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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EE326E it is the complementary color #11CD91. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EE326E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EE326E shade: #F33269, #FF447C, #FF568F, #FF68A2 and #FF7AB5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EE326E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EE326E shade: #EE326E, #DD205B, #CC0E48, #BB0035 and #AA0022

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EE326E shade: #EE2F6C, #EE2F39 and #EE2F2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EE326E shade: #EE2F6C, #EE2FA0, #EE2FD3, #D62FEE and #A22FEE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EE326E shade matches the following richer shades: #EE2F6C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EE326E shade: #EE2F6C, #DC4273, #CA5479, #B86680 and #A67887

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EE326E shade: #EE2FD5, #EE2FA2, #EE2F6F, #EE2F3C and #EE562F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EE326E shade: #BC0F46, #E21255, #EE2F6C, #F15687 and #F47CA2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EE326E shade: #EE326E, #EED52F and #2FBBEE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EE326E shade: #EE326E, #6FEE2F and #2F6FEE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EE326E shade: #EE326E, #EED52F, #2FEEAF and #2F49EE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EE326E shade: #EE326E, #CEEE2F, #2FEEAF and #4F2FEE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 54 / 7

HEX #EE326E

RGB 238 50 110

HSL 340.85, 0.85%, 0.56%

LAB 53.58, 72.3, 12.59

 

Complementary color

CMYK 92 / 0 / 29 / 20

HEX #11CD91

RGB 17 205 145

HSL 160.85, 0.85%, 0.44%

LAB 73.43, -56.1, 18.24

 

CMYK 0 / 79 / 57 / 5

HEX #F33269

RGB 243 50 105

HSL 342.9, 0.89%, 0.57%

LAB 54.4, 73.26, 16.87

 

CMYK 0 / 73 / 51 / 0

HEX #FF447C

RGB 255 68 124

HSL 342.03, 1%, 0.63%

LAB 58.83, 72.67, 12.06

 

CMYK 0 / 66 / 44 / 0

HEX #FF568F

RGB 255 86 143

HSL 339.76, 1%, 0.67%

LAB 61.57, 68.01, 4.84

 

CMYK 0 / 59 / 36 / 0

HEX #FF68A2

RGB 255 104 162

HSL 336.95, 1%, 0.7%

LAB 64.78, 62.61, -1.44

 

CMYK 0 / 52 / 29 / 0

HEX #FF7AB5

RGB 255 122 181

HSL 333.38, 1%, 0.74%

LAB 68.4, 56.72, -6.88

 

CMYK 0 / 79 / 54 / 7

HEX #EE326E

RGB 238 50 110

HSL 340.85, 0.85%, 0.56%

LAB 53.58, 72.3, 12.59

 

CMYK 0 / 86 / 59 / 13

HEX #DD205B

RGB 221 32 91

HSL 341.27, 0.75%, 0.5%

LAB 48.46, 70.79, 16.57

 

CMYK 0 / 93 / 65 / 20

HEX #CC0E48

RGB 204 14 72

HSL 341.68, 0.87%, 0.43%

LAB 43.68, 68.27, 21.37

 

CMYK 0 / 100 / 72 / 27

HEX #BB0035

RGB 187 0 53

HSL 342.99, 1%, 0.37%

LAB 39.28, 64.65, 26.97

 

CMYK 0 / 100 / 80 / 33

HEX #AA0022

RGB 170 0 34

HSL 348, 1%, 0.33%

LAB 35.32, 59.75, 33.23

 

CMYK 0 / 80 / 55 / 7

HEX #EE2F6C

RGB 238 47 108

HSL 340.84, 0.85%, 0.56%

LAB 53.27, 72.92, 13.36

 

CMYK 0 / 80 / 76 / 7

HEX #EE2F39

RGB 238 47 57

HSL 356.86, 0.85%, 0.56%

LAB 52.4, 70.29, 42.35

 

CMYK 0 / 80 / 80 / 7

HEX #EE2F2F

RGB 238 47 47

HSL 0, 0.85%, 0.56%

LAB 52.3, 69.98, 47.65

 

CMYK 0 / 80 / 55 / 7

HEX #EE2F6C

RGB 238 47 108

HSL 340.84, 0.85%, 0.56%

LAB 53.27, 72.92, 13.36

 

CMYK 0 / 80 / 33 / 7

HEX #EE2FA0

RGB 238 47 160

HSL 324.5, 0.85%, 0.56%

LAB 54.81, 77.48, -15.44

 

CMYK 0 / 80 / 11 / 7

HEX #EE2FD3

RGB 238 47 211

HSL 308.48, 0.85%, 0.56%

LAB 56.99, 83.65, -41.6

 

CMYK 10 / 80 / 0 / 7

HEX #D62FEE

RGB 214 47 238

HSL 292.46, 0.85%, 0.56%

LAB 54.56, 83.2, -60.98

 

CMYK 32 / 80 / 0 / 7

HEX #A22FEE

RGB 162 47 238

HSL 276.13, 0.85%, 0.56%

LAB 46.83, 74.66, -73.86

 

CMYK 0 / 80 / 55 / 7

HEX #EE2F6C

RGB 238 47 108

HSL 340.84, 0.85%, 0.56%

LAB 53.27, 72.92, 13.36

 

CMYK 0 / 80 / 55 / 7

HEX #EE2F6C

RGB 238 47 108

HSL 340.84, 0.85%, 0.56%

LAB 53.27, 72.92, 13.36

 

CMYK 0 / 70 / 48 / 14

HEX #DC4273

RGB 220 66 115

HSL 340.91, 0.69%, 0.56%

LAB 52.23, 62.77, 7.21

 

