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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EE6C563F it is the complementary color #1193A93F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EE6C563F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EE6C563F shade: #F36C513F, #FF7E643F, #FF90773F, #FFA28A3F and #FFB49D3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EE6C563F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EE6C563F shade: #EE6C563F, #DD5A433F, #CC48303F, #BB361D3F and #AA240A3F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EE6C563F shade: #EE6E58 and #EE5858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EE6C563F shade: #EE6E58, #EE9658, #EEBF58, #EEE858 and #CDEE58

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EE6C563F shade matches the following richer shades: #EE6E58 and #FD6349

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EE6C563F shade: #EE6E58, #E07867, #D18376, #C28D84 and #B39893

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EE6C563F shade: #EE5894, #EE586C, #EE6C58, #EE9458 and #EEBC58

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EE6C563F shade: #DE3316, #EB4D32, #EE6E58, #F28E7D and #F6AFA3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EE6C563F shade: #EE6C56, #BCEE58 and #5880EE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EE6C563F shade: #EE6C56, #58EE6C and #6C58EE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EE6C563F shade: #EE6C56, #BCEE58, #58DAEE and #8A58EE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EE6C563F shade: #EE6C56, #8FEE58, #58DAEE and #B758EE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 16 / 2

HEX #EE6C563F

RGBA 238 108 86 0.25

HSLA 8.68, 0.82%, 0.64%, 0.25

LABA 61.29, 48.62, 36.61, 0.25

 

Complementary color

CMYK 22 / 3 / 0 / 8

HEX #1193A93F

RGBA 17 147 169 0.25

HSLA 188.68, 0.82%, 0.36%, 0.25

LABA 55.94, -23.87, -20.63, 0.25

 

CMYK 0 / 14 / 17 / 1

HEX #F36C513F

RGBA 243 108 81 0.25

HSLA 10, 0.87%, 0.64%, 0.25

LABA 61.98, 50.13, 40.35, 0.25

 

CMYK 0 / 13 / 15 / 0

HEX #FF7E643F

RGBA 255 126 100 0.25

HSLA 10.06, 1%, 0.7%, 0.25

LABA 67.35, 47.02, 37.02, 0.25

 

CMYK 0 / 11 / 13 / 0

HEX #FF90773F

RGBA 255 144 119 0.25

HSLA 11.03, 1%, 0.73%, 0.25

LABA 71.24, 39.46, 31.67, 0.25

 

CMYK 0 / 9 / 11 / 0

HEX #FFA28A3F

RGBA 255 162 138 0.25

HSLA 12.31, 1%, 0.77%, 0.25

LABA 75.41, 31.9, 26.9, 0.25

 

CMYK 0 / 7 / 10 / 0

HEX #FFB49D3F

RGBA 255 180 157 0.25

HSLA 14.08, 1%, 0.81%, 0.25

LABA 79.81, 24.48, 22.64, 0.25

 

CMYK 0 / 14 / 16 / 2

HEX #EE6C563F

RGBA 238 108 86 0.25

HSLA 8.68, 0.82%, 0.64%, 0.25

LABA 61.29, 48.62, 36.61, 0.25

 

CMYK 0 / 15 / 17 / 3

HEX #DD5A433F

RGBA 221 90 67 0.25

HSLA 8.96, 0.69%, 0.56%, 0.25

LABA 55.16, 49.88, 39.11, 0.25

 

CMYK 0 / 16 / 19 / 5

HEX #CC48303F

RGBA 204 72 48 0.25

HSLA 9.23, 0.62%, 0.49%, 0.25

LABA 49.11, 51.05, 41.87, 0.25

 

CMYK 0 / 18 / 21 / 7

HEX #BB361D3F

RGBA 187 54 29 0.25

HSLA 9.49, 0.73%, 0.42%, 0.25

LABA 43.2, 51.98, 44.72, 0.25

 

