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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EE50F6 it is the complementary color #11AF09. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EE50F6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EE50F6 shade: #F350F1, #FF62FF, #FF74FF, #FF86FF and #FF98FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EE50F6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EE50F6 shade: #EE50F6, #DD3EE3, #CC2CD0, #BB1ABD and #AA08AA

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EE50F6 shade: #EE51F6, #F651D1, #F651A5, #F65178 and #F65151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EE50F6 shade: #EE51F6, #C151F6, #9551F6, #6851F6 and #5151F6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EE50F6 shade matches the following richer shades: #EE51F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EE50F6 shade: #EE51F6, #E05FE7, #D36ED8, #C67DC9 and #B88CBA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EE50F6 shade: #9551F6, #C151F6, #EE51F6, #F651D2 and #F651A6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EE50F6 shade: #DD0CE8, #EA29F4, #EE51F6, #F278F8 and #F69FFA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EE50F6 shade: #EE50F6, #F66951 and #51F6AB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EE50F6 shade: #EE50F6, #F6EE51 and #51F6EE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EE50F6 shade: #EE50F6, #F66951, #59F651 and #51DDF6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EE50F6 shade: #EE50F6, #F69B51, #59F651 and #51ABF6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 67 / 0 / 4

HEX #EE50F6

RGB 238 80 246

HSL 297.11, 0.9%, 0.64%

LAB 62.14, 79.24, -53.11

 

Complementary color

CMYK 90 / 0 / 95 / 31

HEX #11AF09

RGB 17 175 9

HSL 117.11, 0.9%, 0.36%

LAB 62.34, -63.84, 61.67

 

CMYK 0 / 67 / 1 / 5

HEX #F350F1

RGB 243 80 241

HSL 300.74, 0.87%, 0.63%

LAB 62.63, 79.52, -49.52

 

CMYK 0 / 62 / 0 / 0

HEX #FF62FF

RGB 255 98 255

HSL 300, 1%, 0.69%

LAB 67.44, 77.81, -49.53

 

CMYK 0 / 55 / 0 / 0

HEX #FF74FF

RGB 255 116 255

HSL 300, 1%, 0.73%

LAB 70.16, 70.36, -45.25

 

CMYK 0 / 47 / 0 / 0

HEX #FF86FF

RGB 255 134 255

HSL 300, 1%, 0.76%

LAB 73.24, 62.13, -40.43

 

CMYK 0 / 40 / 0 / 0

HEX #FF98FF

RGB 255 152 255

HSL 300, 1%, 0.8%

LAB 76.64, 53.33, -35.15

 

CMYK 3 / 67 / 0 / 4

HEX #EE50F6

RGB 238 80 246

HSL 297.11, 0.9%, 0.64%

LAB 62.14, 79.24, -53.11

 

CMYK 3 / 73 / 0 / 11

HEX #DD3EE3

RGB 221 62 227

HSL 297.82, 0.75%, 0.57%

LAB 56.45, 78.58, -51.7

 

CMYK 2 / 79 / 0 / 18

HEX #CC2CD0

RGB 204 44 208

HSL 298.54, 0.65%, 0.49%

LAB 50.91, 77.28, -49.89

 

CMYK 1 / 86 / 0 / 26

HEX #BB1ABD

RGB 187 26 189

HSL 299.26, 0.76%, 0.42%

LAB 45.6, 75.08, -47.52

 

CMYK 0 / 95 / 0 / 33

HEX #AA08AA

RGB 170 8 170

HSL 300, 0.91%, 0.35%

LAB 40.61, 71.67, -44.45

 

CMYK 3 / 67 / 0 / 4

HEX #EE51F6

RGB 238 81 246

HSL 297.09, 0.9%, 0.64%

LAB 62.27, 78.89, -52.91

 

CMYK 0 / 67 / 15 / 4

HEX #F651D1

RGB 246 81 209

HSL 313.45, 0.9%, 0.64%

LAB 61.72, 75.12, -32.97

 

CMYK 0 / 67 / 33 / 4

HEX #F651A5

RGB 246 81 165

HSL 329.45, 0.9%, 0.64%

LAB 60.06, 69.59, -10.31

 

CMYK 0 / 67 / 51 / 4

HEX #F65178

RGB 246 81 120

HSL 345.82, 0.9%, 0.64%

LAB 58.82, 65.28, 14.16

 

CMYK 0 / 67 / 67 / 4

HEX #F65151

RGB 246 81 81

HSL 0, 0.9%, 0.64%

LAB 58.11, 62.73, 35.82

 

CMYK 3 / 67 / 0 / 4

HEX #EE51F6

RGB 238 81 246

HSL 297.09, 0.9%, 0.64%

LAB 62.27, 78.89, -52.91

 

CMYK 22 / 67 / 0 / 4

HEX #C151F6

RGB 193 81 246

HSL 280.73, 0.9%, 0.64%

LAB 55.96, 69.34, -63.35

 

CMYK 39 / 67 / 0 / 4

HEX #9551F6

RGB 149 81 246

HSL 264.73, 0.9%, 0.64%

LAB 50.6, 60.65, -72.28

 

CMYK 58 / 67 / 0 / 4

HEX #6851F6

RGB 104 81 246

HSL 248.36, 0.9%, 0.64%

LAB 46.29, 53.1, -79.5

 

CMYK 67 / 67 / 0 / 4

HEX #5151F6

RGB 81 81 246

HSL 240, 0.9%, 0.64%

LAB 44.64, 50.05, -82.26

 

CMYK 3 / 67 / 0 / 4

HEX #EE51F6

RGB 238 81 246

HSL 297.09, 0.9%, 0.64%

LAB 62.27, 78.89, -52.91

 

