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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EE679C it is the complementary color #119863. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EE679C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EE679C shade: #F36797, #FF79AA, #FF8BBD, #FF9DD0 and #FFAFE3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EE679C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EE679C shade: #EE679C, #DD5589, #CC4376, #BB3163 and #AA1F50

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EE679C shade: #EE689C, #EE6878 and #EE6868

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EE679C shade: #EE689C, #EE68C1, #EE68E5, #D368EE and #AF68EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EE679C shade matches the following richer shades: #EE689C and #FC5A99

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EE679C shade: #EE689C, #E1759F, #D383A2, #C590A5 and #B89EA8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EE679C shade: #EE68E5, #EE68C1, #EE689D, #EE6879 and #EE7968

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EE679C shade: #E61D6C, #EA4284, #EE689C, #F28DB5 and #F6B2CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EE679C shade: #EE679C, #EED368 and #68D3EE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EE679C shade: #EE679C, #9DEE68 and #689DEE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EE679C shade: #EE679C, #EED368, #68EEB8 and #6882EE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EE679C shade: #EE679C, #E1EE68, #68EEB8 and #7568EE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 34 / 7

HEX #EE679C

RGB 238 103 156

HSL 336.44, 0.8%, 0.67%

LAB 61.89, 57.13, -2.53

 

Complementary color

CMYK 89 / 0 / 35 / 40

HEX #119863

RGB 17 152 99

HSL 156.44, 0.8%, 0.33%

LAB 55.56, -46.22, 18.7

 

CMYK 0 / 58 / 38 / 5

HEX #F36797

RGB 243 103 151

HSL 339.43, 0.85%, 0.68%

LAB 62.5, 58.14, 1.32

 

CMYK 0 / 53 / 33 / 0

HEX #FF79AA

RGB 255 121 170

HSL 338.06, 1%, 0.74%

LAB 67.9, 55.86, -1.41

 

CMYK 0 / 45 / 26 / 0

HEX #FF8BBD

RGB 255 139 189

HSL 334.14, 1%, 0.77%

LAB 71.83, 49.54, -6.28

 

CMYK 0 / 38 / 18 / 0

HEX #FF9DD0

RGB 255 157 208

HSL 328.78, 1%, 0.81%

LAB 76.03, 43.14, -10.51

 

CMYK 0 / 31 / 11 / 0

HEX #FFAFE3

RGB 255 175 227

HSL 321, 1%, 0.84%

LAB 80.44, 36.77, -14.23

 

CMYK 0 / 57 / 34 / 7

HEX #EE679C

RGB 238 103 156

HSL 336.44, 0.8%, 0.67%

LAB 61.89, 57.13, -2.53

 

CMYK 0 / 62 / 38 / 13

HEX #DD5589

RGB 221 85 137

HSL 337.06, 0.67%, 0.6%

LAB 55.76, 57.67, -0.76

 

CMYK 0 / 67 / 42 / 20

HEX #CC4376

RGB 204 67 118

HSL 337.66, 0.57%, 0.53%

LAB 49.69, 57.97, 1.39

 

CMYK 0 / 74 / 47 / 27

HEX #BB3163

RGB 187 49 99

HSL 338.26, 0.58%, 0.46%

LAB 43.74, 57.82, 4.06

 

CMYK 0 / 82 / 53 / 33

HEX #AA1F50

RGB 170 31 80

HSL 338.85, 0.69%, 0.39%

LAB 38.03, 56.96, 7.47

 

CMYK 0 / 56 / 34 / 7

HEX #EE689C

RGB 238 104 156

HSL 336.72, 0.8%, 0.67%

LAB 62.06, 56.68, -2.28

 

CMYK 0 / 56 / 50 / 7

HEX #EE6878

RGB 238 104 120

HSL 352.84, 0.8%, 0.67%

LAB 61.16, 53.02, 17.21

 

CMYK 0 / 56 / 56 / 7

HEX #EE6868

RGB 238 104 104

HSL 0, 0.8%, 0.67%

LAB 60.85, 51.72, 25.96

 

CMYK 0 / 56 / 34 / 7

HEX #EE689C

RGB 238 104 156

HSL 336.72, 0.8%, 0.67%

LAB 62.06, 56.68, -2.28

 

CMYK 0 / 56 / 19 / 7

HEX #EE68C1

RGB 238 104 193

HSL 320.15, 0.8%, 0.67%

LAB 63.28, 61.45, -21.6

 

CMYK 0 / 56 / 4 / 7

HEX #EE68E5

RGB 238 104 229

HSL 304.03, 0.8%, 0.67%

LAB 64.75, 66.95, -39.56

 

CMYK 11 / 56 / 0 / 7

HEX #D368EE

RGB 211 104 238

HSL 287.91, 0.8%, 0.67%

LAB 61.59, 61.65, -49.79

 

CMYK 26 / 56 / 0 / 7

HEX #AF68EE

RGB 175 104 238

HSL 271.79, 0.8%, 0.67%

LAB 57.26, 52.78, -56.94

 

CMYK 0 / 56 / 34 / 7

HEX #EE689C

RGB 238 104 156

HSL 336.72, 0.8%, 0.67%

LAB 62.06, 56.68, -2.28

 

CMYK 0 / 64 / 39 / 1

HEX #FC5A99

RGB 252 90 153

HSL 336.67, 0.96%, 0.67%

LAB 61.92, 66.56, -0.51

 

CMYK 0 / 56 / 34 / 7

HEX #EE689C

RGB 238 104 156

HSL 336.72, 0.8%, 0.67%

LAB 62.06, 56.68, -2.28

 

