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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EE3ABC it is the complementary color #11C543. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EE3ABC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EE3ABC shade: #F33AB7, #FF4CCA, #FF5EDD, #FF70F0 and #FF82FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EE3ABC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EE3ABC shade: #EE3ABC, #DD28A9, #CC1696, #BB0483 and #AA0070

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EE3ABC shade: #EE3ABC, #EE3A8B, #EE3A5B and #EE3A3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EE3ABC shade: #EE3ABC, #EE3AEC, #BF3AEE, #8E3AEE and #5E3AEE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EE3ABC shade matches the following richer shades: #EE3ABC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EE3ABC shade: #EE3ABC, #DD4BB4, #CB5DAC, #BA6EA5 and #A97F9D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EE3ABC shade: #BE3AEE, #EE3AEE, #EE3ABE, #EE3A8E and #EE3A5E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EE3ABC shade: #C41192, #EA14AF, #EE3ABC, #F160C9 and #F486D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EE3ABC shade: #EE3ABC, #EE8E3A and #3AEED6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EE3ABC shade: #EE3ABC, #BEEE3A and #3ABEEE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EE3ABC shade: #EE3ABC, #EE8E3A, #3AEE6A and #3A9AEE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EE3ABC shade: #EE3ABC, #EEC43A, #3AEE6A and #3A64EE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 21 / 7

HEX #EE3ABC

RGB 238 58 188

HSL 316.67, 0.84%, 0.58%

LAB 56.91, 77.85, -28.54

 

Complementary color

CMYK 91 / 0 / 66 / 23

HEX #11C543

RGB 17 197 67

HSL 136.67, 0.84%, 0.42%

LAB 69.79, -66.52, 52.03

 

CMYK 0 / 76 / 25 / 5

HEX #F33AB7

RGB 243 58 183

HSL 319.46, 0.89%, 0.59%

LAB 57.56, 78.39, -24.58

 

CMYK 0 / 70 / 21 / 0

HEX #FF4CCA

RGB 255 76 202

HSL 317.77, 1%, 0.65%

LAB 62.25, 78.08, -28.08

 

CMYK 0 / 63 / 13 / 0

HEX #FF5EDD

RGB 255 94 221

HSL 312.67, 1%, 0.68%

LAB 65.35, 74.18, -33.98

 

CMYK 0 / 56 / 6 / 0

HEX #FF70F0

RGB 255 112 240

HSL 306.29, 1%, 0.72%

LAB 68.85, 69.66, -39.07

 

CMYK 0 / 49 / 0 / 0

HEX #FF82FF

RGB 255 130 255

HSL 300, 1%, 0.75%

LAB 72.53, 64.02, -41.54

 

CMYK 0 / 76 / 21 / 7

HEX #EE3ABC

RGB 238 58 188

HSL 316.67, 0.84%, 0.58%

LAB 56.91, 77.85, -28.54

 

CMYK 0 / 82 / 24 / 13

HEX #DD28A9

RGB 221 40 169

HSL 317.24, 0.73%, 0.51%

LAB 51.56, 76.3, -25.99

 

CMYK 0 / 89 / 26 / 20

HEX #CC1696

RGB 204 22 150

HSL 317.8, 0.81%, 0.44%

LAB 46.46, 73.8, -22.81

 

CMYK 0 / 98 / 30 / 27

HEX #BB0483

RGB 187 4 131

HSL 318.36, 0.96%, 0.37%

LAB 41.67, 70.19, -18.89

 

CMYK 0 / 100 / 34 / 33

HEX #AA0070

RGB 170 0 112

HSL 320.47, 1%, 0.33%

LAB 37.33, 65.05, -13.98

 

CMYK 0 / 76 / 21 / 7

HEX #EE3ABC

RGB 238 58 188

HSL 316.67, 0.84%, 0.58%

LAB 56.91, 77.85, -28.54

 

CMYK 0 / 76 / 42 / 7

HEX #EE3A8B

RGB 238 58 139

HSL 333, 0.84%, 0.58%

LAB 55.14, 72.47, -2.52

 

CMYK 0 / 76 / 62 / 7

HEX #EE3A5B

RGB 238 58 91

HSL 349, 0.84%, 0.58%

LAB 53.98, 68.82, 24.51

 

CMYK 0 / 76 / 76 / 7

HEX #EE3A3A

RGB 238 58 58

HSL 0, 0.84%, 0.58%

LAB 53.5, 67.26, 42.99

 

CMYK 0 / 76 / 21 / 7

HEX #EE3ABC

RGB 238 58 188

HSL 316.67, 0.84%, 0.58%

LAB 56.91, 77.85, -28.54

 

CMYK 0 / 76 / 1 / 7

HEX #EE3AEC

RGB 238 58 236

HSL 300.67, 0.84%, 0.58%

LAB 59.21, 84.51, -52.2

 

CMYK 20 / 76 / 0 / 7

HEX #BF3AEE

RGB 191 58 238

HSL 284.33, 0.84%, 0.58%

LAB 52.15, 75.99, -65.04

 

CMYK 40 / 76 / 0 / 7

HEX #8E3AEE

RGB 142 58 238

HSL 268, 0.84%, 0.58%

LAB 45.57, 67.72, -76.03

 

CMYK 61 / 76 / 0 / 7

HEX #5E3AEE

RGB 94 58 238

HSL 252, 0.84%, 0.58%

LAB 40.54, 61.24, -84.47

 

CMYK 0 / 76 / 21 / 7

HEX #EE3ABC

RGB 238 58 188

HSL 316.67, 0.84%, 0.58%

LAB 56.91, 77.85, -28.54

 

CMYK 0 / 76 / 21 / 7

HEX #EE3ABC

RGB 238 58 188

HSL 316.67, 0.84%, 0.58%

LAB 56.91, 77.85, -28.54

 

