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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EE6FA5 it is the complementary color #11905A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EE6FA5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EE6FA5 shade: #F36FA0, #FF81B3, #FF93C6, #FFA5D9 and #FFB7EC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EE6FA5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EE6FA5 shade: #EE6FA5, #DD5D92, #CC4B7F, #BB396C and #AA2759

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EE6FA5 shade: #EE6DA4, #EE6D81 and #EE6D6D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EE6FA5 shade: #EE6DA4, #EE6DC7, #EE6DE9, #D06DEE and #AD6DEE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EE6FA5 shade matches the following richer shades: #EE6DA4 and #FB60A2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EE6FA5 shade: #EE6DA4, #E17AA6, #D387A8, #C695AA and #B9A2AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EE6FA5 shade: #EE6DEA, #EE6DC7, #EE6DA5, #EE6D82 and #EE7A6D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EE6FA5 shade: #E52376, #EA488D, #EE6DA4, #F292BB and #F7B7D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EE6FA5 shade: #EE6FA5, #EED06D and #6DD8EE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EE6FA5 shade: #EE6FA5, #A5EE6D and #6DA5EE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EE6FA5 shade: #EE6FA5, #EED06D, #6DEEB6 and #6D8BEE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EE6FA5 shade: #EE6FA5, #E5EE6D, #6DEEB6 and #766DEE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 31 / 7

HEX #EE6FA5

RGB 238 111 165

HSL 334.49, 0.79%, 0.68%

LAB 63.56, 54.51, -5.24

 

Complementary color

CMYK 88 / 0 / 38 / 44

HEX #11905A

RGB 17 144 90

HSL 154.49, 0.79%, 0.32%

LAB 52.73, -45.09, 19.89

 

CMYK 0 / 54 / 34 / 5

HEX #F36FA0

RGB 243 111 160

HSL 337.73, 0.85%, 0.69%

LAB 64.13, 55.51, -1.46

 

CMYK 0 / 49 / 30 / 0

HEX #FF81B3

RGB 255 129 179

HSL 336.19, 1%, 0.75%

LAB 69.62, 53.14, -3.95

 

CMYK 0 / 42 / 22 / 0

HEX #FF93C6

RGB 255 147 198

HSL 331.67, 1%, 0.79%

LAB 73.68, 46.78, -8.51

 

CMYK 0 / 35 / 15 / 0

HEX #FFA5D9

RGB 255 165 217

HSL 325.33, 1%, 0.82%

LAB 77.98, 40.38, -12.5

 

CMYK 0 / 28 / 7 / 0

HEX #FFB7EC

RGB 255 183 236

HSL 315.83, 1%, 0.86%

LAB 82.48, 34.08, -16.01

 

CMYK 0 / 53 / 31 / 7

HEX #EE6FA5

RGB 238 111 165

HSL 334.49, 0.79%, 0.68%

LAB 63.56, 54.51, -5.24

 

CMYK 0 / 58 / 34 / 13

HEX #DD5D92

RGB 221 93 146

HSL 335.16, 0.65%, 0.62%

LAB 57.34, 55.16, -3.72

 

CMYK 0 / 63 / 38 / 20

HEX #CC4B7F

RGB 204 75 127

HSL 335.81, 0.56%, 0.55%

LAB 51.15, 55.63, -1.89

 

CMYK 0 / 70 / 42 / 27

HEX #BB396C

RGB 187 57 108

HSL 336.46, 0.53%, 0.48%

LAB 45.04, 55.79, 0.37

 

CMYK 0 / 77 / 48 / 33

HEX #AA2759

RGB 170 39 89

HSL 337.1, 0.63%, 0.41%

LAB 39.1, 55.39, 3.25

 

CMYK 0 / 54 / 31 / 7

HEX #EE6DA4

RGB 238 109 164

HSL 334.42, 0.79%, 0.68%

LAB 63.17, 55.33, -5.24

 

