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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EE78C9 it is the complementary color #118736. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EE78C9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EE78C9 shade: #F378C4, #FF8AD7, #FF9CEA, #FFAEFD and #FFC0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EE78C9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EE78C9 shade: #EE78C9, #DD66B6, #CC54A3, #BB4290 and #AA307D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EE78C9 shade: #EE77C9, #EE77A9, #EE7788 and #EE7777

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EE78C9 shade: #EE77C9, #EE77E9, #D377EE, #B377EE and #9377EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EE78C9 shade matches the following richer shades: #EE77C9 and #FB6ACD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EE78C9 shade: #EE77C9, #E283C4, #D590C0, #C99CBB and #BDA8B6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EE78C9 shade: #D277EE, #EE77EA, #EE77CA, #EE77AB and #EE778B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EE78C9 shade: #E52DAC, #EA52BA, #EE77C9, #F39CD7 and #F7C0E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EE78C9 shade: #EE78C9, #EEB377 and #77EEE2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EE78C9 shade: #EE78C9, #CAEE77 and #77CAEE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EE78C9 shade: #EE78C9, #EEB377, #77EE9B and #77B3EE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EE78C9 shade: #EE78C9, #EED677, #77EE9B and #778FEE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 16 / 7

HEX #EE78C9

RGB 238 120 201

HSL 318.81, 0.78%, 0.7%

LAB 66.39, 55.18, -21.38

 

Complementary color

CMYK 87 / 0 / 60 / 47

HEX #118736

RGB 17 135 54

HSL 138.81, 0.78%, 0.3%

LAB 49.15, -48.27, 34.54

 

CMYK 0 / 51 / 19 / 5

HEX #F378C4

RGB 243 120 196

HSL 322.93, 0.84%, 0.71%

LAB 66.88, 55.96, -17.76

 

CMYK 0 / 46 / 16 / 0

HEX #FF8AD7

RGB 255 138 215

HSL 320.51, 1%, 0.77%

LAB 72.46, 53.73, -19.73

 

CMYK 0 / 39 / 8 / 0

HEX #FF9CEA

RGB 255 156 234

HSL 312.73, 1%, 0.81%

LAB 76.67, 47.73, -23.73

 

CMYK 0 / 32 / 1 / 0

HEX #FFAEFD

RGB 255 174 253

HSL 301.48, 1%, 0.84%

LAB 81.08, 41.73, -27.24

 

CMYK 0 / 25 / 0 / 0

HEX #FFC0FF

RGB 255 192 255

HSL 300, 1%, 0.88%

LAB 85.09, 32.67, -22.21

 

CMYK 0 / 50 / 16 / 7

HEX #EE78C9

RGB 238 120 201

HSL 318.81, 0.78%, 0.7%

LAB 66.39, 55.18, -21.38

 

CMYK 0 / 54 / 18 / 13

HEX #DD66B6

RGB 221 102 182

HSL 319.66, 0.64%, 0.63%

LAB 60.12, 55.79, -20.39

 

CMYK 0 / 59 / 20 / 20

HEX #CC54A3

RGB 204 84 163

HSL 320.5, 0.54%, 0.56%

LAB 53.84, 56.27, -19.2

 

CMYK 0 / 65 / 23 / 27

HEX #BB4290

RGB 187 66 144

HSL 321.32, 0.48%, 0.5%

LAB 47.59, 56.5, -17.72

 

CMYK 0 / 72 / 26 / 33

HEX #AA307D

RGB 170 48 125

HSL 322.13, 0.56%, 0.43%

LAB 41.44, 56.3, -15.82

 

CMYK 0 / 50 / 16 / 7

HEX #EE77C9

RGB 238 119 201

HSL 318.66, 0.78%, 0.7%

LAB 66.2, 55.66, -21.66

 

CMYK 0 / 50 / 29 / 7

HEX #EE77A9

RGB 238 119 169

HSL 334.79, 0.78%, 0.7%

LAB 65.15, 51.19, -5.17

 

