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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EE2C2C it is the complementary color #11D3D3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EE2C2C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #EE2C2C: #F32C27, #FF3E3A, #FF504D, #FF6260 and #FF7473

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EE2C2C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #EE2C2C: #EE2C2C, #DD1A19, #CC0806, #BB0000 and #AA0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 82 / 7

HEX #EE2C2C

RGB 238 44 44

HSL 0, 0.85%, 0.55%

LAB 52.02, 70.63, 48.93

 

Complementary color

CMYK 92 / 0 / 0 / 17

HEX #11D3D3

RGB 17 211 211

HSL 180, 0.85%, 0.45%

LAB 76.93, -41.2, -12.14

 

CMYK 0 / 82 / 84 / 5

HEX #F32C27

RGB 243 44 39

HSL 1.47, 0.89%, 0.55%

LAB 52.95, 71.87, 52.63

 

CMYK 0 / 76 / 77 / 0

HEX #FF3E3A

RGB 255 62 58

HSL 1.22, 1%, 0.61%

LAB 57.09, 70.96, 47.74

 

CMYK 0 / 69 / 70 / 0

HEX #FF504D

RGB 255 80 77

HSL 1.01, 1%, 0.65%

LAB 59.46, 65.71, 40.06

 

CMYK 0 / 62 / 62 / 0

HEX #FF6260

RGB 255 98 96

HSL 0.75, 1%, 0.69%

LAB 62.37, 59.58, 32.98

 

CMYK 0 / 55 / 55 / 0

HEX #FF7473

RGB 255 116 115

HSL 0.43, 1%, 0.73%

LAB 65.74, 52.86, 26.66

 

CMYK 0 / 82 / 82 / 7

HEX #EE2C2C

RGB 238 44 44

HSL 0, 0.85%, 0.55%

LAB 52.02, 70.63, 48.93

 

CMYK 0 / 88 / 89 / 13

HEX #DD1A19

RGB 221 26 25

HSL 0.31, 0.8%, 0.48%

LAB 47.21, 69.34, 52.58

 

CMYK 0 / 96 / 97 / 20

HEX #CC0806

RGB 204 8 6

HSL 0.61, 0.94%, 0.41%

LAB 42.8, 67, 54.89

 

CMYK 0 / 100 / 100 / 27

HEX #BB0000

RGB 187 0 0

HSL 0, 1%, 0.37%

LAB 38.84, 63.45, 53.24

 

CMYK 0 / 100 / 100 / 33

HEX #AA0000

RGB 170 0 0

HSL 0, 1%, 0.33%

LAB 35.1, 59.12, 49.41

 

CMYK 0 / 82 / 82 / 7

HEX #EE2C2C

RGB 238 44 44

HSL 0, 0.85%, 0.55%

LAB 52.02, 70.63, 48.93

 

CMYK 0 / 68 / 82 / 7

HEX #ED4B2A

RGB 237 75 42

HSL 10.15, 0.84%, 0.55%

LAB 55.28, 60.64, 52.87

 

CMYK 0 / 55 / 82 / 7

HEX #ED6B2A

RGB 237 107 42

HSL 20, 0.84%, 0.55%

LAB 60.5, 46.8, 57.58

 

CMYK 0 / 41 / 82 / 7

HEX #ED8C2A

RGB 237 140 42

HSL 30.15, 0.84%, 0.55%

LAB 67.22, 30.17, 63.52

 

CMYK 0 / 27 / 82 / 7

HEX #EDAC2A

RGB 237 172 42

HSL 40, 0.84%, 0.55%

LAB 74.62, 13.28, 69.93

 

CMYK 0 / 82 / 82 / 7

HEX #EE2C2C

RGB 238 44 44

HSL 0, 0.85%, 0.55%

LAB 52.02, 70.63, 48.93

 

CMYK 0 / 82 / 82 / 87

HEX #220606

RGB 34 6 6

HSL 0, 0.7%, 0.08%

LAB 4.37, 12.21, 4.3

 

CMYK 0 / 81 / 81 / 67

HEX #551010

RGB 85 16 16

HSL 0, 0.68%, 0.2%

LAB 17.18, 31.28, 19.18

 

CMYK 0 / 82 / 82 / 47

HEX #881919

RGB 136 25 25

HSL 0, 0.69%, 0.32%

LAB 29.41, 45.51, 30.19

 

CMYK 0 / 81 / 81 / 27

HEX #BB2323

RGB 187 35 35

HSL 0, 0.68%, 0.44%

LAB 41.04, 58.32, 39.61

 

CMYK 0 / 82 / 82 / 7

HEX #EE2C2C

RGB 238 44 44

HSL 0, 0.85%, 0.55%

LAB 52.02, 70.63, 48.93

 

CMYK 16 / 0 / 82 / 7

HEX #C6ED2A

RGB 198 237 42

HSL 72, 0.84%, 0.55%

LAB 88.32, -35.58, 80.42

 

CMYK 82 / 49 / 0 / 7

HEX #2A78ED

RGB 42 120 237

HSL 216, 0.84%, 0.55%

LAB 51.88, 18.79, -65.5

 

CMYK 0 / 82 / 82 / 7

HEX #EE2C2C

RGB 238 44 44

HSL 0, 0.85%, 0.55%

LAB 52.02, 70.63, 48.93

 

CMYK 82 / 0 / 82 / 7

HEX #2AED2A

RGB 42 237 42

HSL 120, 0.84%, 0.55%

LAB 82.5, -77.99, 73.04

 

CMYK 82 / 82 / 0 / 7

HEX #2A2AED

RGB 42 42 237

HSL 240, 0.84%, 0.55%

LAB 34.52, 64.32, -93.97

 

CMYK 0 / 82 / 82 / 7

HEX #EE2C2C

RGB 238 44 44

HSL 0, 0.85%, 0.55%

LAB 52.02, 70.63, 48.93

 

CMYK 16 / 0 / 82 / 7

HEX #C6ED2A

RGB 198 237 42

HSL 72, 0.84%, 0.55%

LAB 88.32, -35.58, 80.42

 

CMYK 82 / 0 / 0 / 7

HEX #2AEDED

RGB 42 237 237

HSL 180, 0.84%, 0.55%

LAB 85.59, -43.85, -12.98

 

CMYK 66 / 82 / 0 / 7

HEX #512AED

RGB 81 42 237

HSL 252, 0.84%, 0.55%

LAB 36.97, 66.63, -89.85

 

CMYK 0 / 82 / 82 / 7

HEX #EE2C2C

RGB 238 44 44

HSL 0, 0.85%, 0.55%

LAB 52.02, 70.63, 48.93

 

CMYK 41 / 0 / 82 / 7

HEX #8CED2A

RGB 140 237 42

HSL 89.85, 0.84%, 0.55%

LAB 85.15, -56.64, 76.43

 

CMYK 82 / 0 / 0 / 7

HEX #2AEDED

RGB 42 237 237

HSL 180, 0.84%, 0.55%

LAB 85.59, -43.85, -12.98

 

CMYK 41 / 82 / 0 / 7

HEX #8C2AED

RGB 140 42 237

HSL 270.15, 0.84%, 0.55%

LAB 43.28, 72.88, -79.22

 

Description

Color code: HEX #EE2C2C | qconv.com Color code: HEX #EE2C2C | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us. It is also known as firebrick2.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 44 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 44 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 82 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 82% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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