CMYK 0 / 66 / 19 / 13

HEX #DD4BB4

RGB 221 75 180

HSL 316.85, 0.68%, 0.58%

LAB 55.79, 67.05, -25.88

 

CMYK 0 / 54 / 15 / 20

HEX #CB5DAC

RGB 203 93 172

HSL 316.91, 0.51%, 0.58%

LAB 55.59, 53.16, -21.78

 

CMYK 0 / 41 / 11 / 27

HEX #BA6EA5

RGB 186 110 165

HSL 316.58, 0.36%, 0.58%

LAB 56.39, 38.01, -16.69

 

CMYK 0 / 25 / 7 / 34

HEX #A97F9D

RGB 169 127 157

HSL 317.14, 0.2%, 0.58%

LAB 58.08, 21.25, -9.72

 

CMYK 20 / 76 / 0 / 7

HEX #BE3AEE

RGB 190 58 238

HSL 284, 0.84%, 0.58%

LAB 52, 75.81, -65.28

 

CMYK 0 / 76 / 0 / 7

HEX #EE3AEE

RGB 238 58 238

HSL 300, 0.84%, 0.58%

LAB 59.32, 84.82, -53.14

 

CMYK 0 / 76 / 20 / 7

HEX #EE3ABE

RGB 238 58 190

HSL 316, 0.84%, 0.58%

LAB 57, 78.11, -29.56

 

CMYK 0 / 76 / 40 / 7

HEX #EE3A8E

RGB 238 58 142

HSL 332, 0.84%, 0.58%

LAB 55.23, 72.76, -4.16

 

CMYK 0 / 76 / 61 / 7

HEX #EE3A5E

RGB 238 58 94

HSL 348, 0.84%, 0.58%

LAB 54.04, 69, 22.8

 

CMYK 0 / 91 / 26 / 23

HEX #C41192

RGB 196 17 146

HSL 316.76, 0.84%, 0.42%

LAB 44.54, 72.37, -23.49

 

CMYK 0 / 91 / 25 / 8

HEX #EA14AF

RGB 234 20 175

HSL 316.54, 0.84%, 0.5%

LAB 53.05, 82.99, -27.03

 

CMYK 0 / 76 / 21 / 7

HEX #EE3ABC

RGB 238 58 188

HSL 316.67, 0.84%, 0.58%

LAB 56.91, 77.85, -28.54

 

CMYK 0 / 60 / 17 / 5

HEX #F160C9

RGB 241 96 201

HSL 316.55, 0.84%, 0.66%

LAB 62.75, 66.88, -26.92

 

CMYK 0 / 45 / 12 / 4

HEX #F486D6

RGB 244 134 214

HSL 316.36, 0.83%, 0.74%

LAB 70.27, 52.16, -22.63

 

CMYK 0 / 76 / 21 / 7

HEX #EE3ABC

RGB 238 58 188

HSL 316.67, 0.84%, 0.58%

LAB 56.91, 77.85, -28.54

 

CMYK 0 / 40 / 76 / 7

HEX #EE8E3A

RGB 238 142 58

HSL 28, 0.84%, 0.58%

LAB 67.89, 30.09, 57.86

 

CMYK 76 / 0 / 10 / 7

HEX #3AEED6

RGB 58 238 214

HSL 172, 0.84%, 0.58%

LAB 85.46, -49.18, -1.07

 

CMYK 0 / 76 / 21 / 7

HEX #EE3ABC

RGB 238 58 188

HSL 316.67, 0.84%, 0.58%

LAB 56.91, 77.85, -28.54

 

CMYK 20 / 0 / 76 / 7

HEX #BEEE3A

RGB 190 238 58

HSL 76, 0.84%, 0.58%

LAB 88.16, -38.54, 75.82

 

CMYK 76 / 20 / 0 / 7

HEX #3ABEEE

RGB 58 190 238

HSL 196, 0.84%, 0.58%

LAB 72.16, -19.62, -33.93

 

CMYK 0 / 76 / 21 / 7

HEX #EE3ABC

RGB 238 58 188

HSL 316.67, 0.84%, 0.58%

LAB 56.91, 77.85, -28.54

 

CMYK 0 / 40 / 76 / 7

HEX #EE8E3A

RGB 238 142 58

HSL 28, 0.84%, 0.58%

LAB 67.89, 30.09, 57.86

 

CMYK 76 / 0 / 55 / 7

HEX #3AEE6A

RGB 58 238 106

HSL 136, 0.84%, 0.58%

LAB 83.49, -70.72, 50.77

 

CMYK 76 / 35 / 0 / 7

HEX #3A9AEE

RGB 58 154 238

HSL 208, 0.84%, 0.58%

LAB 61.81, 0.17, -50.14

 

CMYK 0 / 76 / 21 / 7

HEX #EE3ABC

RGB 238 58 188

HSL 316.67, 0.84%, 0.58%

LAB 56.91, 77.85, -28.54

 

CMYK 0 / 18 / 76 / 7

HEX #EEC43A

RGB 238 196 58

HSL 46, 0.84%, 0.58%

LAB 80.72, 1.69, 70.2

 

CMYK 76 / 0 / 55 / 7

HEX #3AEE6A

RGB 58 238 106

HSL 136, 0.84%, 0.58%

LAB 83.49, -70.72, 50.77

 

CMYK 76 / 58 / 0 / 7

HEX #3A64EE

RGB 58 100 238

HSL 226, 0.84%, 0.58%

LAB 47.22, 33.26, -73.6

 

Description

Color code: HEX #EE3ABC | qconv.com Color code: HEX #EE3ABC | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 58 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 58 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 21 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 21% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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