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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EE4477 it is the complementary color #11BB88. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EE4477. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EE4477 shade: #F34472, #FF5685, #FF6898, #FF7AAB and #FF8CBE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EE4477. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EE4477 shade: #EE4477, #DD3264, #CC2051, #BB0E3E and #AA002B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EE4477 shade: #EE4477, #EE4449 and #EE4444

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EE4477 shade: #EE4477, #EE44A5, #EE44D2, #DB44EE and #AE44EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EE4477 shade matches the following richer shades: #EE4477 and #FE3471

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EE4477 shade: #EE4477, #DD557E, #CD6584, #BC768B and #AC8692

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EE4477 shade: #EE44D1, #EE44A4, #EE4477, #EE444A and #EE6C44

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EE4477 shade: #CC134B, #EA1F5C, #EE4477, #F16A93 and #F590AE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EE4477 shade: #EE4477, #EEDD44 and #44BBEE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EE4477 shade: #EE4477, #77EE44 and #4477EE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EE4477 shade: #EE4477, #EEDD44, #44EEBB and #4455EE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EE4477 shade: #EE4477, #CCEE44, #44EEBB and #6644EE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 50 / 7

HEX #EE4477

RGB 238 68 119

HSL 342, 0.83%, 0.6%

LAB 55.73, 67.56, 10.22

 

Complementary color

CMYK 91 / 0 / 27 / 27

HEX #11BB88

RGB 17 187 136

HSL 162, 0.83%, 0.4%

LAB 67.6, -51.31, 14.97

 

CMYK 0 / 72 / 53 / 5

HEX #F34472

RGB 243 68 114

HSL 344.23, 0.88%, 0.61%

LAB 56.49, 68.58, 14.38

 

CMYK 0 / 66 / 48 / 0

HEX #FF5685

RGB 255 86 133

HSL 343.31, 1%, 0.67%

LAB 61.32, 67.12, 10.29

 

CMYK 0 / 59 / 40 / 0

HEX #FF6898

RGB 255 104 152

HSL 340.93, 1%, 0.7%

LAB 64.51, 61.56, 3.89

 

CMYK 0 / 52 / 33 / 0

HEX #FF7AAB

RGB 255 122 171

HSL 337.89, 1%, 0.74%

LAB 68.11, 55.5, -1.67

 

CMYK 0 / 45 / 25 / 0

HEX #FF8CBE

RGB 255 140 190

HSL 333.91, 1%, 0.77%

LAB 72.05, 49.18, -6.5

 

CMYK 0 / 71 / 50 / 7

HEX #EE4477

RGB 238 68 119

HSL 342, 0.83%, 0.6%

LAB 55.73, 67.56, 10.22

 

CMYK 0 / 77 / 55 / 13

HEX #DD3264

RGB 221 50 100

HSL 342.46, 0.72%, 0.53%

LAB 50.18, 67.06, 13.43

 

CMYK 0 / 84 / 60 / 20

HEX #CC2051

RGB 204 32 81

HSL 342.91, 0.73%, 0.46%

LAB 44.89, 65.83, 17.36

 

CMYK 0 / 93 / 67 / 27

HEX #BB0E3E

RGB 187 14 62

HSL 343.35, 0.86%, 0.39%

LAB 39.96, 63.54, 22.15

 

CMYK 0 / 100 / 75 / 33

HEX #AA002B

RGB 170 0 43

HSL 344.82, 1%, 0.33%

LAB 35.44, 60.06, 27.8

 

CMYK 0 / 71 / 50 / 7

HEX #EE4477

RGB 238 68 119

HSL 342, 0.83%, 0.6%

LAB 55.73, 67.56, 10.22

 

CMYK 0 / 71 / 69 / 7

HEX #EE4449

RGB 238 68 73

HSL 358.24, 0.83%, 0.6%

LAB 54.86, 64.62, 36.12

 

CMYK 0 / 71 / 71 / 7

HEX #EE4444

RGB 238 68 68

HSL 0, 0.83%, 0.6%

LAB 54.79, 64.4, 38.87

 

CMYK 0 / 71 / 50 / 7

HEX #EE4477

RGB 238 68 119

HSL 342, 0.83%, 0.6%

LAB 55.73, 67.56, 10.22

 

CMYK 0 / 71 / 31 / 7

HEX #EE44A5

RGB 238 68 165

HSL 325.76, 0.83%, 0.6%

LAB 57.1, 72.04, -14.9

 

CMYK 0 / 71 / 12 / 7

HEX #EE44D2

RGB 238 68 210

HSL 309.88, 0.83%, 0.6%

LAB 58.94, 77.79, -37.97

 

CMYK 8 / 71 / 0 / 7

HEX #DB44EE

RGB 219 68 238

HSL 293.29, 0.83%, 0.6%

LAB 57.43, 78.07, -56.33

 

CMYK 27 / 71 / 0 / 7

HEX #AE44EE

RGB 174 68 238

HSL 277.41, 0.83%, 0.6%

LAB 51.04, 69.25, -66.94

 

CMYK 0 / 71 / 50 / 7

HEX #EE4477

RGB 238 68 119

HSL 342, 0.83%, 0.6%

LAB 55.73, 67.56, 10.22

 

CMYK 0 / 80 / 56 / 0

HEX #FE3471

RGB 254 52 113

HSL 341.88, 0.99%, 0.6%

LAB 56.8, 76.14, 15.72

 

CMYK 0 / 71 / 50 / 7

HEX #EE4477

RGB 238 68 119

HSL 342, 0.83%, 0.6%

LAB 55.73, 67.56, 10.22

 

