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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EE5669 it is the complementary color #11A996. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EE5669. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EE5669 shade: #F35664, #FF6877, #FF7A8A, #FF8C9D and #FF9EB0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EE5669. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EE5669 shade: #EE5669, #DD4456, #CC3243, #BB2030 and #AA0E1D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EE5669 shade: #EE586B and #EE5858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EE5669 shade: #EE586B, #EE5893, #EE58BC, #EE58E5 and #D058EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EE5669 shade matches the following richer shades: #EE586B and #FD4960

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EE5669 shade: #EE586B, #E06776, #D17681, #C2848C and #B39397

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EE5669 shade: #EE58BC, #EE5894, #EE586C, #EE6C58 and #EE9458

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EE5669 shade: #DE162F, #EB3249, #EE586B, #F27D8C and #F6A3AD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EE5669 shade: #EE5669, #E4EE58 and #58A8EE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EE5669 shade: #EE5669, #6CEE58 and #586CEE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EE5669 shade: #EE5669, #E4EE58, #58EEDA and #6258EE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EE5669 shade: #EE5669, #B7EE58, #58EEDA and #8F58EE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 56 / 7

HEX #EE5669

RGB 238 86 105

HSL 352.5, 0.82%, 0.64%

LAB 57.9, 59.69, 21.46

 

Complementary color

CMYK 90 / 0 / 11 / 34

HEX #11A996

RGB 17 169 150

HSL 172.5, 0.82%, 0.36%

LAB 62.25, -40.27, -0.41

 

CMYK 0 / 65 / 59 / 5

HEX #F35664

RGB 243 86 100

HSL 354.65, 0.87%, 0.65%

LAB 58.63, 60.93, 25.49

 

CMYK 0 / 59 / 53 / 0

HEX #FF6877

RGB 255 104 119

HSL 354.04, 1%, 0.7%

LAB 63.75, 58.59, 21.73

 

CMYK 0 / 52 / 46 / 0

HEX #FF7A8A

RGB 255 122 138

HSL 352.78, 1%, 0.74%

LAB 67.29, 51.99, 15.8

 

CMYK 0 / 45 / 38 / 0

HEX #FF8C9D

RGB 255 140 157

HSL 351.13, 1%, 0.77%

LAB 71.18, 45.14, 10.62

 

CMYK 0 / 38 / 31 / 0

HEX #FF9EB0

RGB 255 158 176

HSL 348.87, 1%, 0.81%

LAB 75.36, 38.22, 6.07

 

CMYK 0 / 64 / 56 / 7

HEX #EE5669

RGB 238 86 105

HSL 352.5, 0.82%, 0.64%

LAB 57.9, 59.69, 21.46

 

CMYK 0 / 69 / 61 / 13

HEX #DD4456

RGB 221 68 86

HSL 352.94, 0.69%, 0.57%

LAB 52.04, 60.15, 24.36

 

CMYK 0 / 75 / 67 / 20

HEX #CC3243

RGB 204 50 67

HSL 353.38, 0.61%, 0.5%

LAB 46.34, 60.19, 27.83

 

CMYK 0 / 83 / 74 / 27

HEX #BB2030

RGB 187 32 48

HSL 353.81, 0.71%, 0.43%

LAB 40.91, 59.54, 31.97

 

CMYK 0 / 92 / 83 / 33

HEX #AA0E1D

RGB 170 14 29

HSL 354.23, 0.85%, 0.36%

LAB 35.89, 57.83, 36.72

 

CMYK 0 / 63 / 55 / 7

HEX #EE586B

RGB 238 88 107

HSL 352.4, 0.82%, 0.64%

LAB 58.24, 59.01, 20.76

 

CMYK 0 / 63 / 63 / 7

HEX #EE5858

RGB 238 88 88

HSL 0, 0.82%, 0.64%

LAB 57.91, 57.73, 31.3

 

CMYK 0 / 63 / 55 / 7

HEX #EE586B

RGB 238 88 107

HSL 352.4, 0.82%, 0.64%

LAB 58.24, 59.01, 20.76

 

CMYK 0 / 63 / 38 / 7

HEX #EE5893

RGB 238 88 147

HSL 336.4, 0.82%, 0.64%

LAB 59.22, 62.62, -1.24

 

CMYK 0 / 63 / 21 / 7

HEX #EE58BC

RGB 238 88 188

HSL 320, 0.82%, 0.64%

LAB 60.59, 67.55, -22.87

 

CMYK 0 / 63 / 4 / 7

HEX #EE58E5

RGB 238 88 229

HSL 303.6, 0.82%, 0.64%

LAB 62.35, 73.55, -43.32

 

CMYK 13 / 63 / 0 / 7

HEX #D058EE

RGB 208 88 238

HSL 288, 0.82%, 0.64%

LAB 58.57, 68.1, -54.61

 

CMYK 0 / 63 / 55 / 7

HEX #EE586B

RGB 238 88 107

HSL 352.4, 0.82%, 0.64%

LAB 58.24, 59.01, 20.76

 

CMYK 0 / 71 / 62 / 1

HEX #FD4960

RGB 253 73 96

HSL 352.33, 0.98%, 0.64%

LAB 58.5, 68.58, 27.97

 

CMYK 0 / 63 / 55 / 7

HEX #EE586B

RGB 238 88 107

HSL 352.4, 0.82%, 0.64%

LAB 58.24, 59.01, 20.76

 

