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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EE065E it is the complementary color #11F9A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EE065E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EE065E shade: #F30659, #FF186C, #FF2A7F, #FF3C92 and #FF4EA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EE065E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EE065E shade: #EE065E, #DD004B, #CC0038, #BB0025 and #AA0012

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EE065E shade: #EF065E, #EF0620 and #EF0606

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EE065E shade: #EF065E, #EF069D, #EF06DC, #C306EF and #8406EF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EE065E shade matches the following richer shades: #EF065E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EE065E shade: #EF065E, #DB1A63, #C72E68, #B3426D and #9F5571

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EE065E shade: #EF06DB, #EF069D, #EF065F, #EF0621 and #EF2906

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EE065E shade: #9E043F, #C6054E, #EF065E, #F92575 and #FA4D8F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EE065E shade: #EE065E, #EFC406 and #06BCEF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EE065E shade: #EE065E, #5FEF06 and #065FEF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EE065E shade: #EE065E, #EFC406, #06EF96 and #0631EF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EE065E shade: #EE065E, #D4EF06, #06EF96 and #2106EF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 97 / 61 / 7

HEX #EE065E

RGB 238 6 94

HSL 337.24, 0.95%, 0.48%

LAB 50.82, 78.19, 18.5

 

Complementary color

CMYK 93 / 0 / 35 / 2

HEX #11F9A1

RGB 17 249 161

HSL 157.24, 0.95%, 0.52%

LAB 87.21, -68.52, 28.78

 

CMYK 0 / 98 / 63 / 5

HEX #F30659

RGB 243 6 89

HSL 338.99, 0.95%, 0.49%

LAB 51.73, 79.06, 22.94

 

CMYK 0 / 91 / 58 / 0

HEX #FF186C

RGB 255 24 108

HSL 338.18, 1%, 0.55%

LAB 55.07, 81.26, 16.35

 

CMYK 0 / 84 / 50 / 0

HEX #FF2A7F

RGB 255 42 127

HSL 336.06, 1%, 0.58%

LAB 56.53, 79.63, 7.03

 

CMYK 0 / 76 / 43 / 0

HEX #FF3C92

RGB 255 60 146

HSL 333.54, 1%, 0.62%

LAB 58.57, 76.87, -1.27

 

CMYK 0 / 69 / 35 / 0

HEX #FF4EA5

RGB 255 78 165

HSL 330.51, 1%, 0.65%

LAB 61.16, 73.09, -8.52

 

CMYK 0 / 97 / 61 / 7

HEX #EE065E

RGB 238 6 94

HSL 337.24, 0.95%, 0.48%

LAB 50.82, 78.19, 18.5

 

CMYK 0 / 100 / 66 / 13

HEX #DD004B

RGB 221 0 75

HSL 339.64, 1%, 0.43%

LAB 46.82, 73.74, 24.25

 

CMYK 0 / 100 / 73 / 20

HEX #CC0038

RGB 204 0 56

HSL 343.53, 1%, 0.4%

LAB 42.95, 68.88, 30.38

 

CMYK 0 / 100 / 80 / 27

HEX #BB0025

RGB 187 0 37

HSL 348.13, 1%, 0.37%

LAB 39.07, 64.08, 36.5

 

CMYK 0 / 100 / 89 / 33

HEX #AA0012

RGB 170 0 18

HSL 353.65, 1%, 0.33%

LAB 35.18, 59.36, 41.95

 

CMYK 0 / 97 / 61 / 6

HEX #EF065E

RGB 239 6 94

HSL 337.34, 0.95%, 0.48%

LAB 51.02, 78.42, 18.81

 

CMYK 0 / 97 / 87 / 6

HEX #EF0620

RGB 239 6 32

HSL 353.3, 0.95%, 0.48%

LAB 50.2, 76.17, 53.33

 

CMYK 0 / 97 / 97 / 6

HEX #EF0606

RGB 239 6 6

HSL 0, 0.95%, 0.48%

LAB 50.09, 75.87, 62.43

 

CMYK 0 / 97 / 61 / 6

HEX #EF065E

RGB 239 6 94

HSL 337.34, 0.95%, 0.48%

LAB 51.02, 78.42, 18.81

 

CMYK 0 / 97 / 34 / 6

HEX #EF069D

RGB 239 6 157

HSL 321.12, 0.95%, 0.48%

LAB 52.86, 83.28, -16.61

 

CMYK 0 / 97 / 8 / 6

HEX #EF06DC

RGB 239 6 220

HSL 304.89, 0.95%, 0.48%

LAB 55.73, 90.57, -48.7

 

CMYK 18 / 97 / 0 / 6

HEX #C306EF

RGB 195 6 239

HSL 288.67, 0.95%, 0.48%

LAB 49.45, 86.7, -69.94

 

CMYK 45 / 97 / 0 / 6

HEX #8406EF

RGB 132 6 239

HSL 272.45, 0.95%, 0.48%

LAB 40.03, 79.55, -85.74

 

CMYK 0 / 97 / 61 / 6

HEX #EF065E

RGB 239 6 94

HSL 337.34, 0.95%, 0.48%

LAB 51.02, 78.42, 18.81

 

CMYK 0 / 97 / 61 / 6

HEX #EF065E

RGB 239 6 94

HSL 337.34, 0.95%, 0.48%

LAB 51.02, 78.42, 18.81

 

CMYK 0 / 88 / 55 / 14

HEX #DB1A63

RGB 219 26 99

HSL 337.31, 0.79%, 0.48%

LAB 47.88, 71.89, 10.78

 