CMYK 0 / 54 / 46 / 7

HEX #EE6D81

RGB 238 109 129

HSL 350.7, 0.79%, 0.68%

LAB 62.25, 51.51, 13.54

 

CMYK 0 / 54 / 54 / 7

HEX #EE6D6D

RGB 238 109 109

HSL 0, 0.79%, 0.68%

LAB 61.84, 49.76, 24.43

 

CMYK 0 / 54 / 31 / 7

HEX #EE6DA4

RGB 238 109 164

HSL 334.42, 0.79%, 0.68%

LAB 63.17, 55.33, -5.24

 

CMYK 0 / 54 / 16 / 7

HEX #EE6DC7

RGB 238 109 199

HSL 318.14, 0.79%, 0.68%

LAB 64.35, 60.05, -23.36

 

CMYK 0 / 54 / 2 / 7

HEX #EE6DE9

RGB 238 109 233

HSL 302.33, 0.79%, 0.68%

LAB 65.75, 65.4, -40.22

 

CMYK 13 / 54 / 0 / 7

HEX #D06DEE

RGB 208 109 238

HSL 286.05, 0.79%, 0.68%

LAB 62.1, 58.51, -49

 

CMYK 27 / 54 / 0 / 7

HEX #AD6DEE

RGB 173 109 238

HSL 269.77, 0.79%, 0.68%

LAB 58.03, 49.67, -55.71

 

CMYK 0 / 54 / 31 / 7

HEX #EE6DA4

RGB 238 109 164

HSL 334.42, 0.79%, 0.68%

LAB 63.17, 55.33, -5.24

 

CMYK 0 / 62 / 35 / 2

HEX #FB60A2

RGB 251 96 162

HSL 334.45, 0.95%, 0.68%

LAB 62.91, 64.79, -4.26

 

CMYK 0 / 54 / 31 / 7

HEX #EE6DA4

RGB 238 109 164

HSL 334.42, 0.79%, 0.68%

LAB 63.17, 55.33, -5.24

 

CMYK 0 / 46 / 26 / 12

HEX #E17AA6

RGB 225 122 166

HSL 334.37, 0.63%, 0.68%

LAB 63.9, 44.99, -5.5

 

CMYK 0 / 36 / 20 / 17

HEX #D387A8

RGB 211 135 168

HSL 333.95, 0.46%, 0.68%

LAB 64.97, 33.64, -5.25

 

CMYK 0 / 25 / 14 / 22

HEX #C695AA

RGB 198 149 170

HSL 334.29, 0.3%, 0.68%

LAB 66.83, 21.67, -3.79

 

CMYK 0 / 12 / 7 / 27

HEX #B9A2AC

RGB 185 162 172

HSL 333.91, 0.14%, 0.68%

LAB 68.85, 10.14, -2.08

 

CMYK 0 / 54 / 2 / 7

HEX #EE6DEA

RGB 238 109 234

HSL 301.86, 0.79%, 0.68%

LAB 65.79, 65.57, -40.7

 

CMYK 0 / 54 / 16 / 7

HEX #EE6DC7

RGB 238 109 199

HSL 318.14, 0.79%, 0.68%

LAB 64.35, 60.05, -23.36

 

CMYK 0 / 54 / 31 / 7

HEX #EE6DA5

RGB 238 109 165

HSL 333.95, 0.79%, 0.68%

LAB 63.2, 55.45, -5.77

 

CMYK 0 / 54 / 45 / 7

HEX #EE6D82

RGB 238 109 130

HSL 350.23, 0.79%, 0.68%

LAB 62.28, 51.6, 13

 

CMYK 0 / 49 / 54 / 7

HEX #EE7A6D

RGB 238 122 109

HSL 6.05, 0.79%, 0.68%

LAB 64.32, 43.42, 27.7

 

