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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EE4B4300 it is the complementary color #11B4BC00. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EE4B4300. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EE4B4300 shade: #F34B3E00, #FF5D5100, #FF6F6400, #FF817700 and #FF938A00

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EE4B4300. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EE4B4300 shade: #EE4B4300, #DD393000, #CC271D00, #BB150A00 and #AA030000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EE4B4300 shade: #EE4C44 and #EE4444

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EE4B4300 shade: #EE4C44, #EE7A44, #EEA844, #EED544 and #D8EE44

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EE4B4300 shade matches the following richer shades: #EE4C44 and #FE3D34

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EE4B4300 shade: #EE4C44, #DD5B55, #CD6A65, #BC7976 and #AC8886

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EE4B4300 shade: #EE4499, #EE446C, #EE4A44, #EE7744 and #EEA444

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EE4B4300 shade: #CC1C13, #EA281F, #EE4C44, #F1706A and #F59590

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EE4B4300 shade: #EE4B43, #C6EE44 and #4482EE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EE4B4300 shade: #EE4B43, #44EE4A and #4A44EE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EE4B4300 shade: #EE4B43, #C6EE44, #44E8EE and #6C44EE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EE4B4300 shade: #EE4B43, #93EE44, #44E8EE and #9F44EE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #EE4B4300

RGBA 238 75 67 0

HSLA 2.81, 0.83%, 0.6%, 0

LABA 55.7, 61.82, 40.47, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #11B4BC00

RGBA 17 180 188 0

HSLA 182.81, 0.83%, 0.4%, 0

LABA 66.82, -33.95, -14.78, 0

 

CMYK 0 / 0 / 0 / 0

HEX #F34B3E00

RGBA 243 75 62 0

HSLA 4.31, 0.88%, 0.6%, 0

LABA 56.52, 63.19, 44.36, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FF5D5100

RGBA 255 93 81 0

HSLA 4.14, 1%, 0.66%, 0

LABA 61.38, 60.84, 40.11, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FF6F6400

RGBA 255 111 100 0

HSLA 4.26, 1%, 0.7%, 0

LABA 64.6, 54.1, 33.57, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FF817700

RGBA 255 129 119 0

HSLA 4.41, 1%, 0.73%, 0

LABA 68.24, 46.95, 27.73, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FF938A00

RGBA 255 147 138 0

HSLA 4.62, 1%, 0.77%, 0

LABA 72.2, 39.63, 22.56, 0

 

CMYK 0 / 0 / 0 / 0

HEX #EE4B4300

RGBA 238 75 67 0

HSLA 2.81, 0.83%, 0.6%, 0

LABA 55.7, 61.82, 40.47, 0

 

CMYK 0 / 0 / 0 / 0

HEX #DD393000

RGBA 221 57 48 0

HSLA 3.12, 0.72%, 0.53%, 0

LABA 50.11, 62.2, 43.86, 0

 

CMYK 0 / 0 / 0 / 0

HEX #CC271D00

RGBA 204 39 29 0

HSLA 3.43, 0.75%, 0.46%, 0

LABA 44.77, 62.01, 47.37, 0

 

CMYK 0 / 0 / 0 / 0

HEX #BB150A00

RGBA 187 21 10 0

HSLA 3.73, 0.9%, 0.39%, 0

LABA 39.79, 60.93, 50.04, 0

 

CMYK 0 / 0 / 0 / 0

HEX #AA030000

RGBA 170 3 0 0

HSLA 1.06, 1%, 0.33%, 0

LABA 35.22, 58.75, 49.48, 0

 

CMYK 0 / 68 / 71 / 7

HEX #EE4C44

RGB 238 76 68

HSL 2.82, 0.83%, 0.6%

LAB 55.85, 61.49, 40.09

 

CMYK 0 / 71 / 71 / 7

HEX #EE4444

RGB 238 68 68

HSL 0, 0.83%, 0.6%

LAB 54.79, 64.4, 38.87

 

CMYK 0 / 68 / 71 / 7

HEX #EE4C44

RGB 238 76 68

HSL 2.82, 0.83%, 0.6%

LAB 55.85, 61.49, 40.09

 

CMYK 0 / 49 / 71 / 7

HEX #EE7A44

RGB 238 122 68

HSL 19.06, 0.83%, 0.6%

LAB 63.77, 40.8, 48.93

 

CMYK 0 / 29 / 71 / 7

HEX #EEA844

RGB 238 168 68

HSL 35.29, 0.83%, 0.6%

LAB 73.93, 16.81, 59.67

 

CMYK 0 / 11 / 71 / 7

HEX #EED544

RGB 238 213 68

HSL 51.18, 0.83%, 0.6%

LAB 85.09, -6.58, 70.82

 

CMYK 9 / 0 / 71 / 7

HEX #D8EE44

RGB 216 238 68

HSL 67.76, 0.83%, 0.6%

LAB 89.94, -27.85, 74.93

 

CMYK 0 / 68 / 71 / 7

HEX #EE4C44

RGB 238 76 68

HSL 2.82, 0.83%, 0.6%

LAB 55.85, 61.49, 40.09

 

CMYK 0 / 76 / 80 / 0

HEX #FE3D34

RGB 254 61 52

HSL 2.67, 0.99%, 0.6%

LAB 56.74, 70.79, 50.45

 

CMYK 0 / 68 / 71 / 7

HEX #EE4C44

RGB 238 76 68

HSL 2.82, 0.83%, 0.6%

LAB 55.85, 61.49, 40.09

 