CMYK 0 / 48 / 29 / 12

HEX #E1759F

RGB 225 117 159

HSL 336.67, 0.64%, 0.67%

LAB 62.7, 46.58, -3.27

 

CMYK 0 / 38 / 23 / 17

HEX #D383A2

RGB 211 131 162

HSL 336.75, 0.48%, 0.67%

LAB 63.91, 34.89, -3.41

 

CMYK 0 / 27 / 16 / 23

HEX #C590A5

RGB 197 144 165

HSL 336.23, 0.31%, 0.67%

LAB 65.38, 23.25, -3.12

 

CMYK 0 / 14 / 9 / 28

HEX #B89EA8

RGB 184 158 168

HSL 336.92, 0.15%, 0.67%

LAB 67.63, 11.27, -1.65

 

CMYK 0 / 56 / 4 / 7

HEX #EE68E5

RGB 238 104 229

HSL 304.03, 0.8%, 0.67%

LAB 64.75, 66.95, -39.56

 

CMYK 0 / 56 / 19 / 7

HEX #EE68C1

RGB 238 104 193

HSL 320.15, 0.8%, 0.67%

LAB 63.28, 61.45, -21.6

 

CMYK 0 / 56 / 34 / 7

HEX #EE689D

RGB 238 104 157

HSL 336.27, 0.8%, 0.67%

LAB 62.09, 56.79, -2.81

 

CMYK 0 / 56 / 49 / 7

HEX #EE6879

RGB 238 104 121

HSL 352.39, 0.8%, 0.67%

LAB 61.18, 53.11, 16.66

 

CMYK 0 / 49 / 56 / 7

HEX #EE7968

RGB 238 121 104

HSL 7.61, 0.8%, 0.67%

LAB 64.04, 43.53, 30.12

 

CMYK 0 / 87 / 53 / 10

HEX #E61D6C

RGB 230 29 108

HSL 336.42, 0.8%, 0.51%

LAB 50.43, 74.67, 9.16

 

CMYK 0 / 72 / 44 / 8

HEX #EA4284

RGB 234 66 132

HSL 336.43, 0.8%, 0.59%

LAB 55.13, 68.24, 1.54

 

CMYK 0 / 56 / 34 / 7

HEX #EE689C

RGB 238 104 156

HSL 336.72, 0.8%, 0.67%

LAB 62.06, 56.68, -2.28

 

CMYK 0 / 42 / 25 / 5

HEX #F28DB5

RGB 242 141 181

HSL 336.24, 0.8%, 0.75%

LAB 70.36, 43.11, -4.17

 

CMYK 0 / 28 / 17 / 4

HEX #F6B2CD

RGB 246 178 205

HSL 336.18, 0.79%, 0.83%

LAB 79.52, 28.65, -3.8

 

CMYK 0 / 57 / 34 / 7

HEX #EE679C

RGB 238 103 156

HSL 336.44, 0.8%, 0.67%

LAB 61.89, 57.13, -2.53

 

CMYK 0 / 11 / 56 / 7

HEX #EED368

RGB 238 211 104

HSL 47.91, 0.8%, 0.67%

LAB 84.88, -3.4, 55.56

 

CMYK 56 / 11 / 0 / 7

HEX #68D3EE

RGB 104 211 238

HSL 192.09, 0.8%, 0.67%

LAB 79.45, -23.34, -22.65

 

CMYK 0 / 57 / 34 / 7

HEX #EE679C

RGB 238 103 156

HSL 336.44, 0.8%, 0.67%

LAB 61.89, 57.13, -2.53

 

CMYK 34 / 0 / 56 / 7

HEX #9DEE68

RGB 157 238 104

HSL 96.27, 0.8%, 0.67%

LAB 86.66, -47.18, 56.19

 

CMYK 56 / 34 / 0 / 7

HEX #689DEE

RGB 104 157 238

HSL 216.27, 0.8%, 0.67%

LAB 64.35, 5.8, -46.02

 

CMYK 0 / 57 / 34 / 7

HEX #EE679C

RGB 238 103 156

HSL 336.44, 0.8%, 0.67%

LAB 61.89, 57.13, -2.53

 

CMYK 0 / 11 / 56 / 7

HEX #EED368

RGB 238 211 104

HSL 47.91, 0.8%, 0.67%

LAB 84.88, -3.4, 55.56

 

CMYK 56 / 0 / 23 / 7

HEX #68EEB8

RGB 104 238 184

HSL 155.82, 0.8%, 0.67%

LAB 85.78, -49.21, 15.23

 

CMYK 56 / 45 / 0 / 7

HEX #6882EE

RGB 104 130 238

HSL 228.36, 0.8%, 0.67%

LAB 57.15, 21.77, -57.44

 

CMYK 0 / 57 / 34 / 7

HEX #EE679C

RGB 238 103 156

HSL 336.44, 0.8%, 0.67%

LAB 61.89, 57.13, -2.53

 

CMYK 5 / 0 / 56 / 7

HEX #E1EE68

RGB 225 238 104

HSL 65.82, 0.8%, 0.67%

LAB 90.85, -22.04, 62.08

 

CMYK 56 / 0 / 23 / 7

HEX #68EEB8

RGB 104 238 184

HSL 155.82, 0.8%, 0.67%

LAB 85.78, -49.21, 15.23

 

CMYK 51 / 56 / 0 / 7

HEX #7568EE

RGB 117 104 238

HSL 245.82, 0.8%, 0.67%

LAB 51.67, 39.88, -66.21

 

Description

Color code: HEX #EE679C | qconv.com Color code: HEX #EE679C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 103 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 103 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 34 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 34% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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