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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EE30A7 it is the complementary color #11CF58. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EE30A7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EE30A7 shade: #F330A2, #FF42B5, #FF54C8, #FF66DB and #FF78EE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EE30A7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EE30A7 shade: #EE30A7, #DD1E94, #CC0C81, #BB006E and #AA005B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EE30A7 shade: #EE2FA6, #EE2F73, #EE2F40 and #EE2F2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EE30A7 shade: #EE2FA6, #EE2FDA, #CE2FEE, #9B2FEE and #672FEE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EE30A7 shade matches the following richer shades: #EE2FA6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EE30A7 shade: #EE2FA6, #DC41A2, #C9539D, #B76599 and #A57894

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EE30A7 shade: #CE2FEE, #EE2FDB, #EE2FA8, #EE2F75 and #EE2F42

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EE30A7 shade: #BB0F7B, #E21294, #EE2FA6, #F155B7 and #F47BC7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EE30A7 shade: #EE30A7, #EE9B2F and #2FEEE7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EE30A7 shade: #EE30A7, #A8EE2F and #2FA8EE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EE30A7 shade: #EE30A7, #EE9B2F, #2FEE75 and #2F82EE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EE30A7 shade: #EE30A7, #EED42F, #2FEE75 and #2F48EE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 30 / 7

HEX #EE30A7

RGB 238 48 167

HSL 322.42, 0.85%, 0.56%

LAB 55.16, 78, -19.03

 

Complementary color

CMYK 92 / 0 / 57 / 19

HEX #11CF58

RGB 17 207 88

HSL 142.42, 0.85%, 0.44%

LAB 73.19, -67.06, 46.66

 

CMYK 0 / 80 / 33 / 5

HEX #F330A2

RGB 243 48 162

HSL 324.92, 0.89%, 0.57%

LAB 55.86, 78.61, -14.93

 

CMYK 0 / 74 / 29 / 0

HEX #FF42B5

RGB 255 66 181

HSL 323.49, 1%, 0.63%

LAB 60.33, 78.69, -19.01

 

CMYK 0 / 67 / 22 / 0

HEX #FF54C8

RGB 255 84 200

HSL 319.3, 1%, 0.66%

LAB 63.15, 75.06, -25.55

 

CMYK 0 / 60 / 14 / 0

HEX #FF66DB

RGB 255 102 219

HSL 314.12, 1%, 0.7%

LAB 66.43, 70.7, -31.19

 

CMYK 0 / 53 / 7 / 0

HEX #FF78EE

RGB 255 120 238

HSL 307.56, 1%, 0.74%

LAB 70.08, 65.8, -36.05

 

CMYK 0 / 80 / 30 / 7

HEX #EE30A7

RGB 238 48 167

HSL 322.42, 0.85%, 0.56%

LAB 55.16, 78, -19.03

 

CMYK 0 / 86 / 33 / 13

HEX #DD1E94

RGB 221 30 148

HSL 322.93, 0.76%, 0.49%

LAB 50.02, 75.93, -15.87

 

CMYK 0 / 94 / 37 / 20

HEX #CC0C81

RGB 204 12 129

HSL 323.44, 0.89%, 0.42%

LAB 45.2, 72.8, -11.98

 

CMYK 0 / 100 / 41 / 27

HEX #BB006E

RGB 187 0 110

HSL 324.71, 1%, 0.37%

LAB 40.72, 68.48, -7.26

 

CMYK 0 / 100 / 46 / 33

HEX #AA005B

RGB 170 0 91

HSL 327.88, 1%, 0.33%

LAB 36.56, 63.04, -1.73

 

CMYK 0 / 80 / 30 / 7

HEX #EE2FA6

RGB 238 47 166

HSL 322.62, 0.85%, 0.56%

LAB 55.03, 78.13, -18.63

 

CMYK 0 / 80 / 52 / 7

HEX #EE2F73

RGB 238 47 115

HSL 338.64, 0.85%, 0.56%

LAB 53.44, 73.43, 9.38

 

CMYK 0 / 80 / 73 / 7

HEX #EE2F40

RGB 238 47 64

HSL 354.66, 0.85%, 0.56%

LAB 52.49, 70.54, 38.49

 

CMYK 0 / 80 / 80 / 7

HEX #EE2F2F

RGB 238 47 47

HSL 0, 0.85%, 0.56%

LAB 52.3, 69.98, 47.65

 

CMYK 0 / 80 / 30 / 7

HEX #EE2FA6

RGB 238 47 166

HSL 322.62, 0.85%, 0.56%

LAB 55.03, 78.13, -18.63

 

CMYK 0 / 80 / 8 / 7

HEX #EE2FDA

RGB 238 47 218

HSL 306.28, 0.85%, 0.56%

LAB 57.34, 84.61, -45.03

 

CMYK 13 / 80 / 0 / 7

HEX #CE2FEE

RGB 206 47 238

HSL 289.95, 0.85%, 0.56%

LAB 53.31, 81.81, -63.06

 

CMYK 35 / 80 / 0 / 7

HEX #9B2FEE

RGB 155 47 238

HSL 273.93, 0.85%, 0.56%

LAB 45.87, 73.61, -75.46

 

CMYK 57 / 80 / 0 / 7

HEX #672FEE

RGB 103 47 238

HSL 257.59, 0.85%, 0.56%

LAB 39.73, 66.97, -85.78

 

CMYK 0 / 80 / 30 / 7

HEX #EE2FA6

RGB 238 47 166

HSL 322.62, 0.85%, 0.56%

LAB 55.03, 78.13, -18.63

 

CMYK 0 / 80 / 30 / 7

HEX #EE2FA6

RGB 238 47 166

HSL 322.62, 0.85%, 0.56%

LAB 55.03, 78.13, -18.63

 