CMYK 0 / 59 / 62 / 13

HEX #DD5B55

RGB 221 91 85

HSL 2.65, 0.67%, 0.6%

LAB 55.59, 50.47, 29.51

 

CMYK 0 / 48 / 51 / 20

HEX #CD6A65

RGB 205 106 101

HSL 2.88, 0.51%, 0.6%

LAB 56.31, 38.58, 20.78

 

CMYK 0 / 36 / 37 / 26

HEX #BC7976

RGB 188 121 118

HSL 2.57, 0.34%, 0.6%

LAB 57.73, 25.82, 12.54

 

CMYK 0 / 21 / 22 / 33

HEX #AC8886

RGB 172 136 134

HSL 3.16, 0.19%, 0.6%

LAB 59.98, 13.39, 6.3

 

CMYK 0 / 71 / 36 / 7

HEX #EE4499

RGB 238 68 153

HSL 330, 0.83%, 0.6%

LAB 56.69, 70.73, -8.49

 

CMYK 0 / 71 / 55 / 7

HEX #EE446C

RGB 238 68 108

HSL 345.88, 0.83%, 0.6%

LAB 55.48, 66.71, 16.41

 

CMYK 0 / 69 / 71 / 7

HEX #EE4A44

RGB 238 74 68

HSL 2.12, 0.83%, 0.6%

LAB 55.58, 62.24, 39.78

 

CMYK 0 / 50 / 71 / 7

HEX #EE7744

RGB 238 119 68

HSL 18, 0.83%, 0.6%

LAB 63.17, 42.3, 48.28

 

CMYK 0 / 31 / 71 / 7

HEX #EEA444

RGB 238 164 68

HSL 33.88, 0.83%, 0.6%

LAB 72.99, 18.92, 58.7

 

CMYK 0 / 86 / 91 / 20

HEX #CC1C13

RGB 204 28 19

HSL 2.92, 0.83%, 0.44%

LAB 43.82, 64.35, 51.06

 

CMYK 0 / 83 / 87 / 8

HEX #EA281F

RGB 234 40 31

HSL 2.66, 0.83%, 0.52%

LAB 50.81, 70.18, 53.84

 

CMYK 0 / 68 / 71 / 7

HEX #EE4C44

RGB 238 76 68

HSL 2.82, 0.83%, 0.6%

LAB 55.85, 61.49, 40.09

 

CMYK 0 / 54 / 56 / 5

HEX #F1706A

RGB 241 112 106

HSL 2.67, 0.83%, 0.68%

LAB 62.78, 49.16, 27.45

 

CMYK 0 / 39 / 41 / 4

HEX #F59590

RGB 245 149 144

HSL 2.97, 0.83%, 0.76%

LAB 71.5, 35.51, 18.1

 

CMYK 0 / 68 / 72 / 7

HEX #EE4B43

RGB 238 75 67

HSL 2.81, 0.83%, 0.6%

LAB 55.7, 61.82, 40.47

 

CMYK 17 / 0 / 71 / 7

HEX #C6EE44

RGB 198 238 68

HSL 74.12, 0.83%, 0.6%

LAB 88.72, -34.96, 73.33

 

CMYK 71 / 45 / 0 / 7

HEX #4482EE

RGB 68 130 238

HSL 218.12, 0.83%, 0.6%

LAB 55.45, 15.77, -60.27

 

CMYK 0 / 68 / 72 / 7

HEX #EE4B43

RGB 238 75 67

HSL 2.81, 0.83%, 0.6%

LAB 55.7, 61.82, 40.47

 

CMYK 71 / 0 / 69 / 7

HEX #44EE4A

RGB 68 238 74

HSL 122.12, 0.83%, 0.6%

LAB 83.38, -72.73, 64.04

 

CMYK 69 / 71 / 0 / 7

HEX #4A44EE

RGB 74 68 238

HSL 242.12, 0.83%, 0.6%

LAB 40.84, 54, -84.03

 

CMYK 0 / 68 / 72 / 7

HEX #EE4B43

RGB 238 75 67

HSL 2.81, 0.83%, 0.6%

LAB 55.7, 61.82, 40.47

 

CMYK 17 / 0 / 71 / 7

HEX #C6EE44

RGB 198 238 68

HSL 74.12, 0.83%, 0.6%

LAB 88.72, -34.96, 73.33

 

CMYK 71 / 3 / 0 / 7

HEX #44E8EE

RGB 68 232 238

HSL 182.12, 0.83%, 0.6%

LAB 84.54, -38.91, -15.04

 

CMYK 55 / 71 / 0 / 7

HEX #6C44EE

RGB 108 68 238

HSL 254.12, 0.83%, 0.6%

LAB 43.5, 58.17, -79.56

 

CMYK 0 / 68 / 72 / 7

HEX #EE4B43

RGB 238 75 67

HSL 2.81, 0.83%, 0.6%

LAB 55.7, 61.82, 40.47

 

CMYK 38 / 0 / 71 / 7

HEX #93EE44

RGB 147 238 68

HSL 92.12, 0.83%, 0.6%

LAB 85.89, -53.42, 69.59

 

CMYK 71 / 3 / 0 / 7

HEX #44E8EE

RGB 68 232 238

HSL 182.12, 0.83%, 0.6%

LAB 84.54, -38.91, -15.04

 

CMYK 33 / 71 / 0 / 7

HEX #9F44EE

RGB 159 68 238

HSL 272.12, 0.83%, 0.6%

LAB 49.1, 66.48, -70.18

 

Description

Color code: HEX #EE4B4300 | qconv.com Color code: HEX #EE4B4300 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 75 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 75 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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