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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EE4963 it is the complementary color #11B69C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EE4963. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EE4963 shade: #F3495E, #FF5B71, #FF6D84, #FF7F97 and #FF91AA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EE4963. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EE4963 shade: #EE4963, #DD3750, #CC253D, #BB132A and #AA0117

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EE4963 shade: #EE4963 and #EE4949

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EE4963 shade: #EE4963, #EE4990, #EE49BC, #EE49E9 and #C749EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EE4963 shade matches the following richer shades: #EE4963 and #FE3958

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EE4963 shade: #EE4963, #DE596E, #CE6979, #BE7984 and #AE898F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EE4963 shade: #EE49BD, #EE4991, #EE4965, #EE5A49 and #EE8649

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EE4963 shade: #D11331, #EB2343, #EE4963, #F26F83 and #F595A4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EE4963 shade: #EE4963, #E9EE49 and #49A7EE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EE4963 shade: #EE4963, #65EE49 and #4965EE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EE4963 shade: #EE4963, #E9EE49, #49EED3 and #4F49EE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EE4963 shade: #EE4963, #B7EE49, #49EED3 and #8049EE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 58 / 7

HEX #EE4963

RGB 238 73 99

HSL 350.55, 0.83%, 0.61%

LAB 55.93, 64.32, 22.35

 

Complementary color

CMYK 91 / 0 / 14 / 29

HEX #11B69C

RGB 17 182 156

HSL 170.55, 0.83%, 0.39%

LAB 66.5, -44.21, 2.44

 

CMYK 0 / 70 / 61 / 5

HEX #F3495E

RGB 243 73 94

HSL 352.59, 0.88%, 0.62%

LAB 56.71, 65.5, 26.47

 

CMYK 0 / 64 / 56 / 0

HEX #FF5B71

RGB 255 91 113

HSL 351.95, 1%, 0.68%

LAB 61.6, 63.59, 22.28

 

CMYK 0 / 57 / 48 / 0

HEX #FF6D84

RGB 255 109 132

HSL 350.55, 1%, 0.71%

LAB 64.85, 57.46, 15.83

 

CMYK 0 / 50 / 41 / 0

HEX #FF7F97

RGB 255 127 151

HSL 348.75, 1%, 0.75%

LAB 68.51, 50.89, 10.19

 

CMYK 0 / 43 / 33 / 0

HEX #FF91AA

RGB 255 145 170

HSL 346.36, 1%, 0.78%

LAB 72.5, 44.13, 5.28

 

CMYK 0 / 69 / 58 / 7

HEX #EE4963

RGB 238 73 99

HSL 350.55, 0.83%, 0.61%

LAB 55.93, 64.32, 22.35

 

CMYK 0 / 75 / 64 / 13

HEX #DD3750

RGB 221 55 80

HSL 350.96, 0.71%, 0.54%

LAB 50.32, 64.27, 25.71

 

CMYK 0 / 82 / 70 / 20

HEX #CC253D

RGB 204 37 61

HSL 351.38, 0.69%, 0.47%

LAB 44.94, 63.59, 29.72

 

CMYK 0 / 90 / 78 / 27

HEX #BB132A

RGB 187 19 42

HSL 351.79, 0.82%, 0.4%

LAB 39.91, 61.96, 34.44

 

CMYK 0 / 99 / 86 / 33

HEX #AA0117

RGB 170 1 23

HSL 352.19, 0.99%, 0.34%

LAB 35.26, 59.33, 39.46

 

CMYK 0 / 69 / 58 / 7

HEX #EE4963

RGB 238 73 99

HSL 350.55, 0.83%, 0.61%

LAB 55.93, 64.32, 22.35

 

CMYK 0 / 69 / 69 / 7

HEX #EE4949

RGB 238 73 73

HSL 0, 0.83%, 0.61%

LAB 55.51, 62.84, 36.89

 

CMYK 0 / 69 / 58 / 7

HEX #EE4963

RGB 238 73 99

HSL 350.55, 0.83%, 0.61%

LAB 55.93, 64.32, 22.35

 

CMYK 0 / 69 / 39 / 7

HEX #EE4990

RGB 238 73 144

HSL 334.18, 0.83%, 0.61%

LAB 57.03, 68.08, -2.69

 

CMYK 0 / 69 / 21 / 7

HEX #EE49BC

RGB 238 73 188

HSL 318.18, 0.83%, 0.61%

LAB 58.58, 73.15, -25.97

 

CMYK 0 / 69 / 2 / 7

HEX #EE49E9

RGB 238 73 233

HSL 301.82, 0.83%, 0.61%

LAB 60.63, 79.57, -48.28

 

CMYK 16 / 69 / 0 / 7

HEX #C749EE

RGB 199 73 238

HSL 285.82, 0.83%, 0.61%

LAB 55.15, 72.22, -60.14

 

CMYK 0 / 69 / 58 / 7

HEX #EE4963

RGB 238 73 99

HSL 350.55, 0.83%, 0.61%

LAB 55.93, 64.32, 22.35

 

CMYK 0 / 78 / 65 / 0

HEX #FE3958

RGB 254 57 88

HSL 350.56, 0.99%, 0.61%

LAB 56.78, 73.35, 30.47

 

CMYK 0 / 69 / 58 / 7

HEX #EE4963

RGB 238 73 99

HSL 350.55, 0.83%, 0.61%

LAB 55.93, 64.32, 22.35

 

CMYK 0 / 60 / 50 / 13

HEX #DE596E

RGB 222 89 110

HSL 350.53, 0.67%, 0.61%

LAB 55.89, 53.61, 15.37

 

