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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EE4467 it is the complementary color #11BB98. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EE4467. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EE4467 shade: #F34462, #FF5675, #FF6888, #FF7A9B and #FF8CAE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EE4467. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EE4467 shade: #EE4467, #DD3254, #CC2041, #BB0E2E and #AA001B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EE4467 shade: #EE4467 and #EE4444

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EE4467 shade: #EE4467, #EE4495, #EE44C3, #EB44EE and #BD44EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EE4467 shade matches the following richer shades: #EE4467 and #FE345D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EE4467 shade: #EE4467, #DD5571, #CD657B, #BC7684 and #AC868E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EE4467 shade: #EE44C3, #EE4496, #EE4469, #EE4D44 and #EE7A44

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EE4467 shade: #CC1339, #EA1F48, #EE4467, #F16A86 and #F590A5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EE4467 shade: #EE4467, #EEEB44 and #44ADEE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EE4467 shade: #EE4467, #69EE44 and #4469EE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EE4467 shade: #EE4467, #EEEB44, #44EEC9 and #4447EE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EE4467 shade: #EE4467, #BEEE44, #44EEC9 and #7444EE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 57 / 7

HEX #EE4467

RGB 238 68 103

HSL 347.65, 0.83%, 0.6%

LAB 55.37, 66.36, 19.23

 

Complementary color

CMYK 91 / 0 / 19 / 27

HEX #11BB98

RGB 17 187 152

HSL 167.65, 0.83%, 0.4%

LAB 67.97, -47.36, 6.76

 

CMYK 0 / 72 / 60 / 5

HEX #F34462

RGB 243 68 98

HSL 349.71, 0.88%, 0.61%

LAB 56.16, 67.48, 23.4

 

CMYK 0 / 66 / 54 / 0

HEX #FF5675

RGB 255 86 117

HSL 348.99, 1%, 0.67%

LAB 60.96, 65.85, 19.1

 

CMYK 0 / 59 / 47 / 0

HEX #FF6888

RGB 255 104 136

HSL 347.28, 1%, 0.7%

LAB 64.11, 60.02, 12.5

 

CMYK 0 / 52 / 39 / 0

HEX #FF7A9B

RGB 255 122 155

HSL 345.11, 1%, 0.74%

LAB 67.68, 53.7, 6.75

 

CMYK 0 / 45 / 32 / 0

HEX #FF8CAE

RGB 255 140 174

HSL 342.26, 1%, 0.77%

LAB 71.6, 47.12, 1.75

 

CMYK 0 / 71 / 57 / 7

HEX #EE4467

RGB 238 68 103

HSL 347.65, 0.83%, 0.6%

LAB 55.37, 66.36, 19.23

 

CMYK 0 / 77 / 62 / 13

HEX #DD3254

RGB 221 50 84

HSL 348.07, 0.72%, 0.53%

LAB 49.85, 66.01, 22.69

 

CMYK 0 / 84 / 68 / 20

HEX #CC2041

RGB 204 32 65

HSL 348.49, 0.73%, 0.46%

LAB 44.59, 64.94, 26.86

 

CMYK 0 / 93 / 75 / 27

HEX #BB0E2E

RGB 187 14 46

HSL 348.9, 0.86%, 0.39%

LAB 39.71, 62.84, 31.81

 

CMYK 0 / 100 / 84 / 33

HEX #AA001B

RGB 170 0 27

HSL 350.47, 1%, 0.33%

LAB 35.25, 59.55, 37.25

 

CMYK 0 / 71 / 57 / 7

HEX #EE4467

RGB 238 68 103

HSL 347.65, 0.83%, 0.6%

LAB 55.37, 66.36, 19.23

 

CMYK 0 / 71 / 71 / 7

HEX #EE4444

RGB 238 68 68

HSL 0, 0.83%, 0.6%

LAB 54.79, 64.4, 38.87

 

CMYK 0 / 71 / 57 / 7

HEX #EE4467

RGB 238 68 103

HSL 347.65, 0.83%, 0.6%

LAB 55.37, 66.36, 19.23

 

CMYK 0 / 71 / 37 / 7

HEX #EE4495

RGB 238 68 149

HSL 331.41, 0.83%, 0.6%

LAB 56.57, 70.31, -6.32

 

CMYK 0 / 71 / 18 / 7

HEX #EE44C3

RGB 238 68 195

HSL 315.18, 0.83%, 0.6%

LAB 58.28, 75.73, -30.45

 

CMYK 1 / 71 / 0 / 7

HEX #EB44EE

RGB 235 68 238

HSL 298.94, 0.83%, 0.6%

LAB 59.86, 81.32, -52.31

 

CMYK 21 / 71 / 0 / 7

HEX #BD44EE

RGB 189 68 238

HSL 282.71, 0.83%, 0.6%

LAB 53.09, 72.12, -63.54

 

CMYK 0 / 71 / 57 / 7

HEX #EE4467

RGB 238 68 103

HSL 347.65, 0.83%, 0.6%

LAB 55.37, 66.36, 19.23

 

CMYK 0 / 80 / 63 / 0

HEX #FE345D

RGB 254 52 93

HSL 347.82, 0.99%, 0.6%

LAB 56.4, 74.93, 27.05

 

CMYK 0 / 71 / 57 / 7

HEX #EE4467

RGB 238 68 103

HSL 347.65, 0.83%, 0.6%

LAB 55.37, 66.36, 19.23

 

CMYK 0 / 62 / 49 / 13

HEX #DD5571

RGB 221 85 113

HSL 347.65, 0.67%, 0.6%

LAB 55.14, 55.31, 12.53

 