CMYK 0 / 85 / 48 / 10

HEX #E52376

RGB 229 35 118

HSL 334.33, 0.79%, 0.52%

LAB 50.88, 74.09, 3.69

 

CMYK 0 / 69 / 40 / 8

HEX #EA488D

RGB 234 72 141

HSL 334.44, 0.79%, 0.6%

LAB 56.14, 67.03, -2.32

 

CMYK 0 / 54 / 31 / 7

HEX #EE6DA4

RGB 238 109 164

HSL 334.42, 0.79%, 0.68%

LAB 63.17, 55.33, -5.24

 

CMYK 0 / 40 / 23 / 5

HEX #F292BB

RGB 242 146 187

HSL 334.38, 0.79%, 0.76%

LAB 71.57, 41.37, -5.72

 

CMYK 0 / 26 / 15 / 3

HEX #F7B7D2

RGB 247 183 210

HSL 334.69, 0.8%, 0.84%

LAB 80.9, 27.14, -4.46

 

CMYK 0 / 53 / 31 / 7

HEX #EE6FA5

RGB 238 111 165

HSL 334.49, 0.79%, 0.68%

LAB 63.56, 54.51, -5.24

 

CMYK 0 / 13 / 54 / 7

HEX #EED06D

RGB 238 208 109

HSL 46.05, 0.79%, 0.68%

LAB 84.17, -1.48, 52.39

 

CMYK 54 / 9 / 0 / 7

HEX #6DD8EE

RGB 109 216 238

HSL 190.23, 0.79%, 0.68%

LAB 81.04, -24.86, -20.22

 

CMYK 0 / 53 / 31 / 7

HEX #EE6FA5

RGB 238 111 165

HSL 334.49, 0.79%, 0.68%

LAB 63.56, 54.51, -5.24

 

CMYK 31 / 0 / 54 / 7

HEX #A5EE6D

RGB 165 238 109

HSL 93.95, 0.79%, 0.68%

LAB 87.12, -43.97, 54.59

 

CMYK 54 / 31 / 0 / 7

HEX #6DA5EE

RGB 109 165 238

HSL 213.95, 0.79%, 0.68%

LAB 66.77, 2.26, -42.19

 

CMYK 0 / 53 / 31 / 7

HEX #EE6FA5

RGB 238 111 165

HSL 334.49, 0.79%, 0.68%

LAB 63.56, 54.51, -5.24

 

CMYK 0 / 13 / 54 / 7

HEX #EED06D

RGB 238 208 109

HSL 46.05, 0.79%, 0.68%

LAB 84.17, -1.48, 52.39

 

CMYK 54 / 0 / 24 / 7

HEX #6DEEB6

RGB 109 238 182

HSL 153.95, 0.79%, 0.68%

LAB 85.9, -48.57, 16.45

 

CMYK 54 / 42 / 0 / 7

HEX #6D8BEE

RGB 109 139 238

HSL 226.05, 0.79%, 0.68%

LAB 59.79, 17.39, -53.22

 

CMYK 0 / 53 / 31 / 7

HEX #EE6FA5

RGB 238 111 165

HSL 334.49, 0.79%, 0.68%

LAB 63.56, 54.51, -5.24

 

CMYK 4 / 0 / 54 / 7

HEX #E5EE6D

RGB 229 238 109

HSL 64.19, 0.79%, 0.68%

LAB 91.19, -20.07, 60.36

 

CMYK 54 / 0 / 24 / 7

HEX #6DEEB6

RGB 109 238 182

HSL 153.95, 0.79%, 0.68%

LAB 85.9, -48.57, 16.45

 

CMYK 50 / 54 / 0 / 7

HEX #766DEE

RGB 118 109 238

HSL 244.19, 0.79%, 0.68%

LAB 52.91, 37.15, -64.21

 

Description

Color code: HEX #EE6FA5 | qconv.com Color code: HEX #EE6FA5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 111 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 111 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 31 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 31% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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