CMYK 0 / 62 / 43 / 13

HEX #DD557E

RGB 221 85 126

HSL 341.91, 0.67%, 0.6%

LAB 55.46, 56.53, 5.3

 

CMYK 0 / 51 / 36 / 20

HEX #CD6584

RGB 205 101 132

HSL 342.12, 0.51%, 0.6%

LAB 56.04, 44.4, 2.29

 

CMYK 0 / 37 / 26 / 26

HEX #BC768B

RGB 188 118 139

HSL 342, 0.34%, 0.6%

LAB 57.57, 30.27, 0.16

 

CMYK 0 / 22 / 15 / 33

HEX #AC8692

RGB 172 134 146

HSL 341.05, 0.19%, 0.6%

LAB 59.79, 16.46, -0.83

 

CMYK 0 / 71 / 12 / 7

HEX #EE44D1

RGB 238 68 209

HSL 310.24, 0.83%, 0.6%

LAB 58.9, 77.64, -37.48

 

CMYK 0 / 71 / 31 / 7

HEX #EE44A4

RGB 238 68 164

HSL 326.12, 0.83%, 0.6%

LAB 57.07, 71.93, -14.37

 

CMYK 0 / 71 / 50 / 7

HEX #EE4477

RGB 238 68 119

HSL 342, 0.83%, 0.6%

LAB 55.73, 67.56, 10.22

 

CMYK 0 / 71 / 69 / 7

HEX #EE444A

RGB 238 68 74

HSL 357.88, 0.83%, 0.6%

LAB 54.87, 64.67, 35.56

 

CMYK 0 / 55 / 71 / 7

HEX #EE6C44

RGB 238 108 68

HSL 14.12, 0.83%, 0.6%

LAB 61.06, 47.66, 45.97

 

CMYK 0 / 91 / 63 / 20

HEX #CC134B

RGB 204 19 75

HSL 341.84, 0.83%, 0.44%

LAB 43.96, 67.8, 19.86

 

CMYK 0 / 87 / 61 / 8

HEX #EA1F5C

RGB 234 31 92

HSL 341.97, 0.83%, 0.52%

LAB 50.97, 74.27, 19.78

 

CMYK 0 / 71 / 50 / 7

HEX #EE4477

RGB 238 68 119

HSL 342, 0.83%, 0.6%

LAB 55.73, 67.56, 10.22

 

CMYK 0 / 56 / 39 / 5

HEX #F16A93

RGB 241 106 147

HSL 341.78, 0.83%, 0.68%

LAB 62.6, 55.72, 3.74

 

CMYK 0 / 41 / 29 / 4

HEX #F590AE

RGB 245 144 174

HSL 342.18, 0.83%, 0.76%

LAB 71.16, 41.66, 0.94

 

CMYK 0 / 71 / 50 / 7

HEX #EE4477

RGB 238 68 119

HSL 342, 0.83%, 0.6%

LAB 55.73, 67.56, 10.22

 

CMYK 0 / 7 / 71 / 7

HEX #EEDD44

RGB 238 221 68

HSL 54, 0.83%, 0.6%

LAB 87.15, -10.6, 72.82

 

CMYK 71 / 21 / 0 / 7

HEX #44BBEE

RGB 68 187 238

HSL 198, 0.83%, 0.6%

LAB 71.52, -16.85, -34.91

 

CMYK 0 / 71 / 50 / 7

HEX #EE4477

RGB 238 68 119

HSL 342, 0.83%, 0.6%

LAB 55.73, 67.56, 10.22

 

CMYK 50 / 0 / 71 / 7

HEX #77EE44

RGB 119 238 68

HSL 102, 0.83%, 0.6%

LAB 84.73, -61.94, 68.05

 

CMYK 71 / 50 / 0 / 7

HEX #4477EE

RGB 68 119 238

HSL 222, 0.83%, 0.6%

LAB 52.5, 22.56, -65.01

 

CMYK 0 / 71 / 50 / 7

HEX #EE4477

RGB 238 68 119

HSL 342, 0.83%, 0.6%

LAB 55.73, 67.56, 10.22

 

CMYK 0 / 7 / 71 / 7

HEX #EEDD44

RGB 238 221 68

HSL 54, 0.83%, 0.6%

LAB 87.15, -10.6, 72.82

 

CMYK 71 / 0 / 21 / 7

HEX #44EEBB

RGB 68 238 187

HSL 162, 0.83%, 0.6%

LAB 84.98, -54.63, 12.41

 

CMYK 71 / 64 / 0 / 7

HEX #4455EE

RGB 68 85 238

HSL 234, 0.83%, 0.6%

LAB 44.09, 43.58, -78.7

 

CMYK 0 / 71 / 50 / 7

HEX #EE4477

RGB 238 68 119

HSL 342, 0.83%, 0.6%

LAB 55.73, 67.56, 10.22

 

CMYK 14 / 0 / 71 / 7

HEX #CCEE44

RGB 204 238 68

HSL 72, 0.83%, 0.6%

LAB 89.11, -32.61, 73.85

 

CMYK 71 / 0 / 21 / 7

HEX #44EEBB

RGB 68 238 187

HSL 162, 0.83%, 0.6%

LAB 84.98, -54.63, 12.41

 

CMYK 57 / 71 / 0 / 7

HEX #6644EE

RGB 102 68 238

HSL 252, 0.83%, 0.6%

LAB 42.96, 57.34, -80.46

 

Description

Color code: HEX #EE4477 | qconv.com Color code: HEX #EE4477 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 68 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 68 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 50 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 50% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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