CMYK 0 / 50 / 43 / 7

HEX #EE7788

RGB 238 119 136

HSL 351.43, 0.78%, 0.7%

LAB 64.28, 47.38, 12.38

 

CMYK 0 / 50 / 50 / 7

HEX #EE7777

RGB 238 119 119

HSL 0, 0.78%, 0.7%

LAB 63.92, 45.76, 21.54

 

CMYK 0 / 50 / 16 / 7

HEX #EE77C9

RGB 238 119 201

HSL 318.66, 0.78%, 0.7%

LAB 66.2, 55.66, -21.66

 

CMYK 0 / 50 / 2 / 7

HEX #EE77E9

RGB 238 119 233

HSL 302.52, 0.78%, 0.7%

LAB 67.47, 60.8, -37.53

 

CMYK 11 / 50 / 0 / 7

HEX #D377EE

RGB 211 119 238

HSL 286.39, 0.78%, 0.7%

LAB 64.34, 54.36, -45.45

 

CMYK 25 / 50 / 0 / 7

HEX #B377EE

RGB 179 119 238

HSL 270.25, 0.78%, 0.7%

LAB 60.74, 45.85, -51.37

 

CMYK 38 / 50 / 0 / 7

HEX #9377EE

RGB 147 119 238

HSL 254.12, 0.78%, 0.7%

LAB 57.63, 37.8, -56.51

 

CMYK 0 / 50 / 16 / 7

HEX #EE77C9

RGB 238 119 201

HSL 318.66, 0.78%, 0.7%

LAB 66.2, 55.66, -21.66

 

CMYK 0 / 58 / 18 / 2

HEX #FB6ACD

RGB 251 106 205

HSL 319.03, 0.95%, 0.7%

LAB 65.92, 65.94, -24.17

 

CMYK 0 / 50 / 16 / 7

HEX #EE77C9

RGB 238 119 201

HSL 318.66, 0.78%, 0.7%

LAB 66.2, 55.66, -21.66

 

CMYK 0 / 42 / 13 / 11

HEX #E283C4

RGB 226 131 196

HSL 318.95, 0.62%, 0.7%

LAB 66.81, 45.17, -18.07

 

CMYK 0 / 32 / 10 / 16

HEX #D590C0

RGB 213 144 192

HSL 318.26, 0.45%, 0.7%

LAB 67.95, 33.35, -14.27

 

CMYK 0 / 22 / 7 / 21

HEX #C99CBB

RGB 201 156 187

HSL 318.67, 0.29%, 0.7%

LAB 69.31, 21.81, -9.56

 

CMYK 0 / 11 / 4 / 26

HEX #BDA8B6

RGB 189 168 182

HSL 320, 0.14%, 0.7%

LAB 71.01, 10.08, -4.4

 

CMYK 12 / 50 / 0 / 7

HEX #D277EE

RGB 210 119 238

HSL 285.88, 0.78%, 0.7%

LAB 64.22, 54.09, -45.64

 

CMYK 0 / 50 / 2 / 7

HEX #EE77EA

RGB 238 119 234

HSL 302.02, 0.78%, 0.7%

LAB 67.51, 60.97, -38.02

 

CMYK 0 / 50 / 15 / 7

HEX #EE77CA

RGB 238 119 202

HSL 318.15, 0.78%, 0.7%

LAB 66.24, 55.81, -22.16

 

CMYK 0 / 50 / 28 / 7

HEX #EE77AB

RGB 238 119 171

HSL 333.78, 0.78%, 0.7%

LAB 65.21, 51.45, -6.21

 

CMYK 0 / 50 / 42 / 7

HEX #EE778B

RGB 238 119 139

HSL 349.92, 0.78%, 0.7%

LAB 64.35, 47.69, 10.77

 