CMYK 0 / 54 / 47 / 12

HEX #E06776

RGB 224 103 118

HSL 352.56, 0.66%, 0.64%

LAB 58.84, 48.51, 14.83

 

CMYK 0 / 44 / 38 / 18

HEX #D17681

RGB 209 118 129

HSL 352.75, 0.5%, 0.64%

LAB 59.98, 36.73, 9.75

 

CMYK 0 / 32 / 28 / 24

HEX #C2848C

RGB 194 132 140

HSL 352.26, 0.34%, 0.64%

LAB 61.54, 24.96, 5.42

 

CMYK 0 / 18 / 16 / 30

HEX #B39397

RGB 179 147 151

HSL 352.5, 0.17%, 0.64%

LAB 63.91, 12.63, 2.4

 

CMYK 0 / 63 / 21 / 7

HEX #EE58BC

RGB 238 88 188

HSL 320, 0.82%, 0.64%

LAB 60.59, 67.55, -22.87

 

CMYK 0 / 63 / 38 / 7

HEX #EE5894

RGB 238 88 148

HSL 336, 0.82%, 0.64%

LAB 59.25, 62.73, -1.78

 

CMYK 0 / 63 / 55 / 7

HEX #EE586C

RGB 238 88 108

HSL 352, 0.82%, 0.64%

LAB 58.26, 59.09, 20.2

 

CMYK 0 / 55 / 63 / 7

HEX #EE6C58

RGB 238 108 88

HSL 8, 0.82%, 0.64%

LAB 61.31, 48.75, 35.55

 

CMYK 0 / 38 / 63 / 7

HEX #EE9458

RGB 238 148 88

HSL 24, 0.82%, 0.64%

LAB 69.51, 28.5, 45.41

 

CMYK 0 / 90 / 79 / 13

HEX #DE162F

RGB 222 22 47

HSL 352.5, 0.82%, 0.48%

LAB 47.38, 70.72, 41.66

 

CMYK 0 / 79 / 69 / 8

HEX #EB3249

RGB 235 50 73

HSL 352.54, 0.82%, 0.56%

LAB 52.31, 69.32, 32.93

 

CMYK 0 / 63 / 55 / 7

HEX #EE586B

RGB 238 88 107

HSL 352.4, 0.82%, 0.64%

LAB 58.24, 59.01, 20.76

 

CMYK 0 / 48 / 42 / 5

HEX #F27D8C

RGB 242 125 140

HSL 352.31, 0.82%, 0.72%

LAB 66.09, 46.23, 12.73

 

CMYK 0 / 34 / 30 / 4

HEX #F6A3AD

RGB 246 163 173

HSL 352.77, 0.82%, 0.8%

LAB 75.33, 32.01, 7.54

 

CMYK 0 / 64 / 56 / 7

HEX #EE5669

RGB 238 86 105

HSL 352.5, 0.82%, 0.64%

LAB 57.9, 59.69, 21.46

 

CMYK 4 / 0 / 63 / 7

HEX #E4EE58

RGB 228 238 88

HSL 64, 0.82%, 0.64%

LAB 90.94, -21.94, 68.89

 

CMYK 63 / 29 / 0 / 7

HEX #58A8EE

RGB 88 168 238

HSL 208, 0.82%, 0.64%

LAB 66.71, -3.47, -42.35

 

CMYK 0 / 64 / 56 / 7

HEX #EE5669

RGB 238 86 105

HSL 352.5, 0.82%, 0.64%

LAB 57.9, 59.69, 21.46

 

CMYK 55 / 0 / 63 / 7

HEX #6CEE58

RGB 108 238 88

HSL 112, 0.82%, 0.64%

LAB 84.51, -63.2, 60.06

 

CMYK 63 / 55 / 0 / 7

HEX #586CEE

RGB 88 108 238

HSL 232, 0.82%, 0.64%

LAB 50.66, 32.28, -67.95

 

CMYK 0 / 64 / 56 / 7

HEX #EE5669

RGB 238 86 105

HSL 352.5, 0.82%, 0.64%

LAB 57.9, 59.69, 21.46

 

CMYK 4 / 0 / 63 / 7

HEX #E4EE58

RGB 228 238 88

HSL 64, 0.82%, 0.64%

LAB 90.94, -21.94, 68.89

 

CMYK 63 / 0 / 8 / 7

HEX #58EEDA

RGB 88 238 218

HSL 172, 0.82%, 0.64%

LAB 86.15, -44.2, -2.08

 

CMYK 59 / 63 / 0 / 7

HEX #6258EE

RGB 98 88 238

HSL 244, 0.82%, 0.64%

LAB 46.64, 45.84, -74.45

 

CMYK 0 / 64 / 56 / 7

HEX #EE5669

RGB 238 86 105

HSL 352.5, 0.82%, 0.64%

LAB 57.9, 59.69, 21.46

 

CMYK 23 / 0 / 63 / 7

HEX #B7EE58

RGB 183 238 88

HSL 82, 0.82%, 0.64%

LAB 87.93, -39.39, 64.78

 

CMYK 63 / 0 / 8 / 7

HEX #58EEDA

RGB 88 238 218

HSL 172, 0.82%, 0.64%

LAB 86.15, -44.2, -2.08

 

CMYK 40 / 63 / 0 / 7

HEX #8F58EE

RGB 143 88 238

HSL 262, 0.82%, 0.64%

LAB 50.68, 53.97, -67.71

 

Description

Color code: HEX #EE5669 | qconv.com Color code: HEX #EE5669 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 86 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 86 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 56 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 56% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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