CMYK 0 / 49 / 41 / 19

HEX #CE6979

RGB 206 105 121

HSL 350.5, 0.51%, 0.61%

LAB 56.69, 41.47, 9.68

 

CMYK 0 / 36 / 31 / 25

HEX #BE7984

RGB 190 121 132

HSL 350.43, 0.35%, 0.61%

LAB 58.31, 28.4, 5.32

 

CMYK 0 / 21 / 18 / 32

HEX #AE898F

RGB 174 137 143

HSL 350.27, 0.19%, 0.61%

LAB 60.67, 15.03, 2.18

 

CMYK 0 / 69 / 21 / 7

HEX #EE49BD

RGB 238 73 189

HSL 317.82, 0.83%, 0.61%

LAB 58.62, 73.28, -26.48

 

CMYK 0 / 69 / 39 / 7

HEX #EE4991

RGB 238 73 145

HSL 333.82, 0.83%, 0.61%

LAB 57.06, 68.18, -3.24

 

CMYK 0 / 69 / 58 / 7

HEX #EE4965

RGB 238 73 101

HSL 349.82, 0.83%, 0.61%

LAB 55.97, 64.46, 21.22

 

CMYK 0 / 62 / 69 / 7

HEX #EE5A49

RGB 238 90 73

HSL 6.18, 0.83%, 0.61%

LAB 58.01, 56.06, 39.83

 

CMYK 0 / 44 / 69 / 7

HEX #EE8649

RGB 238 134 73

HSL 22.18, 0.83%, 0.61%

LAB 66.3, 34.94, 49.24

 

CMYK 0 / 91 / 77 / 18

HEX #D11331

RGB 209 19 49

HSL 350.53, 0.83%, 0.45%

LAB 44.58, 67.9, 36.72

 

CMYK 0 / 85 / 71 / 8

HEX #EB2343

RGB 235 35 67

HSL 350.4, 0.83%, 0.53%

LAB 51, 72.55, 34.87

 

CMYK 0 / 69 / 58 / 7

HEX #EE4963

RGB 238 73 99

HSL 350.55, 0.83%, 0.61%

LAB 55.93, 64.32, 22.35

 

CMYK 0 / 54 / 46 / 5

HEX #F26F83

RGB 242 111 131

HSL 350.84, 0.83%, 0.69%

LAB 63.25, 52.11, 13.87

 

CMYK 0 / 39 / 33 / 4

HEX #F595A4

RGB 245 149 164

HSL 350.63, 0.83%, 0.77%

LAB 71.95, 37.82, 7.65

 

CMYK 0 / 69 / 58 / 7

HEX #EE4963

RGB 238 73 99

HSL 350.55, 0.83%, 0.61%

LAB 55.93, 64.32, 22.35

 

CMYK 2 / 0 / 69 / 7

HEX #E9EE49

RGB 233 238 73

HSL 61.82, 0.83%, 0.61%

LAB 91.21, -20.75, 74.89

 

CMYK 69 / 30 / 0 / 7

HEX #49A7EE

RGB 73 167 238

HSL 205.82, 0.83%, 0.61%

LAB 65.92, -5.29, -43.63

 

CMYK 0 / 69 / 58 / 7

HEX #EE4963

RGB 238 73 99

HSL 350.55, 0.83%, 0.61%

LAB 55.93, 64.32, 22.35

 

CMYK 58 / 0 / 69 / 7

HEX #65EE49

RGB 101 238 73

HSL 109.82, 0.83%, 0.61%

LAB 84.17, -66.22, 65.49

 

CMYK 69 / 58 / 0 / 7

HEX #4965EE

RGB 73 101 238

HSL 229.82, 0.83%, 0.61%

LAB 48.13, 34.4, -72.09

 

CMYK 0 / 69 / 58 / 7

HEX #EE4963

RGB 238 73 99

HSL 350.55, 0.83%, 0.61%

LAB 55.93, 64.32, 22.35

 

CMYK 2 / 0 / 69 / 7

HEX #E9EE49

RGB 233 238 73

HSL 61.82, 0.83%, 0.61%

LAB 91.21, -20.75, 74.89

 

CMYK 69 / 0 / 11 / 7

HEX #49EED3

RGB 73 238 211

HSL 170.18, 0.83%, 0.61%

LAB 85.64, -48.17, 0.81

 

CMYK 67 / 69 / 0 / 7

HEX #4F49EE

RGB 79 73 238

HSL 242.18, 0.83%, 0.61%

LAB 42.15, 51.79, -81.85

 

CMYK 0 / 69 / 58 / 7

HEX #EE4963

RGB 238 73 99

HSL 350.55, 0.83%, 0.61%

LAB 55.93, 64.32, 22.35

 

CMYK 23 / 0 / 69 / 7

HEX #B7EE49

RGB 183 238 73

HSL 80, 0.83%, 0.61%

LAB 87.82, -40.4, 70.39

 

CMYK 69 / 0 / 11 / 7

HEX #49EED3

RGB 73 238 211

HSL 170.18, 0.83%, 0.61%

LAB 85.64, -48.17, 0.81

 

CMYK 46 / 69 / 0 / 7

HEX #8049EE

RGB 128 73 238

HSL 260, 0.83%, 0.61%

LAB 46.35, 58.79, -74.82

 

Description

Color code: HEX #EE4963 | qconv.com Color code: HEX #EE4963 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 73 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 73 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 58 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 58% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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