CMYK 0 / 70 / 26 / 14

HEX #DC41A2

RGB 220 65 162

HSL 322.45, 0.69%, 0.56%

LAB 53.61, 68.08, -18.74

 

CMYK 0 / 59 / 22 / 21

HEX #C9539D

RGB 201 83 157

HSL 322.37, 0.52%, 0.56%

LAB 52.99, 54.99, -17.01

 

CMYK 0 / 45 / 16 / 28

HEX #B76599

RGB 183 101 153

HSL 321.95, 0.36%, 0.56%

LAB 53.68, 39.83, -13.86

 

CMYK 0 / 27 / 10 / 35

HEX #A57894

RGB 165 120 148

HSL 322.67, 0.2%, 0.56%

LAB 55.66, 22.16, -8.19

 

CMYK 13 / 80 / 0 / 7

HEX #CE2FEE

RGB 206 47 238

HSL 289.95, 0.85%, 0.56%

LAB 53.31, 81.81, -63.06

 

CMYK 0 / 80 / 8 / 7

HEX #EE2FDB

RGB 238 47 219

HSL 305.97, 0.85%, 0.56%

LAB 57.39, 84.75, -45.52

 

CMYK 0 / 80 / 29 / 7

HEX #EE2FA8

RGB 238 47 168

HSL 321.99, 0.85%, 0.56%

LAB 55.11, 78.35, -19.68

 

CMYK 0 / 80 / 51 / 7

HEX #EE2F75

RGB 238 47 117

HSL 338.01, 0.85%, 0.56%

LAB 53.49, 73.58, 8.24

 

CMYK 0 / 80 / 72 / 7

HEX #EE2F42

RGB 238 47 66

HSL 354.03, 0.85%, 0.56%

LAB 52.51, 70.62, 37.37

 

CMYK 0 / 92 / 34 / 27

HEX #BB0F7B

RGB 187 15 123

HSL 322.33, 0.85%, 0.4%

LAB 41.75, 68.17, -13.83

 

CMYK 0 / 92 / 35 / 11

HEX #E21294

RGB 226 18 148

HSL 322.5, 0.85%, 0.48%

LAB 50.38, 78.71, -15.24

 

CMYK 0 / 80 / 30 / 7

HEX #EE2FA6

RGB 238 47 166

HSL 322.62, 0.85%, 0.56%

LAB 55.03, 78.13, -18.63

 

CMYK 0 / 65 / 24 / 5

HEX #F155B7

RGB 241 85 183

HSL 322.31, 0.85%, 0.64%

LAB 60.44, 68.88, -20.2

 

CMYK 0 / 50 / 18 / 4

HEX #F47BC7

RGB 244 123 199

HSL 322.31, 0.85%, 0.72%

LAB 67.67, 55.26, -18.24

 

CMYK 0 / 80 / 30 / 7

HEX #EE30A7

RGB 238 48 167

HSL 322.42, 0.85%, 0.56%

LAB 55.16, 78, -19.03

 

CMYK 0 / 35 / 80 / 7

HEX #EE9B2F

RGB 238 155 47

HSL 33.93, 0.85%, 0.56%

LAB 70.75, 22.85, 64.91

 

CMYK 80 / 0 / 3 / 7

HEX #2FEEE7

RGB 47 238 231

HSL 177.8, 0.85%, 0.56%

LAB 85.77, -45.6, -9.56

 

CMYK 0 / 80 / 30 / 7

HEX #EE30A7

RGB 238 48 167

HSL 322.42, 0.85%, 0.56%

LAB 55.16, 78, -19.03

 

CMYK 29 / 0 / 80 / 7

HEX #A8EE2F

RGB 168 238 47

HSL 81.99, 0.85%, 0.56%

LAB 86.84, -47.22, 77.21

 

CMYK 80 / 29 / 0 / 7

HEX #2FA8EE

RGB 47 168 238

HSL 201.99, 0.85%, 0.56%

LAB 65.58, -8.92, -44.21

 

CMYK 0 / 80 / 30 / 7

HEX #EE30A7

RGB 238 48 167

HSL 322.42, 0.85%, 0.56%

LAB 55.16, 78, -19.03

 

CMYK 0 / 35 / 80 / 7

HEX #EE9B2F

RGB 238 155 47

HSL 33.93, 0.85%, 0.56%

LAB 70.75, 22.85, 64.91

 

CMYK 80 / 0 / 51 / 7

HEX #2FEE75

RGB 47 238 117

HSL 141.99, 0.85%, 0.56%

LAB 83.46, -70.48, 45.6

 

CMYK 80 / 45 / 0 / 7

HEX #2F82EE

RGB 47 130 238

HSL 213.93, 0.85%, 0.56%

LAB 54.81, 13.39, -61.34

 

CMYK 0 / 80 / 30 / 7

HEX #EE30A7

RGB 238 48 167

HSL 322.42, 0.85%, 0.56%

LAB 55.16, 78, -19.03

 

CMYK 0 / 11 / 80 / 7

HEX #EED42F

RGB 238 212 47

HSL 51.83, 0.85%, 0.56%

LAB 84.73, -6.88, 77.25

 

CMYK 80 / 0 / 51 / 7

HEX #2FEE75

RGB 47 238 117

HSL 141.99, 0.85%, 0.56%

LAB 83.46, -70.48, 45.6

 

CMYK 80 / 70 / 0 / 7

HEX #2F48EE

RGB 47 72 238

HSL 232.15, 0.85%, 0.56%

LAB 40.27, 49.43, -85.02

 

Description

Color code: HEX #EE30A7 | qconv.com Color code: HEX #EE30A7 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us. It is also known as maroon2.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 48 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 48 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 30 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 30% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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