84.22, 0.76%, 0.72%

LAB 89.02, -31.55, 47.96

 

CMYK 46 / 18 / 0 / 7

HEX #81C2EE

RGB 129 194 238

HSL 204.22, 0.76%, 0.72%

LAB 75.71, -9.18, -28.25

 

CMYK 0 / 45 / 18 / 7

HEX #EE82C2

RGB 238 130 194

HSL 324.44, 0.76%, 0.72%

LAB 68.05, 49.22, -14.94

 

CMYK 0 / 18 / 46 / 7

HEX #EEC281

RGB 238 194 129

HSL 35.78, 0.76%, 0.72%

LAB 80.93, 7.54, 38.52

 

CMYK 46 / 0 / 27 / 7

HEX #81EEAD

RGB 129 238 173

HSL 144.22, 0.76%, 0.72%

LAB 86.42, -45.61, 21.94

 

CMYK 46 / 27 / 0 / 7

HEX #81ADEE

RGB 129 173 238

HSL 215.78, 0.76%, 0.72%

LAB 69.98, 2.28, -37.11

 

CMYK 0 / 45 / 18 / 7

HEX #EE82C2

RGB 238 130 194

HSL 324.44, 0.76%, 0.72%

LAB 68.05, 49.22, -14.94

 

CMYK 0 / 5 / 46 / 7

HEX #EEE381

RGB 238 227 129

HSL 53.94, 0.76%, 0.72%

LAB 89.25, -9.37, 48.95

 

CMYK 46 / 0 / 27 / 7

HEX #81EEAD

RGB 129 238 173

HSL 144.22, 0.76%, 0.72%

LAB 86.42, -45.61, 21.94

 

CMYK 46 / 41 / 0 / 7

HEX #818CEE

RGB 129 140 238

HSL 233.94, 0.76%, 0.72%

LAB 61.3, 21.25, -50.74

 

Description

Color code: HEX #EE82C2 | qconv.com Color code: HEX #EE82C2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 130 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 130 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 18 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 18% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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