CMYK 0 / 77 / 48 / 22

HEX #C72E68

RGB 199 46 104

HSL 337.25, 0.62%, 0.48%

LAB 45.76, 62.57, 4.16

 

CMYK 0 / 63 / 39 / 30

HEX #B3426D

RGB 179 66 109

HSL 337.17, 0.46%, 0.48%

LAB 45.06, 49.73, -0.39

 

CMYK 0 / 47 / 29 / 38

HEX #9F5571

RGB 159 85 113

HSL 337.3, 0.3%, 0.48%

LAB 45.72, 33.97, -2.22

 

CMYK 0 / 97 / 8 / 6

HEX #EF06DB

RGB 239 6 219

HSL 305.15, 0.95%, 0.48%

LAB 55.68, 90.44, -48.22

 

CMYK 0 / 97 / 34 / 6

HEX #EF069D

RGB 239 6 157

HSL 321.12, 0.95%, 0.48%

LAB 52.86, 83.28, -16.61

 

CMYK 0 / 97 / 60 / 6

HEX #EF065F

RGB 239 6 95

HSL 337.08, 0.95%, 0.48%

LAB 51.04, 78.47, 18.22

 

CMYK 0 / 97 / 86 / 6

HEX #EF0621

RGB 239 6 33

HSL 353.05, 0.95%, 0.48%

LAB 50.2, 76.18, 52.86

 

CMYK 0 / 83 / 97 / 6

HEX #EF2906

RGB 239 41 6

HSL 9.01, 0.95%, 0.48%

LAB 51.78, 71.02, 63.2

 

CMYK 0 / 97 / 60 / 38

HEX #9E043F

RGB 158 4 63

HSL 337.01, 0.95%, 0.32%

LAB 33.38, 57.6, 11.66

 

CMYK 0 / 97 / 61 / 22

HEX #C6054E

RGB 198 5 78

HSL 337.31, 0.95%, 0.4%

LAB 42.25, 68.06, 15.47

 

CMYK 0 / 97 / 61 / 6

HEX #EF065E

RGB 239 6 94

HSL 337.34, 0.95%, 0.48%

LAB 51.02, 78.42, 18.81

 

CMYK 0 / 85 / 53 / 2

HEX #F92575

RGB 249 37 117

HSL 337.36, 0.95%, 0.56%

LAB 54.81, 78.44, 10.41

 

CMYK 0 / 69 / 43 / 2

HEX #FA4D8F

RGB 250 77 143

HSL 337.11, 0.95%, 0.64%

LAB 59.54, 69.89, 1.8

 

CMYK 0 / 97 / 61 / 7

HEX #EE065E

RGB 238 6 94

HSL 337.24, 0.95%, 0.48%

LAB 50.82, 78.19, 18.5

 

CMYK 0 / 18 / 97 / 6

HEX #EFC406

RGB 239 196 6

HSL 48.93, 0.95%, 0.48%

LAB 80.65, 0.98, 81.44

 

CMYK 97 / 21 / 0 / 6

HEX #06BCEF

RGB 6 188 239

HSL 193.13, 0.95%, 0.48%

LAB 71.03, -21.47, -36.27

 

CMYK 0 / 97 / 61 / 7

HEX #EE065E

RGB 238 6 94

HSL 337.24, 0.95%, 0.48%

LAB 50.82, 78.19, 18.5

 

CMYK 60 / 0 / 97 / 6

HEX #5FEF06

RGB 95 239 6

HSL 97.08, 0.95%, 0.48%

LAB 84.06, -70.81, 80.27

 

CMYK 97 / 60 / 0 / 6

HEX #065FEF

RGB 6 95 239

HSL 217.08, 0.95%, 0.48%

LAB 44.88, 33.73, -78.04

 

CMYK 0 / 97 / 61 / 7

HEX #EE065E

RGB 238 6 94

HSL 337.24, 0.95%, 0.48%

LAB 50.82, 78.19, 18.5

 

CMYK 0 / 18 / 97 / 6

HEX #EFC406

RGB 239 196 6

HSL 48.93, 0.95%, 0.48%

LAB 80.65, 0.98, 81.44

 

CMYK 97 / 0 / 37 / 6

HEX #06EF96

RGB 6 239 150

HSL 157.08, 0.95%, 0.48%

LAB 83.95, -67.57, 29.95

 

CMYK 97 / 79 / 0 / 6

HEX #0631EF

RGB 6 49 239

HSL 228.93, 0.95%, 0.48%

LAB 34.94, 60.78, -94.44

 

CMYK 0 / 97 / 61 / 7

HEX #EE065E

RGB 238 6 94

HSL 337.24, 0.95%, 0.48%

LAB 50.82, 78.19, 18.5

 

CMYK 11 / 0 / 97 / 6

HEX #D4EF06

RGB 212 239 6

HSL 66.95, 0.95%, 0.48%

LAB 89.74, -31.55, 87.14

 

CMYK 97 / 0 / 37 / 6

HEX #06EF96

RGB 6 239 150

HSL 157.08, 0.95%, 0.48%

LAB 83.95, -67.57, 29.95

 

CMYK 86 / 97 / 0 / 6

HEX #2106EF

RGB 33 6 239

HSL 246.95, 0.95%, 0.48%

LAB 31.08, 74.7, -100.86

 

Description

Color code: HEX #EE065E | qconv.com Color code: HEX #EE065E | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 6 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 6 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 97 magenta, 61 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 97% 61% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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