CMYK 0 / 51 / 40 / 20

HEX #CD657B

RGB 205 101 123

HSL 347.31, 0.51%, 0.6%

LAB 55.8, 43.36, 7.23

 

CMYK 0 / 37 / 30 / 26

HEX #BC7684

RGB 188 118 132

HSL 348, 0.34%, 0.6%

LAB 57.38, 29.29, 3.95

 

CMYK 0 / 22 / 17 / 33

HEX #AC868E

RGB 172 134 142

HSL 347.37, 0.19%, 0.6%

LAB 59.68, 15.79, 1.3

 

CMYK 0 / 71 / 18 / 7

HEX #EE44C3

RGB 238 68 195

HSL 315.18, 0.83%, 0.6%

LAB 58.28, 75.73, -30.45

 

CMYK 0 / 71 / 37 / 7

HEX #EE4496

RGB 238 68 150

HSL 331.06, 0.83%, 0.6%

LAB 56.6, 70.41, -6.87

 

CMYK 0 / 71 / 56 / 7

HEX #EE4469

RGB 238 68 105

HSL 346.94, 0.83%, 0.6%

LAB 55.41, 66.5, 18.1

 

CMYK 0 / 68 / 71 / 7

HEX #EE4D44

RGB 238 77 68

HSL 3.18, 0.83%, 0.6%

LAB 55.99, 61.11, 40.25

 

CMYK 0 / 49 / 71 / 7

HEX #EE7A44

RGB 238 122 68

HSL 19.06, 0.83%, 0.6%

LAB 63.77, 40.8, 48.93

 

CMYK 0 / 91 / 72 / 20

HEX #CC1339

RGB 204 19 57

HSL 347.68, 0.83%, 0.44%

LAB 43.65, 66.93, 30.6

 

CMYK 0 / 87 / 69 / 8

HEX #EA1F48

RGB 234 31 72

HSL 347.88, 0.83%, 0.52%

LAB 50.62, 73.25, 31.4

 

CMYK 0 / 71 / 57 / 7

HEX #EE4467

RGB 238 68 103

HSL 347.65, 0.83%, 0.6%

LAB 55.37, 66.36, 19.23

 

CMYK 0 / 56 / 44 / 5

HEX #F16A86

RGB 241 106 134

HSL 347.56, 0.83%, 0.68%

LAB 62.28, 54.39, 10.76

 

CMYK 0 / 41 / 33 / 4

HEX #F590A5

RGB 245 144 165

HSL 347.52, 0.83%, 0.76%

LAB 70.92, 40.52, 5.62

 

CMYK 0 / 71 / 57 / 7

HEX #EE4467

RGB 238 68 103

HSL 347.65, 0.83%, 0.6%

LAB 55.37, 66.36, 19.23

 

CMYK 0 / 1 / 71 / 7

HEX #EEEB44

RGB 238 235 68

HSL 58.94, 0.83%, 0.6%

LAB 90.78, -17.49, 76.32

 

CMYK 71 / 27 / 0 / 7

HEX #44ADEE

RGB 68 173 238

HSL 202.94, 0.83%, 0.6%

LAB 67.49, -9.32, -41.18

 

CMYK 0 / 71 / 57 / 7

HEX #EE4467

RGB 238 68 103

HSL 347.65, 0.83%, 0.6%

LAB 55.37, 66.36, 19.23

 

CMYK 56 / 0 / 71 / 7

HEX #69EE44

RGB 105 238 68

HSL 106.94, 0.83%, 0.6%

LAB 84.26, -65.63, 67.42

 

CMYK 71 / 56 / 0 / 7

HEX #4469EE

RGB 68 105 238

HSL 226.94, 0.83%, 0.6%

LAB 48.89, 31.28, -70.86

 

CMYK 0 / 71 / 57 / 7

HEX #EE4467

RGB 238 68 103

HSL 347.65, 0.83%, 0.6%

LAB 55.37, 66.36, 19.23

 

CMYK 0 / 1 / 71 / 7

HEX #EEEB44

RGB 238 235 68

HSL 58.94, 0.83%, 0.6%

LAB 90.78, -17.49, 76.32

 

CMYK 71 / 0 / 16 / 7

HEX #44EEC9

RGB 68 238 201

HSL 166.94, 0.83%, 0.6%

LAB 85.3, -51.31, 5.55

 

CMYK 71 / 70 / 0 / 7

HEX #4447EE

RGB 68 71 238

HSL 238.94, 0.83%, 0.6%

LAB 41.07, 51.75, -83.66

 

CMYK 0 / 71 / 57 / 7

HEX #EE4467

RGB 238 68 103

HSL 347.65, 0.83%, 0.6%

LAB 55.37, 66.36, 19.23

 

CMYK 20 / 0 / 71 / 7

HEX #BEEE44

RGB 190 238 68

HSL 76.94, 0.83%, 0.6%

LAB 88.22, -38.04, 72.67

 

CMYK 71 / 0 / 16 / 7

HEX #44EEC9

RGB 68 238 201

HSL 166.94, 0.83%, 0.6%

LAB 85.3, -51.31, 5.55

 

CMYK 51 / 71 / 0 / 7

HEX #7444EE

RGB 116 68 238

HSL 256.94, 0.83%, 0.6%

LAB 44.26, 59.33, -78.28

 

Description

Color code: HEX #EE4467 | qconv.com Color code: HEX #EE4467 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 68 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 68 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 57 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 57% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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