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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EE7D3E it is the complementary color #1182C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EE7D3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EE7D3E shade: #F37D39, #FF8F4C, #FFA15F, #FFB372 and #FFC585

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EE7D3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EE7D3E shade: #EE7D3E, #DD6B2B, #CC5918, #BB4705 and #AA3500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EE7D3E shade: #EE7D3E, #EE4E3E and #EE3E3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EE7D3E shade: #EE7D3E, #EEAC3E, #EEDC3E, #D0EE3E and #A1EE3E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EE7D3E shade matches the following richer shades: #EE7D3E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EE7D3E shade: #EE7D3E, #DD824F, #CC8760, #BB8B71 and #AA9082

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EE7D3E shade: #EE3E5E, #EE4D3E, #EE7C3E, #EEAA3E and #EED93E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EE7D3E shade: #C85311, #EA6318, #EE7D3E, #F19764 and #F4B08A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EE7D3E shade: #EE7D3E, #8DEE3E and #3E47EE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EE7D3E shade: #EE7D3E, #3EEE7C and #7C3EEE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EE7D3E shade: #EE7D3E, #8DEE3E, #3EB0EE and #9F3EEE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EE7D3E shade: #EE7D3E, #58EE3E, #3EB0EE and #D33EEE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 74 / 7

HEX #EE7D3E

RGB 238 125 62

HSL 21.48, 0.84%, 0.59%

LAB 64.32, 39.02, 52.42

 

Complementary color

CMYK 91 / 33 / 0 / 24

HEX #1182C1

RGB 17 130 193

HSL 201.48, 0.84%, 0.41%

LAB 51.76, -5.81, -40.85

 

CMYK 0 / 49 / 77 / 5

HEX #F37D39

RGB 243 125 57

HSL 21.94, 0.89%, 0.59%

LAB 64.98, 40.76, 55.63

 

CMYK 0 / 44 / 70 / 0

HEX #FF8F4C

RGB 255 143 76

HSL 22.46, 1%, 0.65%

LAB 70.47, 37.17, 53.01

 

CMYK 0 / 37 / 63 / 0

HEX #FFA15F

RGB 255 161 95

HSL 24.75, 1%, 0.69%

LAB 74.56, 28.96, 48.32

 

CMYK 0 / 30 / 55 / 0

HEX #FFB372

RGB 255 179 114

HSL 27.66, 1%, 0.72%

LAB 78.88, 20.91, 43.96

 

CMYK 0 / 23 / 48 / 0

HEX #FFC585

RGB 255 197 133

HSL 31.48, 1%, 0.76%

LAB 83.38, 13.14, 39.95

 

CMYK 0 / 47 / 74 / 7

HEX #EE7D3E

RGB 238 125 62

HSL 21.48, 0.84%, 0.59%

LAB 64.32, 39.02, 52.42

 

CMYK 0 / 52 / 81 / 13

HEX #DD6B2B

RGB 221 107 43

HSL 21.57, 0.72%, 0.52%

LAB 58.1, 40.74, 54.07

 

CMYK 0 / 56 / 88 / 20

HEX #CC5918

RGB 204 89 24

HSL 21.67, 0.79%, 0.45%

LAB 51.89, 42.57, 55.18

 

CMYK 0 / 62 / 97 / 27

HEX #BB4705

RGB 187 71 5

HSL 21.76, 0.95%, 0.38%

LAB 45.75, 44.41, 55

 

CMYK 0 / 69 / 100 / 33

HEX #AA3500

RGB 170 53 0

HSL 18.71, 1%, 0.33%

LAB 39.74, 46.1, 51.59

 

CMYK 0 / 47 / 74 / 7

HEX #EE7D3E

RGB 238 125 62

HSL 21.48, 0.84%, 0.59%

LAB 64.32, 39.02, 52.42

 

CMYK 0 / 67 / 74 / 7

HEX #EE4E3E

RGB 238 78 62

HSL 5.45, 0.84%, 0.59%

LAB 56.06, 60.47, 43.6

 

CMYK 0 / 74 / 74 / 7

HEX #EE3E3E

RGB 238 62 62

HSL 0, 0.84%, 0.59%

LAB 54, 66.16, 41.32

 

CMYK 0 / 47 / 74 / 7

HEX #EE7D3E

RGB 238 125 62

HSL 21.48, 0.84%, 0.59%

LAB 64.32, 39.02, 52.42

 

CMYK 0 / 28 / 74 / 7

HEX #EEAC3E

RGB 238 172 62

HSL 37.5, 0.84%, 0.59%

LAB 74.84, 14.42, 63.07

 

CMYK 0 / 8 / 74 / 7

HEX #EEDC3E

RGB 238 220 62

HSL 53.86, 0.84%, 0.59%

LAB 86.86, -10.36, 74.6

 

CMYK 13 / 0 / 74 / 7

HEX #D0EE3E

RGB 208 238 62

HSL 70.23, 0.84%, 0.59%

LAB 89.35, -31.32, 76.12

 

CMYK 32 / 0 / 74 / 7

HEX #A1EE3E

RGB 161 238 62

HSL 86.25, 0.84%, 0.59%

LAB 86.54, -49.02, 72.46

 

CMYK 0 / 47 / 74 / 7

HEX #EE7D3E

RGB 238 125 62

HSL 21.48, 0.84%, 0.59%

LAB 64.32, 39.02, 52.42

 

CMYK 0 / 47 / 74 / 7

HEX #EE7D3E

RGB 238 125 62

HSL 21.48, 0.84%, 0.59%

LAB 64.32, 39.02, 52.42

 

