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Color name
HEX #EE341C4C

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Complementary color

Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EE341C4C it is the complementary color #11CBE34C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Lighter colors

Exposures are based on the same hue and represent lighter versions of the current color #EE341C4C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EE341C4C shade: #F334174C, #FF462A4C, #FF583D4C, #FF6A504C and #FF7C634C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Darker colors

Shades are based on the same hue and represent a darker version of the current color #EE341C4C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EE341C4C shade: #EE341C4C, #DD22094C, #CC10004C, #BB00004C and #AA00004C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EE341C4C shade: #EE331B and #EE1B1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EE341C4C shade: #EE331B, #EE6C1B, #EEA51B, #EEDE1B and #C5EE1B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EE341C4C shade matches the following richer shades: #EE331B

An example is the development from a pale pink to a strong and bright red.

Paler colors

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EE341C4C shade: #EE331B, #DA432F, #C65243, #B26157 and #9F716B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

Analogue colors

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EE341C4C shade: #EE1B77, #EE1B3E, #EE301B, #EE691B and #EEA11B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

Monochromatic colors

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EE341C4C shade: #AA1F0D, #D02610, #EE331B, #F15642 and #F47868

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

Partial complementary colors

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EE341C4C shade: #EE341C, #AFEE1B and #1B5AEE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

Triadic colors

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EE341C4C shade: #EE341C, #1BEE30 and #301BEE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EE341C4C shade: #EE341C, #AFEE1B, #1BD9EE and #5A1BEE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

Square colors

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EE341C4C shade: #EE341C, #70EE1B, #1BD9EE and #9A1BEE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 26 / 2

