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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EE69AB it is the complementary color #119654. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EE69AB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EE69AB shade: #F369A6, #FF7BB9, #FF8DCC, #FF9FDF and #FFB1F2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EE69AB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EE69AB shade: #EE69AB, #DD5798, #CC4585, #BB3372 and #AA215F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EE69AB shade: #EE68AA, #EE6886 and #EE6868

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EE69AB shade: #EE68AA, #EE68CF, #E968EE, #C568EE and #A168EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EE69AB shade matches the following richer shades: #EE68AA and #FC5AAA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EE69AB shade: #EE68AA, #E175AA, #D383AB, #C590AB and #B89EAB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EE69AB shade: #EA68EE, #EE68CF, #EE68AB, #EE6887 and #EE6C68

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EE69AB shade: #E61D81, #EA4296, #EE68AA, #F28DBF and #F6B2D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EE69AB shade: #EE69AB, #EEC668 and #68E1EE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EE69AB shade: #EE69AB, #ABEE68 and #68ABEE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EE69AB shade: #EE69AB, #EEC668, #68EEAB and #6890EE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EE69AB shade: #EE69AB, #EEEE68, #68EEAB and #6868EE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 28 / 7

HEX #EE69AB

RGB 238 105 171

HSL 330.23, 0.8%, 0.67%

LAB 62.69, 58.04, -9.96

 

Complementary color

CMYK 89 / 0 / 44 / 41

HEX #119654

RGB 17 150 84

HSL 150.23, 0.8%, 0.33%

LAB 54.63, -48.56, 25.69

 

CMYK 0 / 57 / 32 / 5

HEX #F369A6

RGB 243 105 166

HSL 333.48, 0.85%, 0.68%

LAB 63.27, 58.96, -6.16

 

CMYK 0 / 52 / 27 / 0

HEX #FF7BB9

RGB 255 123 185

HSL 331.82, 1%, 0.74%

LAB 68.7, 56.76, -8.68

 

CMYK 0 / 45 / 20 / 0

HEX #FF8DCC

RGB 255 141 204

HSL 326.84, 1%, 0.78%

LAB 72.67, 50.63, -13.33

 

CMYK 0 / 38 / 13 / 0

HEX #FF9FDF

RGB 255 159 223

HSL 320, 1%, 0.81%

LAB 76.91, 44.42, -17.38

 

CMYK 0 / 31 / 5 / 0

HEX #FFB1F2

RGB 255 177 242

HSL 310, 1%, 0.85%

LAB 81.35, 38.24, -20.93

 

CMYK 0 / 56 / 28 / 7

HEX #EE69AB

RGB 238 105 171

HSL 330.23, 0.8%, 0.67%

LAB 62.69, 58.04, -9.96

 

CMYK 0 / 61 / 31 / 13

HEX #DD5798

RGB 221 87 152

HSL 330.9, 0.66%, 0.6%

LAB 56.54, 58.53, -8.42

 

CMYK 0 / 66 / 35 / 20

HEX #CC4585

RGB 204 69 133

HSL 331.56, 0.57%, 0.54%

LAB 50.44, 58.78, -6.55

 

CMYK 0 / 73 / 39 / 27

HEX #BB3372

RGB 187 51 114

HSL 332.21, 0.57%, 0.47%

LAB 44.44, 58.6, -4.21

 

CMYK 0 / 81 / 44 / 33

HEX #AA215F

RGB 170 33 95

HSL 332.85, 0.67%, 0.4%

LAB 38.66, 57.72, -1.21

 

CMYK 0 / 56 / 29 / 7

HEX #EE68AA

RGB 238 104 170

HSL 330.45, 0.8%, 0.67%

LAB 62.49, 58.37, -9.69

 

CMYK 0 / 56 / 44 / 7

HEX #EE6886

RGB 238 104 134

HSL 346.57, 0.8%, 0.67%

LAB 61.48, 54.32, 9.57

 

CMYK 0 / 56 / 56 / 7

HEX #EE6868

RGB 238 104 104

HSL 0, 0.8%, 0.67%

LAB 60.85, 51.72, 25.96

 

CMYK 0 / 56 / 29 / 7

HEX #EE68AA

RGB 238 104 170

HSL 330.45, 0.8%, 0.67%

LAB 62.49, 58.37, -9.69

 

CMYK 0 / 56 / 13 / 7

HEX #EE68CF

RGB 238 104 207

HSL 313.88, 0.8%, 0.67%

LAB 63.82, 63.49, -28.69

 

CMYK 2 / 56 / 0 / 7

HEX #E968EE

RGB 233 104 238

HSL 297.76, 0.8%, 0.67%

LAB 64.48, 67.18, -45.02

 

CMYK 17 / 56 / 0 / 7

HEX #C568EE

RGB 197 104 238

HSL 281.64, 0.8%, 0.67%

LAB 59.84, 58.16, -52.67

 

CMYK 32 / 56 / 0 / 7

HEX #A168EE

RGB 161 104 238

HSL 265.52, 0.8%, 0.67%

LAB 55.74, 49.45, -59.46

 

CMYK 0 / 56 / 29 / 7

HEX #EE68AA

RGB 238 104 170

HSL 330.45, 0.8%, 0.67%

LAB 62.49, 58.37, -9.69

 

CMYK 0 / 64 / 33 / 1

HEX #FC5AAA

RGB 252 90 170

HSL 330.37, 0.96%, 0.67%

LAB 62.43, 68.38, -9.55

 

CMYK 0 / 56 / 29 / 7

HEX #EE68AA

RGB 238 104 170

HSL 330.45, 0.8%, 0.67%

LAB 62.49, 58.37, -9.69

 