CMYK 0 / 20 / 24 / 8

HEX #AA240A3F

RGBA 170 36 10 0.25

HSLA 9.75, 0.89%, 0.35%, 0.25

LABA 37.54, 52.4, 46.89, 0.25

 

CMYK 0 / 54 / 63 / 7

HEX #EE6E58

RGB 238 110 88

HSL 8.8, 0.82%, 0.64%

LAB 61.68, 47.79, 36

 

CMYK 0 / 63 / 63 / 7

HEX #EE5858

RGB 238 88 88

HSL 0, 0.82%, 0.64%

LAB 57.91, 57.73, 31.3

 

CMYK 0 / 54 / 63 / 7

HEX #EE6E58

RGB 238 110 88

HSL 8.8, 0.82%, 0.64%

LAB 61.68, 47.79, 36

 

CMYK 0 / 37 / 63 / 7

HEX #EE9658

RGB 238 150 88

HSL 24.8, 0.82%, 0.64%

LAB 69.96, 27.45, 45.93

 

CMYK 0 / 20 / 63 / 7

HEX #EEBF58

RGB 238 191 88

HSL 41.2, 0.82%, 0.64%

LAB 79.7, 5.82, 57.01

 

CMYK 0 / 3 / 63 / 7

HEX #EEE858

RGB 238 232 88

HSL 57.6, 0.82%, 0.64%

LAB 90.13, -14.99, 68.28

 

CMYK 14 / 0 / 63 / 7

HEX #CDEE58

RGB 205 238 88

HSL 73.2, 0.82%, 0.64%

LAB 89.31, -31.03, 66.68

 

CMYK 0 / 54 / 63 / 7

HEX #EE6E58

RGB 238 110 88

HSL 8.8, 0.82%, 0.64%

LAB 61.68, 47.79, 36

 

CMYK 0 / 61 / 71 / 1

HEX #FD6349

RGB 253 99 73

HSL 8.67, 0.98%, 0.64%

LAB 61.9, 57.27, 44.94

 

CMYK 0 / 54 / 63 / 7

HEX #EE6E58

RGB 238 110 88

HSL 8.8, 0.82%, 0.64%

LAB 61.68, 47.79, 36

 

CMYK 0 / 46 / 54 / 12

HEX #E07867

RGB 224 120 103

HSL 8.43, 0.66%, 0.64%

LAB 61.88, 38.72, 27.49

 

CMYK 0 / 37 / 44 / 18

HEX #D18376

RGB 209 131 118

HSL 8.57, 0.5%, 0.64%

LAB 62.59, 28.56, 19.66

 

CMYK 0 / 27 / 32 / 24

HEX #C28D84

RGB 194 141 132

HSL 8.71, 0.34%, 0.64%

LAB 63.5, 18.9, 12.75

 

CMYK 0 / 15 / 18 / 30

HEX #B39893

RGB 179 152 147

HSL 9.38, 0.17%, 0.64%

LAB 65.08, 9.19, 6.34

 

CMYK 0 / 63 / 38 / 7

HEX #EE5894

RGB 238 88 148

HSL 336, 0.82%, 0.64%

LAB 59.25, 62.73, -1.78

 

CMYK 0 / 63 / 55 / 7

HEX #EE586C

RGB 238 88 108

HSL 352, 0.82%, 0.64%

LAB 58.26, 59.09, 20.2

 

CMYK 0 / 55 / 63 / 7

HEX #EE6C58

RGB 238 108 88

HSL 8, 0.82%, 0.64%

LAB 61.31, 48.75, 35.55

 

CMYK 0 / 38 / 63 / 7

HEX #EE9458

RGB 238 148 88

HSL 24, 0.82%, 0.64%

LAB 69.51, 28.5, 45.41

 

CMYK 0 / 21 / 63 / 7

HEX #EEBC58

RGB 238 188 88

HSL 40, 0.82%, 0.64%

LAB 78.95, 7.38, 56.19

 