RGBA 238 52 28 0.3

HSLA 6.86, 0.86%, 0.52%, 0.3

LABA 52.64, 68.23, 56.86, 0.3

Complementary color

CMYK 28 / 3 / 0 / 3

RGBA 17 203 227 0.3

HSLA 186.86, 0.86%, 0.48%, 0.3

LABA 75.06, -32.59, -23.57, 0.3

Lighter colors

CMYK 0 / 24 / 27 / 1

RGBA 243 52 23 0.3

HSLA 7.91, 0.9%, 0.52%, 0.3

LABA 53.57, 69.58, 59.86, 0.3

CMYK 0 / 22 / 25 / 0

RGBA 255 70 42 0.3

HSLA 7.89, 1%, 0.58%, 0.3

LABA 57.85, 68.01, 56.39, 0.3

CMYK 0 / 20 / 23 / 0

RGBA 255 88 61 0.3

HSLA 8.35, 1%, 0.62%, 0.3

LABA 60.41, 62.01, 49.65, 0.3

CMYK 0 / 18 / 21 / 0

RGBA 255 106 80 0.3

HSLA 8.91, 1%, 0.66%, 0.3

LABA 63.46, 55.22, 43.1, 0.3

CMYK 0 / 15 / 18 / 0

RGBA 255 124 99 0.3

HSLA 9.62, 1%, 0.69%, 0.3

LABA 66.96, 47.92, 37.07, 0.3

Darker colors

CMYK 0 / 23 / 26 / 2

RGBA 238 52 28 0.3

HSLA 6.86, 0.86%, 0.52%, 0.3

LABA 52.64, 68.23, 56.86, 0.3

CMYK 0 / 25 / 29 / 4

RGBA 221 34 9 0.3

HSLA 7.08, 0.92%, 0.45%, 0.3

LABA 47.67, 67.65, 58.4, 0.3

CMYK 0 / 28 / 30 / 6

RGBA 204 16 0 0.3

HSLA 4.71, 1%, 0.4%, 0.3

LABA 43.07, 66.1, 57.01, 0.3

CMYK 0 / 30 / 30 / 8

RGBA 187 0 0 0.3

HSLA 0, 1%, 0.37%, 0.3

LABA 38.84, 63.45, 53.24, 0.3

CMYK 0 / 30 / 30 / 10

RGBA 170 0 0 0.3

HSLA 0, 1%, 0.33%, 0.3

LABA 35.1, 59.12, 49.41, 0.3

Warmer colors

CMYK 0 / 79 / 89 / 7

HSL 6.82, 0.86%, 0.52%

LAB 52.54, 68.49, 57.18

CMYK 0 / 89 / 89 / 7

HSL 0, 0.86%, 0.52%

LAB 50.73, 73.61, 55.87

Colder colors

CMYK 0 / 79 / 89 / 7

HSL 6.82, 0.86%, 0.52%

LAB 52.54, 68.49, 57.18

CMYK 0 / 55 / 89 / 7

HSL 23.03, 0.86%, 0.52%

LAB 60.77, 46.35, 63.31

CMYK 0 / 31 / 89 / 7

HSL 39.24, 0.86%, 0.52%

LAB 73, 17.05, 72.66

CMYK 0 / 7 / 89 / 7

HSL 55.45, 0.86%, 0.52%

LAB 87.24, -12.36, 83.74

CMYK 17 / 0 / 89 / 7

HSL 71.66, 0.86%, 0.52%

LAB 88.49, -36.81, 83.45

Richer colors

CMYK 0 / 79 / 89 / 7

HSL 6.82, 0.86%, 0.52%

LAB 52.54, 68.49, 57.18

Paler colors

CMYK 0 / 79 / 89 / 7

HSL 6.82, 0.86%, 0.52%

LAB 52.54, 68.49, 57.18

CMYK 0 / 69 / 78 / 15

HSL 7.02, 0.7%, 0.52%

LAB 50.83, 57.7, 44.95

CMYK 0 / 59 / 66 / 22

HSL 6.87, 0.53%, 0.52%

LAB 50.03, 45.35, 32.12

CMYK 0 / 46 / 51 / 30

HSL 6.59, 0.37%, 0.52%

LAB 50.34, 31.64, 20.27

CMYK 0 / 29 / 33 / 38

RGB 159 113 107

HSL 6.92, 0.21%, 0.52%

LAB 52.11, 17.35, 10.56

Analogue colors

CMYK 0 / 89 / 50 / 7

HSL 333.84, 0.86%, 0.52%

LAB 52.17, 77.66, 5.15

CMYK 0 / 89 / 74 / 7

HSL 350.05, 0.86%, 0.52%

LAB 51.05, 74.51, 38

CMYK 0 / 80 / 89 / 7

HSL 5.97, 0.86%, 0.52%

LAB 52.25, 69.28, 56.98

CMYK 0 / 56 / 89 / 7

HSL 22.18, 0.86%, 0.52%

LAB 60.21, 47.78, 62.89

CMYK 0 / 32 / 89 / 7

HSL 38.1, 0.86%, 0.52%

LAB 72.06, 19.17, 71.93

Monochromatic colors

CMYK 0 / 82 / 92 / 33

HSL 6.88, 0.86%, 0.36%

LAB 37.03, 53.9, 45.47

CMYK 0 / 82 / 92 / 18

HSL 6.88, 0.86%, 0.44%

LAB 45.41, 63.19, 53.63

CMYK 0 / 79 / 89 / 7

HSL 6.82, 0.86%, 0.52%

LAB 52.54, 68.49, 57.18

CMYK 0 / 64 / 73 / 5

HSL 6.86, 0.86%, 0.6%

LAB 57.8, 58.42, 43.52

CMYK 0 / 51 / 57 / 4

RGB 244 120 104

HSL 6.86, 0.86%, 0.68%

LAB 64.7, 46.22, 31.14

Partial complementary colors

CMYK 0 / 78 / 88 / 7

HSL 6.86, 0.86%, 0.52%

LAB 52.64, 68.23, 56.86

CMYK 26 / 0 / 89 / 7

HSL 77.91, 0.86%, 0.52%

LAB 87.16, -45.26, 81.82

CMYK 89 / 62 / 0 / 7

HSL 222.09, 0.86%, 0.52%

LAB 43.83, 37.23, -79.19

Triadic colors

CMYK 0 / 78 / 88 / 7

HSL 6.86, 0.86%, 0.52%

LAB 52.64, 68.23, 56.86

CMYK 89 / 0 / 80 / 7

HSL 125.97, 0.86%, 0.52%

LAB 82.7, -79.19, 71.63

CMYK 80 / 89 / 0 / 7

HSL 245.97, 0.86%, 0.52%

LAB 33.1, 70.3, -96.9

Rectangular (tetradic) colors

CMYK 0 / 78 / 88 / 7

HSL 6.86, 0.86%, 0.52%

LAB 52.64, 68.23, 56.86

CMYK 26 / 0 / 89 / 7

HSL 77.91, 0.86%, 0.52%

LAB 87.16, -45.26, 81.82

CMYK 89 / 9 / 0 / 7

HSL 185.97, 0.86%, 0.52%

LAB 79.63, -35.35, -22.51

CMYK 62 / 89 / 0 / 7

HSL 257.91, 0.86%, 0.52%

LAB 36.23, 72.45, -91.6

Square colors

CMYK 0 / 78 / 88 / 7

HSL 6.86, 0.86%, 0.52%

LAB 52.64, 68.23, 56.86

CMYK 53 / 0 / 89 / 7

HSL 95.83, 0.86%, 0.52%

LAB 84.31, -65.82, 78.29

CMYK 89 / 9 / 0 / 7

HSL 185.97, 0.86%, 0.52%

LAB 79.63, -35.35, -22.51

CMYK 35 / 89 / 0 / 7

HSL 276.11, 0.86%, 0.52%

LAB 43.98, 78.64, -78.56

Description

Color code: HEX #EE341C4C | qconv.com

Color code: HEX #EE341C4C | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 52 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.

In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 26 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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