CMYK 0 / 58 / 40 / 21

HEX #CA5479

RGB 202 84 121

HSL 341.19, 0.53%, 0.56%

LAB 52.15, 50.35, 3.11

 

CMYK 0 / 45 / 30 / 28

HEX #B86680

RGB 184 102 128

HSL 340.98, 0.37%, 0.56%

LAB 53.22, 35.95, 0.19

 

CMYK 0 / 28 / 19 / 35

HEX #A67887

RGB 166 120 135

HSL 340.43, 0.21%, 0.56%

LAB 55.37, 20.31, -1.04

 

CMYK 0 / 80 / 11 / 7

HEX #EE2FD5

RGB 238 47 213

HSL 307.85, 0.85%, 0.56%

LAB 57.09, 83.92, -42.59

 

CMYK 0 / 80 / 32 / 7

HEX #EE2FA2

RGB 238 47 162

HSL 323.87, 0.85%, 0.56%

LAB 54.89, 77.7, -16.5

 

CMYK 0 / 80 / 53 / 7

HEX #EE2F6F

RGB 238 47 111

HSL 339.9, 0.85%, 0.56%

LAB 53.34, 73.13, 11.65

 

CMYK 0 / 80 / 75 / 7

HEX #EE2F3C

RGB 238 47 60

HSL 355.92, 0.85%, 0.56%

LAB 52.44, 70.39, 40.71

 

CMYK 0 / 64 / 80 / 7

HEX #EE562F

RGB 238 86 47

HSL 12.25, 0.85%, 0.56%

LAB 57.11, 56.73, 52.3

 

CMYK 0 / 92 / 63 / 26

HEX #BC0F46

RGB 188 15 70

HSL 340.92, 0.85%, 0.4%

LAB 40.37, 64.09, 17.65

 

CMYK 0 / 92 / 62 / 11

HEX #E21255

RGB 226 18 85

HSL 340.67, 0.85%, 0.48%

LAB 48.58, 73.83, 20.59

 

CMYK 0 / 80 / 55 / 7

HEX #EE2F6C

RGB 238 47 108

HSL 340.84, 0.85%, 0.56%

LAB 53.27, 72.92, 13.36

 

CMYK 0 / 64 / 44 / 5

HEX #F15687

RGB 241 86 135

HSL 341.03, 0.85%, 0.64%

LAB 59.07, 63.13, 5.62

 

CMYK 0 / 49 / 34 / 4

HEX #F47CA2

RGB 244 124 162

HSL 341, 0.85%, 0.72%

LAB 66.72, 49.87, 1.2

 

CMYK 0 / 79 / 54 / 7

HEX #EE326E

RGB 238 50 110

HSL 340.85, 0.85%, 0.56%

LAB 53.58, 72.3, 12.59

 

CMYK 0 / 11 / 80 / 7

HEX #EED52F

RGB 238 213 47

HSL 52.15, 0.85%, 0.56%

LAB 84.98, -7.38, 77.47

 

CMYK 80 / 21 / 0 / 7

HEX #2FBBEE

RGB 47 187 238

HSL 196.02, 0.85%, 0.56%

LAB 71.09, -19.15, -35.61

 

CMYK 0 / 79 / 54 / 7

HEX #EE326E

RGB 238 50 110

HSL 340.85, 0.85%, 0.56%

LAB 53.58, 72.3, 12.59

 

CMYK 53 / 0 / 80 / 7

HEX #6FEE2F

RGB 111 238 47

HSL 99.9, 0.85%, 0.56%

LAB 84.35, -65.34, 74.03

 

CMYK 80 / 53 / 0 / 7

HEX #2F6FEE

RGB 47 111 238

HSL 219.9, 0.85%, 0.56%

LAB 49.67, 25.26, -69.63

 

CMYK 0 / 79 / 54 / 7

HEX #EE326E

RGB 238 50 110

HSL 340.85, 0.85%, 0.56%

LAB 53.58, 72.3, 12.59

 

CMYK 0 / 11 / 80 / 7

HEX #EED52F

RGB 238 213 47

HSL 52.15, 0.85%, 0.56%

LAB 84.98, -7.38, 77.47

 

CMYK 80 / 0 / 26 / 7

HEX #2FEEAF

RGB 47 238 175

HSL 160.21, 0.85%, 0.56%

LAB 84.41, -59.7, 17.8

 

CMYK 80 / 69 / 0 / 7

HEX #2F49EE

RGB 47 73 238

HSL 231.83, 0.85%, 0.56%

LAB 40.48, 48.84, -84.67

 

CMYK 0 / 79 / 54 / 7

HEX #EE326E

RGB 238 50 110

HSL 340.85, 0.85%, 0.56%

LAB 53.58, 72.3, 12.59

 

CMYK 13 / 0 / 80 / 7

HEX #CEEE2F

RGB 206 238 47

HSL 70.05, 0.85%, 0.56%

LAB 89.15, -32.71, 80.14

 

CMYK 80 / 0 / 26 / 7

HEX #2FEEAF

RGB 47 238 175

HSL 160.21, 0.85%, 0.56%

LAB 84.41, -59.7, 17.8

 

CMYK 67 / 80 / 0 / 7

HEX #4F2FEE

RGB 79 47 238

HSL 250.05, 0.85%, 0.56%

LAB 37.61, 64.71, -89.36

 

Description

Color code: HEX #EE326E | qconv.com Color code: HEX #EE326E | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 50 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 50 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 54 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 54% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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