CMYK 3 / 67 / 0 / 4

HEX #EE51F6

RGB 238 81 246

HSL 297.09, 0.9%, 0.64%

LAB 62.27, 78.89, -52.91

 

CMYK 3 / 59 / 0 / 9

HEX #E05FE7

RGB 224 95 231

HSL 296.91, 0.74%, 0.64%

LAB 61.48, 67.64, -45.94

 

CMYK 2 / 49 / 0 / 15

HEX #D36ED8

RGB 211 110 216

HSL 297.17, 0.58%, 0.64%

LAB 61.62, 54.66, -37.45

 

CMYK 1 / 38 / 0 / 21

HEX #C67DC9

RGB 198 125 201

HSL 297.63, 0.41%, 0.64%

LAB 62.41, 40.3, -27.9

 

CMYK 1 / 25 / 0 / 27

HEX #B88CBA

RGB 184 140 186

HSL 297.39, 0.25%, 0.64%

LAB 63.75, 24.63, -17.54

 

CMYK 39 / 67 / 0 / 4

HEX #9551F6

RGB 149 81 246

HSL 264.73, 0.9%, 0.64%

LAB 50.6, 60.65, -72.28

 

CMYK 22 / 67 / 0 / 4

HEX #C151F6

RGB 193 81 246

HSL 280.73, 0.9%, 0.64%

LAB 55.96, 69.34, -63.35

 

CMYK 3 / 67 / 0 / 4

HEX #EE51F6

RGB 238 81 246

HSL 297.09, 0.9%, 0.64%

LAB 62.27, 78.89, -52.91

 

CMYK 0 / 67 / 15 / 4

HEX #F651D2

RGB 246 81 210

HSL 313.09, 0.9%, 0.64%

LAB 61.77, 75.25, -33.47

 

CMYK 0 / 67 / 33 / 4

HEX #F651A6

RGB 246 81 166

HSL 329.09, 0.9%, 0.64%

LAB 60.1, 69.7, -10.84

 

CMYK 5 / 95 / 0 / 9

HEX #DD0CE8

RGB 221 12 232

HSL 297, 0.9%, 0.48%

LAB 53.45, 88.94, -59.32

 

CMYK 4 / 83 / 0 / 4

HEX #EA29F4

RGB 234 41 244

HSL 297.04, 0.9%, 0.56%

LAB 57.66, 88.92, -59.18

 

CMYK 3 / 67 / 0 / 4

HEX #EE51F6

RGB 238 81 246

HSL 297.09, 0.9%, 0.64%

LAB 62.27, 78.89, -52.91

 

CMYK 2 / 52 / 0 / 3

HEX #F278F8

RGB 242 120 248

HSL 297.19, 0.9%, 0.72%

LAB 68.81, 64, -43.65

 

CMYK 2 / 36 / 0 / 2

HEX #F69FFA

RGB 246 159 250

HSL 297.36, 0.9%, 0.8%

LAB 76.86, 46.21, -32.2

 

CMYK 3 / 67 / 0 / 4

HEX #EE50F6

RGB 238 80 246

HSL 297.11, 0.9%, 0.64%

LAB 62.14, 79.24, -53.11

 

CMYK 0 / 57 / 67 / 4

HEX #F66951

RGB 246 105 81

HSL 8.73, 0.9%, 0.64%

LAB 61.9, 52.58, 40.38

 

CMYK 67 / 0 / 30 / 4

HEX #51F6AB

RGB 81 246 171

HSL 152.73, 0.9%, 0.64%

LAB 87.29, -59.31, 23.94

 

CMYK 3 / 67 / 0 / 4

HEX #EE50F6

RGB 238 80 246

HSL 297.11, 0.9%, 0.64%

LAB 62.14, 79.24, -53.11

 

CMYK 0 / 3 / 67 / 4

HEX #F6EE51

RGB 246 238 81

HSL 57.09, 0.9%, 0.64%

LAB 92.28, -15.05, 73.4

 

CMYK 67 / 0 / 3 / 4

HEX #51F6EE

RGB 81 246 238

HSL 177.09, 0.9%, 0.64%

LAB 88.84, -43.55, -8.59

 

CMYK 3 / 67 / 0 / 4

HEX #EE50F6

RGB 238 80 246

HSL 297.11, 0.9%, 0.64%

LAB 62.14, 79.24, -53.11

 

CMYK 0 / 57 / 67 / 4

HEX #F66951

RGB 246 105 81

HSL 8.73, 0.9%, 0.64%

LAB 61.9, 52.58, 40.38

 

CMYK 64 / 0 / 67 / 4

HEX #59F651

RGB 89 246 81

HSL 117.09, 0.9%, 0.64%

LAB 86.32, -70.89, 64.65

 

CMYK 67 / 10 / 0 / 4

HEX #51DDF6

RGB 81 221 246

HSL 189.09, 0.9%, 0.64%

LAB 81.9, -29.75, -23.23

 

CMYK 3 / 67 / 0 / 4

HEX #EE50F6

RGB 238 80 246

HSL 297.11, 0.9%, 0.64%

LAB 62.14, 79.24, -53.11

 

CMYK 0 / 37 / 67 / 4

HEX #F69B51

RGB 246 155 81

HSL 26.91, 0.9%, 0.64%

LAB 71.98, 27.64, 51.94

 

CMYK 64 / 0 / 67 / 4

HEX #59F651

RGB 89 246 81

HSL 117.09, 0.9%, 0.64%

LAB 86.32, -70.89, 64.65

 

CMYK 67 / 30 / 0 / 4

HEX #51ABF6

RGB 81 171 246

HSL 207.27, 0.9%, 0.64%

LAB 67.67, -3.68, -45.23

 

Description

Color code: HEX #EE50F6 | qconv.com Color code: HEX #EE50F6 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 80 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 80 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 67 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 67% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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