CMYK 0 / 41 / 64 / 13

HEX #DD824F

RGB 221 130 79

HSL 21.55, 0.68%, 0.59%

LAB 63.26, 30.57, 42.15

 

CMYK 0 / 34 / 53 / 20

HEX #CC8760

RGB 204 135 96

HSL 21.67, 0.51%, 0.59%

LAB 62.52, 22.25, 31.69

 

CMYK 0 / 26 / 40 / 27

HEX #BB8B71

RGB 187 139 113

HSL 21.08, 0.35%, 0.59%

LAB 61.85, 14.84, 21.04

 

CMYK 0 / 15 / 24 / 33

HEX #AA9082

RGB 170 144 130

HSL 21, 0.19%, 0.59%

LAB 61.74, 7.51, 11.06

 

CMYK 0 / 74 / 61 / 7

HEX #EE3E5E

RGB 238 62 94

HSL 349.09, 0.84%, 0.59%

LAB 54.48, 67.76, 23.38

 

CMYK 0 / 68 / 74 / 7

HEX #EE4D3E

RGB 238 77 62

HSL 5.11, 0.84%, 0.59%

LAB 55.92, 60.86, 43.45

 

CMYK 0 / 48 / 74 / 7

HEX #EE7C3E

RGB 238 124 62

HSL 21.14, 0.84%, 0.59%

LAB 64.11, 39.52, 52.21

 

CMYK 0 / 29 / 74 / 7

HEX #EEAA3E

RGB 238 170 62

HSL 36.82, 0.84%, 0.59%

LAB 74.36, 15.48, 62.6

 

CMYK 0 / 9 / 74 / 7

HEX #EED93E

RGB 238 217 62

HSL 52.84, 0.84%, 0.59%

LAB 86.08, -8.86, 73.87

 

CMYK 0 / 59 / 92 / 22

HEX #C85311

RGB 200 83 17

HSL 21.64, 0.84%, 0.43%

LAB 50.1, 43.81, 55.81

 

CMYK 0 / 58 / 90 / 8

HEX #EA6318

RGB 234 99 24

HSL 21.43, 0.83%, 0.51%

LAB 58.49, 49.05, 62.26

 

CMYK 0 / 47 / 74 / 7

HEX #EE7D3E

RGB 238 125 62

HSL 21.48, 0.84%, 0.59%

LAB 64.32, 39.02, 52.42

 

CMYK 0 / 37 / 59 / 5

HEX #F19764

RGB 241 151 100

HSL 21.7, 0.83%, 0.67%

LAB 70.7, 28.95, 40.75

 

CMYK 0 / 28 / 43 / 4

HEX #F4B08A

RGB 244 176 138

HSL 21.51, 0.83%, 0.75%

LAB 77.35, 20.3, 29.27

 

CMYK 0 / 47 / 74 / 7

HEX #EE7D3E

RGB 238 125 62

HSL 21.48, 0.84%, 0.59%

LAB 64.32, 39.02, 52.42

 

CMYK 41 / 0 / 74 / 7

HEX #8DEE3E

RGB 141 238 62

HSL 93.07, 0.84%, 0.59%

LAB 85.58, -55.74, 71.2

 

CMYK 74 / 70 / 0 / 7

HEX #3E47EE

RGB 62 71 238

HSL 236.93, 0.84%, 0.59%

LAB 40.74, 51.19, -84.21

 

CMYK 0 / 47 / 74 / 7

HEX #EE7D3E

RGB 238 125 62

HSL 21.48, 0.84%, 0.59%

LAB 64.32, 39.02, 52.42

 

CMYK 74 / 0 / 48 / 7

HEX #3EEE7C

RGB 62 238 124

HSL 141.14, 0.84%, 0.59%

LAB 83.77, -67.62, 42.69

 

CMYK 48 / 74 / 0 / 7

HEX #7C3EEE

RGB 124 62 238

HSL 261.14, 0.84%, 0.59%

LAB 44.09, 63.32, -78.52

 

CMYK 0 / 47 / 74 / 7

HEX #EE7D3E

RGB 238 125 62

HSL 21.48, 0.84%, 0.59%

LAB 64.32, 39.02, 52.42

 

CMYK 41 / 0 / 74 / 7

HEX #8DEE3E

RGB 141 238 62

HSL 93.07, 0.84%, 0.59%

LAB 85.58, -55.74, 71.2

 

CMYK 74 / 26 / 0 / 7

HEX #3EB0EE

RGB 62 176 238

HSL 201.14, 0.84%, 0.59%

LAB 68.2, -11.72, -40.08

 

CMYK 33 / 74 / 0 / 7

HEX #9F3EEE

RGB 159 62 238

HSL 273.07, 0.84%, 0.59%

LAB 48.25, 68.92, -71.57

 

CMYK 0 / 47 / 74 / 7

HEX #EE7D3E

RGB 238 125 62

HSL 21.48, 0.84%, 0.59%

LAB 64.32, 39.02, 52.42

 

CMYK 63 / 0 / 74 / 7

HEX #58EE3E

RGB 88 238 62

HSL 111.14, 0.84%, 0.59%

LAB 83.74, -69.95, 68.77

 

CMYK 74 / 26 / 0 / 7

HEX #3EB0EE

RGB 62 176 238

HSL 201.14, 0.84%, 0.59%

LAB 68.2, -11.72, -40.08

 

CMYK 11 / 74 / 0 / 7

HEX #D33EEE

RGB 211 62 238

HSL 290.8, 0.84%, 0.59%

LAB 55.55, 78.44, -59.41

 

Description

Color code: HEX #EE7D3E | qconv.com Color code: HEX #EE7D3E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 125 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 125 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 74 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 74% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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