CMYK 0 / 80 / 25 / 10

HEX #E52DAC

RGB 229 45 172

HSL 318.59, 0.78%, 0.54%

LAB 53.51, 77.26, -24.63

 

CMYK 0 / 65 / 21 / 8

HEX #EA52BA

RGB 234 82 186

HSL 318.95, 0.78%, 0.62%

LAB 59.04, 68.57, -24.16

 

CMYK 0 / 50 / 16 / 7

HEX #EE77C9

RGB 238 119 201

HSL 318.66, 0.78%, 0.7%

LAB 66.2, 55.66, -21.66

 

CMYK 0 / 36 / 12 / 5

HEX #F39CD7

RGB 243 156 215

HSL 319.31, 0.78%, 0.78%

LAB 74.66, 40.79, -16.54

 

CMYK 0 / 22 / 7 / 3

HEX #F7C0E6

RGB 247 192 230

HSL 318.55, 0.77%, 0.86%

LAB 83.54, 25.66, -11.29

 

CMYK 0 / 50 / 16 / 7

HEX #EE78C9

RGB 238 120 201

HSL 318.81, 0.78%, 0.7%

LAB 66.39, 55.18, -21.38

 

CMYK 0 / 25 / 50 / 7

HEX #EEB377

RGB 238 179 119

HSL 30.25, 0.78%, 0.7%

LAB 77.13, 14.5, 38.83

 

CMYK 50 / 0 / 5 / 7

HEX #77EEE2

RGB 119 238 226

HSL 173.95, 0.78%, 0.7%

LAB 87.27, -36.43, -4.52

 

CMYK 0 / 50 / 16 / 7

HEX #EE78C9

RGB 238 120 201

HSL 318.81, 0.78%, 0.7%

LAB 66.39, 55.18, -21.38

 

CMYK 15 / 0 / 50 / 7

HEX #CAEE77

RGB 202 238 119

HSL 78.15, 0.78%, 0.7%

LAB 89.41, -29.62, 53.26

 

CMYK 50 / 15 / 0 / 7

HEX #77CAEE

RGB 119 202 238

HSL 198.15, 0.78%, 0.7%

LAB 77.48, -15.68, -25.59

 

CMYK 0 / 50 / 16 / 7

HEX #EE78C9

RGB 238 120 201

HSL 318.81, 0.78%, 0.7%

LAB 66.39, 55.18, -21.38

 

CMYK 0 / 25 / 50 / 7

HEX #EEB377

RGB 238 179 119

HSL 30.25, 0.78%, 0.7%

LAB 77.13, 14.5, 38.83

 

CMYK 50 / 0 / 35 / 7

HEX #77EE9B

RGB 119 238 155

HSL 138.15, 0.78%, 0.7%

LAB 85.72, -51.39, 30.14

 

CMYK 50 / 25 / 0 / 7

HEX #77B3EE

RGB 119 179 238

HSL 209.75, 0.78%, 0.7%

LAB 71.1, -3.38, -35.41

 

CMYK 0 / 50 / 16 / 7

HEX #EE78C9

RGB 238 120 201

HSL 318.81, 0.78%, 0.7%

LAB 66.39, 55.18, -21.38

 

CMYK 0 / 10 / 50 / 7

HEX #EED677

RGB 238 214 119

HSL 47.9, 0.78%, 0.7%

LAB 85.81, -3.71, 49.57

 

CMYK 50 / 0 / 35 / 7

HEX #77EE9B

RGB 119 238 155

HSL 138.15, 0.78%, 0.7%

LAB 85.72, -51.39, 30.14

 

CMYK 50 / 40 / 0 / 7

HEX #778FEE

RGB 119 143 238

HSL 227.9, 0.78%, 0.7%

LAB 61.43, 17.19, -50.58

 

Description

Color code: HEX #EE78C9 | qconv.com Color code: HEX #EE78C9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 120 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 120 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 16 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 16% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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