CMYK 0 / 77 / 90 / 13

HEX #DE3316

RGB 222 51 22

HSL 8.7, 0.82%, 0.48%

LAB 49.44, 63.77, 55.48

 

CMYK 0 / 67 / 79 / 8

HEX #EB4D32

RGB 235 77 50

HSL 8.76, 0.82%, 0.56%

LAB 55.28, 59.46, 48.87

 

CMYK 0 / 54 / 63 / 7

HEX #EE6E58

RGB 238 110 88

HSL 8.8, 0.82%, 0.64%

LAB 61.68, 47.79, 36

 

CMYK 0 / 41 / 48 / 5

HEX #F28E7D

RGB 242 142 125

HSL 8.72, 0.82%, 0.72%

LAB 69.26, 36.12, 25.47

 

CMYK 0 / 29 / 34 / 4

HEX #F6AFA3

RGB 246 175 163

HSL 8.67, 0.82%, 0.8%

LAB 77.81, 24.42, 16.51

 

CMYK 0 / 55 / 64 / 7

HEX #EE6C56

RGB 238 108 86

HSL 8.68, 0.82%, 0.64%

LAB 61.29, 48.62, 36.61

 

CMYK 21 / 0 / 63 / 7

HEX #BCEE58

RGB 188 238 88

HSL 80, 0.82%, 0.64%

LAB 88.23, -37.53, 65.19

 

CMYK 63 / 46 / 0 / 7

HEX #5880EE

RGB 88 128 238

HSL 224, 0.82%, 0.64%

LAB 55.77, 20.04, -59.71

 

CMYK 0 / 55 / 64 / 7

HEX #EE6C56

RGB 238 108 86

HSL 8.68, 0.82%, 0.64%

LAB 61.29, 48.62, 36.61

 

CMYK 63 / 0 / 55 / 7

HEX #58EE6C

RGB 88 238 108

HSL 128, 0.82%, 0.64%

LAB 84.13, -65.49, 50.76

 

CMYK 55 / 63 / 0 / 7

HEX #6C58EE

RGB 108 88 238

HSL 248, 0.82%, 0.64%

LAB 47.42, 47.46, -73.15

 

CMYK 0 / 55 / 64 / 7

HEX #EE6C56

RGB 238 108 86

HSL 8.68, 0.82%, 0.64%

LAB 61.29, 48.62, 36.61

 

CMYK 21 / 0 / 63 / 7

HEX #BCEE58

RGB 188 238 88

HSL 80, 0.82%, 0.64%

LAB 88.23, -37.53, 65.19

 

CMYK 63 / 8 / 0 / 7

HEX #58DAEE

RGB 88 218 238

HSL 188, 0.82%, 0.64%

LAB 80.96, -29.58, -20.4

 

CMYK 42 / 63 / 0 / 7

HEX #8A58EE

RGB 138 88 238

HSL 260, 0.82%, 0.64%

LAB 50.16, 52.97, -68.57

 

CMYK 0 / 55 / 64 / 7

HEX #EE6C56

RGB 238 108 86

HSL 8.68, 0.82%, 0.64%

LAB 61.29, 48.62, 36.61

 

CMYK 40 / 0 / 63 / 7

HEX #8FEE58

RGB 143 238 88

HSL 98, 0.82%, 0.64%

LAB 85.85, -53.22, 61.92

 

CMYK 63 / 8 / 0 / 7

HEX #58DAEE

RGB 88 218 238

HSL 188, 0.82%, 0.64%

LAB 80.96, -29.58, -20.4

 

CMYK 23 / 63 / 0 / 7

HEX #B758EE

RGB 183 88 238

HSL 278, 0.82%, 0.64%

LAB 55.3, 62.47, -60.02

 

Description

Color code: HEX #EE6C563F | qconv.com Color code: HEX #EE6C563F | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 108 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 108 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 16 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 16% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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