CMYK 0 / 48 / 24 / 12

HEX #E175AA

RGB 225 117 170

HSL 330.56, 0.64%, 0.67%

LAB 63.04, 48.06, -9.06

 

CMYK 0 / 38 / 19 / 17

HEX #D383AB

RGB 211 131 171

HSL 330, 0.48%, 0.67%

LAB 64.18, 36.24, -8.12

 

CMYK 0 / 27 / 13 / 23

HEX #C590AB

RGB 197 144 171

HSL 329.43, 0.31%, 0.67%

LAB 65.56, 24.24, -6.24

 

CMYK 0 / 14 / 7 / 28

HEX #B89EAB

RGB 184 158 171

HSL 330, 0.15%, 0.67%

LAB 67.71, 11.8, -3.2

 

CMYK 2 / 56 / 0 / 7

HEX #EA68EE

RGB 234 104 238

HSL 298.21, 0.8%, 0.67%

LAB 64.62, 67.43, -44.8

 

CMYK 0 / 56 / 13 / 7

HEX #EE68CF

RGB 238 104 207

HSL 313.88, 0.8%, 0.67%

LAB 63.82, 63.49, -28.69

 

CMYK 0 / 56 / 28 / 7

HEX #EE68AB

RGB 238 104 171

HSL 330, 0.8%, 0.67%

LAB 62.52, 58.49, -10.21

 

CMYK 0 / 56 / 43 / 7

HEX #EE6887

RGB 238 104 135

HSL 346.12, 0.8%, 0.67%

LAB 61.5, 54.42, 9.03

 

CMYK 0 / 55 / 56 / 7

HEX #EE6C68

RGB 238 108 104

HSL 1.79, 0.8%, 0.67%

LAB 61.57, 49.85, 26.91

 

CMYK 0 / 87 / 44 / 10

HEX #E61D81

RGB 230 29 129

HSL 330.15, 0.8%, 0.51%

LAB 51.02, 76.31, -2.76

 

CMYK 0 / 72 / 36 / 8

HEX #EA4296

RGB 234 66 150

HSL 330, 0.8%, 0.59%

LAB 55.68, 70.02, -8.31

 

CMYK 0 / 56 / 29 / 7

HEX #EE68AA

RGB 238 104 170

HSL 330.45, 0.8%, 0.67%

LAB 62.49, 58.37, -9.69

 

CMYK 0 / 42 / 21 / 5

HEX #F28DBF

RGB 242 141 191

HSL 330.3, 0.8%, 0.75%

LAB 70.66, 44.52, -9.3

 

CMYK 0 / 28 / 14 / 4

HEX #F6B2D4

RGB 246 178 212

HSL 330, 0.79%, 0.83%

LAB 79.72, 29.75, -7.3

 

CMYK 0 / 56 / 28 / 7

HEX #EE69AB

RGB 238 105 171

HSL 330.23, 0.8%, 0.67%

LAB 62.69, 58.04, -9.96

 

CMYK 0 / 17 / 56 / 7

HEX #EEC668

RGB 238 198 104

HSL 42.09, 0.8%, 0.67%

LAB 81.6, 3.29, 51.74

 

CMYK 56 / 5 / 0 / 7

HEX #68E1EE

RGB 104 225 238

HSL 185.82, 0.8%, 0.67%

LAB 83.42, -30.2, -16.63

 

CMYK 0 / 56 / 28 / 7

HEX #EE69AB

RGB 238 105 171

HSL 330.23, 0.8%, 0.67%

LAB 62.69, 58.04, -9.96

 

CMYK 28 / 0 / 56 / 7

HEX #ABEE68

RGB 171 238 104

HSL 90, 0.8%, 0.67%

LAB 87.39, -42.38, 57.22

 

CMYK 56 / 28 / 0 / 7

HEX #68ABEE

RGB 104 171 238

HSL 210, 0.8%, 0.67%

LAB 68.2, -2.15, -39.98

 

CMYK 0 / 56 / 28 / 7

HEX #EE69AB

RGB 238 105 171

HSL 330.23, 0.8%, 0.67%

LAB 62.69, 58.04, -9.96

 

CMYK 0 / 17 / 56 / 7

HEX #EEC668

RGB 238 198 104

HSL 42.09, 0.8%, 0.67%

LAB 81.6, 3.29, 51.74

 

CMYK 56 / 0 / 28 / 7

HEX #68EEAB

RGB 104 238 171

HSL 150, 0.8%, 0.67%

LAB 85.52, -51.87, 21.6

 

CMYK 56 / 39 / 0 / 7

HEX #6890EE

RGB 104 144 238

HSL 222.09, 0.8%, 0.67%

LAB 60.84, 13.4, -51.58

 

CMYK 0 / 56 / 28 / 7

HEX #EE69AB

RGB 238 105 171

HSL 330.23, 0.8%, 0.67%

LAB 62.69, 58.04, -9.96

 

CMYK 0 / 0 / 56 / 7

HEX #EEEE68

RGB 238 238 104

HSL 60, 0.8%, 0.67%

LAB 91.83, -16.87, 63.45

 

CMYK 56 / 0 / 28 / 7

HEX #68EEAB

RGB 104 238 171

HSL 150, 0.8%, 0.67%

LAB 85.52, -51.87, 21.6

 

CMYK 56 / 56 / 0 / 7

HEX #6868EE

RGB 104 104 238

HSL 240, 0.8%, 0.67%

LAB 50.71, 37.43, -67.82

 

Description

Color code: HEX #EE69AB | qconv.com Color code: HEX #EE69AB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 105 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 105 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 28 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 28% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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